Here are 100 books that Can You Sign My Tentacle? fans have personally recommended if you like
Can You Sign My Tentacle?.
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My debut novel,The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields.
Noir can sometimes be hard to identify, but most readers are familiar with the tropes: the put-upon private investigator, the case that he can’t walk away from, the hunt for leads, the twists and double-crosses. With Hammers on Bone, we get all the aesthetics of a hardboiled detective story but also: Lovecraftian monsters. Noir stories lay bare individual and collective moral failings, and in adding eldritch horrors, the book further externalizes those ills, showing how monstrous humans can be.
Hammers on Bone by Cassandra Khaw is a novella that melds the hardboiled detective novel with Lovecraftian monsters. Our private dick, John Persons, is hired by a ten-year-old kid to off his abusive stepfather. From this classic noir setup, to the character voice and dialect, to the shady characters, to the twists and reversals, this book really keys into the strengths of the genre, and amplifies them even further with…
Cassandra Khaw bursts onto the scene with Hammers on Bone, a hard-boiled horror show that Charles Stross calls "possibly the most promising horror debut of 2016." A finalist for the British Fantasy award and the Locus Award for Best Novella!
John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable.
He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Caitlín R. Kiernan is one of the most prolific, versatile, inventive dark fantasy and horror writers living. Her unique transgressive perspective has won her multiple awards, and her repertoire of styles is as vast as her prose is dazzling. From cosmic horror thrillers to twisted romance, she deepens and enriches every genre she engages with. This collection is an excellent sample across her wide range—and a lure to hook you and draw you deeper into her work.
“Lyrically compelling tales that are nearly impossible to stop reading...fans of weird writers like Carmen Maria Machado, Jeff VanderMeer, and China Mieville will be glad to find this volume and thereby discover a writer who inspired them all.” —Booklist
Caitlín R. Kiernan is one of dark fantasy and horror’s most acclaimed and influential short fiction writers. Her powerful, unexpected stories shatter morality, gender, and sexuality: a reporter is goaded by her toxic girlfriend into visiting sadistic art exhibits; a countess in a decaying movie theater is sated by her servants; a collector offers his greatest achievement…
I’m a kid that grew up during the Blockbuster era. I spent a lot of time in the horror and sci-fi section, going aisle by aisle renting everything they had. Monsters were like vital nutrients to me, but it wasn’t just the monsters themselves that I found appealing. It was what they taught us about ourselves. So many good stories use monsters as a tool to tell interesting and poignant stories about humanity. Doesn’t matter if it’s a walking undead creature or an otherwordly cosmic destroyer, monsters reflect people, and I try to embody that sentiment in my own work.
HP Lovecraft created a great cast of cosmic characters, but it’s debatable that other writers have done a better job utilizing them. Cthulhu Armageddon takes Lovecraftian horror and puts an adventure spin on it. The real highlight is the book’s main character, who has to navigate this post-apocalyptic world and the various creatures within it while coming to terms with his own insecurities.
“Under an alien sky where gods of eldritch matter rule, the only truth is revenge.”
CTHULHU ARMAGEDDON is the story of a world 100 years past the rise of the Old Ones which has been reduced to a giant monster-filled desert and pockets of human survivors (along with Deep Ones, ghouls, and other “talking” monsters).
John Henry Booth is a ranger of one of the largest remaining city-states when he’s exiled for his group’s massacre and suspicion he’s “tainted.” Escaping with a doctor who killed her husband, John travels across the Earth’s blasted alien ruins to seek the life of…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
There are books and series I’ve loved that I’ve only read once, with no need to re-open those particular pages. There are other books that I can re-read every year or so without exactly remembering the details of the plot and enjoy them just as much the second (sometimes tenth) time around. They all inspired me to write, plus they all provided me with awesome entertainment. So, in no particular order…. Five books/series that I’ve re-read at least a half dozen times!
Ooooh, my goodness. Kane is possibly the best anti-hero ever created, and the combination of cosmic horror, swords, sorcery, action, and awesome storytelling make these books/story collections stand out for me. Kane is an immortal, cursed by a mad god to wander the Earth “until he is destroyed by the violence that he himself has created,” and is a take on the biblical Cain, but a lot more fun. Kane inspired one of the characters in my book series and he may just edge out Conan as my favorite lead in the sword & sorcery genre.
Where once the mighty Kane has passed, no one who lives forgets. Now, down the trail of past battles, Kane travels again. To the ruins of a devastated city peopled only with half-men and the waif they call their queen. To the half-burnt tavern where a woman Kane wronged long ago holds his child in keeping for the Devil. To the cave kingdom of the giants where glory and its aftermath await discovery. To the house of death itself where Kane retrieves a woman in love.
The past, the future, the present - all these are one for Kane as…
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
There should be no doubt for anyone who follows me that I love any tale that involves an underdog loser forced to either save the world or die trying. Even better if it involves rampaging tentacle beasts and other Lovecraftian horrors. Throw in a talking cockroach with a serious attitude problem, and you have a perfect recipe for that succulent dish known as horror/comedy. Definitely, a must-read for anyone who enjoys a good laugh in between their screams.
One loser, one talking cockroach, and one karate-chopping bombshell are all that stand between YOU and hell on earth.
Lloyd Wallace is the most clueless crossing guard the intersection of hell and earth has ever seen. So clueless, that he doesn't even realize the beer cave in the corner store where he works is the gateway to hell. The gate needs a hero, but Lloyd's a zero, a loser with a capital L. He's ten thousand dollars in debt and lives with his parents. He's been fired from every job he's ever had. He was the first thing his ex-girlfriend…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Laird Barron may be the Robert E. Howard of modern horror and weird fiction—or its Dashiell Hammett. So hard-boiled you could break rocks with it, his prose is ferociously energetic, brutally unsettling, and consummately capable of crafting its own phantasmagoric world. If Melville was resurrected and took to writing plots for Quentin Tarantino, the result might be Laird Barron. The Imago Sequence is among his best collections, but almost any of them is equally strong.
To the long tradition of eldritch horror pioneered and refined by writers such as H.P. Lovecraft, Peter Straub, and Thomas Ligotti comes Laird Barron, an author whose literary voice invokes the grotesque, the devilish, and the perverse with rare intensity and astonishing craftsmanship.
Collected here for the first time are nine terrifying tales of cosmic horror, including the World Fantasy Award-nominated novella "The Imago Sequence," the International Horror Guild Award-nominated "Proboscis," and the never-before-published "Procession of the Black Sloth." Together, these stories, each a masterstroke of craft and imaginative irony, form a shocking cycle of distorted evolution, encroaching chaos, and…
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
