Here are 100 books that Sorrow and Bliss fans have personally recommended if you like
Sorrow and Bliss.
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I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
I finished this novel almost as quickly as I started it.
Though, aside from its fantastic hook, I loved Little Fires Everywhere because it’s one of the most empathetic character-driven novels that I’ve read. It’s clear that no character is entirely “in the right” throughout the novel, yet I understood their perspectives equally.
I think Ng’s writing is unflinchingly sincere, even toward characters who keep secrets, act on jealousy, lie, and cause damage.
"Witty, wise, and tender. It's a marvel." -Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning
"To say I love this book is an understatement. It's a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears." -Reese Witherspoon
From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
This one I loved for the style as much as the character. I love the use of fragments to weave together a life and it felt true to the life of a mother—that a mother only gets snippets of time to piece together her story and her thoughts. I also loved that Offil was wrestling with such a big issue—how to hold onto oneself while giving so much of your self to a child.
They used to send each other letters. The return address was always the same: Dept. of Speculation.
They used to be young, brave, and giddy with hopes for their future. They got married, had a child, and skated through all the small calamities of family life. But then, slowly, quietly something changes. As the years rush by, fears creep in and doubts accumulate until finally their life as they know it cracks apart and they find themselves forced to reassess what they have lost, what is left, and what they want now.
Written with the dazzling lucidity of poetry, Dept.…
Why do we pretend like we “come of age” in our teens or twenties? Our frontal lobes haven’t even fully developed yet! I had been so afraid of getting older, but since turning 30, and each year that passes, I find that I fall deeper in love with my life and my friends, even though I still don’t have it all figured out. I love that the heroines of each of these books allow themselves to abandon society’s expectations of them to find their own sense of peace, no matter how messy the process is. I also love that Charli XCX’s album, Brat, is a perfect soundtrack to any of these books.
Sally Rooney sharply captures the emotional confusion of early adulthood.
Her characters are smart, self-aware, and still completely capable of making a mess of their lives, especially when it comes to love and friendship.
What I love most about the novel is the way it treats female friendship as the emotional center of the story. The relationship between Frances and Bobbi feels just as complicated, formative, and intimate as any romantic relationship.
Rooney writes with a kind of quiet honesty about the way we move through our twenties and thirties—trying to understand who we are, what we want, and why we keep repeating the same patterns even when we know better.
'This book. This book. I read it in one day. I hear I'm not alone.' - Sarah Jessica Parker (Instagram)
'Brilliant, funny and startling.' Guardian
'I really like Conversations with Friends. I like the tone [Rooney] takes when she's writing. I think it's like being inside someone's mind.' - Taylor Swift
'A sharp, darkly funny comment on modern relationships.' Sunday Telegraph
Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend.…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
This novel juggles multiple situationships with humor and poignancy in equal measure.
I found the writing sharp and unexpected. The characters are witty, and despite their shallow choices, I was charmed by them. I wanted to meet them at a party just to see what they do next. One moment I was giggling, and the next I was so frustrated by Carey and Rachel that I wanted to grab them through the page!
What I also appreciate is the novel’s focus on capturing the experience of a complicated friendship alongside the multiple romantic relationships it details.
The Rachel Incident is an all-consuming love story. But it's not the one you expected...
*2023's MOST ANTICIPATED SUMMER READ*
'Funny, nostalgic, sexy ... it's everything I want in a summer book' MONICA HEISEY 'Funny, LOVELY, romantic, DRENCHED in nostalgia' MARIAN KEYES 'You will love The Rachel Incident' GABRIELLE ZEVIN, author of Tomorrow and Tomorrow and Tomorrow
The Rachel Incident is an all-consuming love story. But it's not the one you're expecting. It's unconventional and messy. It's young and foolish. It's about losing and finding yourself. But it is always about love.
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
I couldn’t put it down, and thirty years after its publication, as with Sue Miller’s book, I still feel the emotions I felt reading it. I can’t think of a better recommendation for any book. I still care about the characters. I wonder how the main character, Alice, is doing. Simply writing this answer makes me want to go back and read the book again—it will be my fourth or fifth read.
NATIONAL BESTSELLER • From the author of the widely acclaimed The Book of Ruth comes a harrowing, heartbreaking drama about a rural American family and a disastrous event that forever changes their lives.
"It takes a writer of rare power and discipline to carry off an achievement like A Map of the World. Hamilton proves here that she is one of the best." —Newsweek
The Goodwins, Howard, Alice, and their little girls, Emma and Claire, live on a dairy farm in Wisconsin. Although suspiciously regarded by their neighbors as "that hippie couple" because of their well-educated, urban background, Howard and…
I am fascinated by the idea of good people, moral people, people you know and like and love, who make terrible choices, wrong decisions, and mistakes that can’t be undone. And when the person who makes the mistake is a mother—my God! How the world turns on them. We live in a society where mothers are judged so harshly, where they are not allowed mistakes, where they are barely allowed to have a life or a want or a desire or a longing not connected to mothering. And so I write about this, and I read about this.
I teach writing with this book because it’s brilliant in its depiction of an ordinary family in all the beautiful routine wonderful ways all families are ordinary. I felt as if I were living in this household. I felt as if the mother were my good friend. How does Quinlen make you want to turn the pages of such an ordinary life—until, of course, nothing is ordinary.
NEW YORK TIMES BESTSELLER • In this “spellbinding” (The New York Times Book Review) novel, the author of Still Life with Bread Crumbs creates an unforgettable portrait of a mother, a father, a family, and the explosive, violent consequences of what seem like inconsequential actions.
