Here are 53 books that The Graveyard Shift fans have personally recommended if you like
The Graveyard Shift.
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I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If you like thrills, chills, magic, and badass one-liners then Quincy Harker Demon Hunter is the series for you. Set in rural NC, this series follows the immortal descendent of Jonathan Harker and Mina Murray from the classic tale of Dracula. It’s a fresh, modern take on a tale as old as time itself...and it doesn’t hurt that it's fun as all hell to read. Set in a world of nightmare terrors, Quincy Harker is a hero who isn’t impressed with any of that crap. In the world of horror/comedy, it doesn’t get much better.
Academy Award Winner Whoopi Goldberg says, “I love these books!”
Dracula calls him nephew. His guardian angel calls him Q. Demons call him The Reaper.
Award-winning dark fantasy with action, snark, and demons galore. Straight out of the pages of the legendary vampire novel Dracula comes a demon hunter for the modern world.
Quincy Harker is the immortal magic-wielding son of Jonathan Harker and Mina Murray from the classic novel Dracula. Today he lives in Charlotte, NC, hunting demons and making the world a safer place while making wisecracks and tossing back shots.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If you enjoy horror colored with off-color laughs, but you’re not in the mood for a long series, then you can truly do no better than Jeff Strand. He is without question the master of standalone horror/comedy stories, and this 100% shows in Clowns Vs. Spiders. It’s a novel designed to play upon many people’s worst fears, while somehow keeping their eyes glued to the story. You’ll hate yourself a little bit more with every page you read, but damn, Jeff makes self-loathing more fun than it has any right to be.
Jaunty the Clown just wants to entertain families with lighthearted slapstick antics, but people think of clowns as terrifying, nightmarish creatures who hide in closets or under beds. When Jaunty, along with his fellow performers Guffaw, Wagon, Reginald The Pleasant Clown, and Bluehead are fired from the circus, they're told that the world just doesn't like clowns anymore.
Still, clowns have to eat. And since these clowns don't eat children, to make ends meet they're eventually forced to take a job in a popular haunted attraction, the Mountain of Terror. Instead of charming entertainers, they're now scary clowns. A zombie…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
If there is one thing in this world I love as much as a good scream, it’s playing D&D with my friends. Well, Critical Failures is like what it would be having those same jackasses alongside me as I got sucked into the game world – and subsequently discovered I sucked there as much as in real life. I like to think I’d be either Aragorn or Legolas if thrust into a fantasy world, when the reality is I’d probably end up more like their drunk cousins who their families never talk about or invite over for the holidays. Well, Caverns and Creatures is 100% the series for those who feel the same way. Strap on your sword, pull out your spellbook, and prepare to roll a natural 1 as you set out on the journey of a lifetime...or five minutes considering the ineptitude of this adventuring party.
What if you and your friends got to live the game for real? What if you and your friends were assholes? After relentlessly mocking their strange new Game Master, Tim and his friends find themselves trapped in the bodies of their fantasy game characters, in a world where the swords, the magic, and the gastrointestinal issues are all too real. They learn hard lessons about tolerance and teamwork, and a new meaning for the term “dump stat”. Ha ha. Just kidding. They don't learn shit. Never before have comedy and fantasy come together so much like a train wreck, in…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Scary books and movies hooked me early in life and never let go. I’m fascinated by the themes that are explored in all of the various sub-genres of horror. I’m intrigued by the lore that’s created, and I’m impressed with the imagination of so many horror creators. Horror remains and always will be one of the most popular genres of storytelling.
I read this as a teenager, just as I was diving into the horror genre. I already knew at this point that I wanted to be a storyteller. What struck me while reading It was the jumping back and forth between time periods.
I had never read a book structured that way, and it seemed that every chapter ended on a cliffhanger, forcing me to keep reading. There aren’t many books that I would say I had a hard time putting down (I get bored easily), but It was certainly one of them!
This tie-in edition will be available from 16 July
TIE IN TO A NEW MAJOR MOTION PICTURE, IT: CHAPTER 2, ADAPTED FROM KING'S TERRIFYING CLASSIC
27 years later, the Losers Club have grown up and moved away, until a devastating phone call brings them back...
Derry, Maine was just an ordinary town: familiar, well-ordered for the most part, a good place to live.
