Here are 79 books that The Heaven of Animals fans have personally recommended if you like
The Heaven of Animals.
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I love adventure—I'm an adventurist. I love escaping—through creative writing and the written word! And, I love the sea—I have served over 30 years in the US Coast Guard at sea and ashore and recently drove Zodiacs in Alaska and Norway for Seabourn Cruise ships. Since publishing my first book, So Others May Live about heroic US Coast Guard rescue swimmers and aircrews (read by Kevin Costner and Ashton Kutcher who both told me they loved my book and used it for their roles in film, The Guardian), I have become a TEDx speaker and coach, award-winning author and rose to the senior rank of captain in the USCG.
This is an adventure! Turn the pages of this book to find waves and many kinds of waves: rogue, freak, and giant waves of the ocean and the people who try to surf them. I am a retired US Coast Guard officer and sailed many ships at sea. As a mariner we know of or have seen waves, some of them tossing our ships in the middle of the night as we try to sail home. Any number of ships have vanished in the ocean, quickly, with no time to put out an SOS call for help. This is a great book to learn more while having an adventure reading it from the safety of your chair.
The have long been mariners' tales of 100-foot rogue waves - gargantuan monsters that sink super-tankers in the blink of an eye.
But waves that high violate the laws of physics, so science has dismissed them as myth. Until now.
In February 2000 the research ship, RRS Discovery, was trapped by a vortex of mammoth waves in the North Atlantic. Amazingly the ship survived and its state-of-the-art equipment registered waves nearing 100-feet. Something scary is brewing in the planet's waters. And with 72% of earth covered by sea, this is serious business.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
After completing the first draft of Monday Rent Boy, I was taken aback to discover a common theme running through all of my books: a focus on children in adverse situations. A Secret Music. The Ghost Garden. And now Monday Rent Boy. What holds paramount importance for me… is tracing the trajectory of the injured child as he or she navigates the journey toward adulthood…And…what does that path look like… what are the factors that help a person rise versus the ones that crush another? The more urgent answer to the question of why write? I came to see that certain subjects need to be written. And hopefully, read.
This Pulitzer Prize-winning novel follows Theo Decker, a young man grappling with trauma, loss, and guilt. Themes of friendship, mentorship (through his relationship with Hobie), and the search for redemption are central to the story.
This book has the best opening scene of any book I’ve ever read. No matter what, I needed to be on this journey with the characters Tartt had drawn so evocatively.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
I grew up in a woman-centered household, the youngest with two older sisters. I was the only child of my mother’s second marriage, and a space of ten and twelve years separated me from my sisters. My sisters and mother always felt like an intense unit that didn’t include me, and that yearning and outsider status defined my life and made me a lover of books about mothers and daughters and the female world.
This book is an elegy to the author's daughter, who died in 2005 at age 39. What compelled me was how Didion pieced together fragments of memory, little snapshots of vivid detail that evoked powerful feelings.
I found the writing raw, unpolished, ragged, and endlessly revealing; one might say heartbreaking. She created a kind of lyricism that struck a deep part of me more than any narrative and has stayed with me.
NEW YORK TIMES BESTSELLER • A work of stunning frankness about losing a daughter, from the bestselling, award-winning author of The Year of Magical Thinking and Let Me Tell You What I Mean
Richly textured with memories from her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion is an intensely personal and moving account of her thoughts, fears, and doubts regarding having children, illness and growing old.
As she reflects on her daughter’s life and on her role as a parent, Didion grapples with the candid questions…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
I have lived primarily in Vermont, but my relationship to a remote portion of Maine wilderness is the one geographical consistency in my 81 years. Trained as an academic, I did have literary influences, but my chief influences derived from my early decades among men and women whose arduous existences in the great North Woods preceded electricity, power tools, and modern household conveniences. These men and women had to make their own entertainment, and they did so by way of storytelling, and their stories became a kind of community property. Whatever the genres of my 24 books, I have sought to emulate the timing and precision that these masters commanded.
Alice Munro is, I believe, my favorite living author (written before Alice's death on May 13, 2024). As with Marilynne Robinson, the choice of this particular collection, as opposed to others of Munro’s, verges on the arbitrary. Her capacity to render inner lives–which more often than not are quietly turbulent–seems to me matchless and she achieves her effects without straining for effect. She always seems to find the pluperfectly concise language to draw us into the small maelstroms of a character’s life.
As one who is persistently intrigued by the way in which pasts and presents can conflict with, interfuse with, and complement a character’s view of her/himself and the ambient world, I am also much taken by Ms. Munro’s frequent recourse to achronological presentation. Her plots tend not to be that in any conventional sense of the word; things seem to happen suddenly and simply, and while these things…
A New York Times Notable Book A Washington Post Notable Work of Fiction A Best Book of the Year: The Atlantic, NPR, San Francisco Chronicle, Vogue, AV Club
In story after story in this brilliant new collection, Alice Munro pinpoints the moment a person is forever altered by a chance encounter, an action not taken, or a simple twist of fate. Her characters are flawed and fully human: a soldier returning from war and avoiding his fiancée, a wealthy woman deciding whether to confront a blackmailer, an adulterous mother and her neglected…
I’m an award-winning and bestselling novelist known for writing in a wide variety of genres. My most popular work to date is Lovecraft Country, a supernatural horror novel that served as the basis for the acclaimed HBO series of the same name.
