Here are 100 books that The Go-Between fans have personally recommended if you like
The Go-Between.
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I am a writer and novelist who comes to storytelling via several curious paths. I am a historian trained in archival research and the collection of oral histories. I also come from a long line of ghost magnets–all of the women in my family have been for generations. And while I am living in blissful exile on the West Coast, my heart remains bound to my childhood home, the Great State of Texas.
This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.
McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!
Blood Meridian by Cormac McCarthy is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been fascinated by social history since childhood, although I didn’t know that was what it was called, back then. When I did a postgraduate Masters in Folk Life Studies, it helped to confirm my love of books that, in skilfully fictionalising historical events, allow us to see them through the eyes of people most closely affected by them: ordinary people leading their lives throughout difficult and dangerous times or finding themselves in extraordinary relationships. It’s what I try to do in my own work, fiction and non-fiction alike. My book recommendations here are the kind of books I wish I had written.
I’m a huge fan of Dickens but this was a serendipitous Covid discovery.
In 1841, Dickens set his tale at the time of the 1780 Gordon Riots. I hadn’t realised how virulently anti-Catholic they were, nor how violent, the most destructive in the history of London. Barnaby himself, a vulnerable ‘innocent’, is sympathetically drawn. Above all the descriptions of the riots are so real that I found myself wondering if Dickens had spoken to somebody who had witnessed them in his youth – which would have been perfectly possible.
This is as vivid a depiction of what it feels like to be caught up in violent insurrection as you’re likely to find anywhere. You’ll also find out the origin of the ‘Dolly Varden hat’ along the way.
'One of Dickens's most neglected, but most rewarding, novels' Peter Ackroyd
Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and anti-Catholic mobs rampage through the streets. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.
I started reading detective stories in my teens, and I’ve never quit. They’ve become part of my professional identity. I’ve taught detective (and crime) fiction at various universities in the U.S. and the Middle East. I believe the genre is incredibly rich, allowing the writer to explore anything from contemporary social issues to historical events and from psychological phenomena to philosophical problems. Apart from my academic work, I also write and edit detective/crime stories, and I try to keep up with the stream of new works being published every year. The list here contains some of my all-time favorites, and I hope you will enjoy them as much as I have.
This was difficult to do well, but Ackroyd makes it work–and he makes it look easy: One half of the story is told in a very idiosyncratic version of early eighteenth-century English (the other half in contemporary English). The level of sheer craftsmanship is impressive.
The story gripped me: a serial killer mystery with touches of the occult and supernatural. London is a haunted place in this story, but not only the victims of the past but also the killers are still with us today. We come to understand that our entire world is built on the flawed achievements of the past.
'There is no Light without Darknesse and no Substance without Shaddowe'
So proclaims Nicholas Dyer, assistant to Sir Christopher Wren and the man with a commission to build seven London churches to stand as beacons of the enlightenment. But Dyer plans to conceal a dark secret at the heart of each church - to create a forbidding architecture that will survive for eternity. Two hundred and fifty years later, London detective Nicholas Hawksmoor is investigating a series of gruesome murders on the sites of certain eighteenth-century churches - crimes that make no sense to the modern mind . . .…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
Most of my novels are historical, and they include ten books set on the railways of the early 20th Century featuring Jim Stringer, a railway policeman. I am romantically drawn to that period: no mobile phones, no fluorescent light or man-made fibres – and plenty of smoke and steam available for atmospheric effects. If you really did travel back in time, you would think you were hallucinating, so I take a visual approach, providing a series of images that I hope are historically accurate whilst also having the force and originality of dream scenes. It seems to me that the writers on my list take a similar approach.
For comfort reading, I like period children’s stories, as written by, say, E.Nesbit, Noel Streatfield, Richmal Crompton. Childhood seems to have been more fun when it came up against the constraints of an adult society more formal than our own. Gillian Avery’s achievement was to write spirited historical children’s stories that have all the social nuance you would find in the above authors. The Greatest Gresham (written in 1962, set in the 1890s) is about the timid children of one family who are brought out of their shells by the bolder kids next door, and it all feels just right. For instance, when the mother of the timid children is out on her ‘calling’ (or visiting) day, they always have tea with the family maids, one of whom habitually reads their fortune in their tea leaves.
