Here are 100 books that The Elimination fans have personally recommended if you like
The Elimination.
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When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
This book is about the most horrifying loss imaginable: the author loses her parents, her husband, and her two young sons all at once, in the tsunami in the Indian Ocean, the day after Christmas, 2004. She and her family were spending the holiday in Sri Lanka when the wave hit and overtook the jeep in which they were attempting to flee. I can’t come up with a better justification for suicide than this—she’s lost everyone; she wonders why she was spared, just to suffer these losses every minute of every hour of every day. The book is both a horror story and a testament to human strength. I assure you, you won’t be able to put it down.
The book opens and we are inside the wave: thirty feet high, moving at twenty-five mph, racing two miles inland. And from there into the depths of the author's despair: how to live now that her life has been undone?
Sonali Deraniyagala tells her story - the loss of her two boys, her husband, and her parents - without artifice or sentimentality. In the stark language of unfathomable sorrow, anger, and guilt: she struggles through the first months following the tragedy -- someone always at her side to prevent her from harming herself, her…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a writer and advocate for survivors of sexual abuse. Since 1998, I have encouraged them to find their voice and use it through my organization, Time To Tell. Being isolated is foundational to our experience, and our culture perpetuates the isolation by often refusing to address it, acknowledge it, or expose it, as well as not listening to–nor believing–survivors. This forces us to remain silent. I am certain that telling is healing. I lead writing circles for survivors to experience community and get support and encouragement. I recommend all these books not only for the wisdom offered but also the direct experience of not being alone in the reading.
This was by far the most essential book in supporting my healing. Reading it at age 45, eight years into my recovery, so many times Herman described the exact thing I was either going through or had to go through to recover.
Explaining that being abused in a family was like being a prisoner of war blew my mind. Like a POW, seven-year-old me couldn’t escape. She helped explain so much of my trauma, my reactions, and my struggle and gave me a mountain of hope to climb!
When Trauma and Recovery was first published in 1992, it was hailed as a ground-breaking work. In the intervening years, Herman's volume has changed the way we think about and treat traumatic events and trauma victims. In a new afterword, Herman chronicles the incredible response the book has elicited and explains how the issues surrounding the topic have shifted within the clinical community and the culture at large. Trauma and Recovery brings a new level of understanding to a set of problems usually considered individually. Herman draws on her own cutting-edge research in domestic violence as well as on the…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Baldwin first opened my eyes to the possibilities of memoir. When English teachers held up fiction as the literary ideal, I was drawn to Baldwin’s essays instead. I was a New Yorker, living not far from the author’s Harlem, and growing up at the time of the civil rights movement. Baldwin was writing autobiographical non-fiction that, knitted together individual temperament and social history. “I left America because I doubted my ability to survive the fury of the color problem here,” he wrote in Nobody Knows My Name. I read that paragraph as the daughter of Czech Jewish immigrants, white people who had survived both Nazism and Stalinism. Baldwin’s voice was like the voices I heard at home telling stories of the Second World War. It was both compelling and trustworthy. Fifty years later, I still think so.
'These essays ... live and grow in the mind' James Campbell, Independent
Being a writer, says James Baldwin in this searing collection of essays, requires 'every ounce of stamina he can summon to attempt to look on himself and the world as they are'. His seminal 1961 follow-up to Notes on a Native Son shows him responding to his times and exploring his role as an artist with biting precision and emotional power: from polemical pieces on racial segregation and a journey to 'the Old Country' of the Southern states, to reflections on figures such as Ingmar Bergman and Andre…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
A Wolf in the Attic by Sophia Richman is a book written by a psychotherapist who was hidden in an attic in Poland as a Jewish child during the second world war. She describes this experience (she was told to never utter a sound) as well as its impact on her relationship with her parents and her life after the war in Paris and then in New York City. She maintained her reluctance to speak in public until very late in life and this book is a kind of coming out for what is now known as a “hidden child” or “child survivor.” I found it fascinating to read how a psychologist analyzes her own childhood and the life choices she makes as an adult.
A Wolf in the Attic: Even though she was only two, the little girl knew she must never go into the attic. Strange noises came from there. Mama said there was a wolf upstairs, a hungry, dangerous wolf . . . but the truth was far more dangerous than that. Much too dangerous to tell a Jewish child marked for death. One cannot mourn what one doesn't acknowledge, and one cannot heal if one does not mourn . . . A Wolf in the Attic is a powerful memoir written by a psychoanalyst who was a hidden child in Poland…
Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.
