Here are 100 books that Survival in the Killing Fields fans have personally recommended if you like
Survival in the Killing Fields.
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I care about stories of redemption after service because I have lived through the collapse that can follow it. After my time in the U.S. Army, I struggled with addiction, shame, and spiritual distance that almost defined my life. I have seen how uniforms can hide internal battles. I am drawn to books that help remind me that failure is not final and that grace reaches deeper than shame. Today, I serve fellow veterans through benefits advocacy. I am moved by stories that show no one is too far gone for God’s redeeming work.
What stays with me is not the survival story, but the change that followed.
Louie’s struggle with anger and pain after the war felt familiar. This story shows that endurance by itself is not enough. Freedom comes through forgiveness and faith.
The movement from anger to grace stood out to me. It made me consider that even when hard experiences influence us, they do not have to decide our future.
From the author of the bestselling and much-loved Seabiscuit, an unforgettable story of one man's journey into extremity. On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War. The lieutenant's name was Louis Zamperini. In boyhood,…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Rory MacLean is one of Britain's most innovative travel writers. His books – which have been translated into a dozen languages — include UK top tens Stalin's Nose and Under the Dragon as well as Pravda Ha Ha and Berlin: Imagine a City, "the most extraordinary work of history I've ever read" according to the Washington Post which named it a "Book of the Year". Over the years he has travelled throughout Burma – apart from when banned by the military government for his writings – coming to know it as a deeply-wounded and fractured golden land of temple bells, be-medalled generals who enrich themselves through drug deals and ever-optimistic men and women who fight on to restore its ‘democratic transition’.
"Nearly every night I dream of the Shan State, of Mandalay, of the jungle. The landscapes of my dreams resemble real ones, yet they shift like images on silver screens…" Pascal Khoo Thwe’s mesmerizing biography stretches from his grandmother’s creation stories to civil war and a chance conversation about James Joyce which leads to a new life in Britain. A minor masterpiece.
The astonishing story of a young man's upbringing in a remote tribal village in Burma and his journey from his strife-torn country to the tranquil quads of Cambridge.
In lyrical prose, Pascal Khoo Thwe describes his childhood as a member of the Padaung hill tribe, where ancestor worship and communion with spirits blended with the tribe's recent conversion to Christianity. In the 1930s, Pascal's grandfather captured an Italian Jesuit, mistaking him for a giant or a wild beast; the Jesuit in turn converted the tribe. (The Padaung are famous for their 'giraffe women' - so-called because their necks are…
Early in life, I felt the presence of a “guardian angel” who would take my hand and accompany my mind to imagine distant cultures. I grew up in Florence, and in our history, there were so many tales of people coming from afar, and of Florentines traveling across deserts and oceans. And as time passed, I would be drawn to beautifully written true stories which opened windows onto different epochs and dramas of life in both near and far-flung places of the world.
Warned by a Hong-Kong fortune-teller not to risk flying for a whole year, the author – a vastly experienced Far East war and revolutions correspondent of the German Der Spiegel – took what he called “the first step into an unknown world.” It turned out to be one of the most extraordinary years he ever spent: he was marked by death and instead he was reborn. Geography expanded under his feet. Magnificently written in the best traditions of travel literature. A full immersion into the invisible world and belief systems that shape Southeast Asian cultures.
Warned by a fortune-teller not to risk flying, the author - a seasoned correspondent - took to travelling by rail, road and sea. Consulting fortune-tellers and shamans wherever he went, he learnt to understand and respect older ways of life and beliefs now threatened by the crasser forms of Western modernity.
William Shawcross in the Literary Review praised Terzani for 'his beautifully written adventure story... a voyage of self-discovery... He sees fortune-tellers, soothsayers, astrologers, chiromancers, seers, shamans, magicians, palmists, frauds, men and women of god (many gods) all over Asia and in Europe too... Almost every page and every…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
In addition to writing novels, I’m also a playwright. Whatever form I work in, I’m drawn to character, drama, and emotion. I aspire to write literary page-turners that feel as rich and complicated as real life. Also, I want the endings of my books to slay readers and break their hearts. Of course, when I say that, I’m not necessarily speaking of sorrow; sometimes your heart breaks from expanding, from a surfeit of feeling. Your heart breaks only to grow larger.
This novel about a fifteen-year-old girl’s affair with an older, wealthy man is a provocative exploration of memory. The novel’s language is arch and lyric, always making me feel as if I’ve been hypnotized.
The book is a love story, but in this story, love doesn’t lead to salvation. Still, the splendid, haunting language lifts the tale into the realm of the mythic.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Another inspiration for me was Mark’s first book, about his experience in the 1980s teaching English and studying martial arts in China. One of the first books to explore life in China after the reforms that followed the excesses of the Cultural Revolution, this book has become a classic.
