Here are 100 books that The Fountains of Silence fans have personally recommended if you like
The Fountains of Silence.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This is one of my long-time favorite books because of the relationships of these sisters and the way they react to a vicious dictatorship in their home country, the Dominican Republic.
Birthed from a true story, this author deftly weaves the tensions of the times with the real impact the violence has on each character. The bravery of these woman calls me to reread the dramatic, beautifully crafted book from time-to-time.
"A magnificent treasure for all cultures and all time.” --St. Petersburg Times
It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas--the Butterflies. In this extraordinary novel, the voices of all…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This is one of my favorite books that I’ve read in the past few years. Lucy Foley presents a family mystery that the young protagonist must unravel if she’s to understand where she comes from.
The author weaves together her story with that of her grandparents in the present and past, keeping the reader always engaged and wanting to know what will happen next. Each story is developed with depth and emotion to the very end.
In many ways, my life has been rather like a record of the lost and found. Perhaps all lives are like that.
It's when life started in earnest HERTFORDSHIRE, 1928
The paths of Tom and Alice collide against a haze of youthful, carefree exuberance. And so begins a love story that finds its feet by a lake one silvery moonlit evening . . .
It's when there were no happy endings PARIS, 1939
Alice is living in the City of Light, but the pain of the last decade has already left its mark. There's a shadow creeping across Europe when…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
I enjoyed seeing these characters who are pushed out of their routines and into a competition situation that challenges their foraging and cooking skills while also giving them opportunities to grow.
As a cook and gardener, I wanted to explore the Michigan forest and meet farmers with them. I wanted to taste their creations. Their challenges and reactions to the situations they encountered encouraged me to be fully invested in what happened to them. I also appreciated following them slightly beyond their competition experience to see what the experience manifested in their lives.
"...has everything I love in a novel...Curl up with this one by the fire and enjoy." -J. Ryan Stradal, New York Times bestselling author of Kitchens of the Great Midwest and national bestsellers Saturday Night at the Late-Night Supper Club and The Lager Queen of Minnesota
"Readers will relish the abundant descriptions of food and drink. A flavorful mélange of intriguing characters and Top Chef-style reality TV." -Kirkus Reviews
When the enigmatic Forager Chefs Club accepts a contract to host a terroir cooking competition, five people are selected to participate in what could be a life-changing event. Each has motivations…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This story expertly weaves together the tensions of a struggling family, a faltering business and a natural disaster that pushes them all to consider new ways of being. I was especially intrigued by the attempt of the characters to save wildlife after an oil spill in Louisiana. In addition, the stories of characters outside of the family provided a variety of points of view about what was happening.
The spirit of the characters encourages me to remember that there are always choices and new options if I’m willing to explore them.
After disaster strikes, a Louisiana family and their community need to prove to each other and the world that their bond is thicker than the oil threatening their shores in Sharon J. Wishnow's stunning debut novel.
It's taken Chef Josie Babineaux six months to reconcile the debts left from her husband Brian's gambling along with her broken heart. But now with a promising tourist season heating up and a travel magazine declaring her the spice queen of the bayou, she may be able to save her family's historic Cajun restaurant. Repairing her relationship with her daughter, Minnow, while hiding the…
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
These days, you take a picture and see it right away, but when I started taking snapshots, I’d shoot a roll of film, take it down to the photo developer, and wait a day or two to get my snaps back. They always came in a photo wallet, and opening it was a big part of the ritual of finding out how my pictures turned out.
I also used the wallet to store them and still have lots of them from the 1990s and early 2000s. Annebella Pollen’s great little book takes me back to that time and shows me the evolution of those wallets over almost a hundred years, and the care that went into designing them.
As a doctor, writer, and mother of middle schoolers, I was ready to scintillate the sixth-graders when I volunteered for the chicken wing dissection class, demonstrating the exciting connection between muscles, tendons, and bones. I opened and closed the wing, placed it in their hands, and showed them the thin strips of tissue coordinating all the action. Did I see fascination? Excitement? Feigned interest of any sort? Sadly, no. They were much more enthusiastic about a different topic I volunteered for. Mythology. Greek gods. Beasts with multiple heads. They knew everything, and I knew books like Rick Riordan’s The Lightning Thief series were the reason. Books can entertain and educate.
A short and quick read set in the real world, this book pits a belief in science against an unexplainable supernatural element. We learn about photography and 1870s New York City while getting lost in a haunting ghost story.
Unlike many fantasies, this main character, Horace, fights a long time before he gives in to the possibility of a spirit realm. I enjoyed his battle with himself as he reasoned through it.
Newbery Medalist Avi weaves one of his most suspenseful and scary tales-about a ghost who has to be seen to be believed and must be kept from carrying out a horrifying revenge.
The time is 1872. The place is New York City. Horace Carpetine has been raised to believe in science and rationality. So as apprentice to Enoch Middleditch, a society photographer, he thinks of his trade as a scientific art. But when wealthy society matron Mrs. Frederick Von Macht orders a photographic portrait, strange things begin to happen.
