Here are 100 books that Kyland (Sign of Love) fans have personally recommended if you like
Kyland (Sign of Love).
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Seeing couples that are still in love after being with one another for 50+ years has always warmed my heart. Seeing my grandparents hold one another’s hands and look at each other with love always made me hopeful to find such a love. I have not been blessed to have that kind of love in my life (yet) but that does not stop me from looking for it and finding it in books. The characters in my favorite books are ones I identify with on some level. They are loyal, do not give up and they love wholeheartedly, even if they make some missteps along the way, the end destination always ends up being deeply in love. And I love cheering on characters when they deal with everyday issues and roadblocks on this journey of love.
This book took me on a slow-burn journey and I loved it. Watching the main characters and how they grew throughout the book really moved me. It also features some soccer (which I love) and a heroine who is strong and amazing and focused and a hero who is an anti-hero at first, but he will have you falling in love with him in no time. Coach Kulti truly is the guy you don’t want to like, but you can’t help but fall for once he bares himself to the reader (and the heroine). This book is definitely a must-read. Mariana Zapata writes the best slow-burn romances.
“Trust me, I’ve wanted to punch you in the face a time or five.”When the man you worshipped as a kid becomes your coach, it’s supposed to be the greatest thing in the world. Keywords: supposed to.It didn’t take a week for twenty-seven-year-old Sal Casillas to wonder what she’d seen in the international soccer icon—why she’d ever had his posters on her wall, or ever envisioned marrying him and having super-playing soccer babies.Sal had long ago gotten over the worst non-break-up in the history of imaginary relationships with a man that hadn’t known she’d existed. So she isn’t prepared for…
Pinnacle Achievement Award Winner Literary Collections - IAN Book of the Year Finalist, Multicultural Nonfiction
#1 best-selling book in Amazon's Letters and Correspondence category
“Powerful, haunting, and precise. Each of the essays and stories in Van Den Hende’s collection—whether a three-page reverie of childhood’s joys and tragedies or a candid…
Too many women experience trauma and a lot of these rely on fiction as a means of escape. The more realistic, flawed, diverse characters we have in books, the more real women feel heard and accepted. Life after trauma can be bumpy and unpredictable, especially when it comes to romance and relationships. Allowing readers to explore this in a safe space is not only great storytelling, but meaningful.
What I love about Jennifer’s writing is that her stories focus on the hope in recovery, with the climactic moment usually happening early on. Cora is kidnapped with her brother-in-law-to-be (Dean) by a prolific serial killer.
The story follows their journey, which is fraught with the pitfalls and messiness of the human condition. Both characters make mistakes, and it is one of those books you really want to throw at the wall out of desperation. This book makes you feel all your feelings. It shows the reader that everyone reacts differently, and sometimes love, even from unexpected places, can be immensely healing.
WARNING: This book contains subject matter that may be sensitive for some readers, including dark and triggering content. 18+ only. Please read responsibly. When Cora attends her sister’s birthday party, she expects at most a hangover or a walk of shame. She doesn’t anticipate a stolen wallet, leaving her stranded and dependent on Dean—her arch nemesis and ultimate thorn in her side. And she really doesn’t anticipate waking up in shackles in a madman’s basement. To make matters worse, Dean shares the space in his own set of chains. After fifteen years of teasing, insults, and practical jokes, the ultimate…
Seeing couples that are still in love after being with one another for 50+ years has always warmed my heart. Seeing my grandparents hold one another’s hands and look at each other with love always made me hopeful to find such a love. I have not been blessed to have that kind of love in my life (yet) but that does not stop me from looking for it and finding it in books. The characters in my favorite books are ones I identify with on some level. They are loyal, do not give up and they love wholeheartedly, even if they make some missteps along the way, the end destination always ends up being deeply in love. And I love cheering on characters when they deal with everyday issues and roadblocks on this journey of love.
Aiden and Vanessa’s story is another slow burn, but it does not feel slow at all. Zapata has a way of building a sensual story that makes you want more without feeling as if you are missing something. I did not think I would like slow-burn romances until I came across Zapata. I fell in love with these characters as they were becoming friends and ultimately as they fell in love with one another. I found myself smiling a lot watching the interactions between these two. It’s magic. I still think of Aiden often and wish he were my boyfriend! (That is how much I liked him).
