Books like The Hidden Prejudice — picked by fans

I read this probably when I was in my early twenties. Randle McMurphy was, and still is, to some degree, an inspiring character: a rebellious soul, a flawed genius, a bit of a wrong’un at times, but also a hilariously cocky piss-taker.

There’s something deeply human in the portrayal of this character and his conflict with institutionalised authority, as represented by the frankly terrifying Nurse Ratched. It may be set in a psychiatric hospital, but I find the themes relatable to the wider world, the constant pressure to conform or be crushed. I still feel incensed by it.

I was already familiar with Robert Whitaker’s work, but this one blew me away.

It is meticulously researched with personal stories that bring theory into its real-world relevance. I think I read it in two sittings as I was gripped by the power of his thesis: The proliferation in the use of psychiatric drugs is causing a dramatic worsening of Americans’ mental health rather than improving it.

Until then, I hadn’t come across a book on this theme that was so clearly and carefully argued and referenced.

Forced electroshock or “electroconvulsive therapy” (ECT) is still commonplace, and it caused Linda Andre massive memory loss—but she recovered enough to write one of my favorite of many important books by people who’ve personally experienced forced treatment.

Her commentaries on the science are good, but Andre, once a leading activist, was frequently interviewed by news media and attacked by pro-ECT psychiatrists, and she exposes the behind-the-scenes politics and public relations of psychiatric science, forced treatment, and ECT in fascinating ways.

Her observations on how journalists tend to work, and of the many ways even “responsible” news outlets can misrepresent, manipulate, and get manipulated, are unnerving.

With revealing irony, Doctors of Deception criticized pro-ECT psychiatrists for rarely disclosing their conflicts of interest—and the book was viciously attacked in a prominent review by two pro-ECT psychiatrists who didn’t disclose to readers that they themselves were criticized in the book. 

Hatch did stellar research to expose how coercive psychiatric treatment—especially tranquilization with heavy antipsychotics—is spreading into nursing homes, child foster care and juvenile facilities, immigration centers, and prisons.

Antipsychotics are becoming a ‘go-to’ approach for institutional management of large populations, especially targeting people of color.

Hatch’s work also draws attention to a vital, related issue: Abundant research shows that involuntary treatment is driven by our culture’s dominant prejudices: classism, racism, sexism, sanism, etc. Predictably then, public discussions of involuntary treatment routinely lack, and desperately need, a greater diversity of voices.

So, while highlighting the work of the Black scholar Hatch, I want to also mention several recent anthologies that bring forth a fantastic diversity of voices and perspectives on contempory psychiatric care, forced treatment, and alternatives: Mad Matters: A Critical Reader in Canadian Mad Studies; Disability Incarcerated: Imprisonment and Disability in the United States and Canada, and We've… show more.

I cannot get Shayne’s story out of my mind! It tells the stories of six very different individuals from diverse backgrounds with various access to health care and other resources. All six struggle with mental illness. And all six end up incarcerated and, finally, dead. But it’s Shayne’s story that I (and my students) can’t stop thinking about.

Shayne was a bright and beautiful child who grew up in a close and loving family. By the time she was eleven, Shayne had begun to make inappropriate comments, sneak out of her house at night, and lose interest in school. At age fourteen, she was found in a park with a young man and some beer. She refused to tell her therapist what she had been doing there but mentioned that she felt people could read her mind. A physician who met her just the one time diagnosed her as psychotic… show more.

I gotta say, Noel-Anne Brennan needs to be better known.

This book (along with its sequel, The Blood of the Land) makes up a compelling duology featuring Rilsin, the rightful ruler of her country, who pledges the throne to her cousin Sithli in an effort to stop the bloodshed in her land.

But her cousin is insane and could care less about being a good ruler, which means Rilsin may need to break her promise to help her country—except Sithli also holds Rilsin’s baby hostage.

Wonderful, strong characters, an engaging story, super easy to read. What more could you ask for? If you decide to read this, set aside a few uninterrupted hours. You can thank me later. :)

This is a unique entry in that the cursed place is a framing device, for this collection of mostly disturbing tales. For his first-ever collection of short stories, Palahniuk brings his wretched cast of characters to a haunted house, where each in turn offers his or her own demented tale. They don’t all work, but a number of the stories really stick with you, and this spooky old house at the center of it ratchets the intensity up another level—it’s not a static situation they are in, there, so the plot progresses to its own warped conclusion on this front as well. 

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.

Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it? In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.

Gabriela was a Chilean poet-diplomat, educator, and humanist, who became the first Latin American author to receive a Nobel Prize in Literature. Her poetry often focuses on dark, humane themes that undoubtedly reflect on traumatic episodes that she had personally endured. 

Gabriela has the knack of scratching the surface, which is potent enough to get all your senses actively experiencing the emotions and character she puts forth. The poems resonate on a deep level, offering a compelling clarity of life with its tragedy and complications. The women depicted here are anything but mad; some would say entirely strong-willed and intense, with a collected control and a modernistic sense of independence.