Here are 100 books that The Groundings with My Brothers fans have personally recommended if you like
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Judith Jones became an important mentor and mother figure to me in my twenties, in the wake of my parents’ deaths. Her personal wisdom and guidance, which I received both in knowing her personally and from the incredible archive she left behind, have been invaluable to me during a particularly tumultuous and transformative decade in my own life. I wrote The Editor as I was coming into my full adulthood, and the books on this list helped shape my thinking along the way at times when I felt stagnant or stuck or needed to rethink both how to write Judith’s life and why her story is so vital to tell.
Lorde’s landmark collection of essays amplifies ways of living and knowing long familiar to women and other marginalized groups. Her exploration of eroticism—a fully vivacious, embodied experience of life—as a source of women’s knowledge, wisdom, and power is yet unmatched in American letters.
Essential reading for anyone who has felt unsatisfied or unseen by the narratives handed down by the white, heteronormative, patriarchal powers that continue to hold our imaginations in a vice grip.
The woman's place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep
The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity, and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.
'The truth of her writing is as necessary today as…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
A historical/legal/poetic examination of the way that African bodies were treated and disposed of in the context of transatlantic slavery and how the author simultaneously advances a process of reclamation. NourbeSe provides a meditation in which silence and space advance our understanding of the gravity and horror of the subject which in no way compares with what the unnamed victims experienced. She recalls them and names them into existence.
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship's owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition,…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
The best book on the legal basis for reparations from the Caribbean’s foremost historian. It offers a historical examination of the justification for reparations for the cost and lost labor the British gained during enslavement and brings together African and indigenous people's rights.
Since the mid-nineteenth-century abolition of slavery, the call for reparations for the crime of African enslavement and native genocide has been growing. In the Caribbean, grassroots and official voices now constitute a regional reparations movement. While it remains a fractured, contentious and divisive call, it generates considerable public interest, especially within sections of the community that are concerned with issues of social justice, equity, civil and human rights, education, and cultural identity. The reparations discourse has been shaped by the voices from these fields as they seek to build a future upon the settlement of historical crimes.
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
Kamugisha, is an able representative of a new generation of scholars who offers a contemporary examination which presents some of the theoretical issues and ideas that inform Caribbean studies and history. The reader will get a good sense of some of the major historical contributors who have shaped Caribbean history, philosophy, and culture as they attempted to move “beyond” the colonial experience.
Against the lethargy and despair of the contemporary Anglophone Caribbean experience, Aaron Kamugisha gives a powerful argument for advancing Caribbean radical thought as an answer to the conundrums of the present. Beyond Coloniality is an extended meditation on Caribbean thought and freedom at the beginning of the 21st century and a profound rejection of the postindependence social and political organization of the Anglophone Caribbean and its contentment with neocolonial arrangements of power. Kamugisha provides a dazzling reading of two towering figures of the Caribbean intellectual tradition, C. L. R. James and Sylvia Wynter, and their quest for human freedom beyond…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I sometimes see this book discussed as a YA novel, and it’s true that its protagonists, Tee and her younger brother Toddan, are facing some very typical kid-lit crises: the death of one parent and the departure of another, aunts and uncles with conflicting ideas about child-rearing, and the impossible choice of leaving home for what they’ve been told will be a better life, but what’s better than living on an island with everyone you already know and love? Even so, this impressive novella, penned by a Black woman who happens to be a Caribbean literary scholar, is rich with conversations about colonialism, respectability politics, and the importance of preserving one’s familial and African histories—in other words, remembering your ‘true-true name.’ Important lessons for every age.
The cultural and linguistic complexity of postcolonial Trinidadian society is cleverly portrayed in this beautifully written West Indian novel. Hodge uses the voice of the central character, Tee, to tell a story that begins with two young children forced to live first with their aunt Tantie and then with Aunt Beatrice. Tantie’s world overflows with hilarity, aggression, and warmth. Aunt Beatrice’s Creole middle-class world is pretentious and exudes discriminatory attitudes toward people of color in the lower classes. As we follow Tee from childhood to young adulthood, we share the diversity and richness of her struggle to exist in two…
I think any kid wishes they could save their parent, or a loved one, from suffering. I know I did. When I was a pre-teen, my mom began to withdraw from friendships, church, and community, and she took me and my siblings with her. Her moods were unstable, and sometimes I blamed myself, and other times I just tried to keep her happy. I grew up inside her fairytale, until as an adult, I could recognize the signs of mental illness. I found myself wishing there was a magical reason she was the way she was. All the books on this list are linked by the fantastical way they explore family grief, isolation, and hope.
This middle-grade horror novel follows Corinne, a courageous girl who isn’t afraid to go into the forest she’s been warned about, but when she does, something evil follows her back out.
The jumbies of Caribbean folklore are malevolent tricksters, and there is one image from this book that I will never, ever get out of my head. I’m not going to tell you what it is! But it’s toward the end and has to do with the douens and backward feet. It’s a great spooky read, but I really love how the heart of the story is rooted in loss, memory, and trying to save a parent. And not for nothing, it’ll make you crave oranges!