I have lived in North Norfolk for more than thirty years and grown to love its creeks, dunes, crumbling cliffs, and atmospheric church towers. I’ve spent years working in a shed in the garden of my remote flint cottage (originally built as a hovel), writing features for national newspapers and magazines. I’ve visited grand old mansions with eccentric aristocratic owners; become familiar with the setting for L.P. Harley’s The Go-Between; been fascinated by the steam trains and railways that once linked ocean and fen; listened to skeins of geese flying overhead each winter; and been transported by the spiritual dimension in the vast horizontals of land, sea, and sky.
Luminous and poetic, this is a richly imagined memoir of an anchoress in the 14th century.
Julian had herself bricked into a room at the side of a church in Norwich in order to spend the rest of her life thinking, praying, and helping visitors who come to her window. In this cell, she experiences a kind of spiritual freedom.
We get a wonderful sense of Norwich in upheaval during the plague years. She offers comfort to all in her most famous words. “All shall be well, and all shall be well, and all manner of thing (no s) shall be well.”
'I was completely hooked and considerably moved by the life and thoughts of this exceptional woman' - JEREMY IRONS
'It is as if we have finally found the lost autobiography of one of the medieval world's most important women.' - JANINA RAMIREZ
'A beautiful, intensely moving achievement' - A.N. WILSON
In 1347, the first pestilence rages across the land. The young Julian of Norwich encounters the strangeness of death: first her father, then later her husband and her child. When she falls ill herself, she encounters mystical visions that bring comfort and concern. But in the midst of suspicion and…
I have lived in North Norfolk for more than thirty years and grown to love its creeks, dunes, crumbling cliffs, and atmospheric church towers. I’ve spent years working in a shed in the garden of my remote flint cottage (originally built as a hovel), writing features for national newspapers and magazines. I’ve visited grand old mansions with eccentric aristocratic owners; become familiar with the setting for L.P. Harley’s The Go-Between; been fascinated by the steam trains and railways that once linked ocean and fen; listened to skeins of geese flying overhead each winter; and been transported by the spiritual dimension in the vast horizontals of land, sea, and sky.
I love this quirky comic 1959 novel about civil servant Jasper, who is sent off to the fictional village of Arcady on the Norfolk/Suffolk border to assess unusual goings-on in a big country house. It has all the fun of Nancy Mitford with top notes of P.G.Wodehouse.
Jasper falls in love with both daughters of eccentric legless aristocrat Lord Flamborough, who lives on a steam train on his own private railway. There is a fete, cricket on the green, and many romantic misunderstandings.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have lived in North Norfolk for more than thirty years and grown to love its creeks, dunes, crumbling cliffs, and atmospheric church towers. I’ve spent years working in a shed in the garden of my remote flint cottage (originally built as a hovel), writing features for national newspapers and magazines. I’ve visited grand old mansions with eccentric aristocratic owners; become familiar with the setting for L.P. Harley’s The Go-Between; been fascinated by the steam trains and railways that once linked ocean and fen; listened to skeins of geese flying overhead each winter; and been transported by the spiritual dimension in the vast horizontals of land, sea, and sky.
All the wonders of the thousands of geese that fly through the winter across the enormous Norfolk skies, baggy fields, and marshes are here.
Acheson spent lockdown cycling furiously along the coast on his mother’s old red pushbike following the pinkfeet and many other species of geese, describing his great love affair with them.
On his epic journey, he talks to ecologists, farmers, birders, and scientists. He writes with an encyclopaedic knowledge, uncontrolled passion, and great vulnerability.