Vanessa Mazur knows she's doing the right thing. She shouldn't feel bad for quitting. Being an assistant/housekeeper/fairy godmother to the top defensive end in the National Football Organization was always supposed to be temporary. She has plans and none of them include washing extra-large underwear longer than necessary. But when Aiden Graves shows up at her door wanting her to come back, she's beyond shocked. For two years, the man known as The Wall of Winnipeg couldn't even find it in him to tell her good morning or congratulate her on her birthday. Now? He's asking for the unthinkable. What…
Pinnacle Achievement Award Winner Literary Collections - IAN Book of the Year Finalist, Multicultural Nonfiction
#1 best-selling book in Amazon's Letters and Correspondence category
“Powerful, haunting, and precise. Each of the essays and stories in Van Den Hende’s collection—whether a three-page reverie of childhood’s joys and tragedies or a candid…
Seeing couples that are still in love after being with one another for 50+ years has always warmed my heart. Seeing my grandparents hold one another’s hands and look at each other with love always made me hopeful to find such a love. I have not been blessed to have that kind of love in my life (yet) but that does not stop me from looking for it and finding it in books. The characters in my favorite books are ones I identify with on some level. They are loyal, do not give up and they love wholeheartedly, even if they make some missteps along the way, the end destination always ends up being deeply in love. And I love cheering on characters when they deal with everyday issues and roadblocks on this journey of love.
This story consumed me and I could not put the book down. I would wake up in the middle of the night to read more of it. As an avid reader, I have books that I liked, books that I loved, and then I have a list of books that are riveting and that speak to my soul. Those are the books I reread and think about often. This book was saved under that last list. Watching Oliver interact with everyone after the ordeal he went through was soul-shattering. Seeing Sydney be a source of comfort, patience and a well of overflowing love to him was just beautiful. Hartmann even made me feel emotions for someone I thought I would initially hate, but ended up feeling bad for at the end of the book. She is a magician with words. That’s why it is a top pick for me for…
To the rest of the world, he was the little boy who went missing on the Fourth of July. To me, he was everything. My heart hasn't been the same since he disappeared, but I've learned to build my life around that missing piece. Twenty-two years later, the last thing I expect is for that missing piece to come back. His name is Oliver Lynch, and this is his story. This is our story.
In the 50s I was a shy minister’s daughter in small-town Canada. Friends, life skills, coping skills, and career skills were in short supply. My refuge came in books where I found sisterhood, ordinary courage, and life skills. I learned my skills from the heroines who faced trials, solved mysteries, and never gave up. I gravitate to women who persevere, risk, and make their way in life against all odds. Several careers, a family, and decades later these story elements still inform and inspire me. They are what I read and what I write.
I have a soft spot for women during times of war or adversity. This story spans the early years of the 1900s as Maggie lives her father’s legacy to “make a difference in the world.” She never gives in, or gives up, and contributes to the safety of those around her during the end of the Great War and troubles in Ireland. Setting is a big thing for me, and in this book the location, the surroundings, and the times evoked an understanding of Ireland and the Irish. As with the fictional characters I like most, Maggie is a person I’d love to have as a friend.
Her country overtaken by a foreign power, Maggie Gilligan signs up to fight for her people's freedom. Daniel Healy, in love with Maggie, joins the enemy - to try to save her.
Falling in love is never easy. At times of war, it's lethal.
Through the Barricades is a story of friends to lovers at a time of war, of two people who are prepared to die: Maggie for her country, Daniel for Maggie. Their conflicting duties put them on opposite sides. Will they and their love survive?
As a writer of dark historical novels, I'm always drawn to other books that reflect my gothic themes. I think this interest first began when I read Wuthering Heights, soon afterwards studying the Victorian Sensation novels at university. These vividly described and densely plot-driven stories, often with shocking twists and vivid casts of characters, would thrill and entrance me. Afterwards I'd look out for any newly published books by contemporary writers dealing with similar ideas. I can't describe how it felt when I wrote one myself and saw it on the bookshop shelves.
