100 Books Like The Fell

This edited volume, by academics Irene Gammel and Jason Wang from Ryerson University, Canada, includes contributions from authors living across the world. The chapters focus on how the arts and culture can both express and document people’s thoughts, practices, and feelings about living through the COVID pandemic. There are discussions on the role of drawing, graphic fiction, cinema, diary writing, urban space, music, streaming services, film, and video conferencing platforms in helping people cope with COVID life. Reading the book provides insights into the different social, cultural, and geographical contexts in which the pandemic has been experienced and how people adjusted to the often very stressful conditions of lockdown, restrictions on movements, fear about their health and grief.

Life Without Children is a collection of ten short stories by Irish author Roddy Doyle. Nearly all the stories are set in Dublin and feature characters who are middle-aged or older men who are struggling to find a sense of purpose in their lives while confined to their homes during lockdowns. Some men lash out in anger at their partners. Others make the best of things, finding moments of intimacy and connection and forging stronger relationships with their adult children and wives. One of the few stories to be written from the perspective of a woman features a nurse who is shattered by the deaths from COVID of her patients. The stories in this collection are often bleak, but there are many poignant and even droll moments.

The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

This riveting American Gothic novel, set in 1865, follows a widowed Civil War Army nurse home to New Hampshire after her bloody stint of tending the wounded and sick, only to find that her beloved, but unstable, sister is dead in a fall from the roof of the asylum. The cause is ruled a suicide, but she is not convinced and determines to find the truth at all costs. The period is synchronic with that of The Abolitionist’s Daughter and the depth of research fascinated me. Blakemore’s writing and extensive attention to sensual detail is exceptional. Since I have my own yet-to-be-titled historical mystery due for release in the Spring of 2022, I loved delving into this twisting page-turner with a woman of determination in an equivalent period of history.

In which I discover that St Paul’s was not a misogynist! It is easy to see why we might think otherwise. His first letter to the Corinthians has had a profound and often negative impact on the place of women in Christianity. And just when I thought there was nothing left to say about it, along comes Lucy Peppiatt, and blows my mind!

I loved the complete left-of-field interpretation she offers and the fact that she turns traditional interpretations on their head. She plausibly argues that Paul was not for forcing women to veil and be silent in church. According to Peppiatt, Paul argued against the domineering men who insisted on such things. Wowza! And, by Jove, she could well be right! Invigorating stuff! (The author’s academic version is her Worship and Women at Corinth)

If you’re looking for a balanced and warm-hearted ‘cradle to grave’ survey of women’s lives in the past, I think this is the best.

The authors describe the experiences shared by all women, and explain the huge gulf in other areas of life between the worlds of rich and poor. As well as the obvious themes of childhood, courtship, marriage, parenting, and old age, they explore women’s work (both paid and unpaid), their friendships and cultural lives, and their involvement with politics and religion.

And I love the fifty well-chosen illustrations that bring each of these topics to life.

This book provides outstanding biographies of the female luminaries of the Civil War, such as Clara Barton, Harriet Tubman, and Dr. Mary Walker, while also introducing readers to lesser-known women who made an impact during the great sectional conflict.  Beautifully written and full of rare photographs, Women of the Civil War is captivating.

I may have admired Kincaid as a person even before I read her novel about a young woman who must find her way in life after her mother dies during childbirth. I admired Kincaid’s determined journey to become a writer: she left home as a teenager, worked, found a job as a staff writer for The New Yorker, then began writing stories and novels, even changing her name in the process.

Reading Autobiography—one of several of her books about the mother/daughter relationship—gave me a meaningful connection between the story being told and the language/syntax being used to tell that story. Kincaid’s amazing sense of honesty is only eclipsed by her lyrically perfect prose. I knew that if I found myself writing in that same beautiful style, I, too, might be able to tell my own stories as they should be told.

I also admired Kincaid’s ease in writing… show more.

This book is a deeply researched account of one of the most famous women-only hotels, the go-to place for ambitious, aspiring career women from writers like Joan Didion and Sylvia Plath to actresses like Ali MacGraw and Jaclyn Smith. It is my favorite kind of history, a journey through the twentieth century told through the lives of fascinating women.