Horace's first real photographs reveal a frightful likeness: it's the image…
I discovered Jewish photographers a couple of decades ago when I worked on a book, Cityscapes: A History of New York in Images. At the time, I was intrigued with how to tell the city’s history through photographs. Then, when I started to request permission to publish, I discovered that most of the photographers were Jewish New Yorkers. That sent me down a twisting path as I learned about more and more and more Jewish photographers. All types of photographers: professional and lay, photojournalists and street photographers, fashion photographers and family photographers. I fell in love with the multitude of their images. Turns out I was not the only one.
It filled me with wonder at how much one could learn from studying just one photograph. The photo, by Dmitri Baltermants, a Soviet Jewish photojournalist, was taken outside of Kerch, in Ukraine, of dead bodies lying in the snow in 1942. Baltermants focused on a non-Jewish woman mourning the death of her non-Jewish husband, but the photo came to symbolize so much more.
I love how Shneer traces the path of this photo across decades, illuminating how many meanings can be attached to a single image.
In January 1942, Soviet press photographers came upon a scene like none they had ever documented. That day, they took pictures of the first liberation of a German mass atrocity, where an estimated 7,000 Jews and others were executed at an anti-tank trench near Kerch on the Crimean peninsula. Dmitri Baltermants, a photojournalist working for the Soviet newspaper Izvestiia, took photos that day that would have a long life in shaping the image of Nazi genocide in and against the Soviet Union. Presenting never before seen photographs, Grief: The Biography of a Holocaust Photograph shows how Baltermants used the image…
I discovered Jewish photographers a couple of decades ago when I worked on a book, Cityscapes: A History of New York in Images. At the time, I was intrigued with how to tell the city’s history through photographs. Then, when I started to request permission to publish, I discovered that most of the photographers were Jewish New Yorkers. That sent me down a twisting path as I learned about more and more and more Jewish photographers. All types of photographers: professional and lay, photojournalists and street photographers, fashion photographers and family photographers. I fell in love with the multitude of their images. Turns out I was not the only one.
What can be better than to have a book completely scuttle your assumptions, starting with the photograph on the cover? Like many people, I thought of Jewish life during the years of Nazi Germany before the war as a period of distress and increasing pressure to leave.
These family photographs present a much more complicated view, inviting me to wrestle with my assumptions.
How German Jews used photographs to document their experiences in the face of National Socialism
Still Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of…
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
When the Hungarian-French photographer Brassai arrived in Paris in 1924, he taught himself French by reading Proust. As a photographer, he was fascinated by a similarity between his own impulse to make pictures and how the novelist used the photographic process as a metaphor for establishing or obscuring his character’s inner and outer worlds, as if both he and Proust were developing images in their respective darkrooms. Proust, Brassai saw, “used his own body as an ultra-sensitive plate, managing to capture and register thousands of impressions.” He was like a reporter with a camera—sometimes a portraitist, a landscapist, and, “sometimes Proust rivals the paparazzi.”
One of the most original and memorable photographers of the 20th century, Brassai was also a journalist, sculptor and writer. He took great pride in his writing, and he loved literature and language - French most of all. When he arrived in Paris in 1924, Brassai began teaching himself French by reading Proust. Captured by the sensuality and visual strategies of Proust's writing, Brassai soon became convinced that he had discovered a kindred spirit. Brassai wrote: "In his battle against Time, that enemy of our precarious existence, ever on the offensive though never openly so, it was in photography, also…
I am a hopeless photographer. But I have a passion for looking at photographs, for trying to understand how good ones work. They are not just momentary slices of life but structured artefacts, sometimes technically interesting, that in myriad ways reflect the society that produced them. I studied aspects of US cultural history at three universities. After devoting the first part of my academic career to American literature, in the second half – during which, supported by wonderful fellowships, I spent much time rooting in archives – I gave myself up to American photography. I have learnt much from each of the books I commend here.
This book is a lively, questioning, and comprehensive survey of American photography, from its beginnings to the present. It analyzes achievements in each of the genres, from portraiture, through landscape, to documentary, fashion, etc. It treats individual photographic artists, from Avedon to Weegee, from the views of New York taken by Berenice Abbott to J.T. Zealy’s likenesses of enslaved Africans. American Photography is always concerned to underscore what photographs have to tell us about major aspects of American culture: race and ethnicity, gender and identity, business and technology, religion, and region. It also has numerous well-reproduced images; illuminating sidebars and boxes on such topics as the daguerreotype or picture magazines; a helpful timeline; and notes on further reading and viewing. The book was expanded and retitled as Photography in America in 2015, but the first edition still holds up.
This lively new survey offers fresh insights into 150 years of American photography, placing it in its cultural context for the first time. Orvell examinines this fascinating subject through portraiture and landscape photography, eamily albums and memory, and analyses the particularly 'American' way in which American photographers have viewed the world around them. Combining a clear overview of the changing nature of photographic thinking and practice in this period, with an exploration of key concepts, the result is the first coherent history of American photography, which examines issues such as the nature of photographic exploitation, experimental techniques, the power of…
