Books like Fireside Tales of the Traveller Children — picked by fans

I love Jackie Morris’s introduction about the author of this book's life story. I found it inspiring and heartwarming to learn that it was written by a twelve-year-old girl’s prodigy child. 

I understood how the girl's genius captures the natural world's mystery, fantasy, and wonder and expresses it with crystalline words.

This book is a classic story that transported me to a realm where fairies come alive—I felt I could be there dancing with them, too.

I love the story's initial opening with the magical expression, “Once upon a time.” It’s like opening a gateway to my mind’s eye, imagining life in that country that was very close to Fairy Land, guided by the exquisite illustrations in the book.

I like also very much the simplicity of the names of the characters, like for example, “Princess Niente (Princess Nobody) and of the structure of the story divided into three chapters.

The end is sweet: “Journeys end in lovers meeting, and so do stories.” And offered me a pearl with the quote of Apuleius and the poem.

I love how the wonderful illustration of the tree with three children on the book's cover evoked my imagination to read this story. This feeling was reinforced when I opened the book and read the quotation on the first page: “So much world all at once” by Wislawa Syzmborska.

It is, indeed, a fascinating story that immersed me in a rich plot and introduced me to a diversity of characters who gained life in the little town of Blackbird Tree.

In this story, I could see the mastery of creating a tapestry, with the written words as the threads that bring together different worlds, feelings, and emotions, like love, friendship, and forgiveness.

I was enthralled by the narrator's voice in this story, told from the perspective of a little girl. She shares her life and adventures with her beloved parents and cat. The girl is Julia, and I also love her name.

I found the setting for this story, a lighthouse on one of the small islands of the Shetlands in Scotland, fascinating. This fascination grows with the strong connection to the sea life that in this book takes the form of the Greenland shark and the blue night sky filled with stars at night and flocks of birds during the day.

The poetic prose of this book, combined with the stunning illustrations, captivated me profoundly.

At the same time, serious issues are approached, such as the pollution of the oceans. And the drama of this story is woven with such humanity around the mental illness of bipolar disorder and the bullying… show more.

In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.

The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.

On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)… show more.

This was one of my first introductions to novel-length fairy tales. Shadow Spinner influenced the first stories I made up as bedtime tales for my little sisters. Like Marjan, I love playing with the many threads of traditional tales, weaving them together with my own threads of imagination. I still have folders with my first attempts at writing the thousand-and-second tale of Arabian Nights. 

Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.

Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.

I read this book in high school and absolutely loved the entire idea, of essentially a prisoner of war escape plan similar to The Great Escape, set in a science fiction universe against the scale and scope of a planet. 

I love how the author took a main character that had been so strong and tough through seven previous books and made her vulnerable, gave her new room to grow, and allowed some of her supporting cast to shine as well.

I really love the characters in this book. It’s the fourth book in a series, but I read this out of order, which meant I didn’t have the benefit of some of the backstory for one or two people. This is a story of treachery and betrayal, and spies that stay in the game for years before getting out or getting caught. 

This is one of the first books I read about writing that gave me that A-HA feeling. Originally published in 1999, it’s still relevant and foundational. What does your character want? Why? And what is standing in their way? It seems like a simple concept, but it isn’t easy! And boy, oh boy, if you are missing one of those elements, it can be the difference between a page-turner and a wall-banger (when a reader throws your book against the wall because you just wasted their time.)

Without really understanding what your character wants and why, writers risk nonsensical plot progression and alienating the reader.