Here are 30 books that The Good Soldier fans have personally recommended if you like
The Good Soldier.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.
She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
If you’re anything like me, you are driven by your passions. And the key to stoking our passions is finding inspiration—sometimes in the most unlikely of literary places. The study of literature is intrinsically about the act of knowing. It is about knowing the world—a vast, uncharted universe of people and places, ideas, and emotions. But in helping us to know the world, literature is mostly about coming to know yourself. It is about exploring the recesses of your mind, the vicissitudes of your memories, the weight and pleasure of your deepest, most personal experiences. It is about getting closer and ever closer to understanding your own essential truths—and yet never quite arriving there. It is, in short, the most intimate and transformative journey that you can possibly take through the lens of your mind’s eye. It is about you.
When it comes to finding inspiration in our memories, Marcel Proust is literature’s gold standard. The French novelist devoted the balance of his life to the art of refracting his memories through the lens of his writerly self. Proust understood implicitly that our memories are triggered by sensory experiences—sights, sounds, smells, and touch, to be sure—but most especially through the pleasures of the text. In Du côté de chez Swann, the first volume of his epic À la recherche du temps perdu, Proust interrogates the ways in which memory is catalyzed by the senses, while comprehending, at the same time, the manner in which the reality of our memories becomes shaped by the ruinous work of nostalgia, of a sentimentality that exists beyond our ken.
Du côté de chez Swann est un roman de Marcel Proust, c'est le premier volume de À la recherche du temps perdu. Il est composé de trois parties, dont les titres sont : Combray, Un amour de Swann et Nom de pays : le nom.
I read a lot of fiction, both out of love and as my job. One of my biggest frustrations is that it’s so hard to find novels that are both thought-provoking and fun to read. Books that are page-turners often leave me feeling icky, like I’ve mowed down a big, greasy mess of french fries, and I have regrets. Books that are intellectually stimulating are like a bowl of kale that I nibble at and find easy to put down. When I find a novel that is both propulsive and thoughtful, that is my holy grail, and all of the books on this list hit that sweet spot for me.
This book is so intelligent that it gave me chills, but it’s also a literary page-turner. I adored the married couple at the center of the story for trying to use their very big brains to solve the problem of the emptiness they were feeling, which, spoiler alert, didn’t work, but it did lead to clever dialogue and some profound observations.
One of the themes in the book has to do with time, and the quote that haunts me the most is, “How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.” Somehow, this nihilistic book left me marveling at the preciousness of life.
'The Sheltering Sky is a book about people on the edge of an alien space; somewhere where, curiously, they are never alone' Michael Hoffman.
Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavouring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind. The results of this casually taken decision are both tragic and compelling.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
I am actually NOT a good person to make any reading list, because I am not an avid reader. As the most performed playwright in the Chinese speaking world, the fuel for my over 40 plays comes from life itself, not by books about art/creativity. To be creative, you need to be inspired by life, to see how great works of art are composed, including nature. To understand life you need to focus intensely on it and observe how it works in as objective a way as possible. It’s great to find a book about creativity that will help your creativity, but I find life itself is the greatest inspiration.
It’s not enough to know that Godot is a modern classic blah-blah-blah. I found that learning why was a crash course in creativity.
This play taught me so many profound lessons/strategies: Inaction is action; you cannot be inactive unless you have an active motivation; silence is brimming with sound; you can write a great play, and your characters can be anything but great; you can make a great philosophical statement through the most mundane of scenes.
Greatness comes with the overall synthesis of all the elements of the theatrical art – dialogue, story, stage, costume, etc. “Godot” is the most incredible name/metaphor. Can be anything, can be nothing.
I directed this play twice, and am still learning from it. I bow down to you, Samuel Beckett.
From an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.”
The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
This American classic by Pulitzer Prize-winning novelist, Larry McMurtry, is read by university students worldwide. It’s set in its own time of indulgent decadence where little value is placed on the lives of individuals met by Danny Deck, the sad-sack protagonist, who denigrates his published work to the point of tearing up a copy of the novel he carries with him before drowning his own sorry self in the river of the Rio Grande. Yet, Danny is as much at fault for the sloppy treatment of the company he keeps as his company is for being disingenuous.
