Here are 100 books that The Good Turn fans have personally recommended if you like
The Good Turn.
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I remember when I saw the photograph of the lynching of Rubin Stacy, his corpse surrounded by white girls in their Sunday best dresses. For me the immediate question was, why would white parents take their children on an outing to this? What purpose is this memorial photograph serving? I have spent over twenty years exploring the answers, learning how cultures persist by teaching their dominant beliefs to the next generation, and considering the perpetuation of white supremacy from generation to generation.
This autobiography of white Civil Rights activist Lillian Smith unpacks the society that shaped her as she struggled against her childhood lessons about how to interact with Whites and Blacks in the South. Smith deftly immerses you into her world with anecdotes, leading the reader through the interactions that shaped her and other white children across the South, including her experiences with racial violence and racism. Despite being written more than half a century ago, connections remain to our world. My recommendation is to read the 1994 version with an updated introduction placing the work into context.
Published to wide controversy, it became the source (acknowledged or unacknowledged) of much of our thinking about race relations and was for many a catalyst for the civil rights movement. It remains the most courageous, insightful, and eloquent critique of the pre-1960s South.
"I began to see racism and its rituals of segregation as a symptom of a grave illness," Smith wrote. "When people think more of their skin color than of their souls, something has happened to them." Today, readers are rediscovering in Smith's writings a forceful analysis of the dynamics of racism, as well as her prophetic understanding…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I didn’t know I was going to end up being a management writer. I was minding my own business in the lower rungs of business journalism when it finally struck me – after an ordeal too far – that what was really bothering me was the way people (ok, me too) were being managed. Why did bosses behave like...this?! That was nearly 30 years ago. Ever since I've been fascinated by businesses, organisations, and the people in them, how and why they work the way they do. For me, management is personal as well as professional. Having been a boss twice, I know how hard it is to be in charge and why it matters.
Business psychology is a growing and important field in which Binna Kandola (and his firm Pearn Kandola) plays a leading part. If you are white and living in the UK, you may simply not be aware how racism can affect and damage your colleagues and fellow citizens. But this book is not some aggressive “woke” polemic. Kandola is measured, tactful and serious. He tries to show all of us can do better when it comes to recognizing and halting racism at work. Even if you reject the notion of “unconscious bias” – and that might be understandable given some of the failed interventions and flimsy training courses that have been offered by some – Kandola explains that racism is not imagined or exaggerated. It is real and has to be dealt with.
Racism has not been eradicated, despite the enormous strides taken over the past fifty years. It has mutated into new and subtler forms and has found new ways to survive. The racism in organisations today is not characterised by hostile abuse and threatening behaviour. it is not overt nor is it obvious. Today racism is subtle and nuanced, detected mostly by the people on the receiving end, but ignored and possibly not even seen by perpetrators and bystanders. Racism today may be more refined, but it harms people's careers and lives in hugely significant ways. Racism in organisations continues to…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
A brilliant, challenging collection of the writings of the great anti-apartheid activist, who stressed the importance of freeing minds as well as bodies. "Inspirational" is an overused word, but it absolutely fits a work this wise, heartfelt, and urgent.
Biko's friendship with the journalist Donald Woods—immortalised in the film Cry, Freedom—is a testament to the power of the pen, and "I Write What I Like" is Biko at his finest, in his own words.
On 12th September 1977, Steve Biko was murdered in his prison cell. He was only 31, but his vision and charisma - captured in this collection of his work - had already transformed the agenda of South African politics. This book covers the basic philosophy of black consciousness, Bantustans, African culture, the institutional church and Western involvement in apartheid.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I'm a writer and a mother. Prior to the birth of my son, I wrote mainly fiction but fiction grounded in reality. As my son grew up, I wanted to write stories for him but as soon as I had written a crocodile story, he had already outgrown it. The years seven until eleven are a magical time for reading and perhaps the age group I enjoy writing for most. As a single, older mother I found the most engaging narratives for myself and my son (who is not a reader although loves being read to) were those that were grounded in reality, particularly the setting and with challenging as well as challenged characters.
Similar to the Mac B books, this is a series about a character who likes to solve crimes/mysteries, and the characters and settings are realistic. Even more wonderful is that the setting is Botswana and it gives much insight into the country and people. I was fortunate enough to be able to read this with my son while travelling with him in Botswana. Perfect.
THE NO. 1 LADIES’ DETECTIVE AGENCY - Young Readers
Fans around the world adore the bestselling No. 1 Ladies’ Detective Agency series, the basis of the HBO TV show, and its proprietor Precious Ramotswe, Botswana’s premier lady detective. In this charming series, Mma Ramotswe navigates her cases and her personal life with wisdom, and good humor—not to mention help from her loyal assistant, Grace Makutsi, and the occasional cup of tea.
Have you ever said to yourself, Wouldn’t it be nice to be a detective?
This is the story of an African girl who says just that. Her name is…
Having grown up and gone to school in south London, it will always have a special place in my heart. Call me biased, but I think it’s the best place in the capital. Hands down. I love that it’s home to many Afro-Caribbean families and how its cultural presence can be felt by just walking down any street. From the bustling markets selling plantain, yams, and hard dough bread to the throng of aunties wearing brightly-coloured, patterned lace as they make their way to church. With south London being so atmospheric, I knew I had to include it as a setting in my novel. It will always be my first home.
