Here are 100 books that The Great War for Civilisation fans have personally recommended if you like
The Great War for Civilisation.
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I have had the great luck to combine my love of writing with my love of photography that in turn combines my great loves of art and of science. Oh, I have another love: to share what I know; some call it teaching. That is why I’ve lectured and talked more times than I can remember, and written millions of words in magazine features and forty books. In the early years, my attention centred on photographic techniques, but I’ve become increasingly focused on creativity and the conditions that enable full expression of the individual. My choice of books refracts that range—I hope—into a coherent spectrum of approaches.
After photographers, poets have the sharpest eyes for the goings on and minutiae of life around them.
I love Szymborska’s poetry because with her, I walk down unknown streets, I eavesdrop conversations, I dissect a terrorist bombing. If photography helps open your eyes, Szymborska’s intimate yet vast vision opens a higher mind. She shows me life through her eyes: often puzzled, sometimes bemused, but always loving.
I love Map as it’s a generous collection of her luminous works with her last poems. Map is the final poem; it closes with the lines "… they spread before me a world /not of this world," which aptly sum up her gifts to us.
During the First World War, an extraordinary intelligence unit operated from Cairo's Savoy Hotel, combining archaeologists, academics, and soldiers to revolutionize British intelligence in the Middle East. Overshadowed by Lawrence of Arabia, the Arab Bureau's significance has remained hidden ever since.
This study uncovers the Bureau's story through newly discovered…
I have had the great luck to combine my love of writing with my love of photography that in turn combines my great loves of art and of science. Oh, I have another love: to share what I know; some call it teaching. That is why I’ve lectured and talked more times than I can remember, and written millions of words in magazine features and forty books. In the early years, my attention centred on photographic techniques, but I’ve become increasingly focused on creativity and the conditions that enable full expression of the individual. My choice of books refracts that range—I hope—into a coherent spectrum of approaches.
Of the dozens of self-help books I’ve browsed or read, this book gave me tools to replace past pains and shame with pleasure and pride.
Numerous books helpfully tell you what you lack, gleefully list what you need to change. This one offers an important further step: it provides neural tools that helped me to change and make the changes last. I knew vaguely—like a small pain that is easy to ignore but which limits your movement—my ability to create, to grow ideas had always to battle a thicket of past aches, struggles, and fears.
This book not only helped me through that—it’s a guide, consequently, to lead a longer, richer life. Without a doubt, it’s one of the most transformational books in my life.
With The MindBody Code, Dr. Mario Martinez shares the rewards of an investigation that has spanned generations and cultures to reveal the most effective methods for initiating deep and lasting change. Through fascinating case studies and practical training in the new science of biocognition, Dr. Martinez illuminates the pathways to healing the archetypal wounds of shame, abandonment, and betrayal; how to break through the ceilings of abundance that limit prosperity and create the "subcultures of wellness" that will help you reach your full potential; how to transform "aging consciousness" to continually increase your value and competence as you grow older;…
I have had the great luck to combine my love of writing with my love of photography that in turn combines my great loves of art and of science. Oh, I have another love: to share what I know; some call it teaching. That is why I’ve lectured and talked more times than I can remember, and written millions of words in magazine features and forty books. In the early years, my attention centred on photographic techniques, but I’ve become increasingly focused on creativity and the conditions that enable full expression of the individual. My choice of books refracts that range—I hope—into a coherent spectrum of approaches.
What do you get when you cross the meditations of a Trappist monk with the teachings of a Taoist master? Wisdom rolled into small. tasty bites.
I find lots to chew on here: precisely honed, almost poetic epigrams and short stories that capture timeless truths and insights. I was enchanted to discover the book in my teens; it suited my short attention span. Now fifty years later, its humour, pithy fables and quotability seem ever pertinent, ever fresh.
I love it for random dips as a way to sign off for a day’s meditation.
Working from existing translations, Thomas Merton composed a series of his own versions of the classic sayings of Chuang Tzu, the most spiritual of Chinese philosophers. Chuang Tzu, who wrote in the fourth and third centuries B.C., is the chief authentic historical spokesperson for Taoism and its founder Lao Tzu (a legendary character known largely through Chuang Tzu's writings). Indeed it was because of Chuang Tzu and the other Taoist sages that Indian Buddhism was transformed, in China, into the unique vehicle we now call by its Japanese name-Zen.
The Chinese sage abounds in wit and paradox and shattering insights…
During the First World War, an extraordinary intelligence unit operated from Cairo's Savoy Hotel, combining archaeologists, academics, and soldiers to revolutionize British intelligence in the Middle East. Overshadowed by Lawrence of Arabia, the Arab Bureau's significance has remained hidden ever since.
This study uncovers the Bureau's story through newly discovered…
I have had the great luck to combine my love of writing with my love of photography that in turn combines my great loves of art and of science. Oh, I have another love: to share what I know; some call it teaching. That is why I’ve lectured and talked more times than I can remember, and written millions of words in magazine features and forty books. In the early years, my attention centred on photographic techniques, but I’ve become increasingly focused on creativity and the conditions that enable full expression of the individual. My choice of books refracts that range—I hope—into a coherent spectrum of approaches.
