Here are 90 books that The First Ghosts fans have personally recommended if you like
The First Ghosts.
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I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
If you’re interested in the workings of the human imagination you have to start in our deep evolutionary past, and Metazoa does just this.
Godfrey Smith is an eminent philosopher of science, and brings his considerable experience under the ocean to understanding how the minds of shrimps, octopi, and fish probably conceive of the world.
With stunning evocations of the undersea world and his intimate encounters with these fascinating creatures, the author of Other Minds brings a battery of modern zoological and biological expertise to bear on revealing just how cognitively complex these supposedly simple creatures are. You’ll never look at them the same again.
The follow-up to the BBC Radio 4 Book of the Week Other Minds
A Times and Sunday Times Book of the Year
A Waterstones Best Book of 2020
The scuba-diving philosopher explores the origins of animal consciousness.
Dip below the ocean's surface and you are soon confronted by forms of life that could not seem more foreign to our own: sea sponges, soft corals and flower-like worms, whose rooted bodies and intricate geometry are more reminiscent of plant life than anything recognisably animal. Yet these creatures are our cousins. As fellow members of the animal kingdom - the Metazoa -…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
Us humans are social animalspar excellence,although if we scratch the surface there are evolutionary explanations for the simplest of things: why we laugh, dance, and gossip, and why humans across the world tend to have similar numbers of close friends and more distant relationships.
In Thinking Bigtwo Palaeolithic archaeologists and an evolutionary anthropologist combine to present an explanation for how our behaviour evolved to cope with the increasing intellectual demands of growing group sizes, from small groups more characteristic of the apes to the huge, international networks that characterise the modern world.
The importance of what could be seen as the superficial things we do such as holding hands becomes breathtaking in the hands of three inspirational thinkers.
When and how did the brains of our hominin ancestors become human minds? When and why did our capacity for language or art, music and dance evolve? It is the contention of this pathbreaking and provocative book that it was the need for early humans to live in ever-larger social groups, and to maintain social relations over ever-greater distances - the ability to `think big' - that drove the enlargement of the human brain and the development of the human mind. This `social brain hypothesis', put forward by evolutionary psychologists such as Robin Dunbar, one of the authors of this…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
A raw and bloody gem of a book, which plunges the reader into the cold and dirty world of our deep past, not just seen but experienced by its multi-talented author.
A philosophical hankering to know what it means to be human – and what we have inherited from our evolutionary past -leads this trained veterinarian, barrister, and writer to go back to nature in a Derbyshire wood. He and his long-suffering son experience the freezing, claw-red, and skin-tearing nature of the wild, as they seek to live similarly to our prehistoric ancestors.
Drawing inspiration from the 40,000 years of the Upper Palaeolithic, in an environment similar to the Mesolithic, Foster paints a blistering, spraining, and chilling account of the demands of a more primitive life. Essential reading from the comfort of my couch.
NAMED A BEST BOOK OF THE YEAR BY THE ATLANTIC, KIRKUS REVIEWS, AND NEW STATESMAN
A radically immersive exploration of three pivotal moments in the evolution of human consciousness, asking what kinds of creatures humans were, are, and might yet be
How did humans come to be who we are? In his marvelous, eccentric, and widely lauded book Being a Beast, legal scholar, veterinary surgeon, and naturalist extraordinaire Charles Foster set out to understand the consciousness of animal species by living as a badger, otter, fox, deer, and swift. Now, he inhabits three crucial periods of human development to understand…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I went to university wanting to become a Roman specialist, but ended up going backwards in time until I landed with a bump on the hard flints of the Palaeolithic (Old Stone Age). I research aspects of the behaviour of the Pleistocene (Ice Age) indigenous Europeans – the Neanderthals – and the origins and evolution of our own species, Homo sapiens. I undertake fieldwork across Europe, and I’m particularly interested in the origins and early development of art – both on portable objects and cave walls – and the long-term evolution of our treatment of the dead. My scientific love is how we can try to get inside the mind of our most remote ancestors.
During the Bronze and Iron Ages the first texts appeared that allow us an unadulterated glimpse into the prevalent beliefs of the time, in Egypt and in Mesopotamia.
Finkel, a consummate cuneiformist and expert in the literature of Sumer, Babylon, and Assyria, presents here a jaunty, entertaining, humorous but above-all scholarly account of his new understanding of the Sumerian-derived flood story, made possible by his discovery in the archives of the British Museum a missing clay tablet – a couple of chapters – of the flood myth.
What follows is a true detective story, in which Finkel cleverly plays some mental gymnastics in order to reconstruct exactly what the Ark would have looked like. In part ancient history, historiography, theology, and just a lesson in how stories turn into myths, Finkel reveals a very different story to the one we all grew up with.
In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.
Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.
Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.
Dickens was a Master. Even his humorous ghost stories have an edge of fear.
My interest in ghosts is partly due to growing up in York, which is one of the most haunted cities in the UK. In that city, I think that pretty much every pub has its own ghost, and if you’re unlucky (or lucky) enough, you stand a good chance of spotting long-dead Roman soldiers, plague victims, or ghostly dogs as you walk the streets. This atmosphere has seeped into my fiction; I have written two novels of the supernatural and am currently working on a third. I’ve also made a study of the grim and gothic in fiction; my Ph.D. thesis was largely about vampires (especially Dracula) but also strayed into other monsters and uncanny stories over the past two centuries.