What I personally loved about Open Waterwas just how original it was. From the second-person narration to the poetic prose and the beautiful portrayal of a Black man, not only being on the receiving end of love but also, the giver – a depiction we don’t see enough in publishing. I also enjoyed following how two artists fell in love, organically. And yet, I didn’t feel like a fly on the wall. A key takeaway I got from the story was how freeing vulnerability can be, but also, how difficult it can be to express emotions in words. Although triggering in places, overall, I found Open Water a comforting read; there were lots of cultural references that made me smile and nod my head, such as Peckhamplex cinema and Morley’s chicken shop.
WINNER OF THE COSTA FIRST NOVEL AWARD A NATIONAL BOOK FOUNDATION 5 UNDER 35 WINNER OF THE BRITISH BOOK AWARD FOR DEBUT FICTION
“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.”—Yaa Gyasi, author of Homegoing
In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
This is a series of essays that examine the importance of bringing historical knowledge to the community and also providing concise accurate information on African history and Caribbean and African American assertions for moving beyond the imposed limitations. It is preceded by a timely introduction and followed by a series of essays which reflect on the contributions of one of the most important Caribbean historians of the African experience who lived a life which manifested the Caribbean radical-intellectual tradition.
"I have sat on a little oil drum, rusty and in the midst of garbage, and some black brothers and I have grounded together." - Walter Rodney In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I sometimes see this book discussed as a YA novel, and it’s true that its protagonists, Tee and her younger brother Toddan, are facing some very typical kid-lit crises: the death of one parent and the departure of another, aunts and uncles with conflicting ideas about child-rearing, and the impossible choice of leaving home for what they’ve been told will be a better life, but what’s better than living on an island with everyone you already know and love? Even so, this impressive novella, penned by a Black woman who happens to be a Caribbean literary scholar, is rich with conversations about colonialism, respectability politics, and the importance of preserving one’s familial and African histories—in other words, remembering your ‘true-true name.’ Important lessons for every age.
The cultural and linguistic complexity of postcolonial Trinidadian society is cleverly portrayed in this beautifully written West Indian novel. Hodge uses the voice of the central character, Tee, to tell a story that begins with two young children forced to live first with their aunt Tantie and then with Aunt Beatrice. Tantie’s world overflows with hilarity, aggression, and warmth. Aunt Beatrice’s Creole middle-class world is pretentious and exudes discriminatory attitudes toward people of color in the lower classes. As we follow Tee from childhood to young adulthood, we share the diversity and richness of her struggle to exist in two…
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
Every now and then I come across a book that I wish I had written, and Quashie’s Black Aliveness is among them. One of the motivating premises of Afro-Nostalgia is the sense that so much of black life is narrated through a trauma, oppression, and death. Black Aliveness operates from a similar premise and is centrally concerned with the “quality of aliveness” in African American poetry and literature. Here is one of my favorite passages in the book: “As necessary as ‘Black Lives Matter’ has proven to be, so efficient and beautiful a truth-claim, its necessity disorients me…I want a black world where matter of mattering matters indisputably, where black mattering is beyond expression.”
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This…
Several months before the Covid-19 pandemic upended the world as we knew it, my life was turned upside-down by reports of suicide rates and attempted suicides doubling for Black children. In fact, during late Fall 2019, Congress established an Emergency Task Force on Youth Suicide and Mental Health. I’d already been reading accounts of Black children ending their lives on social media, and as a writer, decided to leave a legacy of books that helped armor Black children with love as they navigated spaces that would not always welcome their brilliance and beauty. I wanted to help encourage them to embrace life’s joys and to love themselves, always.
Trish Cooke uses cumulative storytelling to show just how much a baby is loved when extended family members – Auntie and Uncle and Nannie and Gran-Gran and cousins – come to visit. This story is such fun to read, and was enjoyed many, many times with the young ones in my life. Young and old can bask in this baby’s utter adoration and vicariously experience so much love.
2
authors picked
So Much!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
3,
4,
5, and
6.
What is this book about?
A special 25th anniversary edition of a modern classic, this is a tender, exuberant celebration of modern family life.
Mum and baby are home alone when - DING DONG! - Auntie and then Uncle and Nannie and Gran-Gran and the cousins come to visit. And they all want to hug and kiss and squeeze and eat the baby right up ... because everybody loves the baby SO MUCH!
A special 25th anniversary edition of a multiple award-winning story, So Much is a celebration of family life. Helen Oxenbury's characteristically warm, funny illustrations, paired with Trish Cooke's rhythmic, cumulative story capture…
As a children's book writer, I want my books to be infused with S.T.E.A.M (science, technology, engineering, art, and science), imaginative adventure, and empowering words. These 3 elements are important for cultivating their minds. Great inventions and discoveries have come from people who were curious. I believe that it's our responsibility as parents to expose them to new interests and speak empowering words to their developing minds. Parents play a key role in how their children see themselves. I hope that my books encourage unity, spark the imagination, build strong parent-child relationships, initiate dialogue, and promote learning.
"Long before you took your place in this world, you were dreamed of, like a knapsack full of wishes, carried on the backs of your ancestors as they created empires, pyramids, legacies."
The lyrical reading gives appreciation and celebrates the importance of being acknowledged. Despite the challenges a child may face, they need to know that they matter. As a parent, we are our child's #1 fan and cheerleader. How do you let your child know that they matter? This book embodies this message and delivers it with grace. Plant these powerful words in the mind of your child.
A lyrical, heart-lifting love letter to black and brown children everywhere. Discover this poignant, timely and emotionally stirring picture book, an ode to black and brown children everywhere that is full of hope, assurance and love.
Tami Charles pens a poetic, lyrical text that is part love letter, part anthem, assuring readers that they always have, and always will, matter.
Accompanied by illustrations by renowned artist Bryan Collier, All Because You Matter empowers readers with pride, joy and comfort, reminding them of their roots and strengthening them for the days to come.
