Here are 100 books that Nobody Gets Out Alive fans have personally recommended if you like
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I have lived in Alaska for forty years, working both as a construction worker and a college professor. I love Alaska, but not always the way it is depicted, particularly on reality TV. I hope the characters I create and the stories I tell will bring a more balanced view of everyday Alaskans, who are, after all, Americans too. The Hunger of Crows shows small-town Alaska through the eyes of four characters: two lifelong Alaskans, and two “from Outside” as we say here. Hopefully, it will provide a balanced view of this great place.
Although I happen to know that poet Anne Coray intended this to be an environmentalist novel (a town threatened with doom by a giant mining operation), this beautifully written story set in the fictitious town of Lost Mountain in remote Western Alaska is an example of how Alaskans come together in the face of threats to the beauty and natural wonder of our great land. It may be about the land, but it is the cast of quirky characters that makes it human.
The searing debut novel of poet and writer Anne Coray, Lost Mountain is an impassioned story of love, loss, environment, and politics against a landscape facing threat of destruction.
"Anne Coray, the author of three poetry collections, has brought her observational and writing skills to fiction that demonstrates both her attention to language and her passion for her home place. . . Lost Mountain is many things: a love story between the two main characters, a portrait of a small and isolated community, a mystery, a paean to salmon and lives that surround salmon, a not-very-disguised critique of a megamine…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I have lived in Alaska for forty years, working both as a construction worker and a college professor. I love Alaska, but not always the way it is depicted, particularly on reality TV. I hope the characters I create and the stories I tell will bring a more balanced view of everyday Alaskans, who are, after all, Americans too. The Hunger of Crows shows small-town Alaska through the eyes of four characters: two lifelong Alaskans, and two “from Outside” as we say here. Hopefully, it will provide a balanced view of this great place.
Also environmentally themed (a town threatened by a giant clear-cutting lumber operation), Whispering Alaskais ultimately a family story of twin sisters coming to Alaska. I loved the way Jones depicts the vastly different twin girls: one compliant and friendly, the other withdrawn and driving her father nuts. Tolstoy famously said all unhappy families are unhappy in their own way. Well, this family is struggling with the loss of the girl’s mother on top of trying to find their places in the rainy Southeast coastal town. Listed as “middle-grade” Y/A, it’s a great read for adults interested in Alaska too.
In this eco-focused middle-grade novel, readers follow the story of twin sisters who move with their father to a small town in Alaska for a new start after the devastating loss of their mother.
It’s been four months since their mother died. The twins and their father have moved from Pennsylvania to a small town in Alaska to be near extended family. Nicky and Josie find the wilderness mysterious and beautiful, and a much-needed refuge. The girls drifted apart somewhat during their transition, each dealing with grief in a different way. Now, as they settle into a new normal, they…
I have lived in Alaska for forty years, working both as a construction worker and a college professor. I love Alaska, but not always the way it is depicted, particularly on reality TV. I hope the characters I create and the stories I tell will bring a more balanced view of everyday Alaskans, who are, after all, Americans too. The Hunger of Crows shows small-town Alaska through the eyes of four characters: two lifelong Alaskans, and two “from Outside” as we say here. Hopefully, it will provide a balanced view of this great place.
Born and raised in remote bush Alaska, Kanter’s hypnotizing writing will take you with him across the remote tundra of his home territory as he hunts and lives among the great herds of caribou. Each short chapter is like a prose poem, beautifully written and evocative of the people and the place. A glimpse into historical, almost prehistorical, life in Alaska.