It was a group of children who saw- and felt- what made Derry so horribly different. In the storm drains, in the sewers, IT lurked, taking on the shape of every nightmare, each one's deepest dread. Sometimes…
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
I’m a Canadian author and artist that loves to write and draw the darker side of fantasy. Ever since I was a child, I have adored mythology, horror, and the creatures and worlds that are present within the fantasy genre. The world of fantasy has unlimited imagination, and its lore and structure grow constantly, which gives endless ideas to us writers to create endless brilliant realms and the creatures that dwell within them.
Dread Island was an enjoyable read for me due to its mix of Lovecraftian horror intertwined with the old tales of Huckleberry Fin. The way Joe R. Lansdale depicted his version of the story was incredible and gave me the insight that anything can be made into a horror story. I recommend this book to anyone who enjoys horror, especially Lovecraftian-style horror.
Limited to remaining stock on hand! This "Monster Lit" mash-up novella from modern horror master Joe R. Lansdale, a highlight from the recent Classics Mutilated anthology, combines Lovecraft and Mark Twain in a way that can only be described as brilliant. Or, as Lansdale.
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
I’m a kid that grew up during the Blockbuster era. I spent a lot of time in the horror and sci-fi section, going aisle by aisle renting everything they had. Monsters were like vital nutrients to me, but it wasn’t just the monsters themselves that I found appealing. It was what they taught us about ourselves. So many good stories use monsters as a tool to tell interesting and poignant stories about humanity. Doesn’t matter if it’s a walking undead creature or an otherwordly cosmic destroyer, monsters reflect people, and I try to embody that sentiment in my own work.
HP Lovecraft created a great cast of cosmic characters, but it’s debatable that other writers have done a better job utilizing them. Cthulhu Armageddon takes Lovecraftian horror and puts an adventure spin on it. The real highlight is the book’s main character, who has to navigate this post-apocalyptic world and the various creatures within it while coming to terms with his own insecurities.
“Under an alien sky where gods of eldritch matter rule, the only truth is revenge.”
CTHULHU ARMAGEDDON is the story of a world 100 years past the rise of the Old Ones which has been reduced to a giant monster-filled desert and pockets of human survivors (along with Deep Ones, ghouls, and other “talking” monsters).
John Henry Booth is a ranger of one of the largest remaining city-states when he’s exiled for his group’s massacre and suspicion he’s “tainted.” Escaping with a doctor who killed her husband, John travels across the Earth’s blasted alien ruins to seek the life of…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Caitlín R. Kiernan is one of the most prolific, versatile, inventive dark fantasy and horror writers living. Her unique transgressive perspective has won her multiple awards, and her repertoire of styles is as vast as her prose is dazzling. From cosmic horror thrillers to twisted romance, she deepens and enriches every genre she engages with. This collection is an excellent sample across her wide range—and a lure to hook you and draw you deeper into her work.
“Lyrically compelling tales that are nearly impossible to stop reading...fans of weird writers like Carmen Maria Machado, Jeff VanderMeer, and China Mieville will be glad to find this volume and thereby discover a writer who inspired them all.” —Booklist
Caitlín R. Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
There are books and series I’ve loved that I’ve only read once, with no need to re-open those particular pages. There are other books that I can re-read every year or so without exactly remembering the details of the plot and enjoy them just as much the second (sometimes tenth) time around. They all inspired me to write, plus they all provided me with awesome entertainment. So, in no particular order…. Five books/series that I’ve re-read at least a half dozen times!
Ooooh, my goodness. Kane is possibly the best anti-hero ever created, and the combination of cosmic horror, swords, sorcery, action, and awesome storytelling make these books/story collections stand out for me. Kane is an immortal, cursed by a mad god to wander the Earth “until he is destroyed by the violence that he himself has created,” and is a take on the biblical Cain, but a lot more fun. Kane inspired one of the characters in my book series and he may just edge out Conan as my favorite lead in the sword & sorcery genre.
Where once the mighty Kane has passed, no one who lives forgets. Now, down the trail of past battles, Kane travels again. To the ruins of a devastated city peopled only with half-men and the waif they call their queen. To the half-burnt tavern where a woman Kane wronged long ago holds his child in keeping for the Devil. To the cave kingdom of the giants where glory and its aftermath await discovery. To the house of death itself where Kane retrieves a woman in love.
The past, the future, the present - all these are one for Kane as…
