Here are 100 books that The Fountain Overflows fans have personally recommended if you like
The Fountain Overflows.
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I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Fictionalizing her large and extremely eccentric family—shabby members of the British gentry in the 1930s, lacking the wealth of earlier times—Nancy Mitford managed to create a novel that is both hilarious and poignant, with a style uniquely her own. Her characters seem almost too bizarre to be real, yet if you read about the real Mitfords, you discover that, if anything, this novel (published in 1945) softened their edges! She writes brilliantly not only about the fun and tensions among an array of strongminded siblings but also about her domineering father and, later, about the blissful madness of falling in love after an isolated childhood.
One of the funniest, sharpest novels about love and growing up ever written, Nancy Mitford's classic is now a major BBC and Prime Video series directed by Emily Mortimer and starring Lily James, Andrew Scott and Dominic West
'He was the great love of her life you know.' 'Oh, dulling,' said my mother, sadly, 'One always thinks that. Every, every time.'
Oh, the tedium of waiting to grow up! Longing for love, obsessed with weddings and sex, Linda and her sisters and cousin Fanny are on the lookout for the perfect lover.
Hope, Laughter, Survival on the Refugee Trail
by
Eileen Kay,
Dramatic true story with a wacky sense of humor.
Retired English teacher in Budapest meets foreign medical students fleeing the war in Ukraine, producing a sweet and unlikely friendship, spicy soup, and wicked joking. A sense of humor, however dark, can keep us from despair.
I’ve been an avid reader since I was a child, and my favorite protagonists are readers and writers. The Kansas tallgrass prairie horizons where I grew up fueled my imagination, and I wanted to write like the girls in my novels. I discovered Anne of Green Gables as a teen, and since then, I’ve researched, published, and presented on the book as a quixotic novel. As a creative writer, my own characters are often readers, writers, librarians, book club members, and anyone who loves a good tale. I hope you enjoy the books on my list as much as I do each time I return to them.
This book has so many different elements—humor, the struggles of poverty, Cassandra’s dreams of success as a writer, quirky family members, and a tumbledown castle where the Mortmain family lives.
I identified with Cassandra’s efforts to keep a journal to hone her writing skills, having done so myself as a teen. I also enjoyed the unconventional take on a castle and Cassandra’s honesty in depicting (or “capturing”) it and its inhabitants with her words.
The dilapidated castle and the family’s foibles make this story approachable and enjoyable. It is one that invites the reader into the castle and the story as a welcome guest.
A wonderfully quirky coming-of-age story, I Capture the Castle by Dodie Smith, author of The Hundred and One Dalmatians is an affectionately drawn portrait of one of the funniest families in literature.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Ruth Steed, and features an afterword by publisher Anna South.
The eccentric Mortmain family have been rattling around in a…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
This novel, published in 1949, is about three grown-up siblings who are still dominated by the memory of their famous parents, both accomplished performers, and their atypical early years, which they spent playing in theaters across Europe. Though the majority of the novel takes place after the parents have died, the ties of family remain paramount for the three protagonists. At times each one feels desperate to escape those ties, but their shared past exerts an irresistible pull on all three. Unusually, the novel is narrated in the first-person plural: the narrative often refers to “us,” but tells each sibling’s individual scenes in the third person. With its three intertwined threads, The Parasites vividly explores the lifelong influence of family bonds.
'When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . .'
Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond,…
Hope, Laughter, Survival on the Refugee Trail
by
Eileen Kay,
Dramatic true story with a wacky sense of humor.
Retired English teacher in Budapest meets foreign medical students fleeing the war in Ukraine, producing a sweet and unlikely friendship, spicy soup, and wicked joking. A sense of humor, however dark, can keep us from despair.
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
I didn’t realize for a long time that I was drawn to reading and writing quiet, character-driven stories about found families–because I didn’t know that was a thing. But here we are. As an introvert, I love learning about people and exploring their relationships with one another, and I have devoted my writing and reading life to this endeavor (even before, again, I knew this was a thing). As a child, I spent my time in libraries, falling in love with these characters. Now, as an author and professor of writing, I believe these novels are also all incredible textbooks of character creation and storytelling.
This book, recommended to me by a professor many years ago, is a master class in writing voice. It’s not an easy book—filled with family trauma and abuse (big-time content warning here)—but it masterfully explores the complex relationship between mothers and daughters.
