100 Books Like The Player

I've been hooked on the magic of storytelling since childhood, always eager to go wherever imagination can take me. I think that early fascination led me to become a costume designer – because costume design is about using clothing to help tell a story. I spent 27 years working on the costume design teams for films like Forrest Gump, Apollo 13, Angels & Demons, and The Curious Case of Benjamin Button. When I decided to take what felt like a logical creative step, to write my own stories, I knew I wanted to write murder mysteries. And I thought the world behind the scenes of a movie would make the perfect setting.   

Like many novelists – all the way back to F. Scott Fitzgerald --  writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”

Like some other things I’ve been lucky enough to have published, The Flying Dutchman is a short work I chiseled out of a longer one. An updating of the classic romantic legend, it’s the story of a young woman visited by a time-traveling pop star seeking the one woman he can love. The novella form—not novel, not short story—seemed to work best for it. It’s been the right shape for some of the most famous stories of all time, from Heart of Darkness to To Kill a Mockingbird and beyond.

I’ve traveled through time myself to choose some other favorite novellas that meaningfully capture a period and place.

I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.

I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.

I grew up in a family of readers who valued humor above all else. I’ve always sought out novels that weren’t full of themselves or too serious. For example, I don’t actually like literature for the most part (sacrilege?) As a result, I’ve veered toward upmarket genre books that amuse me. My list reflects what I discovered as I explored this realm. It also led me to write mysteries and thrillers that are infused with my version of humor, which I must admit will never match the authors on my list. These guys are amazing.

I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.

I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.

I’m a classic Hollywood fanatic. I can name you every Best Picture Oscar Winner on command. I’ve written screenplays and seen the industry firsthand, but if I had my choice, I’d go live through the Hollywood Golden Age. I've published numerous non-fiction film history books and have a whole lot more classic-film-inspired novels coming. And I do it all simply for the single reason that writing a book is the closest thing to time travel that I can find. Immersing myself in this world with actors that have lived, and even a few that I’ve made up, is pure heaven that transports me back to the days of the silver screen. 

I’m a classic Hollywood fanatic. I can name you every Best Picture Oscar Winner on command. I’ve written screenplays and seen the industry firsthand, but if I had my choice, I’d go live through the Hollywood Golden Age. I've published numerous non-fiction film history books and have a whole lot more classic-film-inspired novels coming. And I do it all simply for the single reason that writing a book is the closest thing to time travel that I can find. Immersing myself in this world with actors that have lived, and even a few that I’ve made up, is pure heaven that transports me back to the days of the silver screen.