Oscar Wilde gave us a genuinely chilling gothic tale in The Picture of Dorian Gray, but in this short story, the supernatural is a source of fun.
The Otis family, pleasant, sensible, and up-to-date Americans, move into a haunted English manor and immediately antagonize Sir Simon de Canterville, the house’s resident spectre. Sir Simon has a theatrical flair for haunting, pulling out all the stops to terrify his victims into gibbering wrecks, but it’s all wasted on the Otis family, who are hilariously unbothered by the spookiness.
If you’re staying in a haunted house, I highly recommend channeling your inner Otis.
Despite warnings from Lord Canterville that their new home is haunted and that several family have fled form it in the middle of the night the Otis family chooses to go forward with their relocation. Almost immediately the Otis Family discovers that the stories are true and that their house is haunted by the ghost of Sir Simon. It is Sir Simon's intent not to share the house with anyone, but the Otis family is not like previous families that Sir Simon has scared off in the past. Narrated by the ghost himself, this Gothic ghost story takes the reader…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
Like Spirit Slate Writing and Kindred Phenomena, this 1897 book exposes the various ways that Spiritualist mediums manifest ghosts. Henry Ridgely Evans was a magician and historian who took on the Spiritualist movement, much like Harry Houdini would in the decades that followed. Filled with wondrous stories, secrets, and illustrations, this book is a must for any fan of Spiritualism and/or magic.
Spirit World Unmasked is an unchanged, high-quality reprint of the original edition of 1897. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
I grew up in the Scottish countryside, reading passionately. When adults asked what I wanted to be when I grew up, the answer came from my latest book: a nun, an outlaw, a queen, or an explorer. Not until I was in my twenties did I realise that I wanted to be the person behind the covers of a book, not between them. My early stories, written between waitressing shifts, were bafflingly bad. Gradually I began to understand that the fiction I loved was driven by a hidden machinery. I now teach at the Iowa Writers’ Workshop and have been lucky enough to explore this idea with many talented students.
As a boy, Baxter stood at the window of his mid-western home and looked out at the empty street. He went on to fill that street with stories. In Wonderlands he talks about how those stories were made in terms of craft—he writes vividly about requests, lists, dreams, ghosts—and the events in his own life that shaped his fiction, including a long period of failure. An deeply companionable book.
Searching and erudite new essays on writing from the author of Burning Down the House.
Charles Baxter’s new collection of essays, Wonderlands, joins his other works of nonfiction, Burning Down the House and The Art of Subtext. In the mold of those books, Baxter shares years of wisdom and reflection on what makes fiction work, including essays that were first given as craft talks at the Bread Loaf Writers’ Conference.
The essays here range from brilliant thinking on the nature of wonderlands in the fiction of Haruki Murakami and other fabulist writers, to how request moments function in a story.…
Though I’ve always found the idea of survival after death fascinating, it was my interest in Modern Spiritualism that really sparked the desire to write Chasing Ghosts. That era (mid-1800s to the early 1900s) was a time when millions confidently believed they could communicate with the dead. Of course, this was only the tip of the paranormal iceberg. So I continued the journey into the lore of haunted places, ancient cultural beliefs, and scientific endeavors to find evidence for paranormal experiences or to debunk it. As a historian of the weirder pages of the past, this topic endlessly fascinates me. I hope it will for you as well.
Though Doyle will forever live on as the creator of Sherlock Holmes, he became an ardent Spiritualist and one of its biggest evangelists in the early 1900s. So strong were his beliefs that he lectured worldwide, and famously butted heads with Houdini over the legitimacy of communicating with the Other Side. This 1918 book explores his investigations into the world Spiritualism and the afterlife.
Sir Arthur Conan Doyle, a Scottish writer and physician. He was born on 22nd May 1859 and was died on 7th July 1930. He was renowned for his ‘Sherlock Holmes Stories’.His famous work includes: A Study in Scarlet, The Sign of the Four, The Valley of Fear, The Mazarin Stone and His Last Bow etc.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I am a multi-award-winning African Australian writer, and have a deep passion for stories by people of colour, stories that engage with difference. I write across genres and forms, and my award-winning works are mostly Afrocentric. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt.
This book brings together a diverse cast of writers from Africa and the diaspora to explore spirits, ancestors, and folklore in eerie ghost stories from Africa.
It spotlights new, contemporary, and award-winning writers in their study of ancestral fear or veneration, and retellings or new craftings of gothic horror.
Following the hugely successful Black Sci-Fi Short Stories and Asian Ghost Short Stories, comes this deluxe edition of new African writing and tales rooted in ancient culture. This collection explores the deep-seated supernatural element in African storytelling - whether reaching back to the spirits, ancestors and ogres of folklore or the vibrantly modern ghosts of today's African horror. New and contemporary stories complement poignant folktales such as 'The Story of Takane' from Lesotho and 'The Disobedient Daughter Who Married a Skull' from Nigeria.
With a foreword by award-winning Nigerian-British writer Nuzo Onoh, an introduction by Prof. Divine Che Neba, and…
