100 Books Like Sea-Change

I’ve always loved this book and have paid homage to it by naming the local aristocrat in my novel Lord Hartley.

The book is set in 1900, and adolescent schoolboy Leo spends the long, hot summer with his wealthy schoolfriend Marcus at Brandham Hall, Norfolk. The boy copes with agonising class differences, lost innocence, and eventual breakdown. He is undone in his role as messenger for the daughter of the house, who is having a steamy affair with the tenant farmer next door.

The book was turned into a film, set at Melton Constable Hall (my model for Swan Hall in The Sitter), Heydon, and Norwich.

Luminous and poetic, this is a richly imagined memoir of an anchoress in the 14th century.

Julian had herself bricked into a room at the side of a church in Norwich in order to spend the rest of her life thinking, praying, and helping visitors who come to her window. In this cell, she experiences a kind of spiritual freedom.

We get a wonderful sense of Norwich in upheaval during the plague years. She offers comfort to all in her most famous words. “All shall be well, and all shall be well, and all manner of thing (no s) shall be well.”

I love this quirky comic 1959 novel about civil servant Jasper, who is sent off to the fictional village of Arcady on the Norfolk/Suffolk border to assess unusual goings-on in a big country house. It has all the fun of Nancy Mitford with top notes of P.G.Wodehouse.

Jasper falls in love with both daughters of eccentric legless aristocrat Lord Flamborough, who lives on a steam train on his own private railway. There is a fete, cricket on the green, and many romantic misunderstandings. 

All the wonders of the thousands of geese that fly through the winter across the enormous Norfolk skies, baggy fields, and marshes are here.

Acheson spent lockdown cycling furiously along the coast on his mother’s old red pushbike following the pinkfeet and many other species of geese, describing his great love affair with them.

On his epic journey, he talks to ecologists, farmers, birders, and scientists. He writes with an encyclopaedic knowledge, uncontrolled passion, and great vulnerability.

This is my favorite novel in Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey. 

This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.

Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.

The world-building is vivid and rich in dactylic hexameter, a rhythmic style.… show more.

Once, on a weeks-long gig far from home, I stayed in a bare attic room with no TV, no internet, not even a radio. I didn’t mind. I had this translation of the Odyssey to settle down with every evening after work. I would think about it all day long: the vivid language, the fantastical events, the struggle and suffering of the protagonist. Reading it was like going to a technicolor movie every night, except that the movie was inside my head.

Talk about an essential human story—the Odyssey is four thousand years old, but its characters have the same emotions, fears, vices, and virtues we have today. Their struggles make my heart race and my eyes tear up. My imagination goes into overdrive, and I revel in the wonder.

I love this book because it’s an epic poetry book. The first of its kind. Three-hundred and ninety-six-page poetry book. Ariana Reines is one of my favorite top three modern poets as well. Poetry lovers should have this book in their collection. If not, what are you waiting for? It’s a masterpiece. I can see her soul in this book, I can see her heart. I can see her mind. It’s as if sand is literally under your feet as you read these poems divided into sections. This book is meant to be read slowly, like a fine glass of wine. It took me months to read it. It taught me that a poet is an artist and is a traveler of time and space. It taught me to break rules and to do whatever you want as a poet. It taught me to not limit myself as a writer… show more.

If you love Borges, and thought you’d read everything he wrote, this is the book for you—a collection of his “lost lectures,” delivered at Harvard in 1967-68 and finally published in 2000. And if you want to hear the actual voice of a creative genius, as if risen from the dead, the recordings are also available. Best known for his intricate short stories and essays, Borges was also—perhaps foremost—a poet. As he puts it in the book, “The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.” Starting from the creation of poems, Borges explores the creation of metaphors, meaning, and life’s irreducible mystery.

Journeys are most often linear – Here to There – or circular – "There and Back Again." The Odyssey is actually a return leg in the most traumatic and perennial circular journey: going to war, and then, getting back. "Wily" (in modern terms, read, "sneaky," "trickster")  Odysseus left Troy a famous warrior, but takes seven years to get home. The fabulous episodes of that journey, the Cyclops, the Sirens, Scylla and Charybdis, Circe, and Calypso, the wreck in Phaeacia that leaves him bereft even of clothes, have grounded the Western imagination. But the concluding little things – the recognition scenes, the dog that dies, and the nurse who doesn't – push that epic past into a close, human Now.