Here are 100 books that The Glass Box fans have personally recommended if you like
The Glass Box.
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I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I loved this book because it was equally gripping and thrilling as it was funny. It’s impressive when a book so seamlessly weaves real-world experiences and pop culture references with the sci-fi aspects of a dystopian world.
I loved the main character, Frankie, and how she was relatable yet completely unique. Her humor and love of movies, I also loved how it was thought-provoking without feeling like a soap-box political book.
This book was like a quirky Black Mirror-esque cautionary tale of where our society could easily be heading, with plenty of laugh-out-loud moments. I liked how Bryan Johnston took reality TV and made it extreme.
Frankie Percival is cashing in her chips. To save her brother from financial ruin, Frankie—a single stage performer and mentalist who never made it big—agrees to be assassinated on the most popular television show on the planet: Death Warrant. Once she signs her life away, her memory is wiped clean of the agreement, leaving her with no idea she will soon be killed spectacularly for global entertainment.
After years of working in low-rent theaters, Frankie prepares for the biggest performance of her life as her Death Warrant assassin closes in on her. Every person she encounters…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
The Patient is a very quick read and easy to get sucked into, questioning everything you might know or think. I love how it was told through a series of online posts during which the narrator, a young psychiatrist, slowly reveals his story, never quite knowing if what he experienced was real or if he was going crazy.
I love how the sci-fi aspect took it out of our real world just enough to feel fantastical but not too much to be unrealistic or like a classic high-fantasy novel. The pace was fantastic, the twists and reveals were perfectly placed, and it was just the right amount of horror. I appreciate any book that is unexpected and leaves me thinking about it for days after I’m finished.
In a series of online posts, Parker H., a young psychiatrist, chronicles the harrowing account of his time working at a dreary mental hospital in New England. Through this internet message board, Parker hopes to communicate with the world his effort to cure one bewildering patient.
We learn, as Parker did on his first day at the hospital, of the facility's most difficult, profoundly dangerous case - a forty-year-old man who was originally admitted to the hospital at age six. This patient has no known diagnosis. His symptoms seem to evolve over time. Every person who has attempted to treat…
Looking back, I was surprised at the things I'd done and the distance I'd traveled from my lower-middle-class upbringing in an industrial town. Destined for a life on the hot beds at the steel mill, I worked my way through college, found a job as a cub copywriter, learned documentary filmmaking, won an EMMY Award, moved to Hollywood, and started my 'sho biz' career.
It's not that thrillers need updating, but if you think they did, the novel PINES will fulfill your darkest wishes. This modern-day thriller took off like an irresistibly good bad dream and kept me shivering with page-turning anticipation all the way to the end.
I liked the clean storytelling–action-packed yet full of questions about what’s coming next.
The one-million copy bestseller that inspired the Fox TV show.
Secret service agent Ethan Burke arrives in Wayward Pines, Idaho, with a clear mission: locate and recover two federal agents who went missing in the bucolic town one month earlier. But within minutes of his arrival, Ethan is involved in a violent accident. He comes to in a hospital, with no ID, no cell phone, and no briefcase. The medical staff seems friendly enough, but something feels...off. As the days pass, Ethan's investigation into the disappearance of his colleagues turns up more questions than answers. Why can't he get any…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I appreciated how this book lingered in my brain long after finishing it, both because of the fast-paced action and because of the compelling characters. I was never a hundred percent certain who were the “good guys” and who were the “bad guys” which kept me glued to the pages until I was finished.
It really was an edge-of-your-seat page turner. I loved the gritty vibe, sharp wit, and brutal storylines that reminded me of old YA novels pushing boundaries of what is acceptable and what isn’t.
Their foster mother, Carol, has always been fanatical, but with Jazz grown up and out of the house, Carol takes a dangerous turn that threatens thirteen-year-old Joaquin’s life. Over and over, child services fails to intervene, and Joaquin is running out of time.
Then Jazz gets a blocked call from someone offering a solution. There are others like her—people the law has failed. They’ve formed an underground network of “helpers,” each agreeing to eliminate the abuser of another. They’re taking back their power and leaving a trail of bodies throughout Los…
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The Settlement describes a dystopian world set not in the future, but in the past. The 1830s, to be precise.
The misguided evangelist George Augustus Robinson sets himself the task of rounding up the last remaining original inhabitants of Van Diemen’s Land, now known as Tasmania, to save them from slaughter. Under his care, they are convinced to surrender and are relocated to desolate Flinders Island in the Bass Strait.
This is a finely-wrought historical novel of great compassion that brings to life the extinction of a race.
On the windswept point of an island at the edge of van Diemen’s Land, the Commandant huddles with a small force of white men and women.
He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them—from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country.
The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the…
Ever since I can remember, I have been fascinated by scary movies, creature features, and books that tell tales of the strange and supernatural. Years later, my own books explored those things that scare us, from monsters of the deep and the ways we die to the mythology of blood. Research for those books led me into realms that explained why we fear the things we do. Many of those fears are found in horror novels, which provide an endless source of fright, release, and entertainment within their haunting pages. I can’t think of any other genre of writing that takes its readers on such a joyously terrifying ride.
There isn’t another horror novel written in the past ten years that scratched at my brain as much as this one. Baztericca’s brilliance lies in her writing a story that no one else has thought of before. The subject matter–humans have run out of animals to eat–seems like an obvious one.
What is striking about the book is that it is told in an almost clinical fashion, observing horror with a detachment that is precise and unemotional. The plot follows one man through the routines of his life, but it’s the world in which he exists that haunts you. By the time I finished, it was easy to imagine the world of “Tender Is The Flesh” becoming all too real.
