Here are 100 books that The Derveni Papyrus fans have personally recommended if you like
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Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
Better known as Amarna Heresy, a philosophical discussion from Ancient Egypt's Babylon about Monotheism and Trinity written 3,000 years ago. “To the King, My Sun, My God, the Breath of My Life…” This remarkable collection contains requests for gold, offers of marriage, warning of a traitor, and promises of loyalty to the pharaoh – letters of correspondence, all written in Akkadian. The Amorite tribes from Babylonia, form part of this correspondence.
Akhenaten 1378 - 1361 BC, was the first Egyptian ruler in history, who has specifically written about Egyptian Gods, a practice usually kept behind the closed doors of the temples. The deity called Aten inspired such devotion in Pharaoh Akhenaten that he built a new capital city which he named ‘Horizon of the Aten’ (modern Amarna), dedicated to the AΘen. He spoke of a deity with no image, an omnipotent God/goddess that emanates aNX, holy spirits, served by…
It is a generally accepted presumption that during the Late Bronze Age the language accepted for the 'international' or 'diplomatic' written communication between the representatives or members of the particular polities within the Ancient Near East was Akkadian, or more accurately Peripheral Akkadian. Thus it is the aim of this publication to analyze the corpus of Amarna letters on the subject of diplomatic terminology and procedures.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
A historian, lecturer, researcher, and author, Ahmed Osman is a British Egyptologist born in Cairo who published three books: Stranger in the Valley of the Kings (1987), Moses: Pharaoh of Egypt (1990) and The House of the Messiah (1992) says that Tut-Ankh-Amun had a very similar “story” to Jesus.
The Egyptian Book of the Dead contains the Ancient Egyptian Negative Confessions that were originally written on Temple walls and as the burial texts, and were "I have not stolen...", "I have not killed", etc., a letter written to Gods, engraved on Temples walls and prepared as Papyruses 2,000 BC and were equal to "Thou shalt not", the Ten Commandments of Jewish and Christian ethics, later perceived as divine revelation. The Negative Confession is accompanied by a list of protective sounds and symbols that kept souls safe from demons. Just for the history lovers, the timeline of these is the following:
During his reign, the Pharaoh Akhenaten was able to abolish the complex pantheon of the ancient Egyptian religion and replace it with a single god, the Aten, who had no image or form. Seizing on the striking similarities between the religious vision of this "heretic" pharaoh and the teachings of Moses, Sigmund Freud was the first to argue that Moses was in fact an Egyptian. Now Ahmed Osman, using recent archaeological discoveries and historical documents, contends that Akhenaten and Moses were one and the same man. In a stunning retelling of the Exodus story, Osman details the events of Moses/Akhenaten's…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
Scholars have disagreed when written records become literature, yet the earliest literary authors known by name are Ptahhotep (who wrote in Egyptian) and Enheduanna (who wrote in Sumerian), dating to around 2400 BC. Enheduanna is the earliest known Female Poet. She was the High Priestess of the goddess Inanna and the moon god Nanna (Sin). She lived in the Sumerian city-state of Ur in Syria. So this would be my 3rd recommendation for all the researchers of Ancient History.
Enheduanna's contributions to Sumerian literature, include the collection of hymns known as the "Sumerian Temple Hymns", 37 tablets to be exact, from 2,700 BC. The temple hymns were the first collection of their kind, the copying of the hymns indicates that they were used long after and held in very high esteem.
Sīn or Suen (Akkadian: EN.ZU or lord-ess of wisdom) or Nanna was the goddess of the moon in the…
The earliest known author of written literature was a woman named Enheduanna, who lived in ancient Mesopotamia around 2300 BCE. High Priestess to the moon god Nanna, Enheduanna came to venerate the goddess Inanna above all gods in the Sumerian pantheon. The hymns she wrote to Inanna constitute the earliest written portrayal of an ancient goddess. In their celebration of Enheduanna's relationship with Inanna, they also represent the first existing account of an individual's consciousness of her inner life.
This book provides the complete texts of Enheduanna's hymns to Inanna, skillfully and beautifully rendered by Betty De Shong Meador, who…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Nataša Pantović holds an MSc in Economics and is a Maltese Serbian novelist, adoptive parent, and ancient worlds’ consciousness researcher. Using stories of ancient Greek and Egyptian philosophers and ancient artists she inspires researchers to reach beyond their self-imposed boundaries. In the last five years, she has published 3 historical fiction and 7 non-fiction books with the Ancient Worlds' focus. She speaks English, Serbian, all Balkan Slavic languages, Maltese and Italian. She has also helped build a school in a remote village of Ethiopia, and has since adopted two kids, as a single mum!
