100 Books Like The Essential Earthman

The first three books on my list concentrate on building form and space, with little about function.

The ‘pattern language’ is different, mapping human activities onto appropriate built forms, and advocating repeated patterns that have been found to work.

Christopher Alexander wants us to use the patterns in designing responses to situations, but they also help to judge how well-built spaces fit their contexts in analysing architecture.

Although Alexander maps activities onto his own preferred design style, the patterns are not inherently specific to any style or period of architecture.

Despite being written 50 years ago, this one-of-a-kind book is still fresh and relevant.

Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.

For more than half a century the Sunset Western Garden Book was the first and last word for Western gardeners. This compendium established a zonal system specifically for the nuanced West, and provided exhaustive, accurate, updated, and unbiased information, plant by plant, variety by variety, from A to Z. It offered a selection guide for specific situations suited to inland heat and the temperate coast. It provided basic information about planting, pests, soils, pruning, and weeds. I sold hundreds of copies of this indispensable volume to nursery customers. My co-workers did the same. That the sun has set on this essential field guide to gardening in the West is a bitter pill. Our Western gardens are diminished without it.

Most of us who took action on our ache to “get back to the land” gave ourselves over to a rustic bucolia we’d created in our minds. And, yes, as it turned out, it was all of that, the harmony of seasons, the deep peace, the night sky, the quail, and deer. It was other things, too, things we hadn’t reckoned on—isolation, endless labor, and the hourly rate of the well man. Readable and entertaining, Get Your Pitchfork On! eases the urban to rural transition with hard-won practical advice. It will infuse your dream, whatever its scale, with a healthy dose of preparedness to assure its best chance of success. 

I recently met the author at a writing workshop. He was my facilitator—he did an excellent job! What’s more, after the week of reading and critiquing each other’s fictional stories I decided to read this book. Wow! Beautifully written. The stories are sometimes shocking, sometimes sad but always worth the time! I feel lucky to have met this author and have had him help me improve my first novel which I'm completing now. 

It’s not the scariest Stephen King novel I’ve ever read—I’d give that honor to The Shining—but this book remains my all-time favorite.

The story of John Smith, who awakens from a five-year coma with psychic powers that are more curse than blessing, plays to King’s greatest strength as a writer: the ability to create believable characters who you really care about.

The book is also a time capsule of American politics in the 1970s—one that seems newly relevant in the 2024 presidential season.

As an avid reader of biography, I was thrilled to discover this brilliant saga of George Orwell’s life as a journalist and activist and the rose bushes he purchased from Woolworths and planted in 1936 in an English garden.

The roses are a tangible presence in his participation in the Spanish Civil War and his support for women’s suffrage, universal justice, and human rights. I deeply admire how Solnit follows Orwell’s influence as a gardener and a humanist through a world hungry for his integrity and clarity of thought.

The Garden in Every Sense and Season isn’t strictly speaking about food gardening, but Tovah Martin loves homegrown fruits and vegetables as much as I do, and that comes shining through on the pages of this book. She “lives on lettuce,” describes herself as “brassica-centric” (picture broccoli and cauliflower as the main event at lunch), is passionate about Jade bush beans and will have no other, and lusts for Chester Thornless blackberries. You get the idea?

What appeals to me most about Martin’s book, apart from her astute observations and deep knowledge about all kinds of plants – edible as well as ornamental; cultivated as well as wild – is her exuberance. About the rhythms of nature, the growth cycle, and the sensual pleasures to be had, every day in every season. I find her voice simply infectious. Reading this book is sure to make you smile, and perhaps help… show more.

Memoirs can be delightful, too, although they also have a bad rap for being depressing! This is one of my favorite Earth-based recent nonfiction reads. It focuses on the joys of gardening—even in a small suburban plot—and focuses on being a black gardener in a predominately white town.

The plants she grows are used as a metaphor to discuss cultural diversity, particularly in how we must cultivate diverse and intersectional language to protect our planet. Dungy is also the editor of an anthology entitled Black Nature, which covers decades of poetry by Black writers. 

This extraordinary book (bilingual in English and Spanish, with excerpts in the Mayan language K’iche’) tells the true story of Don Margarito Esteban Álvarez Velázquez, a Maya farmer who planted trees instead of clearing land for corn and beans.

His vision and foresight came partly from his relationship with the village holy man, who taught him reverence for nature and ways to use native plants for food and medicine.

In creating and defending his forests, Don Margarito was ahead of his time in preventing erosion and preserving the soil for generations to come, even as his village was ravaged by government forces in the long-lasting genocide of indigenous peoples during the second half of the twentieth century. (This part of the story is treated very briefly and sensitively for younger readers.) 

Allison Havens’s bright collage illustrations incorporate drawings made by children from the present-day Central Guatemalan village where Don Margarito… show more.