Here are 100 books that The Fountain Overflows fans have personally recommended if you like
The Fountain Overflows.
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I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.
One of the funniest, sharpest novels about love and growing up ever written, Nancy Mitford's classic is now a major BBC and Prime Video series directed by Emily Mortimer and starring Lily James, Andrew Scott and Dominic West
'He was the great love of her life you know.' 'Oh, dulling,' said my mother, sadly, 'One always thinks that. Every, every time.'
Oh, the tedium of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny are on the lookout for the perfect lover.
Did a heartbreak ever make you want to move to the other side of the planet?
Failed comedian and heartbroken idiot escapes to a jungle hut on an obscure island in Thailand. Warm sunshine, new friends, and fresh mangoes heal most wounds.
“Funny, wise and thought-provoking, outspoken, touching, surprising, and…
I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
This book has so many different elements—humor, the struggles of poverty, Cassandra’s dreams of success as a writer, quirky family members, and a tumbledown castle where the Mortmain family lives.
I identified with Cassandra’s efforts to keep a journal to hone her writing skills, having done so myself as a teen. I also enjoyed the unconventional take on a castle and Cassandra’s honesty in depicting (or “capturing”) it and its inhabitants with her words.
The dilapidated castle and the family’s foibles make this story approachable and enjoyable. It is one that invites the reader into the castle and the story as a welcome guest.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
This novel, published in 1949, is about three grown-up siblings who are still dominated by the memory of their famous parents, both accomplished performers, and their atypical early years, which they spent playing in theaters across Europe. Though the majority of the novel takes place after the parents have died, the ties of family remain paramount for the three protagonists. At times each one feels desperate to escape those ties, but their shared past exerts an irresistible pull on all three. Unusually, the novel is narrated in the first-person plural: the narrative often refers to “us,” but tells each sibling’s individual scenes in the third person. With its three intertwined threads, The Parasites vividly explores the lifelong influence of family bonds.
'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . .'
Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond,…
Did a heartbreak ever make you want to move to the other side of the planet?
Failed comedian and heartbroken idiot escapes to a jungle hut on an obscure island in Thailand. Warm sunshine, new friends, and fresh mangoes heal most wounds.
“Funny, wise and thought-provoking, outspoken, touching, surprising, and…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.
Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.
In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.
This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past.
'Totally engrossing and deliciously feisty' Bernardine Evaristo
A powerful, personal agenda-changing exploration of poverty in today's Britain.
'When every day of your life you have been told you have nothing of value to offer, that you are worth nothing to society, can you ever escape that sense of being 'lowborn' no matter how far you've come?'
Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and…
As an authentic working-class author, I’m inevitably drawn to books that describe ordinary working lives, as I can instantly relate to the familiar subject matter. And these five books are classics of the genre. They are eye-openers, page turners, brilliantly written by exceptionally gifted writers, depicting the lives of ordinary folk and the poor and downtrodden, in an incredibly accessible and affordable format - The Novel.
I loved this book because it describes what life was like in the East End of London in the early Edwardian era.
Hailing from the East End of London myself, this first-hand account of the life of the poor particularly resonated, but it is a great read no matter what your background. A young Jack London wrote this first-hand account by living in the East End for several months, sometimes staying in workhouses or sleeping on the streets.
The conditions he experienced and wrote about were the same as those endured by an estimated 500,000 of the contemporary London poor.
