Here are 100 books that Can You Sign My Tentacle? fans have personally recommended if you like
Can You Sign My Tentacle?.
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My debut novel,The Sleepless, is a sci-fi noir story born out of my passion for both speculative fiction and crime fiction. I grew up devouring Marvel comics and Ray Bradbury and Agatha Christie, and those were some of my strongest influences when I finally decided to write my own stories. As a queer immigrant and a person of color, I was also influenced by the lives of people who live these identities, as much as I was influenced by my career as a lawyer in the immigration, criminal, and civil rights fields.
Noir can sometimes be hard to identify, but most readers are familiar with the tropes: the put-upon private investigator, the case that he can’t walk away from, the hunt for leads, the twists and double-crosses. With Hammers on Bone, we get all the aesthetics of a hardboiled detective story but also: Lovecraftian monsters. Noir stories lay bare individual and collective moral failings, and in adding eldritch horrors, the book further externalizes those ills, showing how monstrous humans can be.
Hammers on Bone by Cassandra Khaw is a novella that melds the hardboiled detective novel with Lovecraftian monsters. Our private dick, John Persons, is hired by a ten-year-old kid to off his abusive stepfather. From this classic noir setup, to the character voice and dialect, to the shady characters, to the twists and reversals, this book really keys into the strengths of the genre, and amplifies them even further with…
Cassandra Khaw bursts onto the scene with Hammers on Bone, a hard-boiled horror show that Charles Stross calls "possibly the most promising horror debut of 2016." A finalist for the British Fantasy award and the Locus Award for Best Novella!
John Persons is a private investigator with a distasteful job from an unlikely client. He’s been hired by a ten-year-old to kill the kid’s stepdad, McKinsey. The man in question is abusive, abrasive, and abominable.
He’s also a monster, which makes Persons the perfect thing to hunt him. Over the course of his ancient, arcane existence, he’s hunted gods and…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always been attracted to strange things. When I was a kid, I loved to picnic in graveyards and make up stories about the people buried there. I think I gravitate toward the strange because it’s an escape from the gray every day. The best horror writing fills readers with wonder, opens the door to that magical question, ‘what if?’ But being truly engaged depends on caring about what happens to the characters in a book. That’s why I chose Horror with A Heart as my theme. I like horror with well-developed characters, people that matter to me. People who I could imagine as my friends.
I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.
Black Tomtouches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.
He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.
People move to New York looking for magic and nothing will convince them it isn't there.
Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic…
I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!
I am one of those people who were really into Lovecraft until they discovered he was a huge racist and homophobe, among other things; the contemporary reclamation of Lovecraft’s iconic mythology is delicious, and this book is a wonderfully eerie, weird entry into the new canon.
This book checks a lot of my personal boxes, like secretive government experiments, shady, half-revealed lore, and lyrical writing. I’m a huge fan of stories where you know just enough about what’s going on to keep up, and the characters are so sympathetic that you’ll follow the mystery for their sake alone.
Two decades ago the U.S. government rounded up the people of Innsmouth and took them to a desert prison, far from their ocean, their Deep One ancestors, and their sleeping god, Cthulhu. Only Aphra and Caleb Marsh survived the camps, emerging without a past or a future.
Now it's 1949, and the government that stole Aphra's life needs her help. FBI Agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant and hasten the end of the human race.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
You don’t have to travel far for very bad things to happen to you, as the main characters in this book discover when they ignore local warnings about fishing in a nearby creek. I consider this a masterwork in any genre, and I’m actually re-reading it right now, even though it kinda broke me the first time.
It’s a Lovecraftian, cosmic horror story that also creates a kind of allegory for grief. Having lost my parents in my late twenties, it felt like a fantastical yet unnervingly accurate reflection of the experience.
In upstate New York, in the woods around Woodstock, Dutchman's Creek flows out of the Ashokan Reservoir. Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's…
There are books and series I’ve loved that I’ve only read once, with no need to re-open those particular pages. There are other books that I can re-read every year or so without exactly remembering the details of the plot and enjoy them just as much the second (sometimes tenth) time around. They all inspired me to write, plus they all provided me with awesome entertainment. So, in no particular order…. Five books/series that I’ve re-read at least a half dozen times!
Ooooh, my goodness. Kane is possibly the best anti-hero ever created, and the combination of cosmic horror, swords, sorcery, action, and awesome storytelling make these books/story collections stand out for me. Kane is an immortal, cursed by a mad god to wander the Earth “until he is destroyed by the violence that he himself has created,” and is a take on the biblical Cain, but a lot more fun. Kane inspired one of the characters in my book series and he may just edge out Conan as my favorite lead in the sword & sorcery genre.