The Ancient Greek manuscript tradition and writing of history usually starts with re-writing myths, mentioning the creation story, or using the collection of myths from the Greek work called the Theogony Θεογονία “Birth of the Gods” attributed to Hesiod 700 BC. It is a long narrative poem compiling Ancient Greek myths. Hesiod describes how the gods were created, their struggles with each other, and the nature of their divine rule. In the Theogony, the origin (arche / aRČe) is Chaos, a primordial condition, a gaping void (abyss), with the beginnings and the ends of the earth, sky, sea, gods, mankind. Symbolically associated with water, it is the source, origin, or root of things that exist. Then came Gaia (Earth), Tartarus (the cave-like space under the earth), and Eros, who becomes the creator of the world.
Το παρών βιβλίο περιέχει την μετάφραση μαζί με τα αρχαία αποσπάσματα και αναφορές του Φερεκύδη μέσω τρίτων συγγραφέων αλλά και την Θεογονία του όπως διαμορφώνεται μέσω αυτών. Περιέχει και τις δυο μεταφράσεις απο αρχαία Ελληνικά και Λατινικά στα Ελληνικά και στα Αγγλικά. – This book contains the translation along with the ancient excerpts and references of Pherecydes through third authors but also his Theogony as it is formed through them. It contains both translations from ancient Greek and Latin to Greek and English.
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
Greek Mysteries brings together a collection of essays on a variety of specialist topics related to the ancient mystery cults. Written by some of the world’s leading scholars, many of these essays were originally published in academic journals and are therefore appropriate for a more scholarly readership. That said, this important work provides the perfect entry into contemporary academic scholarship on the mysteries.
Written by an international team of acknowledged experts, this excellent book studies a wide range of contributions and showcases new research on the archaeology, ritual and history of Greek mystery cults.
With a lack of written evidence that exists for the mysteries, archaeology has proved central to explaining their significance and this volume is key to understanding a phenomenon central to Greek religion and society.
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
The last two books I suggest are of fresh press and testify to the modern approach to archaeoastronomy as a multi-disciplinary science. In this book, the aim is to approach Greek religion as a complex mix of rituals, cults, and architecture, identifying the connections with the sky and, more generally, with the “cosmos”. Relevant examples are discussed in detail.
In this book, Efrosyni Boutsikas examines ancient Greek religious performances, intricately orchestrated displays comprising topography, architecture, space, cult, and myth. These various elements were unified in a way that integrated the body within cosmic space and made the sacred extraordinary. Boutsikas also explores how natural light or the night-sky may have assisted in intensifying the experience of these rituals, and how they may have determined ancient perceptions of the cosmos. The author's digital and virtual reconstructions of ancient skyscapes and religious structures during such occurrences unveil a deeper understanding of the importance of time and place in religious experience. Boutsikas…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
There is more than one history of the human world and more than one high culture–but all those histories and cultures may contribute to a unified sense of being and human potential. We need to step outside our immediate world, history, culture, and sensibility to learn–as G.K. Chesterton remarked–that humanity can be great and even glorious under conditions and with beliefs and fancies far different from ours. Knowing this, we may also gain new insight into our familiar local world. We may end, in Kipling’s words, by realizing that in the endless opposition of We and They, We ourselves are only a sort of They!
I first encountered Otto’s book just before going to Oxford University in 1964, and there, I discovered a way of understanding ancient Greek devotion to their gods.
By Otto’s account, those gods were whole worlds of meaning, from sexual joy (Aphrodite) and homicidal fury (Ares) to more subtle visions of the world (Hermes, the traveler in Twilight) and (finally) Zeus as the guarantor of promises, and of hospitality.
He also introduced me to the idea that the Greeks saw “gods” in moments of sudden joy or inspiration: the lucky moment when–in the poet Pindar’s words–a god sheds a shining light on our usual dreamy life.
