Here are 100 books that Du côté de chez Swann fans have personally recommended if you like
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If you’re anything like me, you are driven by your passions. And the key to stoking our passions is finding inspiration—sometimes in the most unlikely of literary places. The study of literature is intrinsically about the act of knowing. It is about knowing the world—a vast, uncharted universe of people and places, ideas, and emotions. But in helping us to know the world, literature is mostly about coming to know yourself. It is about exploring the recesses of your mind, the vicissitudes of your memories, the weight and pleasure of your deepest, most personal experiences. It is about getting closer and ever closer to understanding your own essential truths—and yet never quite arriving there. It is, in short, the most intimate and transformative journey that you can possibly take through the lens of your mind’s eye. It is about you.
In his tragicomic novel The Good Soldier, Ford Madox Ford’s thickheaded narrator John Dowell trolls, over and over again, through the detritus of his life, searching vainly for the origins of his predicament—namely, that he has been duped by his wife and her lover, his supposedly best friend and the “good soldier” of the novel’s title. When Dowell finally succumbs to the utter hopelessness of his situation, he turns away from his audience in a brash attempt to bargain with a misbegotten universe, and his dreams of an impossible reconciliation with the world become our own: “Is there any terrestrial paradise where, amidst the whispering of the olive-leaves, people can be with whom they like and have what they like and take their ease in shadows and in coolness?” In his greatest moment of anguish and uncertainty, Dowell grasps for the poetry of language to sate his weary soul.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a UK registered lawyer, I have spent most of the past 35 years writing about my work. But what has always excited me, from my childhood, is the science fiction worlds which state a truth which is yet to happen, The worlds of H.G Wells; Huxley; Aldous; Orwell; Bradbury; and Atwell. An individual's struggle against overwhelming odds. Not always somewhere where you would want to go. But from which you will always take something away.
What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.
She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
I read a lot of fiction, both out of love and as my job. One of my biggest frustrations is that it’s so hard to find novels that are both thought-provoking and fun to read. Books that are page-turners often leave me feeling icky, like I’ve mowed down a big, greasy mess of french fries, and I have regrets. Books that are intellectually stimulating are like a bowl of kale that I nibble at and find easy to put down. When I find a novel that is both propulsive and thoughtful, that is my holy grail, and all of the books on this list hit that sweet spot for me.
This book is so intelligent that it gave me chills, but it’s also a literary page-turner. I adored the married couple at the center of the story for trying to use their very big brains to solve the problem of the emptiness they were feeling, which, spoiler alert, didn’t work, but it did lead to clever dialogue and some profound observations.
One of the themes in the book has to do with time, and the quote that haunts me the most is, “How many more times will you watch the full moon rise? Perhaps twenty. And yet it all seems limitless.” Somehow, this nihilistic book left me marveling at the preciousness of life.
'The Sheltering Sky is a book about people on the edge of an alien space; somewhere where, curiously, they are never alone' Michael Hoffman.
Port and Kit Moresbury, a sophisticated American couple, are finding it more than a little difficult to live with each other. Endeavouring to escape this predicament, they set off for North Africa intending to travel through Algeria - uncertain of exactly where they are heading, but determined to leave the modern world behind. The results of this casually taken decision are both tragic and compelling.
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
My interest in money (understanding it, not so much making it!) dates from undergraduate days at Harvard, 1977-1981, exactly the time when the dollar system was being put back together under Volcker after the international monetary disorder and domestic stagflation of the 1970s. The previous decade had very much disrupted the personal economics of my family, perhaps in much the same way that the Depression had disrupted Kindleberger’s, and set me off on a lifelong quest to understand why. Forty years and four books later, I feel like I have made some progress, and hope that my book can save readers forty years in their own question to understand money!
My own book title is explicitly an homage to this book, which tells the story of the sterling standard in its heyday.
It is my dream that readers will put my book next to this one on their bookshelves, reading mine as a continuation of the story that DeCecco tells so masterfully. He is more economic historian, and I am more historian of economic ideas, so the books are different (and his original was in Italian), but they can be read as in conversation with one another.
This is another book that I look forward to rereading, now that I know more, and engaging more deeply and systematically.
I'm a retired economics professor from the US who studied Japan for most of my 46-year career and have lived in Kyoto since 2008. I first visited Kyoto in 1981, naively hoping to revel in the splendors of the Heian era, and was disappointed to find that the physical manifestations of medieval Japan as evoked in The Tale of Genjihad vanished. But the persisting legacy of that ancient age is still evident to the trained observer. Japan today embodies its past. It's not enough to know that Japan today is a prosperous country. Curious people also want to know how it got that way. The roots lie deep in the past.
Britain, America, and France collectively adopted deflationary policies after 1920 to reestablish the gold standard at the pre-World-War-I parity. Japan's government joined in. The ensuing Japanese deflation retarded growth, produced widespread economic hardship, precipitated a banking crisis in 1927, and ultimately contributed to the sharp swing in Japan's politics towards fascistic, right-wing reactionaries, punctuated with an exclamation mark by the “Manchuria incident” of 1931. Metzler describes in granular detail this historical arc, with special attention to the key persons—including Innoue Junnosuke, Takahashi Korekiyo, and Thomas W. Lamont—and their own written justifications or critiques for the policies they or others implemented. It is not an economic analysis (like much of my book is) but a historical narrative, and a gripping one.
