Here are 100 books that More Than A Snapshot fans have personally recommended if you like
More Than A Snapshot.
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Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
I wish I’d written this book. I’ve always been fascinated by instructional guides for amateur photographers and the rules they set out to get a ‘good picture.’ I’ve followed many of these rules myself over the years, but what this great book shows is that the rules are constantly changing.
What made a good picture in 1930 is not the same as in 1950 or 1970. This book tells this story in fifty short and punchy chapters, and it has great pictures on virtually every page.
A picture-rich field guide to American photography, from daguerreotype to digital.
We are all photographers now, with camera phones in hand and social media accounts at the ready. And we know which pictures we like. But what makes a "good picture"? And how could anyone think those old styles were actually good? Soft-focus yearbook photos from the '80s are now hopelessly-and happily-outdated, as are the low-angle portraits fashionable in the 1940s or the blank stares of the 1840s. From portraits to products, landscapes to food pics, Good Pictures proves that the history of photography is a history of changing…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
When I was writing my book on Polaroid photography, people often asked me about Polaroid as an art form. I gave some examples but said there’s so much more to it than that. I’m interested in the ways that photography isn’t just something we look at but something that makes things happen, changing who we are, what we do, and where we go.
This book shows us how much more there is to photography than art. I especially like how the book does this in short, stylish essays, introducing lots of different voices and perspectives, including photographers, curators, scientists, publishers, writers, and anthropologists.
Photography Changes Everything-drawn from the online Smithsonian Photography Initiative-offers a provocative rethinking of photography's impact on our culture and our lives. It is a reader-friendly exploration of the many ways photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. At this transitional moment in visual culture, Photography Changes Everything provides a unique opportunity to better understand the history, practice, and power of photography. The publication harnesses the extraordinary visual assets of the Smithsonian Institution's museums, science centers, and archives to trigger an unprecedented and interdisciplinary dialogue about how photography does…
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
I’ve always loved the portraits the photographer Félix Nadar made of nineteenth-century Parisian celebrities such as Victor Hugo and Charles Baudelaire.
I went to this book—Nadar’s memoir—to learn more about the making of those pictures. There is a little bit of that, but what really gripped me was the weird and wonderful shaggy dog stories Nadar tells about his adventures in ‘aerostatic photography’—taking pictures from balloons.
The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography.
Celebrated nineteenth-century photographer—and writer, actor, caricaturist, inventor, and balloonist—Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of “written photographs”), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
Growing up in the 1970s, I loved my family’s cheap plastic Polaroid OneStep camera and the magic pictures that developed right before my eyes. Thirty years later, I was incredibly lucky to be the first researcher to get access to the Polaroid archive just as the company was going bust. For me, the key to Polaroid photography is that it is fun, and all the books on my list are, in one way or another, about the lighter, playful side of photography. I hope that they take you off the beaten track of the history of popular photography and into some quirky and interesting corners.
This has been an incredibly important book for my thinking about photography. I always knew how instrumental Kodak advertising had been to popular ideas about amateur photography, but I learnt from this book how Kodak’s advertising changed over time.
In its early years, it emphasised the sheer pleasure of taking pictures, while only later did it start to promote photography as a tool of memory. It was those early years that interested me most because they pointed to another history of photography as playful and fun.
The advertising campaigns launched by Kodak in the early years of snapshot photography stand at the centre of a shift in American domestic life that goes deeper than technological innovations in cameras and film. Before the advent of Kodak advertising in 1888, writes Nancy Martha West, Americans were much more willing to allow sorrow into the space of the domestic photograph, as evidenced by the popularity of postmortem photography in the mid-19th century. Through the taking of snapshots, Kodak taught Americans to see their experiences as objects of nostalgia, to arrange their lives in such a way that painful or…
I read and write to better understand people. Why do we do what we do, feel what we feel, hide what we hide? Any book that illuminates these questions and their answers draws me in. Reading and writing are ways that I can attempt to walk in someone else’s shoes and see the world through their eyes, expanding my own understanding of the world. Perhaps the books on this list will offer you the same opportunity.
This book mixes history, social classes, cultures, and repression in a broiling stew of love, fear, and the will to survive that kept me captivated.
I wanted to see the characters overcome their own weaknesses as they built their survival skills in this captivating story that takes place in Spain during the Franco dictatorship.
I love playing with my kids. When my eldest was eight and we were sitting on the porch together he said, “On my last day of being playful, I want to play with you the whole day. I sure hope it’s on a Saturday.” My kids know that I turn most things into a game, that I’ll screech and stop for a tarantula on the road because it’s educational, that I'll get them to sing their quiz answers, and that I’ll sculpt a cake into almost anything for a school project. I believe learning should be fun, so we would drink lemonade out of measuring cups, guess how many hops from the bed to the closet, and have Whipped Cream Spray Wars every summer (outside, thank you). I also think families would spend more time together if they had a great collection of cool—and easy—stuff to do together. As a writer I’m creative, and never run out of fun ideas. Why not share them with the world?
Traveling is a time when you often need to entertain a bored child on a train, plane, or in a car. This book has tons of great games, puzzles, stickers, and even cultural information that will educate your child. Lots of photography and illustrations to entertain, as well. A good mix of education and fun.
Make car and plane trips a blast with these fun, educational travel activities for kids. The interactive games and travel journal will keep kids busy during vacations and school holidays.