It all happened so quickly. First, animals became infected with the virus and their meat became poisonous. Then governments initiated the Transition. Now, 'special meat' - human meat - is legal.
Marcos is in the business of slaughtering humans - only no one calls them that. He works with numbers, consignments, processing. One day, he's given a gift to seal a deal: a specimen of the finest quality. He leaves her in his barn, tied up, a problem to be disposed of later.
But she haunts Marcos. Her trembling body, and watchful gaze, seem to understand. And soon, he becomes…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
After half a lifetime working all over the world as an environmental scientist, I am now a full-time writer of fiction and non-fiction. I’ve studied the effects of oil industry waste in Yemen, monitored groundwater contaminated with radioactive tritium from bomb-making sites in Europe, and remediated oil pits in the South American jungle. I ran Australia’s national climate adaptation program and was CEO of Australia’s national marine science agency, which does much of the research on the Great Barrier Reef. And everywhere I’ve gone, I’ve seen how environmental destruction hurts people, societies, and, inevitably, our future. Each of my six novels and my non-fiction examines this issue in different ways.
The only non-fiction book on my list, this prescient, chilling work examines the geopolitics of climate change.
Written in 2008 by an ex-naval officer turned journalist, this book works on two levels. First, cogent explanations of the science and interviews with senior military personnel from America and Great Britain. Then, eight scenarios that describe how the world might react as emissions rise.
Scenario One: 2045. The average global temperature is 2.8°C higher than in 1990. Prognosis: Awful.
And the scary thing is that’s pretty close to the trajectory we are currently on.
Dwindling resources. Massive population shifts. Natural disasters. Spreading epidemics. Drought. Rising sea levels. Plummeting agricultural yields. Crashing economies. Political extremism. These are just some of the expected consequences of runaway climate change in the decades ahead - and any of them could tip the world towards conflict. Bold, unflinching, and based on exhaustive research, "Climate Wars" grippingly reveals how world leaders are likely to react, and promises to be one of the most important books of the coming years.
I’ve spent a lifetime reading horror, I was probably in third grade when I stumbled across a battered collection of short stories by Saki in the adult section of the library—where I wasn’t supposed to be. I snuck the book back to the children’s section, started reading, and I was hooked. Then it was Edgar Allan Poe, and from Poe until now, it’s been every horror novel or short story I could find. The best of them have never left me. And they make up my list, The Most Terrifying Novels You Can’t Escape From.
When I think of the ultimate, inescapable trap, I think of Harlan Ellison’s I Have No MouthandI Must Scream.
To me, the terror is not only unbearable, it’s unchangeable. Of all these worlds, this may be the one most devoid of hope. With no possibility of relief and no chance of escape. There is, in fact, no place to escape to.
And like every book on this list, I don’t have to reread I have No Mouth and I Must Scream, because it’s always with me. In the best and most terrifying way.
A Harrowing dystopian short story by Harlan Ellison, I Have No Mouth & I Must Scream, is set in a post-apocalyptic world where a sentient supercomputer, AM, has destroyed humanity except for five people it keeps alive to torture for the rest of their lives. As AM manipulates the characters' deepest fears and desires, they are held captive in an underground complex and subjected to interminable psychological and physical torture. The narrative is told by one of the captives, Ted, and deals with themes of despair, dehumanization, and the terrifying effects of technological power going unchecked. The story by Ellison…
When I was twelve years old, my picture appeared in my hometown newspaper. I was holding a huge stack of books from the library, a week’s reading. All science fiction. I’ve read voraciously for the past seventy years—though much more widely as an adult. I’ve also had a life founding several small companies and writing twenty books. But I’ve continued to read science fiction, and, increasingly, dystopian novels. Why? Because, as a history buff, I think about the big trends that shape our lives. I see clearly that climate change, breakthroughs in technology, and unstable politics threaten our children’s future. I want to understand how these trends might play out—for better or for worse.
The widening partisan divide between Red and Blue in the United States today gives me nightmares.
I read a lot of history, so I know how closely today’s divisions resemble those before the Civil War. Which is why Omar El Akkad’sAmerican War resonates so deeply with me.
In 2074, four Deep South states secede over the passage of new legislation banning fossil fuels—and a Southerner assassinates the President.
The Red and Blue states are now at war again. And that’s my nightmare brought to life.
A Best Book of the Year: The Guardian, The Observer, New York Times, San Francisco Chronicle and The Washington Post.
2074. America's future is Civil War. Sarat's reality is survival. They took her father, they took her home, they told her lies . . .
She didn't start this war, but she'll end it.
Omar El Akkad's powerful debut novel imagines a dystopian future: a second American Civil War, a devastating plague and one family caught deep in the middle. In American War, we're asked to consider what might happen if America were to turn its most devastating policies and…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
As one of my favorite novels, I find something unexpected every time I read this book. It takes you to a dystopic world, not so much as what it would look like, but how it would feel. I find it affirmative in its negativity. It takes me to what I value and wants to protect, cherish, and continue to experience. It has been part of a lesson I learned long ago and have lived by.
If you want things to be better, what is bad has to be confronted without turning away and surmounted by overcoming, adaptation, or acceptance.
Paul Auster's dystopian future from the author of contemporary classic The New York Trilogy: 'a literary voice for the ages' (Guardian)
'That is how it works in the City. Every time you think you know the answer to a question, you discover that the question makes no sense . . .'
This is the story of Anna Blume and her journey to find her lost brother, William, in the unnamed City. Like the City itself, however, it is a journey that is doomed, and so all that is left is Anna's unwritten account of what happened.