Appassionante e insuperata ricostruzione dell’universo religioso greco, questo libro avvicina sapientemente il lettore alle figure della religione olimpica – e al loro peculiare modo di manifestarsi – seguendo una duplice da un lato Otto esamina il culto dei dodici dèi olimpici (soffermandosi anzitutto su Atena, Apollo, Artemide, Afrodite, Ermete), dall’altro ce li presenta come esseri che, grazie alle loro divine epifanie – tanto diverse eppure così sottilmente collegate le une alle altre –, vivono una vita inesauribile, compiuta in sé. E ammirevole è la sua prosa allorché si confronta con le più enigmatiche fra le divinità, come nel famoso ritratto…
I’m a classicist and historian. I've been studying the ancient Greeks since I was a teenager, and I'm passionate about ancient Athens in the time of Pericles for many reasons. I've watched brilliant performances of the Oresteia of Aeschylus, the Oedipus Tyrannus of Sophocles, the Bacchae of Euripides, and the Lysistrata of Aristophanes. As a professional historian, I'm in awe of Thucydides, whose alleged ‘trap’ still hits the headlines. No ancient Greek orator was finer than Pericles, no speech greater than his Funeral Oration as preserved by Thucydides. Socrates’ ringing declaration that only a critically examined life is worth living resonates vibrantly with me. Finally, visual art and architecture: the Parthenon. Need I say more?
In case it hasn’t yet become rather obvious, I love the history of ancient Greece and especially the city of democratic Athens during the 5th century BCE and the lifetime of Pericles (c. 495-429).
To help explain why, I could just reel off a list of famous names—famous not only in their own time but also still in our own day: playwrights Aeschylus, Sophocles and Euripides, philosopher Socrates, historian Thucydides, architects Callicrates and Ictinus, and, not least, master sculptor Pheidias, Athenians all.
The last three were united together with Pericles by their involvement in, indeed, the creation of, one of the greatest buildings of the entire Western tradition: the Parthenon, a temple of Athena the Virgin unique in its aesthetic adornment and refinement.
History, however, should not only celebrate but also educate and even warn, as does independent scholar David Stuttard in his totally gripping cultural history. Hubris has become…
A new perspective on ancient Athens at the height of its powers, reinterpreting the city's supposed "Golden Age" as a period of ruinous culture wars.
The age of Pericles, in the fifth century BC, is often described as the Golden Age of Athens. The city witnessed a flowering of philosophy, art, and architecture-including an ambitious building program, with the Parthenon its centerpiece. But as David Stuttard shows in this vivid account, the seemingly triumphant city was in fact riven by conflict and contradiction. Though nominally a democracy, Athens led a tyrannical empire. And for Pericles and his circle, the Parthenon…
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
Arrian is one of the few primary sources used to illuminate the campaigns of Alexander the Great. It is also one of the few primary sources to focus directly on the Scythians – in this case, the Saka (an eastern group of Scythians). After conquering the Bactrian region, Alexander faced war with the Scythians, as well as local rebellions, which the Scythians played a role in. Arrian’s account is an important source for understanding the Scythians as it speaks directly to the clash of an army built for pitched battle against an army build for more mobile warfare.
Arrian’s Campaigns of Alexander, widely considered the most authoritative history of the brilliant leader’s great conquests, is the latest addition to the acclaimed Landmark series.
After twelve years of hard-fought campaigns, Alexander the Great controlled a vast empire that was bordered by the Adriatic sea to the west and modern-day India to the east. Arrian, himself a military commander, combines his firsthand experience of battle with material from Ptolemy’s memoirs and other ancient sources to compose a singular portrait of Alexander. This vivid and engaging new translation of Arrian will fascinate readers who are interested in classical studies, the…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I'm an author who believes that history contains an endless number of stories of how our past peers dealt with and contributed to the tension, fusion, and reinvention that is human existence. When writing The Greek Prince of Afghanistan, which focuses on the Greco-Bactrian Kingdom of ancient Afghanistan, I included a Scythian character, because I felt the novel’s story, like humanity’s story, is best told through multiple perspectives. The above books helped me greatly in that effort.
If one wanted to understand the study of the galaxy, they might start with Galileo. Something similar could be said about starting with the historian Herodotus to understand ancient peoples (and the study of them). Was he serious about his craft? Yes. Was he a product of his time? Yes. Should you take everything he writes as fact? Absolutely not. So why read Herodotus? Because he was the first person (as far as I know) to study the Scythians for the purpose of scholarship. Moreover, his work contains many of the stories that scholars since his time have tried to prove, disprove, or reinterpret. In short, if you want to join a conversation, it can be helpful to know how it began.
Herodotus is not only known as the `father of history', as Cicero called him, but also the father of ethnography; as well as charting the historical background to the Persian Wars, his curiosity also prompts frequent digression on the cultures of the peoples he introduces. While much of the information he gives has proved to be astonishingly accurate, he also entertains us with delightful tales of one-eyed men and gold-digging ants. This readable new translation is supplemented with expansive notes that provide readers the background that they need to appreciate the book in depth.