Books like Creative Resilience and COVID-19

One of the first novels set in COVID times, The Fell, by British author Sarah Moss, is presented from the perspective of four neighbours living in an English village over the timespan of a single night in the winter of 2020. The narrative charts their experiences and reflections on life as they struggle with boredom, loss of employment, having to work and learn from home, and feelings of isolation and claustrophobia. One of the characters simply can’t take it anymore and leaves her home during a period of mandated quarantine. These people care about and watch over each other as best they can, but the feelings of being under surveillance are strong. A dark but compelling read, masterfully written.

Life Without Children is a collection of ten short stories by Irish author Roddy Doyle. Nearly all the stories are set in Dublin and feature characters who are middle-aged or older men who are struggling to find a sense of purpose in their lives while confined to their homes during lockdowns. Some men lash out in anger at their partners. Others make the best of things, finding moments of intimacy and connection and forging stronger relationships with their adult children and wives. One of the few stories to be written from the perspective of a woman features a nurse who is shattered by the deaths from COVID of her patients. The stories in this collection are often bleak, but there are many poignant and even droll moments.

The COVID Chronicles is an anthology of graphic fiction about COVID life. The dozens of contributors are mostly based in the US but also come from Australia, Canada, the UK, Europe, and Asia. There are a dizzying array of art styles and tones across the collection, from humorous to darkly grim. Together, all the graphic narratives reveal the ups and downs of pandemic life in the early months of COVID: from dealing with loneliness, unemployment, illness, and death, transitioning to working from home, racism, and the Black Lives Matter protests to seeking opportunities to show love, care, connection, and hope.

This book presents hundreds of photographs taken by Agence France Presse around the world in the first 18 months of the COVID pandemic. The images span the full range from the mundane (people exercising at home) to the bizarre (weird home-made face masks) to those that are frightening and tragic (mass coffins and graves). Over 150 countries are represented in these images, which are arranged chronologically, thereby presenting a visual global timeline of the major events occurring during this crucial early period of the continuing pandemic, when this disease was still a mysterious threat. This book helps us to remember the feelings of urgency, confusion, panic, and fear that were part of this period, as people came to terms with the upheavals wrought by the pandemic.

I grew up reading Svetlana Chmakova’s work back when she was releasing the manga series Dramacon and I am beyond thrilled that kids and teens today still get to read her work!

Awkward is all about kids exploring their differences in the arts and sciences and it feels like a page ripped out of my childhood. It is so relatable, so charming, and full of emotion and wit to boot. Her work inspired me when I was drawing comics in my sketchbook for fun all the way until today, when I do it for a living. I think her work will go on to inspire many generations to come!

Lady Oracle was one of the novels I read in the several years after first having the vague notion that I might like to write a novel akin to Steppenwolf but that would be set in the approximate present day and have a female protagonist. As Lady Oracle’s main character is a writer who, after periodically reinventing herself, now fakes her own death, flees her intellectual, non-dancing husband, and holes up in an Italian village, I saw possible avenues for my own husband-leaving Kari. Would Kari flee to another country? Would she have secret lovers or a history of being fat? Would she, too, fake her own death? Kari ultimately didn’t follow many of Joan Foster’s paths, but she might have.

Sorely in need of self-acceptance, self-compassion, and patience, I loved the sense of affirmation conferred by Smith’s book—the sense that I’m all right as I am, I’m enough as I am. This book led me onward—literally—since each brief meditation ends with “keep moving.”

Its format of short single entries invites thinking about a single question or situation at a time, which is especially helpful when overwhelmed. Keep Moving always leaves me in a calmer, better place, no matter how often I revisit it. 

This book is a powerful read for anyone ready to reclaim their creativity and heal their inner wounded child.

Jacob skillfully guides us through exercises that bring us home to ourselves. I include this as recommended reading in my book, and I love that Julia Cameron (another favorite author of The Artists Way fame) provides the foreword.

Full disclosure, this book brought me to healing tears. I’ve read it and listened to it many times and I had the pleasure of meeting Jacob at his Heal and Create Writer’s event along with SARK. 

Another one of his books that you won’t want to miss is Blessed Are the Weird.

There’s a section right at the start of this book where the author tries to quantify the value of things he’s learned over the years, and the result is startling.

Think about this for yourself, just in terms of the code you’ve written - how much do you think that’s worth? Your ability to learn things is your key to thriving in this industry, but how well can you recall those things when you need to?

That’s the point of this whole book: learning to take notes and assemble them into your own personal database. This book led me to Obsidian, which I use relentlessly, and also to Notion, which I also use relentlessly. Writing things down gives me peace of mind and helps me focus and I highly recommend you do the same.

How do creative people produce their best work? That’s the question Galenson researched as an economics professor leading to this book comparing the two major creative approaches he’s identified: Do they create by just getting started and through incremental efforts and continuous testing they feel their way until they discover what they will create? Or do they begin with careful and comprehensive plans of what they will create, beginning only when they are confident they have a full vision of what the end looks like? He studied artists—painters and poets, novelists and sculptors—but the questions he asks and the answers he frames are relevant to all creatively entrepreneurial work and he shares his thoughts about that as well. I love Cezanne’s paintings and was delighted to learn my creative process is similar to his.