Books like Persian Fire

I’m a lifelong warfighter, law enforcement officer, intelligence officer, and emergency services worker, intimately familiar with the crisis response and what makes conflict so fascinating to students of history. I’m also a popular novelist with an in-depth understanding of story arcs and what makes great prose. I’ve previously published narrative military history myself – Legion Versus Phalanx: The Epic Struggle for Infantry Supremacy in the Ancient World. My short nonfiction, much of it based on military history and crisis work, has appeared in The New York Times, The Daily Beast, The New Republic, Foreign Policy, and Ancient Warfare Magazine.

I’m a classicist and historian. I've been studying the ancient Greeks since I was a teenager, and I'm passionate about ancient Athens in the time of Pericles for many reasons. I've watched brilliant performances of the Oresteia of Aeschylus, the Oedipus Tyrannus of Sophocles, the Bacchae of Euripides, and the Lysistrata of Aristophanes. As a professional historian, I'm in awe of Thucydides, whose alleged ‘trap’ still hits the headlines. No ancient Greek orator was finer than Pericles, no speech greater than his Funeral Oration as preserved by Thucydides. Socrates’ ringing declaration that only a critically examined life is worth living resonates vibrantly with me. Finally, visual art and architecture: the Parthenon. Need I say more?

From my earliest memories I’ve always been interested in military history, and as a young man I served in the U.S. Navy on a nuclear submarine. As an ardent bibliophile, my home and office overflows with books. As a professor, for the past 25 years I’ve been fortunate enough to teach a broad survey on western military history, which gives me the opportunity to experiment with many books for my own and the students’ enjoyment. The books on this list are perennial favorites of the traditional-age undergraduates (18-22) I teach, but will appeal to any reader interested in premodern military history. 

The genre I specialize in is Ancient Historical Fiction. I have always been fascinated by history, and my vacations often involve visiting ancient ruins. I’m an avid reader on various periods of our past, especially Egypt, Rome, Mesopotamia, and India, and I enjoy writing about them. On the topic of Egypt and Cleopatra — Egypt is one of my favorite civilizations, and Cleopatra is one of the more interesting figures. I wanted to give her a treatment I felt she deserved—as a capable administrator, brilliant, ruthless, and fighting the circumstances of her times.

Ever since my father introduced me to the Greeks, I’ve been passionate about the ancient world and bringing it alive. I read Classics at university and taught for eleven years, during which time I founded the award-winning theatre company, Actors of Dionysus, dedicated to performing Greek drama in translation. A highlight was staging my adaptation of Trojan Women not just in Ephesus Theatre but besides the walls of Troy. From 2010, I’ve divided my time between writing books and articles on wide-ranging classical subjects, editing Bloomsbury Academic Press’ ‘Looking at…’ series on Greek drama (which include my translations), book-reviewing, lecturing, and directing theatrical performances (most recently with Dame Sian Phillips).

I fell in love with the ancient Greeks a half-century ago. Ever since I have tried to learn from the past, by recognizing the ways in which the ancients were at once very like us and shockingly different. I only recently grasped that the Greeks were like us in their self-consciousness about human motivation: They recognized that many (perhaps most) people are driven by self-interest. But only a few of us are skilled at strategic choice-making. They knew that cooperation was necessary for human flourishing, but terribly hard to achieve. Today working together on common projects remains the greatest challenge for business, politics – and your everyday life. 

I’m a writer who has traveled the world in real life and traveled through time in my research and imagination. In the past dozen years, I’ve researched historical women of the Bible for my own novels and have come to realize that women of the ancient world were much like women of today. Biblical women had dreams and fell in love. They worried about their children, politics, and the world around them. They wished for security and happiness just as we do. I have a special regard for historical fiction that brings these ancient women to life—honoring their lives and their struggles.

As a historian, journalist, and travel writer, Tony Perrottet has made a career out of bringing the past to vivid life. Born in Australia, he started writing as a foreign correspondent in South America, where he covered guerrilla wars in Peru, drug running in Colombia, and military rebellions in Argentina. He continues to commute to Athens, Iceland, Tierra del Fuego, and Havana, while contributing to the Smithsonian Magazine, The New York Times, and The Wall Street Journal, amongst others. He has written six books on subjects ranging from classical tourism to the Pope's "pornographic bathroom" in the Vatican, and most recently, ¡Cuba Libre!, an anecdotal account of the Cuban Revolution. His travel stories have been selected seven times for the Best American Travel Writing series, and he is a regular guest on the History Channel, where he has spoken about everything from the Crusades to the birth of disco.

Andrew Scott Cooper, Ph.D., is passionate about researching and writing narrative history books. He holds a doctorate in history, masters degrees in journalism and strategic studies, and his work has been featured in media outlets including the New York Times, NPR and MSNBC. Earlier in his career, Andrew worked as a researcher on landmines at the UN and at Human Rights Watch on behalf of the International Campaign to Ban Landmines, recipient of the 1997 Nobel Peace Prize.

I became enthralled by the ancient world when as a child I first saw those sand and sandals movies back in the sixties, Ben Hur and Spartacus especially. I began learning Latin aged nine and Greek aged twelve. I started a Ph.D., abandoned it, went to drama school, became a schoolteacher, worked as a professional gardener, became a schoolteacher again, eventually finished my Ph.D., and was lucky to get a job at Colgate University. Over time I realised that what really fascinated me about history was trying to insert myself imaginatively into the ancient world, so I began to ask questions about what it was like to be disabled, to be a refugee, to be a child, and so on.