Haing Ngor, is still only one of three Asian actors to win an Oscar, received in 1985 for Best Supporting Actor in his portrayal of journalist Dith Pran for the film, The Killing Fields.Remarkably Haing Ngor himself was a survivor of the genocide in Cambodia, a trained Doctor at the time before the Khmer Rouge enacted their devastating atrocities upon the country. He would only survive torture by pretending to be an uneducated taxi driver. This book will leave you in awe and inspired, as it did for me, of Haing Ngor’s life. He resettles in America, doing jobs cleaning latrines to suddenly finding himself becoming Hollywood famous overnight. He was an important voice in the advocacy of human rights, until he, unfortunately, passed away in 1996.
This is an autobiographical account of life in Cambodia under the Khmer Rouge, written by the Oscar-winning actor from "The Killing Fields", whose own experiences under the Khmer Rouge were more shocking than those of Dith Pran, the character he played. The Khmer Rouge, led by Maoist fanatics, laid waste to the social fabric of Cambodia, forcing the entire population into agricultural labour camps and murdering those they considered bourgeois or intellectual. As a doctor, Haing S. Ngor was a special target of the Khmer Rouge; his family was wiped out, his wife died from starvation in his arms, and…
After working as a foreign correspondent in Italy and France I was sent by Reuters news agency to Cote d’Ivoire and what was then Zaire, the latter posting coinciding with the shocking start of the genocide in neighboring Rwanda. It was the kind of assignment you don’t forget, and when I moved to the Financial Times I continued following the larger-than-life dramas unfolding in Africa’s Great Lakes region. I’ve now written five books, the first – In the Footsteps of Mr Kurtz - about Mobutu Sese Seko's imprint on the Democratic Republic of Congo and the latest – Do Not Disturb - looking at personalities and events I first started writing about a quarter of a century ago. You keep going back.
The author, a Tutsi genocide survivor, was once a young Rwandan politician who deeply admired Paul Kagame and seemed destined for prominent public office. Instead, from his position as parliamentary speaker, he watched as his hero steadily emasculated the judiciary, undermined the country’s Hutu president – a symbol of ethnic reconciliation - and sabotaged parliamentary democracy itself, eventually fleeing the country when his own life was threatened. His book not only offers great insights into the workings of village life in a tiny African country traumatized by its violent past, it’s a step-by-step analysis of how a dictatorship takes cynical, relentless hold.
Joseph Sebarenzi’s parents, seven siblings, and countless other family members were among 800,000 Tutsi brutally murdered over the course of ninety days in 1994 by extremist Rwandan Hutu—an efficiency that exceeded even that of the Nazi Holocaust. His father sent him away to school in Congo as a teenager, telling him, “If we are killed, you will survive.” When Sebarenzi returned to Rwanda after the genocide, he was elected speaker of parliament, only to be forced into a daring escape again when he learned he was the target of an assassination plot.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
My obsession with metamorphosis began after my wife and I discovered that we're going to have our third child. I started having nightly dreams about the butterflies I kept in a dry aquarium when I was a kid, waking up in the middle of the night with a flashlight strapped to my forehead, waiting to see them emerge from their chrysalis. A pregnancy somehow feels like our human version of emergence: few experiences are as life-changing as becoming a parent, and fewer wonders more exhilarating than the natural magic of metamorphosis. Both mark beginnings but are in fact continuations. Both, in different ways, are also forms of endings. Both make us wonder about the riddles of our world.
This book is about a young couple who fall in love in a city gripped by war, and step through a magic door which transports them to a different life.
It is a careful study of how their relationship slowly changes, their love morphing into something else.
Hamid is a master stylist, and while this book is not ostensibly about metamorphosis, it spoke directly to the three main questions I ask in my own book: Where did we come from? Where are we going? And what is the self?
I’ve always been fascinated by niche film world stories, and the kidnapping of Shin Sang-Ok and Choi Eun-Hee was my way in to North Korea, a country I was a layman about until I started researching A Kim Jong-Il Production. One thing I’ve found, through the writing of that book, traveling to North Korea, and the ensuing book tour, is that it’s a country it’s impossible not to be obsessed with once you’ve scratched the surface. The struggles and lives of ordinary people – in the face of such a repressive authoritarian regime – are unforgettable.