Corinne La Mer isn't afraid of anything. Not scorpions, not the boys who tease her, and certainly not jumbies. They're just tricksters parents make up to frighten their children. Then one night Corinne chases an agouti all the way into the forbidden forest. Those shining yellow eyes that followed her to the edge of the trees, they couldn't belong to a jumbie. Or could they? When Corinne spots a beautiful stranger speaking to the town witch at the market the next day, she knows something unexpected is about to happen. And when this same beauty, called Severine, turns up at…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I’m a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If you’ve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, you’ve probably come into contact with part of my heritage. It’s a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and I’m a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.
The story is set in Canada during the 1920s but Baxter, the main character, is an immigrant from the Caribbean and exemplifies a consequence of the region’s slave history. He is part of the diaspora of descendants seeking better lives in other parts of the world. But although in a different country, Baxter does not escape the pressure to accept a position in a subservient class.
Mayr effectively creates the sense of threat that pervades Baxter’s environment, intensified by his sexual orientation. A saving grace is his peer group of fellow porters. Initially they seem cruel and disinterested, but when faced by oppressive authority, they rally around him. This book reminded me that though the physical confinement of slavery has ended, the devaluation of Blackness continues.
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When a mudslide strands a train, Baxter, a queer Black sleeping car porter, must contend with the perils of white passengers, ghosts, and his secret love affair
The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible…
As a children's book writer, I want my books to be infused with S.T.E.A.M (science, technology, engineering, art, and science), imaginative adventure, and empowering words. These 3 elements are important for cultivating their minds. Great inventions and discoveries have come from people who were curious. I believe that it's our responsibility as parents to expose them to new interests and speak empowering words to their developing minds. Parents play a key role in how their children see themselves. I hope that my books encourage unity, spark the imagination, build strong parent-child relationships, initiate dialogue, and promote learning.
"Long before you took your place in this world, you were dreamed of, like a knapsack full of wishes, carried on the backs of your ancestors as they created empires, pyramids, legacies."
The lyrical reading gives appreciation and celebrates the importance of being acknowledged. Despite the challenges a child may face, they need to know that they matter. As a parent, we are our child's #1 fan and cheerleader. How do you let your child know that they matter? This book embodies this message and delivers it with grace. Plant these powerful words in the mind of your child.
A lyrical, heart-lifting love letter to black and brown children everywhere. Discover this poignant, timely and emotionally stirring picture book, an ode to black and brown children everywhere that is full of hope, assurance and love.
Tami Charles pens a poetic, lyrical text that is part love letter, part anthem, assuring readers that they always have, and always will, matter.
Accompanied by illustrations by renowned artist Bryan Collier, All Because You Matter empowers readers with pride, joy and comfort, reminding them of their roots and strengthening them for the days to come.
Several months before the Covid-19 pandemic upended the world as we knew it, my life was turned upside-down by reports of suicide rates and attempted suicides doubling for Black children. In fact, during late Fall 2019, Congress established an Emergency Task Force on Youth Suicide and Mental Health. I’d already been reading accounts of Black children ending their lives on social media, and as a writer, decided to leave a legacy of books that helped armor Black children with love as they navigated spaces that would not always welcome their brilliance and beauty. I wanted to help encourage them to embrace life’s joys and to love themselves, always.
Trish Cooke uses cumulative storytelling to show just how much a baby is loved when extended family members – Auntie and Uncle and Nannie and Gran-Gran and cousins – come to visit. This story is such fun to read, and was enjoyed many, many times with the young ones in my life. Young and old can bask in this baby’s utter adoration and vicariously experience so much love.
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authors picked
So Much!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
3,
4,
5, and
6.
What is this book about?
A special 25th anniversary edition of a modern classic, this is a tender, exuberant celebration of modern family life.
Mum and baby are home alone when - DING DONG! - Auntie and then Uncle and Nannie and Gran-Gran and the cousins come to visit. And they all want to hug and kiss and squeeze and eat the baby right up ... because everybody loves the baby SO MUCH!
A special 25th anniversary edition of a multiple award-winning story, So Much is a celebration of family life. Helen Oxenbury's characteristically warm, funny illustrations, paired with Trish Cooke's rhythmic, cumulative story capture…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
As a professor of African American literature and culture, I’ve spent my career writing, reading, teaching, talking and thinking about black interiority: feelings, emotions, memory, affect. My publications and lectures focus mostly on the creative and diverse ways that black people have created spaces of pleasure and possibility, even in the most dire times and under extremely difficult conditions. I’ve been told that I’m a natural optimist, so it is fitting that my most recent book and this recommendation list is all about the intentional and creative ways that people cultivate joy and a sense of possibility for themselves and others.
Every now and then I come across a book that I wish I had written, and Quashie’s Black Aliveness is among them. One of the motivating premises of Afro-Nostalgia is the sense that so much of black life is narrated through a trauma, oppression, and death. Black Aliveness operates from a similar premise and is centrally concerned with the “quality of aliveness” in African American poetry and literature. Here is one of my favorite passages in the book: “As necessary as ‘Black Lives Matter’ has proven to be, so efficient and beautiful a truth-claim, its necessity disorients me…I want a black world where matter of mattering matters indisputably, where black mattering is beyond expression.”
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This…
