Here are 100 books that The Poor Mouth fans have personally recommended if you like
The Poor Mouth.
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The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
The stories that appear in this book were first published inLilliputin the 1940s, a British monthly magazine. They relate the perilous, often diabolical activities of the Surrealist Sportsman’s Club, a society devoted to playing games that no one else would dream of attempting. Engelbrecht is a diminutive boxer who fights clocks, zombies, witches, and other assorted horrors and marvels, and he generally wins because of pluck combined with luck. Richardson’s prose style here is a blend of gothic horror, period science fiction, and the wisecracking of Damon Runyan, and the reader can expect no respite from the tumult of ideas, images, situations, jokes, and subversion of clichés.
Published for the first time in a low cost edition, Maurice Richardson's cult classic is one of the strangest works of fiction ever written. Fifteen stories that relate the activities of the Surrealist Sportsman's Club, a society with very dubious morals that spends the time it has left between the collapse of the moon and the end of the universe taking the concept of the 'game' to its logical limit.
A club can't operate without members, and those of the SSC are as strange and astonishing as some of the events they compete in. Most formidable of all, and more…
These anonymous tales, composed over a thousand years ago in Ireland’s monasteries, tell us what happens when human and supernatural lovers cross the boundaries between our world and the Otherworld (síd). Set in a lost time of heroes, demi-gods, warrior queens, and druids of the Irish Otherworld (…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
W.E. Bowman’s comic novel, The Ascent of Rum Doodle, has achieved a cult status among mountaineers as well as aficionados of spoof adventure stories. But the sequel is much less well-known, and that’s a shame, for it is absolutely its equal in terms of humour and invention and, if anything, even more absurd and fantastical in the development of the plot, which concerns a voyage on a raft (in the manner of Thor Heyerdahl) in search of a fabled school of talking fish. I am convinced that Michael Palin’s Ripping Yarns was influenced by Bowman’s work, and if not, then this is a case of great minds thinking alike.
Having brought the highest mountain in the world to its knees, Binder, leader of the expedition to conquer Rum Doodle, soon sets off on a new adventure, aboard the raft Talking Fish. With only two cats, one frog, one oyster and five fellow-adventurers as crew, he is determined to master the challenges of the deep.
I like to believe that my own characters struggle with being human. They struggle with their bitterness, their relations to others (or lack thereof), and their unresolved guilt. What happens when guilt is left unresolved? What happens when someone enters into a state of self-imposed isolation? These are topics I enjoy exploring in my work. I’ve enjoyed writing since I was a child. My mother deserves all the credit. At bedtime, rather than reading bedtime stories to me from a book, she would make up a story and then ask me to do the same. This helped me to develop a lifelong love for reading and writing.
I feel as though this book isn’t widely known. The plot is quite bizarre and surreal–a man falls in love with a woman who is growing a water lily in her lung.
The novel’s theme of grief stood out to me, and I feel it was perfectly illustrated by Collin’s desperate attempts to keep his wife alive. It is evident that Vian used Jean-Paul Sartre’s existentialist philosophy as inspiration for this novel.
These anonymous tales, composed over a thousand years ago in Ireland’s monasteries, tell us what happens when human and supernatural lovers cross the boundaries between our world and the Otherworld (síd). Set in a lost time of heroes, demi-gods, warrior queens, and druids of the Irish Otherworld (…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.
The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work.
The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather…
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
In the 50s I was a shy minister’s daughter in small-town Canada. Friends, life skills, coping skills, and career skills were in short supply. My refuge came in books where I found sisterhood, ordinary courage, and life skills. I learned my skills from the heroines who faced trials, solved mysteries, and never gave up. I gravitate to women who persevere, risk, and make their way in life against all odds. Several careers, a family, and decades later these story elements still inform and inspire me. They are what I read and what I write.
I have a soft spot for women during times of war or adversity. This story spans the early years of the 1900s as Maggie lives her father’s legacy to “make a difference in the world.” She never gives in, or gives up, and contributes to the safety of those around her during the end of the Great War and troubles in Ireland. Setting is a big thing for me, and in this book the location, the surroundings, and the times evoked an understanding of Ireland and the Irish. As with the fictional characters I like most, Maggie is a person I’d love to have as a friend.