Jang Jin-Sung was Kim Jong-Il’s poet laureate, assigned to a division permitted to consume censored foreign materials. His life is about as good as life can get in North Korea – until one of the foreign magazines he has lent to a friend goes missing, and Jang must flee his home country or face retribution. Dear Leader is fascinating because it’s a book written by a genuine insider, a man who, until his own neck was on the line, served the regime more-or-less happily. To be honest, Jang is not a particularly likable narrator, but there’s an honesty and an urgency to the writing that illuminates the cynicism and manipulation at the heart of the regime.
Dear Leader contains astonishing new insights about North Korea which could only be revealed by someone working high up in the regime. It is also the gripping story of how a member of the inner circle of this enigmatic country became its most courageous, outspoken critic.
Jang Jin-sung held one of the most senior ranks in North Korea's propaganda machine, helping tighten the regime's grip over its people. Among his tasks were developing the founding myth of North Korea, posing undercover as a South Korean intellectual and writing epic poems in support of the dictator,…
Twelve years ago, I visited Cambodia for the first time to begin co-writing the memoir of my friend Chantha Nguon, a Cambodian survivor and social entrepreneur. As I traveled around the country with Chantha, echoes of history were everywhere: ruined temples, bomb craters from American B-52s, unmarked mass graves. We also tasted history in the meals we shared—at roadside stands and in her kitchen. I soon learned that food unlocked Chantha’s memories, so we decided to tell her life story through remembered meals and recovered recipes. Meanwhile, I read books that informed our project, a few of which I’ve listed below.
Loung Ung’s harrowing memoir was the first of many Khmer Rouge survivor accounts I read, and it’s perhaps the most widely read KR memoir; it’s also been adapted by Angelina Jolie and Netflix into a stunning feature film.
Ung’s writing is simple and lyrical, and she captures her own childhood voice to heartbreaking effect as she recalls her family’s destruction at the hands of the Khmer Rouge, who seized power when she was five years old.
Ung has an astonishing ability to find humanity and hope amidst the worst horrors imaginable—a trait that Chantha shares and expresses in her sumptuous cooking, her nonprofit work with rural Cambodian women, and her dogged pursuit of a beautiful life.
A major film, co-written and directed by Angelina Jolie
Until the age of five, Loung Ung lived in Phnom Penh, one of seven children of a high-ranking government official. She was a precocious child who loved the open city markets, fried crickets, chicken fights and being cheeky to her parents.
When Pol Pot's Khmer Rouge army stormed into Phnom Penh in April 1975, Loung's family fled their home and were eventually forced to disperse to survive. Loung was trained as a child soldier while her brothers and sisters were sent to labour camps. The surviving siblings were only finally reunited…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Simo Laakkonen is director of Degree Program in Digital Culture, Landscape and Cultural Heritage, University of Turku, Finland. He is an environmental historian who has specialized among other things on the global environmental history of warfare during Industrial Age. He has coedited on this theme two special issues and three books, the latest one is The Resilient City in World War II: Urban Environmental Histories. He has selected five books that cover some main phases of the long environmental history of wars and mass violence.
Historiography of the Second World War has traditionally focused on European powers and/or the United States while such major actors as the Soviet Union and China have been largely neglected.
Dr. Muscolino’s book approaches the long Second World War in China by examiningthe interplay between landscapes, rural society, and “hydraulic warfare” in Henan Province in the central part of the country.
Here the Nationalist government in 1938 deliberately destroyed a dam in the Yellow River, which caused a catastrophic flood and famine that had long socioenvironmental percussions in Chinese society until Mao’s era.
This book explores the interplay between war and environment in Henan Province, a hotly contested frontline territory that endured massive environmental destruction and human disruption during the conflict between China and Japan during World War II. In a desperate attempt to block Japan's military advance, Chinese Nationalist armies under Chiang Kai-shek broke the Yellow River's dikes in Henan in June 1938, resulting in devastating floods that persisted until after the war's end. Greater catastrophe struck Henan in 1942-3, when famine took some two million lives and displaced millions more. Focusing on these war-induced disasters and their aftermath, this book conceptualizes…
