Here are 100 books that The Immortality Key fans have personally recommended if you like
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For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
Greek Mysteries brings together a collection of essays on a variety of specialist topics related to the ancient mystery cults. Written by some of the world’s leading scholars, many of these essays were originally published in academic journals and are therefore appropriate for a more scholarly readership. That said, this important work provides the perfect entry into contemporary academic scholarship on the mysteries.
Written by an international team of acknowledged experts, this excellent book studies a wide range of contributions and showcases new research on the archaeology, ritual and history of Greek mystery cults.
With a lack of written evidence that exists for the mysteries, archaeology has proved central to explaining their significance and this volume is key to understanding a phenomenon central to Greek religion and society.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
Although a step up in terms of depth of scholarship, this book remains my favourite resource in my ongoing research into the mysteries. At just 100 pages this short text is nevertheless packed with important insights and observations, all of which are backed-up with relevant quotations and pointers to further resources - unsurprisingly, perhaps, since its author, Walter Burkert, is one of the world’s leading classical scholars. For all these reasons this book remains a standard reference work for those studying or wishing to deepen their understanding of the ancient mystery cults.
The foremost historian of Greek religion provides the first comprehensive, comparative study of a little-known aspect of ancient religious beliefs and practices. Secret mystery cults flourished within the larger culture of the public religion of Greece and Rome for roughly a thousand years. This book is neither a history nor a survey but a comparative phenomenology, concentrating on five major cults. In defining the mysteries and describing their rituals, membership, organization, and dissemination, Walter Burkert displays the remarkable erudition we have come to expect of him; he also shows great sensitivity and sympathy in interpreting the experiences and motivations of…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
The Derveni papyrus (500 BC), an ancient Macedonian papyrus that was found in 1962, and was finally published, just recently, in 2006. Derveni Papyrus, is now at Thessaloniki Museum, Greece. This version was published in 340 BC and it is an Orphic book of mystical initiations.
The scroll was carefully unrolled and the fragments joined together, thus forming 26 columns of text. which was used in the mystery cult of Dionysus by the 'Orphic initiators'. It is a philosophical treatise written as a commentary on an Orphic poem, a Theogony concerning the birth of the gods, compiled in the circle of the philosopher AnaXagoras.
The scroll contains a philosophical treatise on a lost poem describing the birth of the gods and other beliefs focusing on Orpheus, the mythical musician who visited the underworld to reclaim his dead love. The Orpheus cult tells us of a single creator god, of the…
This is a comprehensive study of the Derveni Papyrus. The papyrus, found in 1962 near Thessaloniki, is not only one of the oldest surviving Greek papyri but is also considered by scholars as a document of primary importance for a better understanding of the religious and philosophical developments in the fifth and fourth centuries BC. Gabor Betegh aims to reconstruct and systematically analyse the different strata of the text and their interrelation by exploring the archaeological context; the interpretation of rituals in the first columns of the text; the Orphic poem commented on by the author of the papyrus; and…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Otto’s book just before going to Oxford University in 1964, and there, I discovered a way of understanding ancient Greek devotion to their gods.
By Otto’s account, those gods were whole worlds of meaning, from sexual joy (Aphrodite) and homicidal fury (Ares) to more subtle visions of the world (Hermes, the traveler in Twilight) and (finally) Zeus as the guarantor of promises, and of hospitality.
He also introduced me to the idea that the Greeks saw “gods” in moments of sudden joy or inspiration: the lucky moment when–in the poet Pindar’s words–a god sheds a shining light on our usual dreamy life.
