100 Books Like The God Equation

Hans Ohanian is a physicist who has taught at several universities before retiring to engage in full-time research, writing, and acting as reviewer for several scientific journals. In one of his first books he included two chapters on “Energy, entropy, and environment” and “Nuclear energy.” This gave him valuable expertise for reviewing the five great books he recommends here.

I was never going to hack it as a scientist. So I became a journalist instead. After all, both careers stem from a sense of wonder about the world and asking questions, looking for answers, and accepting that there might not be any. In 2018, I started my narrative podcast Wild Thing, which let me explore some of our weirder collective fascinations (like aliens) using science, history, psychology, and humor. I’d never aimed the podcast at kids, but I realized that all those big open-ended questions that I had about everything were the same kinds of questions that kids had - which really set me up to write the Wild Thing book series. 

I am a scientist who has worked at the coal face of the debate around the origin of animals and ‘Snowball Earth’ his entire career, using a combination of experimental and descriptive science. Over three decades, I have witnessed first-hand how careful attention to detail in study after study has removed doubt from once provocative, even crazy, ideas that are now widely accepted. I love reading popular science from the perspective of the hands-on scientist who has witnessed the debate first-hand and contributed to received knowledge by conceiving new experiments, amassing data, and, more than often, in entirely unexpected ways through sheer curiosity.

I have been increasingly interested in astrophysics since I was six years old. My mother hooked me on reading at five by stopping novels at critical points and urging me to continue. I’ve ever since read a broad range of books. I stumbled upon Dr. Loren Eiseley in the early 1970s and enjoyed his books immensely. As soon as a book by Dr. Carl Sagan was published, I wanted to read it. As I’ve grown older, I try not to think that ‘peak humanity’ is behind us–and books such as Sagan, Eiseley, and Rovelli offset that potentially depressing thought and provide solid encouragement.

My name is Jeannie Reed. I was an executive for many years and, for many years, an editor and a professional psychic in concurrent full-time careers. Eight years ago, a spirit started making itself known in my apartment in New York City. He's still here. This spirit's presence is not unusual. What is unusual is that he communicates by drawing. Drawings anybody can see. This man died in 1920. I had zero interest in him until now, though I had heard of him, a great artist, Amedeo Modigliani. I am not soft-minded. I doubted this whole thing for a year. Until finally, it was unavoidable. 

My name is Jeannie Reed. I was an executive for many years and, for many years, an editor and a professional psychic in concurrent full-time careers. Eight years ago, a spirit started making itself known in my apartment in New York City. He's still here. This spirit's presence is not unusual. What is unusual is that he communicates by drawing. Drawings anybody can see. This man died in 1920. I had zero interest in him until now, though I had heard of him, a great artist, Amedeo Modigliani. I am not soft-minded. I doubted this whole thing for a year. Until finally, it was unavoidable. 

My name is Jeannie Reed. I was an executive for many years and, for many years, an editor and a professional psychic in concurrent full-time careers. Eight years ago, a spirit started making itself known in my apartment in New York City. He's still here. This spirit's presence is not unusual. What is unusual is that he communicates by drawing. Drawings anybody can see. This man died in 1920. I had zero interest in him until now, though I had heard of him, a great artist, Amedeo Modigliani. I am not soft-minded. I doubted this whole thing for a year. Until finally, it was unavoidable. 

My name is Jeannie Reed. I was an executive for many years and, for many years, an editor and a professional psychic in concurrent full-time careers. Eight years ago, a spirit started making itself known in my apartment in New York City. He's still here. This spirit's presence is not unusual. What is unusual is that he communicates by drawing. Drawings anybody can see. This man died in 1920. I had zero interest in him until now, though I had heard of him, a great artist, Amedeo Modigliani. I am not soft-minded. I doubted this whole thing for a year. Until finally, it was unavoidable. 

I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist.  While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.  

I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.