If you already know the economics of the gold standard, it’s even more gripping, because those behind the return to the gold standard in Japan, particularly including Innoue Junnosuke, were…
This book, the first full account of Japan's financial history and the Japanese gold standard in the pivotal years before World War II, provides a new perspective on the global political dynamics of the era by placing Japan, rather than Europe, at the center of the story. Focusing on the fall of liberalism in Japan in late 1931 and the global politics of money that were at the center of the crisis, Mark Metzler asks why successive Japanese governments from 1920 to 1931 carried out policies that deliberately induced deflation and depression. His search for answers stretches from Edo to…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
In 2014, I was laid off from my management role at Lowe’s Home Improvement. Instead of starting another job, I took several months to reflect on my leadership experiences and researched how leadership has evolved in the 21st Century. Based on a detailed analysis of 14 books, including the five I recommend, I wrote my first book that explains how to practice 21st-century leadership (now in its second edition). After publishing, I’ve written another leadership book, several blogs, and have been a keynote speaker. I now host the Unlabeled Leadership Podcast, which helps listeners learn how everyday people practice leadership.
A colleague of mine introduced me to this book and argued that Kouzes and Posner wrote the gold standard of leadership practices. After reading their research-based stories, I agree.
The authors write in a way that goes beyond theory by offering a practical guide by focusing on the five practices of exemplary leadership. These practices are applicable to anyone’s career! Through inspiring examples and actionable steps, I learned how to lead with integrity, inspire others, and drive higher performance more effectively.
Read the gold standard of leadership development. It can become your call to action!
The most trusted source of leadership wisdom, updated to address today's realities The Leadership Challenge is the gold-standard manual for effective leadership, grounded in research and written by the premier authorities in the field. With deep insight into the complex interpersonal dynamics of the workplace, this book positions leadership both as a skill to be learned, and as a relationship that must be nurtured to reach its full potential.
This new sixth edition has been revised to address current challenges, and includes more international examples and a laser focus on business issues; you'll learn how extraordinary leaders accomplish extraordinary things,…
My passion for story began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college, I studied comparative literature, focusing on 19th and 20th-century novels in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.
This was my first introduction to the structure of films. It gave me a place to start as a screenwriter and helped me focus on what was important in organizing a screenplay.
I really liked how specific and simple it was in explaining what the author found in the thousands of screenplays he had read. I used it as a guide to create my first full-length screenplay, which got the attention of directors and production companies and kickstarted my career.
Hollywood's script guru teaches you how to write a screenplay in "the 'bible' of screenwriting" (The New York Times)—now celebrating forty years of screenwriting success!
Syd Field's books on the essential structure of emotionally satisfying screenplays have ignited lucrative careers in film and television since 1979. In this revised edition of his premiere guide, the underpinnings of successful onscreen narratives are revealed in clear and encouraging language that will remain wise and practical as long as audiences watch stories unfold visually—from hand-held devices to IMAX to virtual reality . . . and whatever comes next.
Growing up in a strait-laced Southern family, I was always fascinated with casinos. In my twenties on a summer hiatus from teaching in North Carolina, I drove to California and became a dealer at Caesars in Lake Tahoe. My mother highly disapproved of my working in a casino, "a place so bad it has 'sin' in the middle." Eventually, I returned east to take a hi-tech job in Boston. I also began working on my MFA in writing at Emerson. My characters were breathed into life from my years in the gambling industry. You learn a lot about the human personality when you watch thousands of people from behind the felt of a blackjack table.
This is a book made from a screenplay that tells the story from behind the felt. As a croupier you can always tell if an author knows their stuff. Stepping behind the table as a dealer Jack Manfred a rejected author becomes enmeshed in his new job. He intends to write a novel about this fascinating world of casinos. As a writer myself I can relate to his need to tell his story. London dealers are considered the gold standard in the casino world. Their intense training thins the herd. I know because my husband learned to deal at an upscale London casino just like Jack. Ray also went to The Grecian Grill an all-night Greek restaurant in the West End after his shift. That touch of authenticity gave Croupier my stamp of approval.
You have to make a choice in life. Be a gambler or a croupier. Then live with your decision come what may. It's all numbers, the croupier thought. A spin of the wheel. A turn of a card. The time of your life. The date of your birth. The year of your death. In the Book of Numbers the Lord said: "Thou shalt count thy steps." A wave of elation came over him. He was hooked again. Watching people lose. His existence was forming an interesting pattern of betrayals. Sometimes he was unsure whether he was the betrayer or the…
My favorite mode of transport is being on the back of a good horse. I have enjoyed horse treks in Ecuador on the Inca Trail, in the backcountry of British Columbia, the High Sierras, and on the Wild West coast of Ireland, as well as numerous stays at guest’s ranches in the U.S. My equestrian articles have appeared in Equus, Horse Illustrated, and California Riding Magazine, to name a few. A back injury forced me to give up my mare and the riding world I loved. Writing The Cowgirl Jumped over the Moon was my way of letting go and moving forward in life.
I enjoyed this story, even though it was more about the rivalry between mother and daughter striving for Olympic Gold than it was about horses.
The horse jumping world is filled with backstabbing competitors, abuse of gorgeous animals, and risk of serious injury. Patterson dwells more on this than the very real connection riders have with their mounts. Still, it is a fun, engaging read.
'A great read for horse lovers and fans of show jumping' Jilly Cooper 'This is a hugely entertaining, riveting, page-turner of a book' Louise Penny 'An eye-opening ride through the high-stakes world of equestrian show-jumping . . . Three fearless women connected by blood, competition, and a passion for fast horses.' Carl Hiaasen _____________________________
Maggie Atwood and Becky McCabe - mother and daughter, both champion riders - vowed to never, ever, compete against one another.
But a dramatic turn of events ahead of the Paris Olympics changes everything.
Mother and daughter share a dream: to be the best in the…