Bestselling, award-winning author of Ordinary Wolves, a debut novel Publisher’s Weekly called “a tour de force”
Conservation-based story of changing Arctic from an on-the-ground perpective
Features full-color photography throughout
A stunningly lyrical firsthand account of a life spent hunting, studying, and living alongside caribou, A Thousand Trails Home encompasses the historical past and present day, revealing the fragile intertwined lives of people and animals surviving on an uncertain landscape of cultural and climatic change sweeping the Alaskan Arctic. Author Seth Kantner vividly illuminates this critical story about the interconnectedness of the Iñupiat of Northwest Alaska, the Western Arctic Caribou Herd,…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I have lived in Alaska for forty years, working both as a construction worker and a college professor. I love Alaska, but not always the way it is depicted, particularly on reality TV. I hope the characters I create and the stories I tell will bring a more balanced view of everyday Alaskans, who are, after all, Americans too. The Hunger of Crows shows small-town Alaska through the eyes of four characters: two lifelong Alaskans, and two “from Outside” as we say here. Hopefully, it will provide a balanced view of this great place.
Chosen by National Public Radio as “essential reading” for anyone traveling to Alaska, Kizzia’s lively, often humorous historical account of the remote copper mining town of McCarthy tucked beneath the Wrangel Mountains will astound you with its descriptions of bush country life in Alaska from 1938 to 1982. A book that begins and ends with the effects of a mass murder in a remote small town. Thrilling reading.
In this history of life in an isolated ghost town, bestselling Alaska author Tom Kizzia unfolds a deeply American saga of renunciation and renewal. The spirit of Alaska in the old days-impetuous, free-wheeling, and bounty-blessed-lived on in the never-quite-abandoned mining town of McCarthy. While the new state boomed in the pipeline era, cagey old-timers and young back-to-the-landers forged a rough wilderness community that lived by its own rules.
As the T'ang Dynasty mountain poet Han Shan wrote in his Cold Mountain Poems, "If your heart was like mine, you'd get it and be right here."
Jenny Hale Pulsipher is a professor of history at Brigham Young University and the author of numerous articles and two award-winning books, Subjects unto theSame King: Indians, English, and the Contest of Authority in Early New England and Swindler Sachem: The American Indian Who Sold His Birthright, Dropped Out of Harvard, and Conned the King of England.
Ulrich, winner of the Pulitzer Prize forA Midwife's Tale, first wrote this ground-breaking study of women in early New England. With her characteristically elegant prose and inspired organization, she details the varied roles women played in family, community, and religious life. An illuminating work, and a page-turner.
This enthralling work of scholarship strips away abstractions to reveal the hidden--and not always stoic--face of the "goodwives" of colonial America. In these pages we encounter the awesome burdens--and the considerable power--of a New England housewife's domestic life and witness her occasional forays into the world of men. We see her borrowing from her neighbors, loving her husband, raising--and, all too often, mourning--her children, and even attaining fame as a heroine of frontier conflicts or notoriety as a murderess. Painstakingly researched, lively with scandal and homely detail, Good Wives is history at its best.
I love to read and write about strong women. I don't necessarily mean gunning down aliens while wearing tight pants. Those books can be good too, but let's be honest, tight pants encourage yeast infections. I prefer books where women handle anything from murder to wayward cats with intelligence and compassion, while wearing whatever they want. The women, I mean. Cats already figured out to skip the pants.
I fell in love with Kate Shugak as soon as I met her on the page.
Kate's an Aleutian private investigator who lives with Mutt, her half-wolf, half-husky, on a 160-acreage homestead in Alaska. Do you know why Kate carries a scar from ear to ear? Do you know why Kate and Mutt's nearest other neighbors are a grizzly bear and a moose, and why they like it that way?
If so, you probably know how everyone turns to Kate for justice and that this very first book won an Edgar Award. Maybe you, like me, have read all 26 books in this series. High five.
Kate Shugak returns to her roots in the far Alaskan north, after leaving the Anchorage D.A.'s office. Her deductive powers are definitely needed when a ranger disappears. Looking for clues among the Aleutian pipeliners, she begins to realize the fine line between lies and loyalties--between justice served and cold murder.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharatafrom the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."
The title of this book comes from the African proverb - "until the lions have their own historians, the history of the hunt will always glorify the hunter". In this poetic reimagining, Nair writes, for the first time, the history of the women in the Mahabharata, the longest poem ever written and one of the two major Sanskrit epics of ancient India.