Coming from Herefordshire on the border with Wales, my own novels are often steeped in the natural reflections of eerie rural isolation, with the folklore and pagan customs of those places existing hand in hand with the newer forms of Christianity. Perhaps this is why I connect so passionately with the novels that are set in Thomas Hardy's Wessex.
And what a spell beautiful Tess was to weave around my heart. This profoundly moving novel will never be forgotten.
'She looked absolutely pure. Nature, in her fantastic trickery, had set such a seal of maidenhood upon Tess's countenance that he gazed at her with a stupefied air: "Tess- say it is not true! No, it is not true!"'
Young Tess Durbeyfield attempts to restore her family's fortunes by claiming their connection with the aristocratic d'Urbervilles. But Alec d'Urberville is a rich wastrel who seduces her and makes her life miserable. When Tess meets Angel Clare, she is offered true love and happiness, but her past catches up with her and she faces an agonizing moral choice.
I’m passionate about this theme because I grew up inside the kind of silence most people never see—the kind shaped by responsibility, fear, love, and the need to stay strong before you’re old enough to understand why. I’ve lived through the quiet wounds, the invisible burdens, and the unspoken grief that shaped every part of me. Stories like these make people like me feel less alone. They remind us that survival has its own language, and that the things we carry silently are worth naming. I write about quiet pain because it’s the world I came from, and the world I learned to rise out of.
I loved this book because it captures childhood in the rawest way—messy, painful, confusing, and resilient.
Walls writes about instability and survival with such clarity that I found myself nodding through entire chapters. I related deeply to the burden of growing up too fast and learning how to take care of people before you ever learned how to take care of yourself.
What moved me most was the love within the chaos—the complicated, contradictory love between parent and child that shapes you long after you’ve grown. It reminded me that you can carry pain and tenderness at the same time, and both can be true.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
I am an academic at the University of Oxford who specializes in international political economy, so I study this topic for a living! I am particularly interested in the politics of international cooperation and economic development. Growing up, I traveled extensively in developing countries across Asia and Africa, which inspired in me a deep curiosity about the determinants of sustained economic growth. I also spent much time in Geneva, where my father frequently worked with United Nations agencies. His anecdotes about these institutions each evening made me wonder what caused some of them to perform effectively and others to perform poorly—and how they could be improved.
I have long believed that development economists rely too heavily on reductive formal models that ignore on-the-ground realities and are backed by scant empirical evidence. This book makes a compelling case for observation—particularly in the form of randomized controlled trials that approximate scientific experiments “in the field.”
I admire its rigorous use of the scientific method to critique theoretical approaches that draw much of their legitimacy and influence from technical sophistication and abstraction.
Why do the poor borrow to save? Why do they miss out on free life-saving immunizations, but pay for unnecessary drugs? In Poor Economics , Abhijit V. Banerjee and Esther Duflo, two practical visionaries working toward ending world poverty, answer these questions from the ground. In a book the Wall Street Journal called marvellous, rewarding," the authors tell how the stress of living on less than 99 cents per day encourages the poor to make questionable decisions that feed,not fight,poverty. The result is a radical rethinking of the economics of poverty that offers a ringside view of the lives of…
I am an anatomy educator and doctoral researcher looking at the use of human material in anatomy education. My historical research into the antics of body suppliers has caused me to explore many publications on what we do with the remains of our relatives. This is a subject that can be fascinating but also requires compassionate handling and sometimes asks us questions that we often do not want to ponder.
An exploration of the suspected murder of an Italian child in London that along with the murders of Burke and Hare, changed how bodies are supplied for medical teaching. Set in London in the 1830s it is a factual look at the way cadavers were supplied for medical teaching at that point in history.
Towards the end of 1831, the authorities unearthed a series of crimes at Number 3, Nova Scotia Gardens in East London that appeared to echo the notorious Burke and Hare killings in Edinburgh three years earlier. After a long investigation, it became known that a group of body snatchers - two men in particular, John Bishop and Thomas Williams, called the 'London Burkers' - were supplying the anatomy schools with fresh 'examples' for dissection. The case became known as 'The Italian Boy' and caused a furore which led directly to the passing of controversial legislation which marked the beginning of…
