Here are 100 books that Crick Crack, Monkey fans have personally recommended if you like
Crick Crack, Monkey.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My day job is teaching U.S. history, particularly courses on urban history, social movements, and race and gender. It is women’s experiences in cities, however, that have driven much of my historical research and sparked my curiosity about how people understand–and shape–the world around them. Lots of people talk about what women need and what they should be doing, but fewer have been willing to hear what women have to say about their own lives and recognize their resiliency. I hope that this kind of listening to the past will help us build more inclusive cities in the future.
I did not take to this book right away. Both main characters seemed rigid and selfish in ways that put me off initially. When I came back to the novel some years (decades?) later, I could better see and appreciate the complexity of building a life in racist America of the 1920s. The rigidity that had initially put me off seemed much more understandable as a defense mechanism in a society that was largely hostile to them as women of color.
Giving the book another go, I’ve come to admire the way Larsen uses her characters’ decisions (about whether to pass as white, have children, trust the men they’ve chosen to live with, etc.) to explore complicated ideas surrounding color and race. There are also some scathing indictments of whites, particularly white men that raise some pretty big questions about how race and gender work together, even in our own…
A classic, brilliant and layered novel that has been at the heart of racial identity discourse in America for almost a century.
Clare Kendry leads a dangerous life. Fair, elegant, and ambitious, she is married to a white man unaware of her African American heritage and has severed all ties to her past. Clare's childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, but refuses to acknowledge the racism that continues to constrict her family's happiness. A chance encounter forces both women to confront the lies they have told others - and the…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
Every time someone asks me whether I, a Black woman with albinism, would have ever considered passing for white, I think of the unnamed protagonist of this book and his conflicting desires to uplift his own race while also escaping the dangers of being a Black man at the height of America’s obsession with lynching. (And let’s be honest, he also enjoys the social privilege and upward mobility that come with being mistaken for white.) Of course, the title tells us which choice he’s going to make long before we read it for ourselves, but I was still unprepared for the gutting last lines of this book. It is a master class in telling the story of the backward glance, and in what one loses by trying to save himself.
James Weldon Johnson's The Autobiography of an Ex-Colored Man is a powerful, trailblazing novel that exposes the intricate relationship between race and class in late nineteenth-century America.
Complete & Unabridged. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Dr Sam Halliday.
After losing his mother at a very young age, the narrator is thrust from his comfortable, middle-class environment, afforded by his distant but aristocratic father, into the wider world.…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I wasn’t far into Love before it became crystal clear why its author fled her native Haiti after publishing it, in spite of the fact that the novella is ostensibly historical fiction. The narrator Claire’s depiction of a Duvalier-esque commandant is a scathing one, and in truth, no one escapes Claire’s acerbic wit, keen eye for detail, and incisive observations about colorism, class, and the perpetual violence that is engendered by colonial rule and persists long after its end. Claire is both an unreliable narrator—she is jealous, petty, and bitterly indignant about her treatment by her family—and yet, a trustworthy one. Love taught me how to create a Black woman narrator who does not have to be trusted (or even liked) to be listened to, believed.
The only English translation of “a masterpiece” (The Nation)—a stunning trilogy of novellas about the soul-crushing cost of life under a violent Haitian dictatorship, featuring an introduction by Edwidge Danticat
Originally published in 1968, Love, Anger, Madness virtually disappeared from circulation until its republication in France in 2005. Set in the barely fictionalized Haiti of “Papa Doc” Duvalier’s repressive rule, Marie Vieux-Chauvet’s writing was so powerful and so incendiary that she was forced to flee to the United States. Yet Love, Anger, Madness endures.
Claire, the narrator of Love, is the eldest of three daughters who surrenders her…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I have loved Black literature written in Southern AAVE since reading Charles Chesnutt’sThe Conjure Woman in graduate school.But perhaps what I love most about the narrator, Octavia (also known as Sweet Pea), is that she’s fluent in many languages: the language of the hood where she lives, of the classroom where she excels, and of the playground, where her poverty is often a cause for ridicule, but where her sassy, outspoken nature is treated with grudging respect. Early 1980s Atlanta is an unsafe place for children: drugs, gangs, and the Atlanta Child Murders are threatening their very existence, and like many of the stories on my list, Octavia’s triptych also ends with a departure. However, her wit and savvy make clear that, wherever she lands, she’s going to be alright.