From my school days, Ernst Haas’ photography has been a source of inspiration and exasperation, even intimidation.
Creation is his crowning glory, not only for the peerless elegance of his images, but also for his masterclass in pacing and book design. I love the boldness of a double-page spread with nothing but an arc of light.
I love the quiet studies in which not a blade of grass or minute drop of water is misplaced. It inspired my journey in photography before I even owned a camera, and right now I can shiver from an immersion in its magisterial vision.
THE STORY OF CREATION HAS INSPIRED POETRY, PAINTING AND MUSIC THROUGHOUT THE CENTURIES; IN THESE PAGES IT ISTOLD FOR THE FIRST TIME IN PHOTOGRAPHS, OFFERING 'A SORT OF SPIRITUALECOLOGY IN PRAISE OF THE EARTH WHICHMAN INHERITED AND SHOULD SEEK ARDENTLY TO PERFECT'. ERNST HAAS BELIEVES THAT TODAY NO MEDIUM CAN INTERPRET THE CREATION BETTER BETTER THAN THE CAMERA. HIS POINT IS PROVED BY HIS MAGNIFICENT COLOUR PICTURES, ARRANGEDIN FLOWING SEQUENCE THAT REPRESENTS THE SEASONS, THE ELEMENTS, THE CREATURES AND FINALLY THE CROWNING ACHIEVEMENT-THE BIRTH OF MAN.
After more than 30 years in daily journalism in Minnesota, I moved to a trout stream near Durango, Colo., to stage a second act. Editors at the Minneapolis Star Tribune, where I worked for 26 years, gave me a freelance contract to write a Minnesota History column every Sunday. It’s morphed into a popular crowd-sourcing of history with readers feeding me delicious family stories. I’m the lucky one who gets to weave these stories—enriching my knowledge of what being Minnesotans is all about.
A master of nonfiction crime writing, William Swanson uses his W.A. Winter pen name for fictional works, including this 2022 book that clung to my thoughts weeks after the last page. Based loosely on a Minnesota crime spree in the 1950s, Winter takes readers into the mind of Joe Lavoie—the wheelchair-bound lone survivor of three brothers who engaged in a shootout with police in 1953. Set in 1991, 38 years after the crippling police gunshot, the taut writing takes you into Joe’s mind and explores his dysfunctional family on what turns out to be his last stand.
Minneapolis, 1953—A wild crime spree stuns the Upper Midwest, leaving a trail of blood and betrayal that terrifies a region and shatters the family at its core.
Thirty-eight years later, the tattered remnants of the notorious LaVoie crime family—sisters, brothers, and children too young to remember or understand—gather for an edgy reunion in a Minneapolis suburb. Among the guests is Joe LaVoie, sole survivor of the fraternal gang behind the ’50s bloodshed, a convicted cop-killer crippled by a police bullet during the final shootout. Now, an old man facing his own death, Joe is both desperate and terrified to learn…
Spending four years writing a memoir—and several more editing it—made me realize how selective and fluid memory is. Our stories shift over time, shaped by distance, perspective, and even small sensory triggers that can surface long-forgotten moments.
These five books blur the line between fiction and memoir, each exploring how lived experiences are remembered and retold. They examine not just events, but the author’s perspective on them—and what that reveals about their inner world. From a child’s heightened sensitivity, to the thrill-seeking of a war correspondent, to the lasting impact of a parent’s murder, each work shows how memory shapes both a life and the story we tell about it.
Anthony Lloyd has spent his time as a war correspondent in horrific war zones like Bosnia Herzegovina and Chechnya and seen some of the worst conditions that modern war and ethnic hatreds have to offer.
Rather than just reporting on the experience, he gives you a sense of what it feels like to be in those situations, and then he goes further. While it has become common to talk about adrenaline junkies, Lloyd ups the ante by describing the heroin addiction he reverts to whenever he returns to England between assignments, and the perspective this brings to the narrative takes it to an entirely deeper level.
This book engaged me at an emotional and psychological level in a version of life that I could otherwise never even imagine. For me, that is exceptional writing.
My War Gone By, I Miss It So is a uniquely powerful piece of writing, unparalleled in the genre. Ex-infantry officer Anthony Loyd arrived in the Balkans hoping to become a war correspondent. He wanted to see `a real war', and in Bosnia he found one. The cruelty and chaos of the conflict both appalled and embraced him - the adrenaline lure of the action perhaps the loudest siren call of all. In the midst of the daily life-and-death struggle among the Serbs, Croatians and Bosnian Muslims he was inspired by the extraordinary human fortitude he discovered. But returning home,…
Mike Guardia is an Amazon Top 100 Bestselling Author and military historian. A veteran of the United States Army, he served six years on active duty (2008-2014) as an Armor Officer. He has written and lectured on various topics of modern military history, including guerrilla warfare, air-to-air combat, and World War II in the Pacific. He holds a BA and MA in American History from the University of Houston.
