Here are 100 books that The Fraud fans have personally recommended if you like
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I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
One of my permanent, permanent favorites. Cather’s novel about a pair of French Catholic missionaries in 19th-century New Mexico is a lot of things: a portrait of a complex and life-giving friendship, a “loveship,” if I can borrow from Alice Munro.
It’s also an immersive historical treatment of Catholic proselytizing in the Southwest and a lyric poem about the beauty of that land. It’s smart about the rigors and consolations and the inevitable condescension of missionary work. It’s smart about everything. A perfect book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
A spirit of comédie humaine suffuses this collection of short stories set largely among Orthodox Jewish communities. Englander has an affectionate comic touch, and that’s obvious here.
Just as important is his gift for limning out the pain of people pulled between the comfort of belonging on the one hand and, on the other, the urge, perhaps the need to rebel.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
Coming of age in the '70s, I set out to prove that I could do anything men could do as if it were my duty as a woman. This led me to become an exploration geologist, jumping out of helicopters in grizzly bear country. But I had a nagging feeling that I was neglecting what was meaningful to me. I struggled to even know what that was. My next career as a story analyst led me deep into the world of Joseph Campbell and Carl Jung and a fascinating exploration of how people find their best life. And I’m still enthusiastically exploring.
I have a fascination with belonging, and this book explores this subject as if holding a flawed gemstone up to the light and marveling at its radiance. Hello Beautiful is centered on four sisters in a close Italian family and a man who grew up as an only child in a cold family. It gets interesting when these two families become joined by marriage.
Belonging is reveled in, longed for, not even dared to be longed for, and squandered as we follow their lives. I admire how it tenderly shows that these are all part of the journey towards authentic belonging. This story is so beautifully written that I felt nourished by the compassion that is infused into this quest to become our best selves.
From the New York Times bestselling author of Dear Edward comes a poignant and engrossing family story that asks: Can love make a broken person whole?
“Hello Beautiful is exactly that: beautiful, perceptive, wistful. It’s a story of family and friendship, of how the people we are bound to can also set us free. I loved it.”—Miranda Cowley Heller, author of The Paper Palace
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I love stories about iconoclasts, and Joan of Arc fits that description, if anyone ever has.
The hard reality of this retelling draws me in: Joan’s a secular military leader who grew up toughened from her father’s blows rather than a pious young woman who hears voices. That skeptical take may offend some readers, but the history, politics, and personalities come vividly to life and seem real to me.
Chen’s seductive prose makes me wish I could write like her, and her novel lets me feel the tragedy and uplift of a great historical figure.
A stunning feminist reimagining of the life of Joan of Arc - perfect for fans of Cecily, Ariadne and Matrix
'It is as if the author has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time' Hilary Mantel, twice Booker Prize-winning author of The Mirror & the Light
'A glorious, sweeping novel . . . Richly imagined, poignant and inspiring' Jennifer Saint, author of Ariadne
'Chen earns the comparison [to Mantel] thanks to her vivid, visceral and boldly immediate storytelling . . . a hypnotic heroine for our time'…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I love humans. My clients and colleagues tell me that my profound love for humans is my superpower—that I make people feel safe and seen. I also understand that loving humans isn’t effortless. I wasn’t always in the loving-humans camp. While I was doing a doctorate at Harvard, I studied with the marvelous Robert Kegan, whose theory and methodology helped me see the fullness of the diverse people I got to interview. Ever since, I have been totally enthralled by what makes us unique—and also connected. If you are a human or have to deal with humans, your life will be much improved if you love them more!
This is my favorite book by my favorite author. Beware, this is seriously more addictive fiction than I’ve ever read before—I don’t know anyone who reads this one who hasn’t plowed through the rest of Goddard’s list and then reread them all.
I loved the characters in this book and loved the premise—that the world (like ours, but different) has gone through a cataclysmic event, and now the work is to make it better than it ever was before. Fundamentally, it is a book about friendship and goodness. This and the rest of Goddard’s books will have you believe that we can create a better world together. (The first pages are slow, but stay with them, and you will have dozens of hours of delight as you move through the whole set of her books.)
A simple act of friendship can change the course of history.
Cliopher Mdang is the personal secretary of the Last Emperor of Astandalas, the Lord of Rising Stars, the Lord Magus of Zunidh, the Sun-on-Earth, the god.
He has spent more time with the Emperor of Astandalas than any other person.
