100 Books Like You Were Gone

This was the very first thriller book I read, and it terrified me. I  was 11 years old when I picked this book up and delved into the world of Fred (who calls himself Ferdinand) and his kidnap victim, Miranda. Approaching this from a young mind, I saw something of romance in the obsessive tale, but that romance soon revealed itself to be a terrifying story of abduction, stalking, and murder.

Why do I still love this book? Maybe it was the first time I realized I wanted to be a writer. But it was stunningly written, provocative, and left me thinking about the characters. It is a classic that should always be in print.

Maxim Jakubowski is a staple in the crime, thriller, and writing world. Also known as an editor. But this book was a wonderful revelation. A female assassin–which I’m very partial to–and a somewhat perverse love story.

What I like about the main protagonist, Cornelia, is how different she is from anyone portrayed as ‘normal’ in the book. It does buy into my view that someone who is a killer can’t be wired the same way as someone who isn’t. There’s a bleak message in this book, which I’m not going to lie about and I love it. Dark, dark, and more dark. Brilliant!

This is a psychological thriller with a difference. This story appears to be one thing and is, in fact, something else. Following the path of a struggling working mother with post-natal depression, we see the world through her paranoid eyes.

What I really enjoyed about this book is the unexpected twists and turns. Is she really imagining this, or did she see that little girl on the platform? It makes you question everything, including the motives of those surrounding the main character (always a good thing!). It is a masterpiece of misdirection and an unreliable narrator.

This book is one of many Mary Higgins Clark books I read in my early teens, but this particular one has stayed with me. It is a domestic noir, somewhat a tale of how never to rush into a marriage with someone you hardly know. Added to this is the peril of involving small children.

I really liked this book–it terrified me beyond belief, but I think this is why it has stayed with me. That first look perhaps at the psychopath hiding in plain sight, appearing to all the world like a safe, kind person, but inside, totally damaged and deadly. Superb.

When Agatha Christie died, so did Miss Marple. It also meant the demise of the best wee-mustached Belgian detective ever. Except it didn't. The delectably smart Sophie Hannah has written a series of Poirot books from the point of view of Poirot’s sidekick, Edward Catchpool—best pronounced with a strong Belgian accent—and they’re so brilliant even Agatha herself would be impressed. 

Lady Athelinda Playford has invited Poirot to a party at her mansion, where she’s planning to announce changes to her will. So obviously, there’s going to be a murder, and Poirot and his little gray cells will solve it. It's a delicious book, read magnificently by Julian Rhind-Tutt. The only real mystery to be answered is when is Sophie Hannah writing more? 

I love this book because it perfectly blends the surreal with noir and science fiction and comes together with its own brand of dark humor. While parts of this book are unsettling and strange, there’s a solid throughline of the investigator seeking the truth in a broken world.

Of all the books here, I think this one has the most damaged society, and the main character, Conrad Metcalf, is a match for it. Drugs that make you forget everything and be complacent. Baby heads. Uplifted animals. The book is never afraid to get stranger, but it also tackles some pretty heavy themes. This is a world where asking questions is taboo, and the moral and ethical implications of that shape the entire world in which Metcalf lives.

I like reading Mosley’s mystery novels because they are about people overcoming extreme difficulties, and this book is one of his best. I couldn’t put it down.

The main character is an African-American private detective working in Los Angeles in the 1950s and 1960s, and Mosley paints a realistic picture of LA during that time.  There are always a few women in distress and white policemen who don’t like the black detective and constantly make his efforts more difficult. 

I saw Cathy Ace speak at a crime writers’ conference, and she was such a bundle of energy and a joy to listen to that I was already hooked before I read this book.

And I loved her collection of WISE women working together as a detective agency: one from Wales, one from Ireland, one from Scotland, and one from England. (I would never have spotted the opportunity those four initials provide.)

Four ordinary women, from different backgrounds, and with different experiences (and accents) learning to live together, work together, and solve crimes together. This is at the cosy end of the crime spectrum, but that’s why I like it so much. The crimes are real, but there’s not too much grit, and there’s bags of humour.

According to the story, a certain “double whammy” fishing lure is guaranteed to produce outlandish success in pro bass fishing tournaments. The characters in this water-logged action/murder mystery were wonderful and outlandish, and there were many of them, part of Hiaasen’s appeal as an author.

This is an ensemble of crazy “Florida” people before “Florida man” became a thing. I loved the delivery, the slick prose, the humor, and the plot, and it made me read other novels by Hiaasen. It introduced me to one of the most memorable fictional characters I have ever read: Skink, no last name, a half-blind hermit, a roadkill delicacy aficionado, and an eco-terrorist. He perseveres through a lot on the way to becoming a great character in seven novels in the series.

One of the funniest books I’ve ever read. Set in Paris in the 1920s, this mystery has everything I want in an escapist read: a suave detective, his sharpshooting, bad-ass girlfriend, a twisty, unpredictable plot, and fabulous, quirky characters.

Many are based on icons of the era: Josephine Baker, Picasso, Gertrude Stein, Hemingway, and all the usual Midnight in Paris celebrities. I first read this in my teens, and I still reread it for the madcap humor and view of Paris in the 1920s written by someone who was there.