Where once the mighty Kane has passed, no one who lives forgets. Now, down the trail of past battles, Kane travels again. To the ruins of a devastated city peopled only with half-men and the waif they call their queen. To the half-burnt tavern where a woman Kane wronged long ago holds his child in keeping for the Devil. To the cave kingdom of the giants where glory and its aftermath await discovery. To the house of death itself where Kane retrieves a woman in love.
The past, the future, the present - all these are one for Kane as…
I am passionate about this topic because it dates back to my childhood. I have been interested in this subject for as long as I can remember and, as far as I can tell, gravitated towards it naturally, probably due to those unknown vectors within us all that gear us towards our loves, interests, and passions. I have written many novels in this field, and countless short stories, some published, others lying around my house. For me, this genre defines the best aspects of the imagination and is full of color, fantasy, and the entire broad spectrum of human emotions, including the most potent: fear.
Perhaps my favorite author of all time is Edgar Allan Poe, but HP Lovecraft is certainly within the running of my top five, perhaps three. His fiction is predicated upon the idea that we understand very little about the nature of reality and are ourselves rather insignificant in the grand scheme of things.
This notion in and of itself is rather humbling and petrifying. Not to mention the fact that Lovecraft’s work is downright cool, rife with slime, tentacles, and other unknown and indescribable horrors from beyond the cosmic veil of outer space…and beneath the ocean, which is without a doubt the scariest place on earth.
Another fantastic edition in the Knickerbocker Classic series is The Complete Fiction of H.P. Lovecraft, comprised of the author's fictional stories featuring the world's most bizzarre creatures and supernatural thrills. Written by H.P. Lovecraft between the years 1917 and 1935, the stories in this collection feature many horrific and cautionary science fiction themes that influence today's artists like Stephen King, Alan Moore, Paul Wilson, Guillermo Del Toro, and Neil Gaiman. For Lovecraft fans worldwide, this stunning gift edition has a full cloth binding, foil blocking on the spine, ribbon marker, and is packaged neatly in an elegant slipcase. The Complete…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
I believe that H.P. Lovecraft, only now appreciated at his full stature, has spawned a whole generation of equally brilliant writers who make modern weird horror the most vibrant, confrontational, and relevant of all current genres. He looms over today’s literature and pop culture like Cthulhu looms over the sea, and his heirs include some of the best writers of their generation. As a much-travelled Scottish writer, I’ve needed tools to tackle the chaotic, disorienting contemporary experience, as well as the darkest, most imaginative strains of my own Celtic legacy. Lovecraftian horror—through HPL’s explicit mythos or simply his implicit sensibility—served up the palette I needed to do that.
Laird Barron may be the Robert E. Howard of modern horror and weird fiction—or its Dashiell Hammett. So hard-boiled you could break rocks with it, his prose is ferociously energetic, brutally unsettling, and consummately capable of crafting its own phantasmagoric world. If Melville was resurrected and took to writing plots for Quentin Tarantino, the result might be Laird Barron. The Imago Sequence is among his best collections, but almost any of them is equally strong.
To the long tradition of eldritch horror pioneered and refined by writers such as H.P. Lovecraft, Peter Straub, and Thomas Ligotti comes Laird Barron, an author whose literary voice invokes the grotesque, the devilish, and the perverse with rare intensity and astonishing craftsmanship.
Collected here for the first time are nine terrifying tales of cosmic horror, including the World Fantasy Award-nominated novella "The Imago Sequence," the International Horror Guild Award-nominated "Proboscis," and the never-before-published "Procession of the Black Sloth." Together, these stories, each a masterstroke of craft and imaginative irony, form a shocking cycle of distorted evolution, encroaching chaos, and…
I’m a Canadian author and artist that loves to write and draw the darker side of fantasy. Ever since I was a child, I have adored mythology, horror, and the creatures and worlds that are present within the fantasy genre. The world of fantasy has unlimited imagination, and its lore and structure grow constantly, which gives endless ideas to us writers to create endless brilliant realms and the creatures that dwell within them.
Dread Island was an enjoyable read for me due to its mix of Lovecraftian horror intertwined with the old tales of Huckleberry Fin. The way Joe R. Lansdale depicted his version of the story was incredible and gave me the insight that anything can be made into a horror story. I recommend this book to anyone who enjoys horror, especially Lovecraftian-style horror.
Limited to remaining stock on hand! This "Monster Lit" mash-up novella from modern horror master Joe R. Lansdale, a highlight from the recent Classics Mutilated anthology, combines Lovecraft and Mark Twain in a way that can only be described as brilliant. Or, as Lansdale.
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