The People of the Abyss (1903) is a work of nonfiction by American writer Jack London. Written after the author spent three months living in London's poverty-stricken East End, The People of the Abyss bears witness to the difficulties faced by hundreds and thousands of people every day in one of the wealthiest nations on earth. Inspired by Friedrich Engels's The Condition of the Working Class in England (1845) and Jacob Riis's How the Other Half Lives, London hoped to expose the indignities faced by those left behind by industrialization. In 1902, Jack London traveled to England to live in…
I have been captivated by the emotional power of picture books since I was a child and have spent my adult life reading, sharing, and trying to write the kinds of books that connect to the youngest of readers on a deeper level. In Looking for Smile, I tried to write about the day when I was five years old and experienced real sadness for the first time. This became a story about Bear and his friend, Smile. My favorite kind of picture books are those that make me smile and tear up at the same time. I decided I would share some recent books that have had that effect on me…
A book about empathy that is also a tribute to the power of imagination. A boy without much money tells his classmates he has a horse. A more well-to-do girl knows he is lying and can’t tolerate it. When she visits the boy at his home, she is able to see past herself and can begin to appreciate and enter into the boy’s reality. One thing I really love about this book is that it shows how much larger empathy can make us -- how that kind of openness in addition to making us kinder can also give access to joy.
Adrian Simcox tells anyone who will listen that he has a horse - the best and most beautiful horse anywhere.
But Chloe does NOT believe him. Adrian Simcox lives in a tiny house. Where would he keep a horse? He has holes in his shoes. How would he pay for a horse?
The more Adrian talks about his horse, the angrier Chloe gets. But when she calls him out at school and even complains about him to her mom, Chloe doesn't get the vindication she craves. She gets something far more important.
Written with tenderness and poignancy and gorgeously illustrated,…
I am a university president, and I work daily among young people with very diverse stories, but one common theme is the brokenness we all share, whether as a product of our individual identities and histories, or simply the result of life’s cruel circumstances. Classic fantasy takes on the realities of evil, suffering, and brokenness, and in that imaginative process engages us deeply. But in so doing it thereby allows us to reimagine through story what our own possibilities and hopes for healing might be.
This book is a thrilling mystery wrapped in vivid detail. The readers’ hearts go out to Cora as she struggles to make sense of what her village leaders have always taught about their god, the Winter King. I admire how she never stops seeking to learn the truth the religious leaders are hiding from their people despite insurmountable odds. It is a powerful warning about trusting only what a small group of people say about God versus examining the scriptures yourself. No doubt Cohen was inspired by times in church history before the Reformation.
A village trapped in winter, a tyrannical god, and a girl who will do anything to keep her family alive... FINALIST FOR THE 2020 CHRISTY AWARD in the Young Adult category Ever since Cora's father disappeared through the ice, whispers about her family's "curse" have grown increasingly louder. Desperate to help her mother and siblings survive another bleak season in the Winter King's frozen grasp, Cora begins to bend (and even break) the rules she has kept since she was a little girl. But when she discovers a secret that's much bigger than herself, she realizes too late that she…
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight.
After ten-year-old Hastin's family borrows money to pay for his sister's hospital bill, he leaves his village in northern India to take a job as an elephant keeper and work off the debt. He thinks it will be an adventure, but he isn't prepared for the cruel circus owner. The crowds that come to the circus see a lively animal who plays soccer and balances on milk bottles, but Hastin sees Nandita, a sweet elephant and his best friend, who is chained when she's not performing and hurt with a hook until she learns tricks perfectly. Hastin protects Nandita as…
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
Not a book as such, but these maps tell the social historian a great deal about London in the late-1800s. They were compiled by Charles Booth, a wealthy philanthropist, who wanted to highlight the areas of London in the greatest need of help. In order to achieve this, he despatched a team of researchers to every street in London (except the City,) to assess their character. The results were entered onto a colour-coded map – yellow streets were the most affluent; black were the resorts of “vicious semi-criminals”.
A splendid - and necessary - publication...a great resource Iain Sinclair
Charles Booth's landmark survey of life in late-19th-century London, published for the first time in one volume.
In the late nineteenth century, Charles Booth's landmark social and economic survey found that 35 percent of Londoners were living in abject poverty. Booth's team of social investigators interviewed Londoners from all walks of life, recording their comments, together with their own unrestrained remarks and statistical information, in 450 notebooks. Their findings formed the basis of Booth's colour-coded social mapping (from vicious and semi-criminal to wealthy) and his seventeen-volume survey Inquiry into…
