100 Books Like Fireside Tales of the Traveller Children

I love Jackie Morris’s introduction about the author of this book's life story. I found it inspiring and heartwarming to learn that it was written by a twelve-year-old girl’s prodigy child. 

I understood how the girl's genius captures the natural world's mystery, fantasy, and wonder and expresses it with crystalline words.

This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.

I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.

I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.

The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.

I love how the wonderful illustration of the tree with three children on the book's cover evoked my imagination to read this story. This feeling was reinforced when I opened the book and read the quotation on the first page: “So much world all at once” by Wislawa Syzmborska.

It is, indeed, a fascinating story that immersed me in a rich plot and introduced me to a diversity of characters who gained life in the little town of Blackbird Tree.

In this story, I could see the mastery of creating a tapestry, with the written words as the threads that bring together different worlds, feelings, and emotions, like love, friendship, and forgiveness.

I was enthralled by the narrator's voice in this story, told from the perspective of a little girl. She shares her life and adventures with her beloved parents and cat. The girl is Julia, and I also love her name.

I found the setting for this story, a lighthouse on one of the small islands of the Shetlands in Scotland, fascinating. This fascination grows with the strong connection to the sea life that in this book takes the form of the Greenland shark and the blue night sky filled with stars at night and flocks of birds during the day.

The poetic prose of this book, combined with the stunning illustrations, captivated me profoundly.

At the same time, serious issues are approached, such as the pollution of the oceans. And the drama of this story is woven with such humanity around the mental illness of bipolar disorder and the bullying… show more.

In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.

The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.

On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)… show more.

This was one of my first introductions to novel-length fairy tales. Shadow Spinner influenced the first stories I made up as bedtime tales for my little sisters. Like Marjan, I love playing with the many threads of traditional tales, weaving them together with my own threads of imagination. I still have folders with my first attempts at writing the thousand-and-second tale of Arabian Nights. 

Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.

Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.

Wow. This book grabbed me, forced open my mind, and turned me into a Sinophile. I’m into my third reading now, all 2,000 pages of it.

Crazy adventures, Buddhism, Taoism, and a journey into my own society—there’s too much Monkey in me, and I could use a bit more Sha Monk. My own novel is based on this Chinese classic.  

In the current media environment, it is hard for us to do the one essential thing that novel readers must do: suspend disbelief—to read something that we know is not true, yet accept it as if it were true. It is a cynical time. We have learned to mistrust what we read.

So what is a novelist to do? Well, one way to win over skeptical readers is by a simple trick, one that I love (as both reader and writer): the novelist appears in his own novel. My novel uses a similar device, beginning with a novelist-narrator who bears a striking resemblance to me. These five novels all use a similar strategy.

The first book, American Pastoral, is one of my favorites. Philip Roth frequently borrowed from his own life in his novels, but to me, this is his most effective blend of fact and fiction. The novel lifts… show more.

This is a non-business book that I use for storytelling and while it was primarily written for writers, business owners can easily use the information to create better stories for audiences.

I am always looking to craft strong narratives, and this book helps me to think beyond typical master characters to make them more compelling. I will admit it can get a bit dull in sections, but I keep going back to it as a character-guide.