Ruth Anne is broken by her mother’s (and stepfather’s) actions, but the others around her help to put her back together. Yet another lesson is that those who find us can sometimes be the best family for us.
A profound portrait of family dynamics in the rural South and "an essential novel" (The New Yorker)
"As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye." -The New York Times Book Review
The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming…
I’m deeply concerned about the health of the planet and am puzzled by our failure to act. As someone who thinks a lot about museums and heritage (aka the stories we tell about ourselves), I’m intrigued by how we think about places of environmental harm as heritage and how we pay attention to the environmental impact of heritage sites like WWI battlefields, English ironworks, and Appalachian coal mines. Interrogating what we remember and what we forget illuminates the systems of power that benefit from ignoring environmental and social costs. My hope is that understanding the history of toxic harm points us to a more sustainable, just future.
Nixon’s concept of “slow violence” is one of the most useful for recognizing the long-term, and “slow motion urgency” of environmental damage.
His lucid storytelling highlights the environmentalism of marginalized communities. I’m inspired by his goal of changing how we think about the “deferred casualties of our poisonous, unsustainable practices.”
The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of "slow violence" to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as…
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.
Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.
In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.
This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past.
'Totally engrossing and deliciously feisty' Bernardine Evaristo
A powerful, personal agenda-changing exploration of poverty in today's Britain.
'When every day of your life you have been told you have nothing of value to offer, that you are worth nothing to society, can you ever escape that sense of being 'lowborn' no matter how far you've come?'
Kerry Hudson is proudly working class but she was never proudly poor. The poverty she grew up in was all-encompassing, grinding and often dehumanising. Always on the move with her single mother, Kerry attended nine primary schools and five secondaries, living in B&Bs and…
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
I’ve been studying China for almost 60 years and have visited the country 40 times. Around 1990 I became aware of the sad situation of migrants from the countryside trying to move to cities to earn a better living. There they are met with low wages, poor living conditions, and discrimination. I spent 6 or 7 years interviewing them and writing about them and the book I wrote won a prize for the best book on 20th century China published in 1999. Then I learned about the workers who were laid off as China modernized, and went to talk with them. The present book is full of empathy and concern for these people.
This is a brilliant anthropological field study of how rural migrants and laid-off Chinese workers cope with their lot in a region where factories have shut down and there are few ways of earning money.
The two competing groups are both very poorly served by the government and they are forced to live among trash with little to no welfare. There are here, again, copious quotations from the people involved and you can learn a lot about the varying conditions that mark the different lives of these two groups of people.
Despite massive changes to its economic policies, China continues to define itself as socialist; since 1949 and into the present, the Maoist slogan "Serve the People" has been a central point of moral and political orientation. Yet several decades of market-based reforms have resulted in high urban unemployment, transforming the proletariat vanguard into a new urban poor. How do unemployed workers come to terms with their split status, economically marginalized but still rhetorically central to the way China claims to understand itself? How does a state dedicated to serving "the people" manage the poverty of its citizens? Mun Young Cho…
When I lost a baby late in my pregnancy, I was overwhelmed by grief. And then I learned that tens of thousands of babies died every day from preventable causes. I couldn’t save my own baby, but I wanted to know how to help others. I joined the board of World Vision and then other groups, including Opportunity International, MAP International, and International Justice Mission. I took numerous trips to developing countries and eventually headed a foundation dedicated to maternal health. I listened to the stories of women and tried to tell them to the world through a variety of international publications. I'm forever grateful to those who changed the way I see the world.
Jacqueline Novogratz was a successful young woman with a promising career in banking who wanted to truly understand global poverty and find ways to tackle it.
This book tells not only the remarkable story of a favorite hand-knit blue sweater she donated in Virginia and saw again in Rwanda, but her own sometimes fumbling ways to connect her experiences to women living in poverty.
I love this book for its honesty and how the author shares her own mistakes as well as understandings.
NEW YORK TIMES BESTSELLER • “A book of hope written by a practical idealist who won’t take ‘no’ for an answer when it comes to building a better world.”—Former U.S. senator Bill Bradley
Jacqueline Novogratz left a career in international banking to spend her life on a quest to understand global poverty and find powerful new ways of tackling it. From her first stumbling efforts as a young idealist venturing forth in Africa to the creation of the trailblazing organization she runs today, Novogratz tells gripping stories with unforgettable characters. She shows how traditional charity often fails, but how…
