Books like The First Witch of Boston

I deeply enjoyed Archer’s book for its intimate depiction of Boston’s life under British occupation from 1768 until mid-1770.

It was a city under siege in many respects, with four thousand troops in a community of only sixteen thousand souls. The city’s streets –mostly paved with oyster shell—come to life with details on tavern fare, street life, troop encampment, epidemics, the violent celebrations of the annual Pope’s Day, popular song parodies, and the three hundred women who initiated a boycott of foreign tea.

Here too you can meet early patriot leaders like James Otis, who was rendered “insane” by a blow to the skull by a furious tax collector and wandered, raving, for years, until he was struck down by a lightning bolt. Archer’s book pulls you into the torment and the glory of life in a powder keg destined to explode.

I loved this book for being historical fiction at its finest, and I loved the main character, Mary Deerfield, for being a woman who did not fit within her own time.

It’s 1660s Boston, and Mary is married to an abusive man. Determined not to die at his hand, she must fight against everything in her society to free herself from her marriage.

I loved how this book so insightfully explored the dynamics of an abusive relationship while also bringing to vivid life a distant time and place. 

Parker’s Spenser is a reliable tough guy with a good heart. A former soldier and heavyweight boxer, he tends to make short work of anyone foolish enough to fight him. But in Small Vices, he is shot by the villainous Gray Man and left for dead. After he’s discharged from the hospital, Spenser has to readjust to a gravely weakened body as he struggles to physically and mentally recover from his wounds.

This journey brings a new level of emotional depth to the series and lends added resonance to round two with the Gray Man, during which Spenser describes himself as Lazarus, “back from the grave to tell all.”

This is another author I read religiously, and the connection between Spenser and Hawk is one of the primary reasons why. But this book has stayed with me in a way the others haven’t because of the dramatic way Parker clarified the difference between these two characters in one of the most impactful closing scenes in the entire series.

Like Paretsky’s V. I. and Grafton’s Kinsey Milhone, six-foot, former police officer and intrepid Boston P.I. Carlotta Carlyle is dogged, street smart, and tough while navigating the vagaries of big city corruption and big money influence.

She is bored by her desk job undercover assignment investigating fraud in Boston’s Big Dig construction project. She craves the action that I, as a reader, want to see her undertake. I hope this is also the type of character I have created in my book.

I’m a history buff, and I’ve long been interested in the purported “spirit photographs” that began proliferating almost as soon as photography became widespread in the 19th century and which were a key element of the spiritualist movement.

The author ties this trend into a beautifully written work of historical fiction, depicting spirit photography in the context of the social and political conditions of post-Civil War America.

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.

Even before A Civil Action became a Hollywood film, the book’s characters pulled me into the true story of a whole town and the question of how so many families there were poisoned.

I loved the book because it told a real underdog story in a totally gripping way, through a main character I didn’t expect to like. I’ve given this book to friends.

Though this book has a terrific storyline, a finely fleshed-out cast of characters, and a very appealing writing style, what mattered to me most was a tacit bond of honor between the main character (the well-known private detective, Spenser) and his cohort in danger (Hawk). Their banter and ripostes are Parker’s trademarks that have made him a bestseller.

But what lies beneath that friendship is a code of honor that appeals to me in a powerful way. In this story, a young boy must rise above the pettiness of his parents’ friction and divorce. Spenser and Hawk provide the physical protection that he needs, but just as important is what the boy comes to understand about friendship and loyalty by observing his protectors’ interactions.

This is a complex young adult contemporary novel that spotlights Mini as she singlehandedly organizes the wedding-of-the-year for her older sister and her fiancé. Amidst the primary plot of Mini pulling together the wedding and falling in love with the handsome Vir Mirchandani, there is a unifying theme of family. Nandini Bajpai does an incredible job of unpacking the elements of an Indian family, specifically in how they support each other after the loss of a loved one. It was heartwarming to see Mini come into her own by the end of her story, and I highly recommend this book to anyone with a penchant for Indian weddings, Indian culture, and young love.