Here are 100 books that Martin Rattler fans have personally recommended if you like
Martin Rattler.
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Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author ofThe Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.
After years of vicarious adventure tales like The Coral Island andTreasure Island, as an adult I discovered a new source: true-life adventures. From the voyage of the raft Kon-Tiki to the epic trek by Robyn Davidson across Australia’s cruelest desert, my fascination with the human capacity for survival found a new revival. One of the most riveting books I’ve ever read in this genre is Touching the Void which, although non-fiction, is written in an extraordinarily poetic form by the two survivors, each of whom suffered terrible physical privations and even more terrible moral dilemmas while climbing in the snow-covered Peruvian mountains. That either of them survived is a miracle. That both of them did is a tribute to what humans can endure in order to survive.
Extensive reading is essential for improving fluency and there is a real need in the ELT classroom for motivating, contemporary graded material that will instantly appeal to students
Based on the internationally acclaimed book by Joe Simpson, Touching the Void is the compelling true story of a mountaineering expedition which goes dreadfully wrong.
LEVEL 3 - LEVEL 4
BOOK ONLY
Perfect also for native English speaking children who are struggling with their reading
Full colour photos and film stills bring story to life and aid comprehension
Fact File section explores the making of the film, climbing Everest and other…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
This book was an integral resource when I began to write my book. It helped me shape the structure of my book.
F. Scott Fitzgerald once said, “If you have anything to say, anything you feel nobody has ever said before, you have got to feel it so desperately that you will find some way to say it that nobody has ever found before, so that the thing you have to say and the way of saying it blend as one matter—as indissolubly as if they were conceived together.”
This, and other books I've read, did this. My favorite books of all time have inventive structures. And reading these helped me find mine.
#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love how this book elevates lying into an art form. Following the convention of the era, Defoe published the work as if it were written by its main character, Robinson Crusoe. Crusoe stands out from its peers for the subtlety of its mimicry. I envy how natural and easy Defoe makes writing look.
The book reveals the novel’s roots in other genres, such as satire, journalism, religious writing, and personal narrative. Defoe excelled at all of these, and I find the strange convergence mesmerizing. It’s possible to see the outlines of these earlier traditions even as something like a modern novel comes into view.
With apologies to Oprah and James Frey, this book helps me remember that the best writers have always been a bit loose with the truth.
'Robinson Crusoe has a universal appeal, a story that goes right to the core of existence' Simon Armitage
Daniel Defoe's Robinson Crusoe, regarded by many to be first novel in English, is also the original tale of a castaway struggling to survive on a remote desert island.
The sole survivor of a shipwreck, Robinson Crusoe is washed up on a desert island. In his journal he chronicles his daily battle to stay alive, as he conquers isolation, fashions shelter and clothes, enlists the help of a native islander who he names 'Friday', and fights off cannibals and mutineers. Written in…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
Elizabeth Flann is a history and literature major who worked for over twenty years in the publishing industry in England and Australia before moving into teaching literature, scriptwriting and editing to postgraduate students at Deakin University, Melbourne. She is a co-author ofThe Australian Editing Handbook and was awarded a PhD in 2001 for her thesis entitled Celluloid Dreaming: Cultural Myths and Landscape in Australian Film. Now retired, she is able to give full rein to her true love—writing fiction. Her first novel, Beware of Dogs, was awarded the Harper Collins Banjo Prize for a Fiction Manuscript. She now lives in a peaceful rural setting in Victoria, Australia, close to extended family and nature.
In another story that combined the two elements of memoir/non-fiction, Berg’s turmoil began because of the adventure. The sole survivor of a family tragedy, in which she performed heroically trying to seek help, she was stricken with survivor’s guilt as well as enormous personal loss. The first part of her story conveys the physical adventure of saving her own life. The second part conveys with devastating honesty the mental adventure of surviving all the self-torture and heart-rending loss that entailed. This book also manages to negotiate the line between fiction and non-fiction with delicacy and strength.
The Girl Who Lived is the true story of Susan Berg, the sole survivor of a boating accident that claimed the lives of her parents and brother, and what it took for her to love life again.At fifteen, Susan was on a boat trip with her parents and brother when their vessel began to sink. Desperate to find help, she swam ahead, struggling through darkness and rough sea. After nearly four hours, Susan, exhausted and barely able to walk, finally made it ashore. Her family did not. Wracked by survivor guilt, Susan began to rebel against the world. Looking for…
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
By Laura Hooton, Paul Spickard, and Francisco BeltránAuthor
Why are we passionate about this?
Paul Spickard wrote the first edition of Almost All Aliens. He invited Francisco Beltrán and Laura Hooton, who worked under Dr. Spickard at UC Santa Barbara, to co-author the second edition after working as research assistants and providing suggestions for the second edition. We are all historians of race, ethnicity, immigration, colonialism, and identity, and in our other works and teaching we each think about these topics in different ways. We did the same for this list—this is a list of five books that talk about topics that are important to Almost All Aliens and approaches that have been influential in how we think about the topic.
Kendi’s book is the most recent in a long line of fantastic scholars who have tackled discussions of racism in America, especially anti-Black racism. Kendi focuses specifically on racist ideas, and how those ideas were created and then used to rationalize policies and inequalities for generations. The book is a New York Times Bestseller for a reason: it is accessible, has important ideas that are well-supported, and the reader doesn’t get lost in a history that covers a wide span of time.
