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I’m a Hollywood native, writer/actor/mixed-media artist/creative compulsive. When I was a kid, I was really close to my older brother who was an addict. Unfortunately he never stopped using and died too young. I dealt with it by allowing the experience to inspire me. In my recent young adult novel, Just a Girl in the Whirl, the father character is inspired by him. I express myself through all art forms in order to make my way in the world and I love reading about other female characters who do the same! I’m a lifelong optimist and I love feeling inspired and inspiring others to love themselves, find the humor in everything, and create!
Tiger is a teenage girl who suddenly loses her mother. It’s a real, heartfelt, and painfully sad book, so be warned! This book made me look into my own losses and remember that grief is not a one size fits all experience and that there’s no way to avoid the sadness. To get through it we must keep going. I think it’s a beautifully written and important book for all who are grieving.
From the New York Times bestselling author of Girl in Pieces comes a novel about love and loss and learning how to continue when it feels like you're surrounded by darkness that Karen M. McManus, the New York Times bestselling author of One of Us Is Lying, calls "rare and powerful."
Here is what happens when your mother dies.
It's the brightest day of summer and it's dark outside. It's dark in your house, dark in your room, and dark in your heart. You feel like the darkness is going to split you apart.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
Song’s interdisciplinary work in the fields of politics, law, and philosophy explores the tensions that arise when culturally diverse democratic states pursue justice for religious and cultural minorities and justice for women. Much of Justice, Gender, and the Politics of Multiculturalism relates to North America. Song argues that egalitarian justice requires special accommodations for cultural minorities and that gender equality may restrict cultural accommodation. While we need to be sensitive to historical cultural rights, we should also protect basic human rights. Song lucidly and incisively discusses cultural defense in criminal law, aboriginal membership rules, and Mormon polygamy, examining the role of intercultural interactions in shaping such cultural conflicts. As I did in my work, Song emphasises intercultural democratic, deliberative dialogue as a means for resolving cultural conflicts.
Justice, Gender and the Politics of Multiculturalism explores the tensions that arise when culturally diverse democratic states pursue both justice for religious and cultural minorities and justice for women. Sarah Song provides a distinctive argument about the circumstances under which egalitarian justice requires special accommodations for cultural minorities while emphasizing the value of gender equality as an important limit on cultural accommodation. Drawing on detailed case studies of gendered cultural conflicts, including conflicts over the 'cultural defense' in criminal law, aboriginal membership rules and polygamy, Song offers a fresh perspective on multicultural politics by examining the role of intercultural interactions…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Although this novel focuses on the world of investment banking, I list it here because it shows the difference between being a female working in finance and being a male working in finance; like This is what happens, it shows the impact of sexism on one woman's professional life, her dream, her ambition, her failure to achieve the former despite the latter.
I read it quite a while ago but was reminded of it while reading recently about the recent Martin/Nicole thing (wherein they switched email addresses, so Martin experienced what it was like to be Nicole for a couple of weeks) ("Folks, it sucked" was his summary).
"A job at Cray McKinley is whatever you make of it. For the real high flyers, there's no limit to what you can achieve."
Abby is a high flyer. But she's not your average banker. Driven by something other than money and status, she has her own reasons for climbing the ladder.
And so does Mike. An ambitious young graduate with an equally impressive CV, Mike is in it for the six-figure salaries and fast cars. He's got the skills, the grades and the swagger to make it all the way to the top.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
As a longtime reader and writer of artsy erotic fiction, I love it when erotic stories mix sexiness with humor. But not too much – that would probably kill the mood. Besides, isn’t sex already a cringeworthy topic as it is? Stories in my book are thoughtful and evocative, but each one is followed by a philosophical dialogue between a man and a woman about what they have just read. (I call these dialogues “Erotic Interludes.”) To my surprise and delight, almost all these interludes have turned out to be funny (and entertaining to write). Here is my list of sexy stories which always make me laugh.
This bawdy 1958 novel reads like a bizarre porn script (or a parody of one).
Like the hapless hero of Voltaire’s Candide, Candy Christian is an intelligent and generous-minded (albeit naive) college student who lets herself be taken advantage of by all sorts of sophisticated perverts whose only goal (they claim) is to assist Candy on her spiritual journey.
It’s probably asking a lot of the contemporary reader to continue with this absurd (and sexist) premise, but I admit it – I laughed a lot and on almost every single page.
Candy is prurient, amoral, and silly, but easy and fun reading. Such novels upend the stereotype of 1950s American society as prudish and straight-laced and herald a more relaxed attitude towards sex.
I’ve been reading for 69 years, writing fiction for 43 years. I’ve read many more than 10,000 books. In my own writing, I begin with characters I create from combinations of traits and personalities I’ve met in life. I get to know them as friends. I then put them into the setting I’ve devised and given them free rein to develop the story. I know the destination, but the route is left to them. This involves much re-writing once the story is down on paper, but allows me to experience the excitement, concern, fear, love, and delights felt by the characters as I write the tale.
I'm a reader who loves books where characters determine the story arc. Plot-driven books generally leave me cold. This novel has a cast of players I found easy to empathize with; even the villains. They are drawn in fascinating detail with all their flaws and all their glories to make them real people who are easy to engage with throughout the story. In spite of some tough scenes, it's a book I thoroughly enjoyed reading.