Her country overtaken by a foreign power, Maggie Gilligan signs up to fight for her people's freedom. Daniel Healy, in love with Maggie, joins the enemy - to try to save her.
Falling in love is never easy. At times of war, it's lethal.
Through the Barricades is a story of friends to lovers at a time of war, of two people who are prepared to die: Maggie for her country, Daniel for Maggie. Their conflicting duties put them on opposite sides. Will they and their love survive?
I’m passionate about this theme because I grew up inside the kind of silence most people never see—the kind shaped by responsibility, fear, love, and the need to stay strong before you’re old enough to understand why. I’ve lived through the quiet wounds, the invisible burdens, and the unspoken grief that shaped every part of me. Stories like these make people like me feel less alone. They remind us that survival has its own language, and that the things we carry silently are worth naming. I write about quiet pain because it’s the world I came from, and the world I learned to rise out of.
I loved this book because it captures childhood in the rawest way—messy, painful, confusing, and resilient.
Walls writes about instability and survival with such clarity that I found myself nodding through entire chapters. I related deeply to the burden of growing up too fast and learning how to take care of people before you ever learned how to take care of yourself.
What moved me most was the love within the chaos—the complicated, contradictory love between parent and child that shapes you long after you’ve grown. It reminded me that you can carry pain and tenderness at the same time, and both can be true.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
Robin Attfield and Barry Wilkins are retired members of the Philosophy staff of Cardiff University, where they individually and jointly taught undergraduate courses in Philosophy and History of Ideas, and magistral courses in Social Ethics. They also supervised doctoral students in fields including development ethics; former students of theirs hold professorships in places ranging from Los Angeles to Addis Ababa and to Jahangirnagar (Bangladesh). Robin Attfield is currently completing his twentieth published book; several of his books have concerned our international responsibilities. From 1990 they became aware of a serious gap in the philosophical literature with regard to international development, and managed through their joint book to begin plugging it.
Robin loves the way that this book displays how even a Kantian basis (not home territory for him) shows why poverty should not be tolerated.
It underlines how extreme poverty undermines the exercise of rational agency, and thus the proper functioning of human beings.
Onora O’Neill argues cogently that morality precludes the employment of force or fraud, and gives rise to universal principles applicable both within and between societies. Population policies, for example, should depend on the informed consent of those affected.
I’m a native New Yorker whose recent move to the UK gives me both unique insight into a city I lived the hell out of for decades and space and time to look back and wonder what it was all about, like with a lover you still adore but are relieved you’re no longer with. I’ve partied in squats and walked red carpets. I can sniff out a fake-take on this city so many people feel they know long before ever visiting it, and that always offends/bores/turns me off. These books got it right, and I’m thrilled to point more people in their direction.
I lived on the Lower East Side of NYC for decades before moving to the UK. It’s a fairly small area, but at one point was filled beyond capacity with new immigrants to the U.S. who worked hard and mostly lived in squalor.
Through his photos and writing, Jacob Riis humanized their experience and exposed the reality of their pursuit of the American dream, which was often brutal. As a photographer, I was inspired by him to help shine a light on the voices of underrepresented groups. I used to carry this book around with me to locate the buildings in it—photographed 150 years ago—in the modern day.
It’s a love story to—and in defense of—the immigrants who’ve shaped America.
This famous journalistic record of the filth and degradation of New York's slums at the turn of the century is a classic in social thought and a monument of early American photography. Captured on film by photographer, journalist, and reformer Jacob Riis, more than 100 grim scenes reveal man's struggle to survive.
I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
The White Tigeris a witty and searing portrayal of a “self-made” man who has risen from the depths of abject poverty to a position of wealth and influence.
The India portrayed is far from the glitz and romantic notions of Bollywood. It is a desperately poor place where the “haves” live like kings and the “have-nots" live like slaves.
In addition to shedding light on some of the harsh realities of class, economics, and corruption in India, The White Tigersomehow manages to subvert expectations and coax the reader into rooting for a murderer and thief who justifies his actions, not entirely convincingly, by describing himself as a sort of working-class hero.
Balram Halwai is the White Tiger - the smartest boy in his village. His family is too poor for him to afford for him to finish school and he has to work in a teashop, breaking coals and wiping tables. But Balram gets his break when a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. As he drives his master to shopping malls and call centres, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he…
