Here are 100 books that The Ethics of Authenticity fans have personally recommended if you like
The Ethics of Authenticity.
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I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
Davis tackles the way that depression or sadness came to be medicalized. He reminds us that these feelings are normal, integral parts of the human experience and analyzes how modern people started to view those emotions as abnormal, psychological conditions in need of pharmaceutical treatment. In his account of conversations with people who use anti-depressants, Davis shows that the medicalization of sadness can actually compound the suffering of people who struggle with depression. Is it really normalto be happy all the time? This book suggests it might not be.
Everyday suffering-those conditions or feelings brought on by trying circumstances that arise in everyone's lives-is something that humans have grappled with for millennia. But the last decades have seen a drastic change in the way we approach it. In the past, a person going through a time of difficulty might keep a journal or see a therapist, but now the psychological has been replaced by the biological: instead of treating the heart, soul, and mind, we take a pill to treat the brain.
Chemically Imbalanced is a field report on how ordinary people dealing with common problems explain their suffering,…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
Feldman’s title does not conceal his aims: this book presents a criticism of the ideal of authenticity as the highest order of self-expression. That said, much of the book is a careful explanation of how authenticity came to be so highly valued, and it catalogs the positive societal aspirations of authenticity when it is framed as a personal virtue. The concluding chapter offers a supremely-reasoned elaboration of four separate arguments against authenticity, after which Feldman invites us to start “looking outward,” rather than inward.
"Be true to yourself"-it is a dictum so ubiquitous that it can seem like both philosophical wisdom and an empty truism. Should we aspire to an ideal of living authentically? What does it mean to be true to yourself? Against Authenticity: Why You Shouldn't Be Yourself is a philosophical exploration and critique of the ideal of authenticity. Simon Feldman argues that if being true to ourselves is a matter of maintaining a strong will, being psychologically independent, achieving self-knowledge, or being morally conscientious, then the best lives we can lead should be expected to involve substantial inauthenticity. Feldman suggests that…
I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
This is an older book that traces the development of the American definition of happiness from the founding of the nation until the mid-twentieth century. Jones carefully illustrates that happiness transformed from a collective political concept to anindividual moral entitlement. His reading of self-help texts shows that earlier Americans tried to achieve happiness by learning to conform themselves to the obligations imposed on them by others outside the self. In contrast, Jones’ investigation shows that the modern understanding of happiness demands individual liberation from the expectations of others, a feat achieved by listening to the internaldesires of the self.
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
While Trueman reviews some of the ideas covered by other thinkers on this list, his new book is notable because it focuses on how personal sexual identity (sexual orientation, gender, desire, etc.) came to be the most important site for the expression of individualism. His analysis underscores the threat that a radically subjectivized sexual ethic posed to longstanding social norms and cultural traditions. This one also includes a gushing foreword by best-selling author Rod Dreher of The American Conservative magazine.
Carl Trueman traces the historical roots of many hot-button issues such as transgenderism and homosexuality, offering thoughtful biblical analysis as he uncovers the profound impact of the sexual revolution on modern human identity.
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”
From the epicentre of Delft in the Netherlands Brook takes the paintings of Johannes Vermeer and uses details of them as a series of entry points to the widest circles of world trade and cultural exchange in the seventeenth century. An officer's beaver hat in 'Officer and the Laughing Girl' opens up the story of Champlain's dealing with the native peoples of Canada and the beaver trade. A china dish on a table in another painting uncovers the story of the Chinese porcelain trade. Moving outwards from Vermeer's studio Brook traces the web of trade that was spreading across the…
I’m a historian who wants to understand the big picture as best I can. And while occasionally I can clear my schedule enough to read a 1,000pp book, realistically that won’t happen often so I am always on the alert for short books that aim to provide what I am looking for: a coherent vision of the whole of human history. That’s asking a lot of an author, but these five do it well.
This one is 359 pages and says almost nothing about the 20th century. It is quirky in terms of what it includes and what it leaves out, but reliable in its facts and judgments, and full of insights I haven’t encountered elsewhere. It does not bother with grand theories or overarching narrative, but focuses on what the author finds interesting. Cook is a specialist on the history of Islam, which gives the book an uncommon vantage point.
Why has human history been crowded into the last few thousand years? Why has it happened at all? Could it have happened in a radically different way? What should we make of the disproportionate role of the West in shaping the world we currently live in? This witty, intelligent hopscotch through human history addresses these questions and more. Michael Cook sifts the human career on earth for the most telling nuggets and then uses them to elucidate the whole. From the calendars of Mesoamerica and the temple courtesans of medieval India to the intricacies of marriage among an aboriginal Australian…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I’m the grandson of a coal miner from a multi-generational, Ohio family. What matters most to me is having some integrity and being morally okay with folks. I never thought of myself as an environmentalist, just as someone trying to figure out what we should be learning to be decent people in this sometimes messed-up world. From there, I was taken into our environmental situation, its planetary injustice, and then onto studying the history of colonialism. This adventure cracked open my midwestern common sense and made me rethink things. Happily, it has only reinforced my commitment to, and faith in, moral relations, giving our word, being accountable, and caring.