Doodles to draw, puzzles to solve, games to play, and stickers to find--children will be entertained whether the family is traveling by car, plane, or even just hanging poolside. The Travel Activity Book includes a unique blend of illustrations and photography for lots of visual fun. The book also highlight facts and information about real destinations and monuments, so children can discover life and culture around the world. Learns about…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I am a retired sociology professor with many academic publications. At Home and At Sea is my first trade book. The couple in the book are my parents. Reading the letters they wrote to one another during the war inspired me to tell their story. I realized the larger significance of this time in their lives and the importance of social history, which examines the lived experience of the past. The vast literature of war and naval history focuses on major battles and the actions of a few “great men”—admirals, generals, presidents. But these accounts omit the everyday lives of millions of “ordinary people,” like my parents, caught in the sweep of history.
Before I began to read this book, I knew it was about the men who raised the stars and stripes atop Mt. Suribachi, a photograph of which became an iconic image of the Battle of Iwo Jima and the Pacific War. Indeed, the book meticulously conveys the story of the six flag raisers, men who were representative of the U.S. Marines and those who fought at Iwo Jima.
Their lives are fascinating in themselves. But as I discovered, the book is much more. It a gripping account of the Battle, where the Americans sustained more casualties than the Japanese, a moving tribute to the courage, valor, and camaraderie of the Marines, and a thorough exploration of myths surrounding the flag raising and its effects on the flag raisers.
#1 NEW YORK TIMES BESTSELLER • This is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America
In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America.
In February 1945, American Marines plunged into the surf at Iwo Jima—and into history.…
I’m Mona Simpson, the author of seven novels. I grew up with a mentally ill parent who struggled to support me, her only child, as a single mother. I saw firsthand the toll living in the world cost her. One of my first experiences of adulthood was a sense of relief in discovering that staying above water was manageable, even easy. Walking home from my first real job, seeing all the other people’s backs and legs hurry ahead of me, I liked being one of the many. I wondered if my mother could have ever felt that ease if there had been an alternative.
Oliver Sack’s forward to this book, which was first published as The Lost Virtues of the Asylum, stopped me cold when I first read it. It was a revelation and started my mind turning. I read the piece dozens of times and then found the source materials Sacks quoted from and read those books, too.
I came of age during the era of One Flew Over the Cuckoo’s Nest, and it was a long unwinding to begin to consider that an institution, a state institution on the order of a large mental health hospital, could do good. But I’d grown up with a mentally ill parent who struggled to survive and bring me up safely. I saw firsthand the toll our life took on her. I began to tamper with my assumption that she’d been better off in the harrying world.
Powerful photographs of the grand exteriors and crumbling interiors of America's abandoned state mental hospitals.
For more than half the nation's history, vast mental hospitals were a prominent feature of the American landscape. From the mid-nineteenth century to the early twentieth, over 250 institutions for the insane were built throughout the United States; by 1948, they housed more than a half million patients. The blueprint for these hospitals was set by Pennsylvania hospital superintendant Thomas Story Kirkbride: a central administration building flanked symmetrically by pavilions and surrounded by lavish grounds with pastoral vistas. Kirkbride and others believed that well-designed buildings…
Growing up, I enjoyed reading about history, especially the Civil War. So, when I stumbled upon the exploits of John Yates Beall and Bennet Burley (the rebel spies are mentioned in Doris Kearns Goodwin’s Team of Rivals), I didn’t believe it at first. After all, my hometown is near Niagara Falls, N.Y., and I’d never heard of this plan to seize the U.S.S. Michigan warship on Lake Erie. As I learned more about the extensive spy network that once existed along our northern border with Canada, I discovered how this audacious plan connected with Abraham Lincoln, Harriet Tubman, John Wilkes Booth, William Seward, and other luminaries from the time.
The Civil War was the first conflict in history to leave a detailed photographic record, and no one did it better than Mathew Brady. More than ten thousand war images are attributed to his studio and he did iconic portraits of Abraham Lincoln, John Wilkes Booth, Walt Whitman, Horace Greeley, and other celebrities.
Today, artificial intelligence, iPhones, and streaming video are remaking our world. But back in the 1850s, photography was the latest technology. It soon became so affordable that soldiers on both sides of the struggle sent a visually accurate memento to loved ones back home before they marched into battle.
In the 1840s and 1850s, "Brady of Broadway" was one of the most successful and acclaimed Manhattan portrait galleries. Henry Clay, Daniel Webster, Dolley Madison, Henry James as a boy with his father, Horace Greeley, Edgar Allan Poe, the Prince of Wales, and Jenny Lind were among the dignitaries photographed in Mathew Brady's studio. But it was during the Civil War that he became the founding father of what is now called photojournalism and his photography became an enduring part of American history.
The Civil War was the first war in history to leave a detailed photographic record, and Mathew…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
When the Hungarian-French photographer Brassai arrived in Paris in 1924, he taught himself French by reading Proust. As a photographer, he was fascinated by a similarity between his own impulse to make pictures and how the novelist used the photographic process as a metaphor for establishing or obscuring his character’s inner and outer worlds, as if both he and Proust were developing images in their respective darkrooms. Proust, Brassai saw, “used his own body as an ultra-sensitive plate, managing to capture and register thousands of impressions.” He was like a reporter with a camera—sometimes a portraitist, a landscapist, and, “sometimes Proust rivals the paparazzi.”
One of the most original and memorable photographers of the 20th century, Brassai was also a journalist, sculptor and writer. He took great pride in his writing, and he loved literature and language - French most of all. When he arrived in Paris in 1924, Brassai began teaching himself French by reading Proust. Captured by the sensuality and visual strategies of Proust's writing, Brassai soon became convinced that he had discovered a kindred spirit. Brassai wrote: "In his battle against Time, that enemy of our precarious existence, ever on the offensive though never openly so, it was in photography, also…