In the summer of 1979 black children were disappearing from the streets of Atlanta. By the time this heinous killing spree was over, 29 children were dead. This haunting menace provides a powerful backdrop to the stories of three young children fighting the painful everyday battle of adolescence. Tasha, Rodney and Octavia each has a unique voice and story and each is struggling to find a path through the turmoil. Tasha, who is coping with the separation of her parents, is discovering the first sweet pain of a crush on a tough but tender boy named Jashante from the rough…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
This is a series of essays that examine the importance of bringing historical knowledge to the community and also providing concise accurate information on African history and Caribbean and African American assertions for moving beyond the imposed limitations. It is preceded by a timely introduction and followed by a series of essays which reflect on the contributions of one of the most important Caribbean historians of the African experience who lived a life which manifested the Caribbean radical-intellectual tradition.
"I have sat on a little oil drum, rusty and in the midst of garbage, and some black brothers and I have grounded together." - Walter Rodney In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at…
As a queer person from a once-colonized country, I have long had an interest in struggles for emancipation and liberation. My scholarly work has been invested in understanding how structures of oppression sediment over time, and how time itself can be less than straightforward. The time we call the present is haunted by the past but also by anticipations of the future. My work explores how this temporal slipperiness makes itself felt in contemporary struggles around nation, gender, sexuality, race, and caste. As a scholar of international politics, I am interested in how yearnings for freedom manifest in different places and look to each other for inspiration and solidarity.
This book is an intensive examination of "Rhodes Must Fall" – a student-led movement that erupted in South Africa in 2015 to protest the persistence of the legacies of apartheid more than two decades after its formal end.
The movement called for the removal of a statue of settler colonist Cecil Rhodes from the University of Cape Town as a metaphor for the dismantling of these legacies.
I love the book because while it is written in solidarity with the movement’s aim to dismantle white supremacy, it is also deeply attentive to how easily a politics of decolonisation can be misdirected at other marginalised groups – in this case, Black migrants from outside South Africa, who have frequently been at the receiving end of xenophobic violence.
This book on rights, entitlements and citizenship in post-apartheid South Africa shows how the playing field has not been as levelled as presumed by some and how racism and its benefits persist. Through everyday interactions and experiences of university students and professors, it explores the question of race in a context still plagued by remnants of apartheid, inequality and perceptions of inferiority and inadequacy among the majority black population. In education, black voices and concerns go largely unheard, as circles of privilege are continually regenerated and added onto a layered and deep history of cultivation of black pain. These issues…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
I think any kid wishes they could save their parent, or a loved one, from suffering. I know I did. When I was a pre-teen, my mom began to withdraw from friendships, church, and community, and she took me and my siblings with her. Her moods were unstable, and sometimes I blamed myself, and other times I just tried to keep her happy. I grew up inside her fairytale, until as an adult, I could recognize the signs of mental illness. I found myself wishing there was a magical reason she was the way she was. All the books on this list are linked by the fantastical way they explore family grief, isolation, and hope.
This middle-grade horror novel follows Corinne, a courageous girl who isn’t afraid to go into the forest she’s been warned about, but when she does, something evil follows her back out.
The jumbies of Caribbean folklore are malevolent tricksters, and there is one image from this book that I will never, ever get out of my head. I’m not going to tell you what it is! But it’s toward the end and has to do with the douens and backward feet. It’s a great spooky read, but I really love how the heart of the story is rooted in loss, memory, and trying to save a parent. And not for nothing, it’ll make you crave oranges!