I love how Dipesh’s book shows a historian at the height of his powers explaining how history has become geological. Decades ago, Chakrabarty began as someone arguing for a history that made Europe “provincial”. Now he argues that all human history is relative to planetary time. His writing is infused with humanism and is up to date on Earth System Science.
For the past decade, historian Dipesh Chakrabarty has been one of the most influential scholars addressing the meaning of climate change. Climate change, he argues, upends long-standing ideas of history, modernity, and globalization. The burden of The Climate of History in a Planetary Age is to grapple with what this means and to confront humanities scholars with ideas they have been reluctant to reconsider-from the changed nature of human agency to a new acceptance of universals.
Chakrabarty argues that we must see ourselves from two perspectives at once: the planetary and the global. This distinction is central to Chakrabarty's work-the…
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
I met Svetlana in the last two years of her life and was deeply impressed by her brilliance in literature and the history of ideas and cultures. She died, tragically, in her mid 50s cutting short her extraordinary career, from childhood and youth in Soviet Russia to her stellar career as a Harvard professor of comparative literature. Of her seven books, this highly original study of nostalgia has been particularly important.
A ground breaking study about longing in its positive and negative forms, focusing on post-communist cities such as St. Petersburg, Moscow and Berlin, and writers Nabokov, Brodsky, and Kabakov. Erudite, brilliant, and witty, this is a great cross-genre study of our modern condition.
Combining personal memoir, philosophical essay, and historical analysis, Svetlana Boym explores the spaces of collective nostalgia that connect national biography and personal self-fashioning in the twenty-first century. She guides us through the ruins and construction sites of post-communist cities-St. Petersburg, Moscow, Berlin, and Prague-and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstahm, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, Boym unravels the threads of this global epidemic of longing and its antidotes.
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
I love experiments in the novel form, and this book by the Czech Ourednik startled me from the first words of its opening, a deadpan sentence telling us that the Americans who died at Normandy in 1944 were unusually tall. What follows is an accounting of important and trivial happenings of a hundred years of war-riddled world history in roughly the same number of pages.
Throughout, we read random details, skipping from how often people bathed to psychologists’ recommendations about venting aggression through competitive sports to the changes in human lives occasioned by contraceptives and tear-off toilet paper. Every page is always the tongue-in-cheek narration of absurdities I couldn’t help reading aloud to whoever was nearby. No book is like this one, and maybe no other so profound.
Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism through
Scientology through Sierra Leonean bicycle riding and back, award-winning Czech author Patrik
Ourednik explores the horror and absurdity of the twentieth century in an explosive
deconstruction of historical memory.
Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in
1944, comparing the heights of different forces' soldiers and considering how tall, long, or good
at fertilizing fields the men's bodies will be. Probing the depths of humanity and inhumanity,
this is an account of history as it has never been told: "engaging,…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
I am fascinated by the big picture—never mind what street corner I’m on, where am I on the map of the world? In fact, where am I in the plane of the solar system? (Gazing at the setting moon, I’ve worked this out!) As an engineering manager, I helped engineers debug systems with diverse technology, and found (and wrote about) principles that apply as much today as they did in 1975, using examples drawn from 30 years of my life and career. I developed a love for other timeless, classic books that helped me see the forest beyond the trees.
I like to look at the big picture. This book’s picture is huge: it explains three waves of human civilization, from agriculture and land ownership, to centralization and mass manufacturing, to distributed and custom everything—the wave we are in now. It was originally published in 1980 and predicted our current culture and technology with astonishing accuracy. I, and many entrepreneurs of the time, tried to use those predictions to guide our businesses, and many, like Amazon, succeeded as a result. Are there still more third wave things to invent? Yes—think of how streaming video channels are just now taking over from cable and broadcast, not to mention movie theatres. Will this help you invent the next big thing? Maybe. And what will the fourth wave be?
From the author of Future Shock, a striking way out of today’s despair . . . a bracing, optimistic look at our new potentials.
The Third Wave makes startling sense of the violent changes now battering our world. Its sweeping synthesis casts fresh light on our new forms of marriage and family, on today's dramatic changes in business and economics. It explains the role of cults, the new definitions of work, play, love, and success. It points toward new forms of twenty-first-century democracy.
Praise for The Third Wave
“Magnificent . . . an astonishing array of information.”—The Washington Post
