Here are 100 books that The Fraud fans have personally recommended if you like
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
Getting Dressed in the Dark
by
Gabriella D'Italia,
How do you know the truth after the story you most trust disappears?
Self-betrayal, polyamory, adultery, and an unconventional life in a one-room, rural Maine schoolhouse ends in a crisis mirroring the larger, societal polarization and collapse of meaning. Compass shattered, an artist's wisdom guides a course home, revealing a…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
Think how tough it is to reach adulthood in today's complicated world. Now imagine doing so in front of a global audience. That's what growing up in show business is like. Every youthful mistake laid bare for all to see. Malefactors looking to ensnare the naive at any turn. Each…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.
Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
I think I sometimes get in trouble for saying this, but the truth is, I don’t give a shit about the likability of characters, whether I’m reading or writing. I’m here for a good time, not a long time. Because of that, fiction is the most riveting for me when interesting characters start making bad decisions. Any good narrative train wreck must create tension that keeps ratcheting up in its pages, and these are some of the books that do that most expertly, in my opinion. So, grab something to hold onto while you go on some of my favorite wild rides.
This is my most recent “can’t look away” read. The titular Piglet hits rock bottom and keeps digging after her idea of a perfect life with her fiancé Kit goes up in flames. Lottie Hazell really knows how to do a set piece with constant escalating tension. Every food-related meltdown in Piglet proved more anxiety-inducing than the last, particularly a scene of Piglet frantically trying to bake a croquembouche on the day of her disastrous wedding.
I always appreciate a book that refuses to give the reader breathing room and puts you in the scene with its characters. Piglet’s pages and pages of bad decisions–and the empathy Hazell’s narrative still manages to weave in for her characters–make this a gripping, satisfying read.
Discover a deliciously dark and piercing story of food and secrets, a Stylist Best Debut Novel of 2024.
'A sharp, dark, must-read story about appetite, ambition, secrecy and shame' Daily Mail
'If I owned a bookstore, I'd hand-sell Piglet to everyone' New York Times Book Review
'A dark, weird, satisfying tale about greed and desire' i News
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Her life is so full, so why is she hungry?
For Piglet - an unshakable childhood nickname - getting married is her opportunity to reinvent. Together, Kit and Piglet are the picture of domestic bliss - effortless hosts, planning a covetable wedding...…
The stars aligned to ignite my passion for magic-realism romance after a few things had happened. 1) I got heavily into the idea of the multiverse and alternate realities in high school, having been inspired by my physics teacher. 2) I read and fell in love with The Time Traveler’s Wife (see list!). 3) I binge-watched the incredible sci-fi show Fringe, which deals with parallel universes and time jumps. 4) I decided to write my first multiverse romance, inspired by all the above factors and more besides. Since then, I’ve focused most of my reading on romantic novels, with those that share a magic realism twist being auto-reads—of course!
I loved everything about this book: the dreamy New York co-op apartment setting, the relatable main female character Clementine (a book publicist!), the lovable main male character Iwan (a chef!), and the fact that they lived seven years apart. I found it had the perfect balance of witty banter, romantic yearning, depth of feeling, and a sense of place. It also deals with tougher issues, such as grief in Clementine’s loss of her beloved aunt and a sense of self in Clementine’s search for her future path and the aunt’s own background.
And, like every true romance novel should have, that incandescently happy ending! This is my favorite book I’ve read so far this year.
"A gorgeous love story from one of the finest romance writers out there." —Carley Fortune, New York Times bestselling author of Every Summer After
A Most Anticipated Book by Entertainment Weekly ∙ Harper's Bazaar ∙ PopSugar ∙ Real Simple ∙ BookRiot ∙ and more!
An overworked book publicist with a perfectly planned future hits a snag when she falls in love with her temporary roommate…only to discover he lives seven years in the past, in this witty and wise new novel from the New York Times bestselling author of The Dead Romantics.
Winner of the AWP Prize for the Novel, The Golden Land digs deep into the complexities of family history and relationships.
Etta Montgomery is a Boston-based labor lawyer coming to terms with the love and loss she experienced as a teenager during a 1988 family reunion in Burma. When Etta’s…
In the hands of a skilled horror author, there is something powerful about a slow-burn romance. When two characters are drawn to each other against the backdrop of dread and danger, the stakes are raised. Every moment the two have together is hard-won, special. The romance doesn’t soften the horror; it sharpens it. It gives readers something to invest in and hope for. That intense emotional investment creates tension. Survival isn’t just about escaping the supernatural threat or a human monster; it’s about what might be lost if they don’t. In horror, love is a luxury because it’s risky and a vulnerability. It's a favorite element of good horror.