Corinne La Mer isn't afraid of anything. Not scorpions, not the boys who tease her, and certainly not jumbies. They're just tricksters parents make up to frighten their children. Then one night Corinne chases an agouti all the way into the forbidden forest. Those shining yellow eyes that followed her to the edge of the trees, they couldn't belong to a jumbie. Or could they? When Corinne spots a beautiful stranger speaking to the town witch at the market the next day, she knows something unexpected is about to happen. And when this same beauty, called Severine, turns up at…
I am a Caribbean-American literary scholar who has spent many years studying, lecturing and writing about the interrelated fields of African Diaspora literature and culture, meaning the creative and theoretical productions of writers from Africa, the United States, Latin America, Brazil, and the Caribbean. I teach a variety of these subjects and enjoy the combinations of politics, creativity, and cultural expression that they contribute. These books provide you with a good cross-section of what is available in the Caribbean and the Caribbean diaspora.
The best book on the legal basis for reparations from the Caribbean’s foremost historian. It offers a historical examination of the justification for reparations for the cost and lost labor the British gained during enslavement and brings together African and indigenous people's rights.
Since the mid-nineteenth-century abolition of slavery, the call for reparations for the crime of African enslavement and native genocide has been growing. In the Caribbean, grassroots and official voices now constitute a regional reparations movement. While it remains a fractured, contentious and divisive call, it generates considerable public interest, especially within sections of the community that are concerned with issues of social justice, equity, civil and human rights, education, and cultural identity. The reparations discourse has been shaped by the voices from these fields as they seek to build a future upon the settlement of historical crimes.
I’m a human product of a Demerara sugar plantation, and spent most of my formative years in this environment. If you’ve added brown sugar to your coffee, tea, or baking, or indulged in chocolate or candy, you’ve probably come into contact with part of my heritage. It’s a heritage with a sweet and a bitter side. My novel The Wisdom of Rain follows Mariama, an enslaved girl struggling with life on a nineteenth century plantation. She could have been my ancestor. Canada has become my home and I’m a proud alumna of York University and the University of Toronto. Most days, I enjoy the diversity and promise of this country.
The story is set in Canada during the 1920s but Baxter, the main character, is an immigrant from the Caribbean and exemplifies a consequence of the region’s slave history. He is part of the diaspora of descendants seeking better lives in other parts of the world. But although in a different country, Baxter does not escape the pressure to accept a position in a subservient class.
Mayr effectively creates the sense of threat that pervades Baxter’s environment, intensified by his sexual orientation. A saving grace is his peer group of fellow porters. Initially they seem cruel and disinterested, but when faced by oppressive authority, they rally around him. This book reminded me that though the physical confinement of slavery has ended, the devaluation of Blackness continues.
PUBLISHERS WEEKLY TOP 20 LITERARY FICTION BOOKS OF 2022
OPRAH DAILY: BOOKS TO READ BY THE FIRE
THE GLOBE 100: THE BEST BOOKS OF 2022
CBC BOOKS: THE BEST CANADIAN FICTION OF 2022
When a mudslide strands a train, Baxter, a queer Black sleeping car porter, must contend with the perils of white passengers, ghosts, and his secret love affair
The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
As a children's book writer, I want my books to be infused with S.T.E.A.M (science, technology, engineering, art, and science), imaginative adventure, and empowering words. These 3 elements are important for cultivating their minds. Great inventions and discoveries have come from people who were curious. I believe that it's our responsibility as parents to expose them to new interests and speak empowering words to their developing minds. Parents play a key role in how their children see themselves. I hope that my books encourage unity, spark the imagination, build strong parent-child relationships, initiate dialogue, and promote learning.
"Long before you took your place in this world, you were dreamed of, like a knapsack full of wishes, carried on the backs of your ancestors as they created empires, pyramids, legacies."
The lyrical reading gives appreciation and celebrates the importance of being acknowledged. Despite the challenges a child may face, they need to know that they matter. As a parent, we are our child's #1 fan and cheerleader. How do you let your child know that they matter? This book embodies this message and delivers it with grace. Plant these powerful words in the mind of your child.
A lyrical, heart-lifting love letter to black and brown children everywhere. Discover this poignant, timely and emotionally stirring picture book, an ode to black and brown children everywhere that is full of hope, assurance and love.
Tami Charles pens a poetic, lyrical text that is part love letter, part anthem, assuring readers that they always have, and always will, matter.
Accompanied by illustrations by renowned artist Bryan Collier, All Because You Matter empowers readers with pride, joy and comfort, reminding them of their roots and strengthening them for the days to come.