What McMurtry calls normal life, or mundane happiness, through the voice of novelist Deck, is seen as obtainable if one wants to pursue the creative arts. His conclusion is that the two simply don’t mix. As he explores this idea in a higgledy-piggledy fashion, Deck sets about self-destructing, which has nothing to do…
Hailed as one of "the best novels ever set in America's fourth largest city" (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's "comic genius, his ability to render a sense of landscape, and interior intellection tension" (Jim Harrison, New York Times Book Review). Desperate to break from the "mundane happiness" of Houston, budding writer Danny Deck hops in his car, "El Chevy," bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have always loved short stories for the way they pull readers into a complete universe and leave a lasting impact, all in a much shorter span than a novel. This is what makes them special! I love when an author presents an indelible image to recall later, or a passage that makes me go back to roll the words over my tongue again, or a turn of events that leaves me heartsore, or filled with longing, or purpose, or appreciation. Often, these shorter glimpses leave a longer impact because they are required to get and keep attention quickly. And the really good short stories do exactly that.
This is a “bring to a deserted island” kind of book.
I’m in perpetual awe at the way Carson McCullers wrote with an unflinching eye on people—their strengths and weaknesses and every nuance in between—and always, with love. I have laughed and cried and pondered the largest questions, all in a single McCullers story. And there’s simply no one who writes like she did.
The novelist, dramatist, and poet Carson McCullers was at the peak of her powers as a writer of short fiction.
In nineteen stories that explore her signature themes of wounded adolescence, loneliness in marriage, and the tragicomedy of life in the South, McCullers's novellas "The Member of the Wedding" and "The Ballad of the Sad Cafe" are also included.
"[These novellas are] assuredly among the masterpieces of our language," Tennesee Williams said.
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
Max Evans knows cowboy life and he writes about it authentically. In The Rounders, we laugh along with Dusty and Wrangler as they do battle with one of literature’s best horses, “Old Fooler.” The boys break horses, hunt for cows in rough country, rodeo, drink, and chase the girls—and it’s all in good fun.
The bawdy and moving story of two contemporary bronco busters, The Rounders, originally published in 1960, was Max Evans's first novel and is still his best known work, thanks largely to the success of the 1965 movie version starring Henry Fonda and Glenn Ford. Acclaimed for its realistic depiction of modern cowboying and for its humor, it is also a very serious work, described by the author as a tragicomedy.
John Marks is co-author of The CIA and the Cult of Intelligence, a New York Times best-seller in hard-cover and paperback. He has written for the Washington Post, New York Times, Playboy, Foreign Policy, and Rolling Stone. He was the founder and long-time President of Search for Common Ground, the world’s largest peacebuilding organization that was nominated for the 2018 Nobel Peace Prize.
Dick Holbrooke was a one-of-a-kind diplomat who, by force of his character, brought peace to Bosnia. He embodied still significant, but declining, American power in the post-Vietnam era, and this book brilliantly captures his character and his exploits.
From one of America's greatest non-fiction writers, an epic saga of the rise and fall of American power, from Vietnam to Afghanistan, told through the life of one man.
**WINNER OF THE LOS ANGELES TIMES BIOGRAPHY PRIZE 2019** **FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS 2020**
Richard Holbrooke was one of the most legendary and complicated figures in recent American history. Brilliant, utterly self-absorbed, and possessed of almost inhuman energy and appetites, he was both admired and detested. From his days as a young adviser in Vietnam to his last efforts to end the war in Afghanistan, Holbrooke embodied…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
No one who reads Nora on her breasts or her neck will ever forget her hilarious takes on her own insecurities. Her style seems effortlessly casual, but the closer you look, the more you see how cunningly put together these essays are. A superb combination of vignette and rumination, these pieces rescue the detritus of everyday life and show how absurd our American reality is.
