100 Books Like The Hummingbird's Daughter

A collection of myths, fairy tales, and folk stories about the wild woman archetype told and analyzed by Dr. Clarissa Pinkola Estés.

The result is a powerful exploration of the female psyche and experience, of women’s power and knowing, of intuition, femininity, and the ways in which we can reconnect to that power within each of us.

A favorite quote: “There is no 'supposed to be' in bodies. The question is not size or shape or years of age, or even having two of everything, for some do not. But the wild issue is, does this body feel, does it have right connection to pleasure, to heart, to soul, to the wild? Does it have happiness, joy? Can it, in its own way move, dance, jiggle, sway, thrust? Nothing else matters.”

I think more than anything, I loved the way she described everything. Her language is as if her words were first sent to her heart and then to her soul before they came onto the page. The warmth and the power are overwhelming in her style. It is obvious she loved grandly Africa and its denizens, and as a reader, I couldn’t help but feel the same.  

I love heroines in exotic places and situations, especially if it is much of their own makings or seemingly destiny. This book is a memoir of a tomboy girl in East Africa, so even though it is all true, it feels epic.  

I could really relate to Beryl as a girl with her animals. (Growing up, I loved and collected animals from nature, too.)  Beryl grew up with a zebra for a pet, horses for friends, and, of course, the most loyal dog.… show more.

The Earth’s Children series fully immersed me in Stone Age Europe, thanks to Jean M. Auel’s nerd-level research. But what hooked me was her protagonist: Ayla, a courageous, spiritually gifted, neurodivergent genius. Though Ayla’s a white Cro-magnon, and I’m a Latina Homo sapiens, I relate to this fish out of water.

In this book, she’s wildly different from the Neanderthals who adopt her, echoing my own family experience. Ayla’s unique problem-solving skills also set her apart, sending her careening between loneliness and leadership. What excites me most about her journey is that the demands of the Ice Age give her more opportunities to explore her potential than many modern women. I recommend starting with Clan of the Cave Bear, Ayla’s origin story, which stands on its own. 

There is nothing like this groundbreaking memoir—it is as good as it gets—and it has probably influenced every memoir since (including my own).

Kingston is a poet, and I find it impossible not to sink into the striking, gorgeous language and imagery as she describes growing up between multiple worlds: the China her parents emigrated from, the California of a first-generation daughter of immigrants, the ghost-filled China of her mother’s “talk stories,” and her inner life and growing awareness. She weaves family stories, famous myths, and her own girlhood experiences into a beautiful and unforgettable narrative.

I probably re-read it once a year.

This was the first fiction book I read after completing my Master’s degree (aka an intense diet of scientific research). I can still feel my heart opening up as I was in Lily’s heart and head, facing her abusive father in the only world she had ever known.

When she branches out and finds a place of beauty and love among three sisters who keep bees, she starts to understand the rhythms of love and I started to feel love again. I gradually picked up the clues I needed to rebuild a life with beauty.

This book took me into a world of unconditional acceptance, so wonderful I actually wept with a longing I didn’t even know I had. I hated leaving Lily behind, but I think I hold a bit of her in my heart.

This is a wonderful blend of magic, history, and romance that completely swept me away. I loved how Harkness created a world where science and magic coexist, and the way she weaves historical references into a modern love story stole my heart.

The relationship between Diana and Matthew feels real, complicated, and deeply emotional, and I found myself fully invested in their journey. What really hooked me was the rich world-building, with its intricate details of witches, vampires, and daemons, making it feel like a universe I could dive into again and again. This is an annual reread for me. Book 1 in a wonderful series.

Quite simply, Erin Morgenstern’s book is the finest example of urban fantasy I have ever read. Besides a plot rich in sorcery and romance, with a circus (think Bradbury’s Something Wicked This Way Comes) that appears mysteriously, vanishing just as suddenly and the shadowy game of two great sorcerers playing out their competitiveness through the lives of their young apprentices, this is a beautifully written book. The writing is elegant, rounded, and rich. What a writer! The imagery is transporting without clobbering the reader over the head. The characters are each fully drawn, but in slow increments as the story steams inexorably ahead like the mysterious train that carries the circus from locale to locale. 

This book showed me that you do not need blazing dragons or drooling werewolves to create menace, sinister characters, and mystery. Morgenstern places this world of circus magic just out of reach but so… show more.

My mother is a member of the exact same generation as Rushdie, kids born at the moment when India gained independence, so I grew up in the shadow of that legacy—the optimism, the violence, the huge historical question mark. But when I picked up Rushdie’s magical-realist novel, it was the prose that spoke to me first: vivid, exaggerated, a cacophony, evoking India itself.

Our narrator, Saleem Sinai, was switched at birth with another child, and throughout the novel, images and phrases recur in different contexts. Often, these are puns that, by the second or third time they appear, have accumulated the weight of metaphor. I’ve read this book half a dozen times, and find more to enjoy with each reading.

I am not a fan of fantasy, but this is magical realism at its best. Not too much, not too little, just enough to remind everyone that the spirits are still working on behalf of true love and goodness and that justice prevails despite all obstacles…like a fairy tale with complications. Just my cup of tea. 

How realistic is it that food transmits any emotions the cook may be feeling while making the food? This idea captivated me immediately; it was something I had never thought about. And yet, growing up in my family, women always made the food. So again, a very female tale.

In the beginning, Tita, the heroine, is passionate and in love, but she succumbs to tradition and rejects true love and passion to submit to tradition, which dictates she takes care of her mother. In time, Tita learns to disobey the injustice of that tradition… show more.

When I read So Far From God, it did two things. First, it helped me understand this genre that was created by Latin American authors. Lois Parkinson Zamora said, “Magical realism is characterized by...its capacity to create (magical) meanings by envisioning ordinary things in extraordinary ways.” I understood what that meant when I read So Far From God. In the first chapter alone, one of the main characters, La Loca, dies and comes back to life. Her death was ordinary and extraordinary. I was hooked. 

Perhaps more importantly, in reading Castillo’s novel, I saw our shared Latina history, culture, and perspective through the stories she told. It was the first book that validated my experience as a Latina which is why it’ll always be close to my heart.