99 Books Like The Farm

I’m absolutely passionate about suspense stories, especially ones with killer twists. Maybe it’s all the crime shows I watch, but the motives for crimes are so wide and varied, and I love when the unexpected is explored in fiction. I’m also intrigued by stories about missing people and the myriad of reasons behind why they go missing–especially when things aren’t always what they seem. Whether it’s the missing who return years later or hints of them suddenly appear, I can’t help but get wrapped up in a story that keeps you on the edge of your seat guessing what might happen next! I try for great twists in my novels.

Maitreyabandhu started attending classes at the London Buddhist Centre (LBC) in 1986. He was ordained into the Triratna Buddhist Order in 1990 and given the name Maitreyabandhu. Since then he has lived and worked at the LBC, teaching Buddhism and meditation, and leading retreats. He has written three books on Buddhism, Thicker than Blood: Friendship on the Buddhist Path, Life with Full Attention: A Practical Course in Mindfulness, and The Journey and the Guide: A Practical Guide in Enlightenment. Maitreyabandhu is also a prize-winning poet having written three poetry collections with Bloodaxe Books. Maitreyabandhu founded PoetryEast in 2010 where he interviews well-known artists and writers, including Antony Gormley, Wendy Cope, and Colm Tóibín. He is the co-founder, with Dr. Paramabandhu Groves, of Breathing Space, the LBC’s health and wellbeing project.

I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that. 

Very little Scottish history or culture was taught in school when I was growing up in the 1950s and 1960s. When I began to read books on the subject from the local library and then studied Scottish literature at Edinburgh University, I realised what my brother and sister Scots had missed out on, and was determined to rectify that by writing accessible books which would both inform and entertain as well as enrich their lives and change the way they perceived their culture. I love their reaction to my work and the influence my books have had. 

Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.

Choosing philosophy at 18 raised a few eyebrows: friends and family thought I was a bit mad and a little lost. Later, when I decided to write philosophical stories and essays, I heard the same refrain: “Most people are afraid of philosophy.” But those voices never swayed me. Deep down, I knew that thinking is a powerful tool for healing, a way to mend what’s broken within us and in the world. Ideas, I believe, can spark change and make the world a better place.

Although I’d been to Scandinavia many times as a translator and travel writer, it wasn’t until about twenty years ago that I spent significant time above the Arctic Circle, writing my travel book, The Palace of the Snow Queen. Over the course of three different winters spent in Lapland, I discovered a world of Sami history, politics, culture, and literature. I was particularly interested in the friendship between Emilie Demant Hatt and Johan Turi. It’s been inspiring over the past years to see a new generation of artists and activists shaping and sharing their culture and resisting continued efforts to exploit natural resources in territories long used by the Sami for herding and fishing. 

I’m an Australian writer. I came to creative writing late in life but have been an avid reader since my early school years. My fascination with mystery thrillers started with Enid Blyton and included Raymond Chandler books—not usually recommended for an 11-year-old. I have always had an inquisitive mind, asking difficult questions and seeking understanding. My first degree was a Bachelor of Science, majoring in Chemistry. My diverse working life spanned a variety of roles, building a rich tapestry of experience. I relish layered, complex, and thought-provoking stories both as a writer and a reader. I hope you enjoy my recommended books as much as I have.

I'm a French writer, originally from Provence, who found herself catapulted into Scandinavian culture almost twenty years ago when I married a Swede. When I wrote Block 46, my first book back in 2015, I set the plot in Falkenberg, a town on the west coast of Sweden, bringing my southern European culture face to face with the Scandinavian one, a kind of alliance between fire and ice. What I'm sharing with you today is the essence of my “empirical research” as a Swedish wife, an expatriate in Sweden, and a mother of three mini-Vikings, giving you the keys and the secrets of this northern culture that fascinates so much.

I’ve always enjoyed murder mysteries, with spy novels coming a very close second. I like the puzzle aspect of the story and the unravelling thereof. From early in my childhood I have written and it has never occurred to me to write in any other genre than Crime Fiction. I do like, however, both in my own output and that which I read, to gain an insight into other people’s lives and histories. I like to learn about the surroundings in which the stories are set. Also, for me a must, the characters have to be rounded and three dimensional.