Stamped from the Beginning is a redefining history of anti-Black racist ideas that dramatically changes our understanding of the causes and extent of racist thinking itself.
** Winner of the US National Book Award**
Its deeply researched and fast-moving narrative chronicles the journey of racist ideas from fifteenth-century Europe to present-day America through the lives of five major intellectuals - Puritan minister Cotton Mather, President Thomas Jefferson, fiery abolitionist William Lloyd Garrison, brilliant scholar W.E.B. Du Bois, and legendary anti-prison activist Angela Davis - showing how these ideas were developed, disseminated and eventually enshrined in American society.
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I am a scholar of global politics, and I am drawn to psychoanalysis because it studies the unseen in politics, or rather, those things that are often in plain sight but remain unacknowledged. For example, why is it that, especially in this information economy, we are well aware of the inequality and environmental destruction that our current capitalist system is based on, but we still continue to invest in it (through shopping, taking out loans, using credit cards, etc.)? Psychoanalysis says that it's because we are unconsciously seduced by capitalism—we love shopping despite knowing about the socioeconomic and environmental dangers of doing it. I’m fascinated by that process of disavowal.
This is one of the first books that “blew my mind” when I was a young university student: it remains the one I constantly return to because it seeks to understand the psychoanalytic foundations of racism under French colonialism.
Fanon was only 27 when his book was first published in 1952, but his reflections provide a stunningly passionate and layered view on how anti-Black racism (de)forms the subjectivity of both white and Black people, locking them into constructions of whiteness/blackness that require constant questioning.
His arguments on the psychoanalytic and political underpinnings of racism remain as relevant today as they were in his time.
Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon’s masterwork is now available in a new translation that updates its language for a new generation of readers. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world. Hailed for its scientific analysis and poetic grace when it was first published in 1952, the book remains a…
I am a Professor Emeritus in the Department of Politics and Public Administration at Toronto Metropolitan University. I have taught and written on political theory and cultural studies for over thirty years, specializing in theories of capitalism and imperialism. However, my main motivation for writing the books and articles I have published has had more to do with my life-long commitment to progressive social change and the political movements that can bring that change about. First and foremost, I have tried to make sometimes challenging theoretical and political concepts accessible to the informed reader and especially to those on the front lines of progressive political and social movements.
In this tour de force history of Great Britain’s 19th century ‘liberal empire,’ Elkins demonstrates the glaring contradiction between the official claim that British society and its colonies were governed by liberal principles of ‘the rule of law’ and the systematic violence that lay at its core. “Violence,” Elkins argues, “was not just the British Empire’s midwife; it was endemic to the structures and systems of British rule.”
In an age when liberal rights were ostensibly universal, race became how the empire was able to exclude black and brown people (which included ‘racialized’ groups such as the Irish and Afrikaners) from the ranks of ‘civilized’ peoples. The so-called ‘civilizing mission,’ in which ‘uncivilized’ peoples would be welcomed into the ranks of the ‘civilized’ at some unspecified point, was draped in the trappings of noble enterprise and moral duty. However, while this thinly veiled ideology may have served the interests of…
From a Pulitzer Prize–winning historian: a searing study of the British Empire that probes the country's pervasive use of violence throughout the twentieth century and traces how these practices were exported, modified, and institutionalized in colonies around the globe
Sprawling across a quarter of the world's land mass and claiming nearly seven hundred million people, Britain's twentieth-century empire was the largest empire in human history. For many Britons, it epitomized their nation's cultural superiority. But what legacy did the island nation deliver to the world? Covering more than two hundred years of history, Caroline Elkins reveals an evolutionary and racialized…
I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.
A great voice, an interesting take on fantasy, a non-white hero and heroine, rich mix of traditional fable and myth, and lots of Austeneque language. This story also takes on colonialism. I loved this book so much. It was a delight from start to finish and I’ve gone on to read other books by this author and I went to a coffee talk at the World SF Convention in Dublin. I was so thrilled to meet her.
One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade
Magic and mayhem clash with the British elite in this whimsical and sparkling debut.
The Royal Society of Unnatural Philosophers maintains the magic within His Majesty’s lands. But lately, the once proper institute has fallen into disgrace, naming an altogether unsuitable gentleman as their Sorcerer Royal and allowing England’s stores of magic to bleed dry. At least they haven’t stooped so low as to allow women to practice what is obviously a man’s profession…
At his wit’s end, Zacharias Wythe, Sorcerer Royal of the Unnatural Philosophers,…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
I could not bear to put this book down. Each time I reached the end, I started again from the beginning. It lived on my bedside table for months. It was only after three readings that I could let it go.
Gregory Day had drawn me right into the places and times of early settler colonialism; his characters formed, against the odds, a way of life that was creative—poetic, musical, sensual, and, above all, ecological. They listened to the earth and found their place as part of it, belonging to it and belonging to the Earth.
When a troubled Sarah Hutchinson returns to Australia from boarding school in England and time spent in Europe, she is sent to live with her eccentric Uncle Ferny on the family property, Ngangahook. With the sound of the ocean surrounding everything they do on the farm, Sarah and her uncle form an inspired bond hosting visiting field naturalists and holding soirees in which Sarah performs on a piano whose sound she has altered with items and objects from the bush and shore.
As Sarah’s world is nourished by music and poetry, Ferny’s life is marked by Such is Life, a…