WINNER - BOOK OF THE YEAR - East Anglian Book Awards 2023
The Telegraph
As seen on BBC Winterwatch 2023
'Honest, human and heart-grabbing. I loved this book so much.' Sophie Pavelle, author of Forget Me Not
'Delightful' Stephen Moss, author of Ten Birds that Changed the World
'Fascinating and thought-provoking' Jake Fiennes, author of Land Healer
'Awe-filled and absorbing' Nicola Chester, author of On Gallows Down
The Meaning of Geese is a book of thrilling encounters with wildlife, of tired legs, punctured tyres and inhospitable weather. Above all, it is the story…
I have lived in North Norfolk for more than thirty years and grown to love its creeks, dunes, crumbling cliffs, and atmospheric church towers. I’ve spent years working in a shed in the garden of my remote flint cottage (originally built as a hovel), writing features for national newspapers and magazines. I’ve visited grand old mansions with eccentric aristocratic owners; become familiar with the setting for L.P. Harley’s The Go-Between; been fascinated by the steam trains and railways that once linked ocean and fen; listened to skeins of geese flying overhead each winter; and been transported by the spiritual dimension in the vast horizontals of land, sea, and sky.
A heroic poem woven around the tides and spires of North Norfolk.
Jess Streeting tells her own story of returning as an adult to Cawston in Norfolk and remembering fun-filled childhood days with her father, an inspirational vicar, in the mid-70s. One single terrible event ripped her father away from her, and only now is she confronting what happened. There are shy girls, smart lads, and a great hammer beam church roof with carved angels.
The foreword is by one of those smart boys, Sir Stephen Fry.
Jessica Streeting and her family - sister Alice, mother Judith and father Revered Paul Farnham - move east in their ancient London taxi to the deep countryside of Norfolk. It is 1975 and the rector has a new position at the church of St Agnes in the village of Cawston. Here they find a world populated by people who embody both the ancient and new of late 20th century rural life. Children of the soil, whose parents work it and depend on it, living a simple life as old as their church. The musical ones. The clever ones. The artists,…
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
Despite its title, this engaging book is actually about memory, especially “autobiographical memory” – memories of our own personal experiences.
The chapters describe some classical cases of memory excellence and memory failure, and provide thoughtful discussions of many topics that puzzle readers.
These include the power of smell to evoke past experiences, the astonishing memories of chess and draughts grandmasters, the downside of remembering everything, the highly specific memories of some people with savant syndrome, and indeed why life seems to speed up as we get older – the relationship between memory and time.
Entertaining and educational, Douwe Draaisma's Why Life Speeds Up As You Get Older raises almost as many questions as it answers. Draaisma applies a blend of scholarship, poetic sensibility and keen observation in exploring the nature of autobiographical memory, covering subjects such as deja-vu, near death experiences and the effect of severe trauma on memory recall, as well as human perceptions of time at different stages in life. A highly accessible and personal read, this book will not fail to touch or provoke thought in its readers.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a young businessperson in London in my early 30s, I was as ignorant of neurodiversity as much of the rest of the world. In the mid-2010s, I got fascinated by the topic thanks to conversations with autistic family members, who encouraged me to bring some of my expertise in corporate diversity programs to the field of “neurodiversity at work”. The topic of neurodiversity chimed with me, too, as I’d suffered a traumatic brain injury in a serious car accident, and there were aspects I could relate to. I founded neurodiversity training company Uptimize to help ensure organizations across the world understand how the importance of embracing and leveraging different types of thinkers.
I was struck at the time, reading The Dyslexic Advantage, by the detail and nuance Drs. Brock and Fernette Eide presented about many of the common strengths of dyslexic brains.
Dyslexia, like other forms of neurodivergence, has typically been seen in (only) a negative light – yet many famous and successful business people are dyslexic, and credit this with their success. Indeed, a study in 2006 found that as many as a third of all entrepreneurs are dyslexic!
In a business world reliant on innovative thinking, The Dyslexic Advantage highlights the multiple attributes of dyslexic thinkers – from insight to pattern matching – and makes an overwhelming case for the (better) inclusion of dyslexic thinkers in society and at work.
An updated edition of Drs. Brock and Fernette Eide's popular dyslexia book with a wealth of new material and improved dyslexic-friendly font.
What if we viewed dyslexia as a learning and processing style rather than as a learning disorder?
Drs. Brock and Fernette Eide use their impressive backgrounds in neurology and education to debunk the standard deficit-based approach to dyslexia. People typically define “dyslexia” as a reading and spelling disorder. But through published research studies, clinical observations, and interviews with dyslexic individuals, the Eides prove that these challenges are not dyslexia’s main features but are instead trade-offs resulting from an…