I’m a therapist and Jungian analyst who has been writing and speaking about the transgender phenomenon since 2016. Across the Anglosphere, teen girls have begun identifying as transgender in significant numbers since around 2011. Many are quickly accessing medical interventions. When I became aware of these trends, I got curious about them. I’m especially fascinated by the way that social and psychological factors can shape our understanding of mental health and mental illness, and I’ve been exploring these topics as they relate to trans adolescents. I’ve worked with trans-identifying young people and their parents, as well as detransitioners.
Philosopher Kathleen Stock cuts through the confusion and obfuscation about trans to define what we mean by transgender. What is the phenomenology of trans, and how is it different from the shifting language we use to describe different states?
I found Stock’s analysis both clear and compassionate. It’s an essential tool going forward that should make it easier to have discussions in this contested area because it posits definitions we might just all be able to agree on.
'A clear, concise, easy-to-read account of the issues between sex, gender and feminism . . . an important book' Evening Standard
'A call for cool heads at a time of great heat and a vital reminder that revolutions don't always end well' Sunday Times
Material Girls is a timely and trenchant critique of the influential theory that we all have an inner feeling known as a gender identity, and that this feeling is more socially significant than our biological sex.
Professor Kathleen Stock surveys the philosophical ideas that led to this point, and closely interrogates each one, from De Beauvoir's…
I’ve always been fascinated by the personal stories of ‘ordinary’ people in the past, especially in their family lives. I’ve written about married couples, siblings, parents and children, and grandparents. All these are subjects familiar to us in our own lives, and I love exploring where our ancestors held very different ideas and assumptions. Marriage, parenting, and gender relations have been controversial issues for centuries. Our ancestors certainly didn’t have all the answers, but their stories give us food for thought, and their familiar personal problems bring the past much closer to us.
I found this book fascinating. The guilds of early modern London were a male-only ‘closed shop’. But Laura Gowing’s pioneering study shows how resourceful women found ways to exploit loopholes and carve out a role in the world of skilled trades and crafts.
A guild member’s widow was permitted to continue her husband’s trade (provided she didn’t remarry), and she might take on a female apprentice and use the signing-on ‘premium’ to grow her business. Once the apprenticeship was completed, the young woman would now have the skills to set up on her own in the suburbs or provinces where guilds had no control.
I liked the case-studies where Gowing has been able to reconstruct individual lives to bring this new world vividly to life.
Ingenious Trade recovers the intricate stories of the young women who came to London in the late seventeenth century to earn their own living, most often with the needle, and the mistresses who set up shops and supervised their apprenticeships. Tracking women through city archives, it reveals the extent and complexity of their contracts, training and skills, from adolescence to old age. In contrast to the informal, unstructured and marginalised aspects of women's work, this book uses legal records and guild archives to reconstruct women's negotiations with city regulations and bureaucracy. It shows single women, wives and widows establishing themselves…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Parenting books bore me. I don’t like reading instruction manuals, and don’t have time to weigh others’ opinions about how to raise my kids. But when I read books about motherhood forged in self-reflection and told with literary elegance, I become a more self-reflective parent and have the eyes to see beauty in my ordinary maternal experiences. Books like this are few and far between. It’s hard for mothers to make art; when our resources are spread thin in parenthood, why do work that may not pay? How to find time for creative rumination? But here’s a list of books written by mothers who persisted in their creative work to show us motherhood in all of its mundanity, mania, and magic.
Here’s an art book I adore, filled with paintings by Maira Kalman that depict just what the title suggests: Women holding things.
Women hold so much—our children, our aging loved ones, watering cans and zucchini, schedules and lists, grief and gladness. I love how this collection of images cumulatively illustrates the weight that women bear, the joy and burden of it all. Interspersed throughout are brief, poignant reflections that frame the visual concept.
From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a wondrous collection of words and paintings that is a moving meditation on the beauty and complexity of women's lives and roles, revealed in the things they hold.
"What do women hold? The home and the family. And the children and the food. The friendships. The work. The work of the world. And the work of being human. The memories. And the troubles. And the sorrows and the triumphs. And the love."