This book weaves a slow-burning romance between two rough-around-the-edges characters drawn together by their investment in a crumbling, haunted mansion and the weight of all its secrets. The tension between them simmers beneath every interaction, and I found it undeniably magnetic.
Harrow balances a ghost story, survival in the face of financial insecurity, and unchecked capitalism in a small Kentucky town. I enjoyed the blending of gothic atmosphere in a modern setting and crafting a love story that grows slowly over time instead of an insta-romance.
'Alix E. Harrow is an exceptional, undeniable talent' - Olivie Blake, author of The Atlas Six
Step into Starling House - if you dare . . . Alix E. Harrow reimagines Beauty and the Beast in this gorgeously modern Gothic fantasy, perfect for fans of V.E. Schwab and Naomi Novik.
Nobody in Eden remembers when Starling House was built. But the town agrees it's best to let this ill-omened mansion - and its last lonely heir - go to hell. Stories of the house's bad luck, like good china, have been passed down the…
I love horror, as a writer and a reader, especially books where something or someone is changed. It could be a change to some unknown entity, or to a loved one that the main character knows inside and out. The question remains: what do we do when someone or something comes back to us, but they’re not the same? How do we navigate the unease that comes from an uncomfortable blend of the familiar and unfamiliar? The books in this list left me asking these and many other questions. I hope you enjoy them.
In this book, one of the main characters comes back wrong—early on, too. I really felt for poor Finch, who was saved by something mysterious in the lake after a car crash with her parents. She’s grieving their loss, dealing with her strange new reality, and adjusting to life at boarding school.
Finch’s tie to the mysterious being that saved her made this book hard to put down and added an intriguing element to the story after Finch and her friends let out a monster under their school. I loved the explorations of self-identity and what we value that this book raised.
Two girls, inexplicably linked. An ancient creature rising in the dark. And a town on the verge of being devoured. My Dearest Darkest is a sharp, feminist horror debut, about girls claiming their power, and the price we sometimes pay for wanting. Finch Chamberlin is the newest transfer student to the ultra-competitive Ulalume Academy... but she's also not what she seems. Months before school started, Finch and her parents got into an accident that should have left her dead at the bottom of the river. But something monstrous, and ancient, and terrifying, wouldn't let her drown. Finch doesn't know why…
If one of the main reasons we marry is to raise a family, what happens to the couple once the children grow up and no longer need daily care?
A few years ago, I completed an MSc in Psychology, and my dissertation explored exactly this question. After interviewing many couples, it became clear that unless parents are emotionally prepared for life after children, the sense of loss can be overwhelming. That research raised deeper questions about why we commit—and what keeps us committed.
Reading this book made me blush, gasp and giggle—a lot!
Difficult to describe without spoilers—a literal and metaphorical road trip with surprises at every stop. The moving, shocking and very funny story follows 45-year-old Los Angeles–based multimedia artist, navigating midlife, parenting and a marriage that had lost its narrative under the weight of routine and thwarted expectations.
The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life
“A frank novel about a midlife awakening, which is funnier and more boldly human than you ever quite expect….the bravery of All Fours is nothing short of riveting.”—Vogue
“A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life…Deeply funny and achingly true.” —LA Times
I love humans. My clients and colleagues tell me that my profound love for humans is my superpower—that I make people feel safe and seen. I also understand that loving humans isn’t effortless. I wasn’t always in the loving-humans camp. While I was doing a doctorate at Harvard, I studied with the marvelous Robert Kegan, whose theory and methodology helped me see the fullness of the diverse people I got to interview. Ever since, I have been totally enthralled by what makes us unique—and also connected. If you are a human or have to deal with humans, your life will be much improved if you love them more!
This is my favorite book by my favorite author. Beware, this is seriously more addictive fiction than I’ve ever read before—I don’t know anyone who reads this one who hasn’t plowed through the rest of Goddard’s list and then reread them all.
I loved the characters in this book and loved the premise—that the world (like ours, but different) has gone through a cataclysmic event, and now the work is to make it better than it ever was before. Fundamentally, it is a book about friendship and goodness. This and the rest of Goddard’s books will have you believe that we can create a better world together. (The first pages are slow, but stay with them, and you will have dozens of hours of delight as you move through the whole set of her books.)
A simple act of friendship can change the course of history.
Cliopher Mdang is the personal secretary of the Last Emperor of Astandalas, the Lord of Rising Stars, the Lord Magus of Zunidh, the Sun-on-Earth, the god.
He has spent more time with the Emperor of Astandalas than any other person.
He has never once touched his lord.
He has never called him by name.
He has never initiated a conversation.
One day Cliopher invites the Sun-on-Earth home to the proverbially remote Vangavaye-ve for a holiday.