Plenty of memoirs have been written by combat pilots, but Call Sign Kluso is truly one-of-a-kind. It weaves a captivating personal narrative within the context of America’s resurgence from the post-Vietnam era, while demonstrating the US Air Force’s transformation into the high-tech, cutting-edge organization that defeated Saddam Hussein during Operation Desert Storm.
Eagle pilot Rick "Kluso" Tollini's life has embodied childhood dreams and the reality of what the American experience could produce. In his memoir, Call Sign Kluso, Rick puts the fraught minutes above the Iraqi desert that made him an ace into the context of a full life; exploring how he came to be flying a F-15C in Desert Storm, and how that day became a pivotal moment in his life.
Rick's first experience of flying was in a Piper PA-18 over 1960s' California as a small boy, and his love of flying through his teenage years was fostered by his…
I am a veteran novelist who believes this over all else: The opening is everything. This has been my modus operandi as a storyteller for over thirty books, as well as a half dozen screenplays. I love a great opening. It is how a reader or viewer will subconsciously decide whether they will devote themselves to a story. It is the first kiss. The first shot over the bow. The ignition, the countdown, and the launch. It is the alpha and omega… because the beginning dictates the ending. Oh my, how I love the beginning!
“The man with ten minutes to live was laughing.” Thus begins one of the greatest war novels by one of the greatest living writers of espionage thrillers.
Frederick Forsyth’s epic story of the Persian Gulf War mingles fact with fiction, and never lets up its humming current of suspense. Incidentally, that laughing man was Gerald Vincent Bull, a real historical figure who invented a super-gun for Saddam Hussein. Not exactly the safest line of work.
His assassination triggered a Rube Goldberg series of events that only Forsyth would have the… well… foresight to use as the first sentence in this violent, epochal tale.
From behind-the-scenes decision making of the Allies to the secret meeting of Saddam Hussein's war cabinet, from the brave American fliers running dangerous missions over Iraq to a heroic young spy planted deep in the heart of Baghdad, Forsyths incomparable storytelling keeps the suspense at a breakneck pace.
Peopled with vivid characters, brilliantly displaying the intricacies of intelligence operations moving back and forth between Washington and London, Baghdad and Kuwait, and revealing espionage tradecraft as only Frederick Forsyth can, The Fist of God tells the utterly convincing story of what may actually have happened behind the headlines.
I’m an OG ATLien (born in Atlanta, Georgia) and served in the US Marine Corps and the US Army. I hold a degree from Kennesaw State University and taught high school social studies from 2004 - 2006, before my military reenlistment which jumpstarted the events in my memoir.
It’d be hard to imagine a former marine, who served during the 1980’s or 1990’s, not identifying with Anthony Swofford’s Jarhead.
Swofford and his unit land in the desert sand to kickoff Operation Desert Shield, and months of boredom, anxiety, and self-doubt blanket the men. This isn’t your typical “shoot ‘em up bang bang” war diary. In fact, Swofford is a sniper who never fires a shot.
But months of patrolling an empty desert, living “the suck” life, eagerly awaiting a war to start, and the fear of the unknown drag on these marines and test their sanity. After months of grinding, the Gulf War begins then quickly ends.
Anthony Swofford's Jarhead is the first Gulf War memoir by a frontline infantry marine, and it is a searing, unforgettable narrative. When the marines -- or "jarheads," as they call themselves -- were sent in 1990 to Saudi Arabia to fight the Iraqis, Swofford was there, with a hundred-pound pack on his shoulders and a sniper's rifle in his hands. It was one misery upon another. He lived in sand for six months, his girlfriend back home betrayed him for a scrawny hotel clerk, he was punished by boredom and fear, he considered suicide, he pulled a gun on one…
As a refugee myself, I was attracted to read about the lives and experiences of other refugees, not merely those from my own community or background, but especially those from other backgrounds–which is probably reflected in the books that I’ve chosen for my list.
Set in former Yugoslavia, this powerful novel follows a girl whose only chance of survival is to escape war and rebuild a life elsewhere.
I found the way the author tells this story beautiful, even though the story is tragic, and describes the complexities of civil strife as well as their impact on ordinary people living in a country that is now split into Bosnia, Croatia, and Serbia.
“Fiction does give you a capacity for empathy,” says the author. It should–and I found that this one does.
LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016
Growing up in Zagreb in the summer of 1991, 10-year-old Ana Juric is a carefree tomboy; she runs the streets with her best friend, Luka, helps take care of her baby sister, Rahela, and idolizes her father. But when civil war breaks out across Yugoslavia, football games and school lessons are supplanted by sniper fire and air raid drills.
The brutal ethnic cleansing of Croats and Bosnians tragically changes Ana's life, and she is lost to a world of genocide and child soldiers; a daring escape plan to America becomes her…