“In a tale that rings strikingly true, [Anna] Quindlen captures both the beauty and the breathtaking fragility of family life.”—People
Mary Beth Latham has built her life around her family, around caring for her three teenage children and preserving the rituals of their daily life. When one of her sons becomes depressed, Mary Beth focuses…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I'm a mother, and at one time, I was a single mother going through a very bitter divorce. I know what it's like to panic that your child will be in an accident, or that the other parent will kidnap the child (even if observers would say I'm overreacting). Looking back, my experience as a mother has permeated both my fiction and nonfiction writing in unplanned ways. Why does my second novel start with a mother kidnapping her own daughter? Why does the subtitle of my fourth nonfiction book cite "Parenting and Other Daily Dilemmas in an Age of Political Activism"?
I had to shut this book about halfway through, and I couldn't pick it up again until my daughter was safely home from her weekend visitation with her father—because it was too real.
Too powerful, in the way it captured my (and many mothers') constant fear that my ex-husband would find some excuse not to bring my daughter back after each visit.
I've rarely read anything that grabbed me so personally. The overall plot itself was also enthralling, though less directly realistic for me.
Anna and her ex-husband, Brian, seem to have an amiable divorce, and Anna finds new romance with a sexy lover. But then things go too far: Will Anna lose custody of her young daughter, Molly? What did her lover, Leo, actually do?
Recently divorced, Anna Dunlap has two passionate attachments: her daughter, four-year-old Molly, and her lover, Leo, the man who makes her feel beautiful - and sexual - for the first time. Swept away by happiness and passion, Anna feels she has everything she's ever wanted.
Then come the shocking charges that would threaten her new love, her new "family" . . . that force her to prove she is a good mother.
I love reality television, shamelessly. I find it fascinating what people are willing to share about themselves in front of a national audience: their disgusting habits, their motivations, vices, secrets, and most importantly, their vulnerabilities. I think the reason I’m drawn to this medium is because I enjoy examining and thinking about why people make the choices they do. When it comes to my writing, I seek to portray the same multidimensional view of my characters that I see on these shows. I want their selfish choices and most humanizing insecurities to shine equally.
I first read this novel a few years ago, and to this day I regard it as one of the best examples of quick-witted and flirtatious dialogue I’ve ever read.
The entire first chapter floored me. But these characters, Celo and Frank, they are not for the faint of heart. Their issues are tumultuous, and they forced me to negotiate the extent of my compassion toward flawed characters.
The smash National bestseller and Goodreads Choice Award finalist--perfect for readers of Modern Lovers and Conversations with Friends. An addictive, humorous, and poignant debut novel about the shock waves caused by one couple’s impulsive marriage.
Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank’s life is full of all the excesses Cleo’s lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity…
I’m an archivist, really, masquerading as a writer. For my day job, I am in charge of archives from across England’s Royal County of Berkshire, spanning from the twelfth century to the present day. I have care of collections from Reading Gaol – of Oscar Wilde fame, the conservators of the River Thames, and also Broadmoor Hospital. The latter was built in 1863 as the first criminal lunatic asylum for England and Wales. It’s a place where true crime and social history interact. My book tries to paint a picture of individuals who did dreadful things but also had a life beyond their mental illness.
Long before the Victorian asylums, there was Bethlem – London’s ancient hospital for lunatics. Like Broadmoor, Bethlem also looked after high-profile criminals, but within a private and charitable institution that was mostly for the capital’s waifs and strays. Bedlam gives you a sense of how mental health developed as a concept from the medieval period to the present day.
'Bedlam!' The very name conjures up graphic images of naked patients chained among filthy straw, or parading untended wards deluded that they are Napoleon or Jesus Christ. We owe this image of madness to William Hogarth, who, in plate eight of his 1735 Rake's Progress series, depicts the anti-hero in Bedlam, the latest addition to a freak show providing entertainment for Londoners between trips to the Tower Zoo, puppet shows and public executions.
That this is still the most powerful image of Bedlam, over two centuries later, says much about our attitude to mental illness, although the Bedlam of the…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Literary agents often say they are looking for books about ‘quirky’ female protagonists. I’m more entertained by female characters who feel real to me. When I write, I make myself uncomfortable a lot of the time, trying to express the many ways people both disguise and reveal the truth. I blame my devotion to my parents for this because when I left home in Massachusetts for college in the foreign land of Indiana, studied for a year in China, then studied in Italy, then worked in Taiwan, then moved to Japan, and later to Singapore, I wrote them copious descriptive, emotional letters. My parents are gone now, but in a way, I’m still doing that.
Misguided do-gooder Eliza Peabody lives in wealthy South London. In her middle age, Eliza is not just dedicated to volunteering in charities but also to volunteering her unsolicited advice to her neighbours in notes through their letterboxes. The book is consistently reviewed as both hilarious and poignant, but my memory of it above all includes one scene that was neither of those things. Instead, it seared me. The reveal crept up on cats’ paws, and I wasn’t at all prepared, which made the moment true for me, and unforgettable. If I read it when it came out in 1992, I would have been 26 years old. I must read it again now, at 56. No doubt I’ll remember the funny bits this time.
Winner of the Whitbread Prize for Best Novel of the Year: “Gardam’s portrait of an insanely imaginative woman in an elusive midlife crisis is impeccably drawn” (The Seattle Times).
With prose that is vibrant and witty, The Queen of the Tambourine traces the emotional breakdown—and eventual restoration—of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. The letters Eliza writes to her neighbor, a woman whom she hardly knows, reveal her self-propelled descent into madness. Eliza must reach the depths of her downward spiral before she can once again find health…
