Books like The End of Summer

I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.

I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.

Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.

This book has so many different elements—humor, the struggles of poverty, Cassandra’s dreams of success as a writer, quirky family members, and a tumbledown castle where the Mortmain family lives.

I identified with Cassandra’s efforts to keep a journal to hone her writing skills, having done so myself as a teen. I also enjoyed the unconventional take on a castle and Cassandra’s honesty in depicting (or “capturing”) it and its inhabitants with her words.

The dilapidated castle and the family’s foibles make this story approachable and enjoyable. It is one that invites the reader into the castle and the story as a welcome guest.

A pregnant noblewoman fleeing a less than happy happily-ever-after finds her way to Castle Waiting, an overgrown castle that’s become a haven for forgotten figures from fairy tales, folklore, and myth. Much of this unbelievably absorbing comic is spent simply exploring the castle and following the residents in their day-to-day lives. And what better way is there to spend one’s time? Linda Medley’s immersive artwork, with its flavor of old-fashioned woodcuts and classical book illustrations, makes Castle Waiting look like the perfect place to rest between adventures, or maybe stay and become one of the long-term residents.

Whenever people think of Shirley Jackson, The Haunting of Hill House springs to mind, and, for many years, I stopped right there. I was wrong.

In my opinion, We Have Always Lived in the Castle is actually a much better book – better in terms of plot and characterization. In telling the story of the decidedly disturbed and disturbing Blackwood family and their sinister home, Shirley Jackson explores small-town prejudice as well as the creeping impression that, while something awful has already happened, there is much worse to follow.

Merricat is a character I identified with. She is strong, determined, and a fighter. With the odds stacked so firmly against her, she needs to be. Jackson’s last novel is, for me at least, her greatest.

I was gripped from the first page of this propulsive psychologic thriller set on a windswept Scottish island.

Just thinking about it, I can feel myself being transported back to the dreary, rain-lashed shores of Angus. I can feel the claustrophobia and desperation of Sarah’s dilemma. I found myself chained to the story, my understanding of the characters and their situation yanked to and fro with every new twist and turn. I couldn’t stop reading.

But like the best fiction, The Ice Twins stayed with me long after I closed the book. It encapsulates some of my favorite literary elements—a dark brooding atmosphere, characters at odds with their own perceptions of reality, and a suggestion of the supernatural.

This book sucker-punched me. Trigger warning for child abuse, gaslighting, alcoholism, drug abuse, EDs, Incest, and self-harm. Told entirely in verse, this novel follows the lives of identical twins, Kaeleigh and Raeanne, the seemingly perfect all-American girls. But each sister is hiding a dark secret. Raeanne uses drugs, alcohol, and sex to replace the love her father lavishes on her sister. Neither sister is holding onto their dark secrets very well, and pretty soon one will have to save the other. But who will step up? This novel was my first experience reading a novel in verse, and I still marvel at the technical skill it must have taken and the bruise my heart sustained in the process. 

Collins’ The Family Plot is set Blackburn Island, off the coast of Rhode Island where the Lighthouse Family lived in a secluded mansion deep in the woods and isolated by their true-crime-obsessed parents.

After her twin brother disappears when they are sixteen, Dahlia leaves home at the earliest opportunity, returning years later after her father’s death. When the family goes to bury him, there is already a body in his grave—her brother’s.

The layered family drama, secrets, and one hell of a twist make this the kind of story I love—layered with tension and impossible to put down. 

While not your typical cut-and-dried cold case mystery—the first half of this suspense thriller centers around the present-day case of Maddie Lane, a 12-year-old girl who is either a runaway or abducted from her bedroom—the second half is set four years in the future, and in my opinion, this is where the book really comes into its own. I found the past/present structure—no back and forth, no fancy flashbacks—refreshing, and Mofina does a fine job detailing the scrutiny Maddie’s family faces in the aftermath of her disappearance, while slowly and methodically revealing not only their secrets but their feelings of guilt.

Another great series from Rick Riordan. Set somewhat in the real world, a brother and a sister who don’t look alike discover they are descended from long line of a family of both Egyptian pharaohs and magicians. They have special talents to battle gods from Egyptian mythology and must save their father and the world.

Again, so much history and mythology packed into an exciting adventure story. Our whole family loved it.

I love that this book takes a hard look at the perils, reality, and consequences of embracing truth.

It doesn’t sugar-coat the different attitudes and reactions of family members when Annie, with 3 adult children and 27 years of marriage, falls in love with Vivica. The aftermath of the seismic family upheaval reveals dark secrets about legacy, abuse, racial discrimination, revenge, class, and forgiveness.

For me reading this book was cutting edge because it was published not long after same-sex marriage was first made legal in the U.S., in Connecticut.

A bonus is that despite the family’s legacy of trauma the story ends on a note of love and hope.