Appassionante e insuperata ricostruzione dell’universo religioso greco, questo libro avvicina sapientemente il lettore alle figure della religione olimpica – e al loro peculiare modo di manifestarsi – seguendo una duplice da un lato Otto esamina il culto dei dodici dèi olimpici (soffermandosi anzitutto su Atena, Apollo, Artemide, Afrodite, Ermete), dall’altro ce li presenta come esseri che, grazie alle loro divine epifanie – tanto diverse eppure così sottilmente collegate le une alle altre –, vivono una vita inesauribile, compiuta in sé. E ammirevole è la sua prosa allorché si confronta con le più enigmatiche fra le divinità, come nel famoso ritratto…
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
The last two books I suggest are of fresh press and testify to the modern approach to archaeoastronomy as a multi-disciplinary science. In this book, the aim is to approach Greek religion as a complex mix of rituals, cults, and architecture, identifying the connections with the sky and, more generally, with the “cosmos”. Relevant examples are discussed in detail.
In this book, Efrosyni Boutsikas examines ancient Greek religious performances, intricately orchestrated displays comprising topography, architecture, space, cult, and myth. These various elements were unified in a way that integrated the body within cosmic space and made the sacred extraordinary. Boutsikas also explores how natural light or the night-sky may have assisted in intensifying the experience of these rituals, and how they may have determined ancient perceptions of the cosmos. The author's digital and virtual reconstructions of ancient skyscapes and religious structures during such occurrences unveil a deeper understanding of the importance of time and place in religious experience. Boutsikas…
I’m a classicist and historian. I've been studying the ancient Greeks since I was a teenager, and I'm passionate about ancient Athens in the time of Pericles for many reasons. I've watched brilliant performances of the Oresteia of Aeschylus, the Oedipus Tyrannus of Sophocles, the Bacchae of Euripides, and the Lysistrata of Aristophanes. As a professional historian, I'm in awe of Thucydides, whose alleged ‘trap’ still hits the headlines. No ancient Greek orator was finer than Pericles, no speech greater than his Funeral Oration as preserved by Thucydides. Socrates’ ringing declaration that only a critically examined life is worth living resonates vibrantly with me. Finally, visual art and architecture: the Parthenon. Need I say more?
In case it hasn’t yet become rather obvious, I love the history of ancient Greece and especially the city of democratic Athens during the 5th century BCE and the lifetime of Pericles (c. 495-429).
To help explain why, I could just reel off a list of famous names—famous not only in their own time but also still in our own day: playwrights Aeschylus, Sophocles and Euripides, philosopher Socrates, historian Thucydides, architects Callicrates and Ictinus, and, not least, master sculptor Pheidias, Athenians all.
The last three were united together with Pericles by their involvement in, indeed, the creation of, one of the greatest buildings of the entire Western tradition: the Parthenon, a temple of Athena the Virgin unique in its aesthetic adornment and refinement.
History, however, should not only celebrate but also educate and even warn, as does independent scholar David Stuttard in his totally gripping cultural history. Hubris has become…
A new perspective on ancient Athens at the height of its powers, reinterpreting the city's supposed "Golden Age" as a period of ruinous culture wars.
The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture-including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
For as long as I can remember, I have been deeply interested in how people understand and use the past. Whether it is a patient reciting a personal account of his or her past to a therapist or a scholar writing a history in many volumes, I find that I am consistently fascinated by the importance and different meanings we assign to what has gone before us. What I love about Herodotus is that he reveals something new in each reading. He has a profound humanity that he brings to the genre that he pretty much invented. And to top it all off, he is a great storyteller!
Paul Cartledge is one of the best Greek historians alive today. Though profoundly knowledgeable about Greece and its history, he writes in a way that non-specialists can follow and appreciate.
I particularly like this book because, through a series of antitheses (Greek/barbarian, free/enslaved, male/female, myth/history), Cartledge gives the reader a splendid picture of the intellectual background against which Herodotus was writing his history.
I also like that, by comparing several contemporary authors with Herodotus, Cartledge can show (explicitly or implicitly) what is distinctive about Herodotus and his worldview.
This book provides an original and challenging answer to the question: 'Who were the Classical Greeks?' Paul Cartledge - 'one of the most theoretically alert, widely read and prolific of contemporary ancient historians' (TLS) - here examines the Greeks and their achievements in terms of their own self-image, mainly as it was presented by the supposedly objective historians: Herodotus, Thucydides, and Xenophon.