The author introduces some thought-provoking and timely themes here. The story examines injustice, wealth inequality, gender discrimination, political intrigue, the fallibility of leaders, ethics, and morality, and the ever-present problems of prejudice driven by ignorance. All themes guaranteed to engage me.
In the tiers of Ellegeance, the elite Influencers’ Guild holds the power to manipulate emotions. Love and fear, pain and pleasure, healing and death mark the extremes of their sway, but it’s the subtle blends that hook their victims’ hearts. They hide behind oaths of loyalty and rule the world.
A child born in the grim warrens beneath the city, Catling rues the rose birthmark encircling her eye. Yet, it grants her the ability to disrupt the influencers’ sway. Established methods of civil control disintegrate before her. She’s a weapon desired by those who reign and those who rebel.
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author ofThe Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.
I was a lonely child and when I discovered my uncle’s childhood adventure books at my grandmother’s house I found a world of excitement, adventure, and bravery that thrilled me to the marrow. Although all the active characters in these books were male, I managed to insert my imaginary self into the tales of shipwrecks, daredevil flights, and chases through Amazon jungles as the protagonists bravely and indefatigably fought for survival. Martin Rattler was the first of these books I read and it’s still a breathtaking read, with plenty of moments when your heart is in your mouth and you are almost too scared to read on. I recommend it as a true heart-stopper.
You may be shocked by some of the racist and sexist attitudes in Martin Rattler.It was written in the colonialist and intolerant England of the times, and I find it heartening that no one…
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
When my sister was suddenly arrested in 2017, I was thrust into an upside-down world where I had to quickly understand the severe domestic violence that she had been hiding, while also understanding the criminal legal system that was prosecuting her for killing her abuser. In order to do so, I immersed myself in experts and literature, eventually writing a memoir about the experience. These five books personally helped me understand the full scope of violence against women, whether perpetrated by an abusive person or an abusive system.
This is another book that personally enlightened me to the core of my sister’s prosecution: misogyny. Before reading Kate Manne’s book, I had a broad and incomplete understanding of “misogyny,” despite it affecting every aspect of our society.
After reading this book—and understanding that misogyny is the way that women are controlled and punished in a patriarchal system—I couldn’t unsee the evidence of misogyny all around me. We cannot challenge gender-based violence without first understanding its fundamental building blocks.
Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics, by the moral philosopher and writer Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women…
As a long-time reader of mysteries, thrillers, and pulp fiction, I’ve lived a double life. By day, a scholar and a serious biographer, tackling heavyweight literary subjects, fighting the good feminist fight. By night, I devoured crime writing as a secret pleasure. Writing my book confirmed my belief that there have always been authors who transform genre fiction into literary magic – and that I could have fun telling their stories. Whether in my writing or mentoring, I want to celebrate neglected creators and explore how literary magic is made. The authors in this list are brave, authentic, and a damn good read. I wish you the joy of them all!
Once I’d belatedly realised that women wrote noir, it was a short step to becoming obsessed with Margaret Millar, a Canadian/American counterpart to British Celia Fremlin.
This book kept me guessing right to the end. It has a psychological complexity that means the characters got under my skin, and it is crammed with razor-sharp insights into dysfunctional relationships. I just love Millar’s spare prose: "The smile meant nothing. It was one of habit. She put it on in the morning along with her lipstick and removed it at night when she washed her face. Jim liked this smile of Daisy’s…"
It is easy to see why Millar was celebrated in her own time – and, sadly, equally easy to guess the reasons she now needs "rediscovering."
Young housewife Daisy Harker’s world is upended when a blank spot in her memory and a reoccurring nightmare link her to an unsolved murder and a decades-old conspiracy
Jim and Daisy Harker are a young, well-to-do couple in San Felice, California, and though childless they maintain the sort of domestic happiness that others can only aspire to. But a darkness exists at the outer edges of Daisy’s mind and she has no idea why it’s there. In a series of reoccurring nightmares she wanders a cemetery, eventually finding her own gravestone. According to the dream, December 2nd, 1955 is the…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Men have always been attracted to young women, who possess a glow that their mothers have possibly lost. Girls are more vulnerable and impressionable and are more likely to believe what they are told. Their passionate desire to be loved, combined with their conviction that no one understands them, makes them uniquely vulnerable to predators. But there is another side to the story. Girls do not passively wait to be seduced or exploited. They thrill in actively testing their own sexual power and often put themselves in physical and emotional danger with no understanding of the long-term consequences of relationships where the power dynamic leaves them exposed to exploitation and abuse.
It’s a very clever, very funny novella about a talented literary editor,
Quin, told alternately in his own voice and by a long-term friend of
his, Margot.
Margot defends and normalises his behaviour towards women
until she is forced to reassess his actions in the light of numerous
accusations, all of which fall short of actual assault or rape, sex, or
even touching. Is he an abuser? Or is he just a playful, overgrown
manchild who thrives on emotionally intense and intimate friendships
with women?
I loved the book because it refuses to answer the question
definitively.