He has never once touched his lord.
He has never called him by name.
He has never initiated a conversation.
One day Cliopher invites the Sun-on-Earth home to the proverbially remote Vangavaye-ve for a holiday.
I have read thrillers for as long as I can remember reading adult novels. I can chart my life of reading from Robert Parker to David Baldacci to Jeffery Deaver and today’s luminaries such as Sarah Pekkanen, Mary Kubica, and all the authors listed below. While I love a good beach or airport read, the novels that stick with you—that make you want to clear your schedule because you need to sit and think about what you’ve just read—are my favorites.
The one thing I appreciate above all else in a novel is emotional gravitas. That feeling transcends time and place; the only thing that matters is what happens to the character(s) you care about. You feel your heart beating, and when you finally put the book down, all you can say is ‘wow.’
Stacy Willingham’s debut lingers long in the memory after the book is read. Her talent at describing setting is any writer’s dream, and her characters snuck into my heart and made me care deeply, all the way to the pulse-pounding conclusion. It is the best thriller I have read in the past half-decade, only challenged by her subsequent novels.
She thought the murders had stopped. She was wrong.
'A smart, edge-of-your-seat story with plot twists you'll never see coming' Karin Slaughter
'Spectacular' Daily Mail
'Tense, twisty and threatening, A Flicker in the Dark will make you abandon your box sets' Val McDermid
The instant New York Times bestseller, soon to be a major TV series, developed by Emma Stone
Chloe Davis' father is a serial killer. He was convicted and jailed when she was twelve but the bodies of the girls were never found, seemingly lost in the surrounding Louisiana swamps. The case became notorious and Chloe's family was…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I knew little about North Woods when I started reading it, except that it chronicled the lives of different inhabitants of a farmhouse in western New England—a region I love—and featured an intriguing image of what I assumed was a bobcat on the cover.
North Woods brings its setting vividly to life; while there are fascinating characters—including a colonial-era English soldier who abandons the war to cultivate an apple orchard on the farmhouse property—the flora and fauna of the farm and its surrounding woodlands play equally important roles.
I’m grateful to my daughter, the same sensitive reader who cried when she finished Homegoing, for posting a photo of her copy of North Woods along with her lunch one day and piquing my curiosity.
A sweeping novel about a single house in the woods of New England, told through the lives of those who inhabit it across the centuries—“a time-spanning, genre-blurring work of storytelling magic” (The Washington Post) from the Pulitzer Prize finalist and author of The Piano Tuner and The Winter Soldier.
“With the expansiveness and immersive feeling of two-time Booker Prize nominee David Mitchell’s fiction (Cloud Atlas), the wicked creepiness of Edgar Allan Poe, and Mason’s bone-deep knowledge of and appreciation for the natural world that’s on par with that of Thoreau, North Woods fires on all cylinders.”—San Francisco Chronicle
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a bit fairy tale obsessed. I love how the characters go into the woods and face wolves, witches, stepmothers, and ogres. But despite the abuse and neglect and trauma, they somehow emerge whole. These five books each have a unique heroine, not with a sword, but with her own quiet strength. Each one is a cathartic but reassuring guide into the woods and out again, acknowledging that though there will be hurt and heartbreak, transformation and healing will follow. If you love fairy tales for the same reasons I do, come, step onto the path. The magic of hope and healing awaits.
This book has everything I want in a fairy tale novel: an immersive setting, green magic, romance, shape-shifting creatures, and of course, resilience and healing.
Before I read Kell Wood’s debut novel, I had never thought about the long-term consequences Hansel and Gretel surely experienced at the hands of the witch in the gingerbread house, but now I can’t un-see it. Of course, these two people, now young adults, would have some serious (but unique) struggles.
Also, I love it when an author weaves multiple fairy tales and/or folkloric elements into a story, and Woods is fantastic at this!
After the Forest is a dark and enchanting fantasy debut from Kell Woods that explores the repercussions of a childhood filled with magic and a young woman contending with the truth of “happily ever after.”
Ginger. Honey. Cinnamon. Flour.
Twenty years after the witch in the gingerbread house, Greta and Hans are struggling to get by. Their mother and stepmother are long dead, Hans is deeply in debt from gambling, and the countryside lies in ruin, its people starving in the aftermath of a brutal war.
Greta has a secret, though: the witch's grimoire, hidden away and whispering in Greta's…