It’s not the scariest Stephen King novel I’ve ever read—I’d give that honor to The Shining—but this book remains my all-time favorite.
The story of John Smith, who awakens from a five-year coma with psychic powers that are more curse than blessing, plays to King’s greatest strength as a writer: the ability to create believable characters who you really care about.
The book is also a time capsule of American politics in the 1970s—one that seems newly relevant in the 2024 presidential season.
A #1 New York Times bestseller about a man who wakes up from a five-year coma able to see people’s futures and the terrible fate awaiting mankind—a “compulsive page-turner” (The Atlanta Journal-Constitution).
Johnny Smith awakens from a five-year coma after his car accident and discovers that he can see people’s futures and pasts when he touches them. Many consider his talent a gift; Johnny feels cursed. His fiancée married another man during his coma and people clamor for him to solve their problems.
California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
For years Henry Mitchell wrote for The Washington Post about the agony and the ecstasy of gardening and, consequently, everything else. This classic is laced with pith, wit, gems, and instruction throughout. No one does it better or funnier. The easiest path is to quote the man himself: “Shasta daisies are far more agreeable and lovely than one thinks they are going to be.”
"The most soul-satisfying gardening book in years." -New York Times (March 1982, reviewing the 1981 cloth edition from IU Press).
"Genuinely a classic . . ." -Los Angeles Times (on the occasion of Houghton Mifflin's paperback edition, which came out in 1994).
"Is there anyone alive with the slightest interest in gardening who doesn't know that Henry Mitchell is one of the funniest and most truthful garden columnists we've got?" -Allen Lacy
"Mitchell is a joy to read. He has tried and failed, persevered and triumphed, and he has many sound recommendations for us fumblers and failures." -Celestine Sibley, in…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
The 1895 Cotton States and International Exposition, a seminal moment in Atlanta’s history, is best remembered as the setting for Booker T. Washington’s opening day address in which he suggested that the races could be “as separate as the fingers” in “all things social.” Theda Perdue considers the white supremacist attitudes of the fair’s organizers and the ways in which people of color were represented. The designated Negro Building allowed Black educators and artists to showcase their accomplishments in a segregated setting, but exhibits about Native Americans by the Smithsonian and Office of Indian Affairs treated them as ancient cultures of the past and not as vibrant cultures of the present.
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. This uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of colour who participated.
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
Founded as a rail center in the 1830s, Atlanta was dependent on commercial ties with the North which explains the city’s Unionism before the Civil War. In the pivotal election of 1860 where Lincoln carried the northern states and a “southern rights” candidate carried the deep South, Atlantans voted overwhelmingly for Unionist candidates John Bell and Stephen A. Douglas. Although their numbers diminished after secession, a small cadre of Unionists remained in the city during the war, including Cyrena Stone, whose secret (and fascinating) diary is both a major source for and an appendix in this book.
During the American Civil War, a small group of Unionists found themselves trapped in the largest Southern city between Richmond and New Orleans. Atlanta was a Confederate bastion. The military ruled, and it brooked little dissent. But, as this work demonstrates, the Confederate military hadn't reckoned on Cyrena Stone. A Vermont native, Cyrena moved to Atlanta with her husband, Amherst, in 1854. After war broke out Amherst escaped to the North, but Cyrena remained behind. Hiding her small Union flag in her sugar bowl, suppressing but not moderating her well-known pro-Northern views, she belonged to a secret circle of Unionists…
One review of my books mentioned that I make heroes out of damaged people, so it’s natural I would read that kind of book. I love to see lost souls, losers, battlers for justice, and the underdogs rise above all the elements that hold them down. I think most people root for the underdogs, whether in life, in sports, or the weaker in any competition. It’s in our nature to do so. I’m a wife, mother, writer, former commercial artist, former store owner, former importer, which makes me ripe to be something new. But I think I’m done. I’ve shot my wad, done my best at whatever, and it’s always been fun.
Will Trent is a most unlikely hero of a series, especially as a GBI (Georgia Bureau of Investigation) agent. Why? Will is severely dyslexic. He can barely read and write. So why is he a top agent? His disability gives him an unusual way of looking at crimes, making his disadvantage an important element in solving those crimes. Raised in a series of orphanages and cruel foster homes, Will is like the injured puppy you want to care for and make his life better. His relationship with women is complicated, including his first-love Angie, who shares some of the same orphanage experiences; Amanda, his demanding boss; Faith, his partner; and Sarah, his true love. Will is naïve and street-smart at the same time, which makes him a fascinating hero.
When Atlanta police detective Michael Ormewood is called out to a murder scene at the notorious Grady Homes, he finds himself faced with one of the most brutal killings of his career: Aleesha Monroe is found in the stairwell in a pool of her own blood, her body horribly mutilated. As a one-off killing it's shocking, but when it becomes clear that it's just the latest in a series of similar attacks, the Georgia Bureau of Investigation are called in, and Ormewood is forced into working with Special Agent Will Trent of the Criminal Apprehension Team - a man he…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
This book provides an excellent overview of Atlanta’s rise from humble beginnings as a rail hub before the Civil War to a thriving commercial center by the end of the century. Russell argues that the war accelerated Atlanta’s commercial and industrial development, but its path was already set before General William T. Sherman’s army arrived during the Civil War. White business elites dominated city politics until the election of Atlanta’s first Black mayor, Maynard Jackson, in 1973.