Many of our modern concepts as we understand them were invented by the Greeks: for example, democracy, theatre, philosophy, and history. Yet despite being our cultural ancestors in many ways, their legacy remains rooted in myth and…
I became enthralled by the ancient world when as a child I first saw those sand and sandals movies back in the sixties, Ben Hur and Spartacus especially. I began learning Latin aged nine and Greek aged twelve. I started a Ph.D., abandoned it, went to drama school, became a schoolteacher, worked as a professional gardener, became a schoolteacher again, eventually finished my Ph.D., and was lucky to get a job at Colgate University. Over time I realised that what really fascinated me about history was trying to insert myself imaginatively into the ancient world, so I began to ask questions about what it was like to be disabled, to be a refugee, to be a child, and so on.
It’s impossible to enter the mindset of the ancient Greeks without understanding that democracy runs deeply in their cultural bloodstream. There are numerous books on the subject – I did a course called Athenian Democracy: An Experiment for the Ages for The Great Courses – but Cartledge’s book, as the title suggests, offers a biography from its beginnings down to the present day. It also provides a nuanced exploration of the connection between Greek politics and society. Democracy: A Life depicts democracy not as a theoretical model but at work, and, in the challenges it faces today, a work in progress. Get A Life!
Democracy is either aspired to as a goal or cherished as a birthright by billions of people throughout the world today - and has been been for over a century. But what does it mean? And how has its meaning changed since it was first coined in ancient Greece?
Democracy: A Life is a biography of the concept, looking at its many different manifestations and showing how it has changed over its long life, from ancient times right through to the present. For instance, how did the 'people power' of the Athenians emerge in the first place? Once it had…
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is a dreamer’s book—notes about life, literature, and the universe written by the author after accepting on the spur of the moment a Greek friend’s invitation to go island-hopping in a little sailing boat.
I like it not just because I knew the author’s late daughter and treasure his affectionate references to her, but also for its erudite musings and reflections. They remind me of how, even from the deck of one of today’s decidedly unromantic ferries, the glinting sea and island silhouettes induce a state of semi-trance or reverie, pushing your thoughts into overdrive.
The author was a heavyweight figure on Greece’s literary scene, but this little book is charming, short, and accessible.
Zissimos Lorenzatos (1915-2004), essayist, thinker and poet, was arguably Greece's most significant man of letters in the twentieth century. In the Aegean Notebooks, a record of his observations and reflections while sailing among the Greek islands in the 1970s and 1980s, the special quality of his literary and philosophical gifts, and of the man himself, are vividly present. Along with everything a mariner yearns to bring ashore, all he has felt and experienced at sea with the wake of the boat unfurling behind him, Lorenzatos brings us in addition a lifetime's learning and contemplation. For him, life, and the living…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not justin Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).
For anyone wanting to find out not just what happened in the Graeco-Persian Wars (490–479 BC) but how their participants viewed the world, Herodotus’ Histories are a treasure trove. Writing a generation after the event, Herodotus travelled widely, interviewing as many people as he could from veterans to Egyptian priests. But readers must be wary: Herodotus wasn’t writing history as we understand it. Instead, he blended fact, anecdote, and moralizing to demonstrate why in his view the Greek way of life (especially Athenian democracy) was superior to Persian totalitarianism, and why Persian hubris merited divine punishment. While the Landmark edition’s translation of Herodotus’ seductive prose may not be the best (Tom Holland’s, for example, is better), the number and clarity of its maps make it invaluable.
In the 5th century BC an adventurous Ionian Greek, Herodotus of Halicarnassus, journeyed extensively through the lands of the eastern Mediterranean, from Egypt to Asia Minor, collecting tales of the upheavals that had afflicted the region in the earlier part of the century. The fruits of his wanderings were The Histories, in which he used his narrative gifts not only to chronicle the rise of the Achaemenid Persian Empire and its war with the Greek city-states, but also to recount his experiences with the varied peoples and cultures he had encountered during his journey. Herodotus earned the nickname 'the father…