A few years after this book was published, he even starred in a film adaptation! I’m a little old to do that now.
This large print edition recounts the true adventures of a young martial arts student in China. Told as a series of lightly sketched episodes, the book allows the reader a glimpse of Chinese culture largely unaccessible to foreigners.
In 2010, I landed in Vienna on the last flight from Australia to a European airspace shut down by the eruption of the Icelandic volcano, Eyjafjallajökull. Before I left, I had booked a tour of Auschwitz-Birkenhau, and when I arrived, I discovered I was the only English-speaking tourist. For five hours, my passionate and knowledgeable guide and I wandered the camps. In such intimate circumstances, I was able to ask and receive forthright responses to even the most difficult and challenging questions about life and survival. Because of this and subsequent opportunities to talk with survivors, I could undertake detailed and targeted online research into life in the camps and in Amsterdam during the Nazi occupation.
When I visited Auschwitz-Birkenhau I was struck by the Australia plaque at the rear of the camp whose first three lines read, "Forever Let This Place Be; A Cry of Despair: And a Warning to Humanity."
Similarly, I was drawn to Wiese’s work when, in his preface to Night, he tells us he feels “he has a moral obligation to try to prevent the enemy from enjoying one last victory by allowing his crimes to be erased from human history.”
His is a brutal, first-hand account of the horrors and atrocities in Auschwitz. He appears to leave no stone unturned as he recounts the events from his admission to the camp, his life of survival juxtaposed with the protection of his father amidst the dehumanization of his fellow prisoners, to the eventual liberation, including the Death March, during which his father perished.
Born into a Jewish ghetto in Hungary, as a child, Elie Wiesel was sent to the Nazi concentration camps at Auschwitz and Buchenwald. This is his account of that atrocity: the ever-increasing horrors he endured, the loss of his family and his struggle to survive in a world that stripped him of humanity, dignity and faith. Describing in simple terms the tragic murder of a people from a survivor's perspective, Night is among the most personal, intimate and poignant of all accounts of the Holocaust. A compelling consideration of the darkest side of human nature and the enduring power of…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I have always been interested in what makes people tick – in their unseen inner world. In my twenties, I literally embodied others in my work as an actor. In my thirties, I studied applied psychology and sat alongside others and talked. In my forties, I started my consulting business Changeable, working with group and organizational dynamics. Now in my fifties, I am accessing inner worlds through writing, placing myself imaginatively into other people and places. I have merely scratched the surface. These post-WWII books give a gripping, personal, and scorching window into truth-seeking.
This is a story about brutality, justice, and mercy, set amongst the aftermath of Lomax’s experiences as a POW in WWII. With a steady gaze he faces the depths of human barbarity and reckons with his own emotional responses.
Lomax confronts his previous captor wanting retribution, but instead makes an astonishing decision that changes the course of hatred for both him and his perpetrator. I also grappled with the shadows of dark acts committed against my family - even all these years later.
NOW A MAJOR MOTION PICTURE STARRING COLIN FIRTH, NICOLE KIDMAN AND JEREMY IRVINE
During the second world war Eric Lomax was forced to work on the notorious Burma-Siam Railway and was tortured by the Japanese for making a crude radio.
Left emotionally scarred and unable to form normal relationships Lomax suffered for years until, with the help of his wife Patti and the Medical Foundation for the Care of Victims of Torture, he came to terms with what had happened and, fifty years after the terrible events, was able to meet one of his tormentors.
Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.
Captain Jay Zeamer, the protagonist of this book is the grandfather of a family friend. Similar to my own father’s story, it had been a story the family had been trying to get written into a book for a long time. And it is one of the epic proportions. Captain Jay Zeamer and bombardier Sergeant Raymond Joseph “Joe”Sarnoski are called for a1,200-mile reconnaissance flight into the heart of the Japanese empire. It would become one of the most dangerous missions in aviation history, with very morbid chances of surviving. Yet, if they succeeded, it would change everything and open up the South Pacific for an American victory. This inspirational book is an important timepiece for any World War II enthusiasts, one that you won’t be able to put down.
From the authors of the New York Times bestselling The Heart of Everything That Is and Halsey's Typhoon comes the dramatic, untold story of a daredevil bomber pilot and his misfit crew who fly their lone B-17 into the teeth of the Japanese Empire in 1943, engage in the longest dogfight in history, and change the momentum of the War in the Pacific-but not without making the ultimate sacrifice.
It is 1942, the Japanese war machine has rolled up nearly all of the Pacific Theater, and American forces are clinging to what little unconquered territory remains. While US Marines claw…
I am a longtime American journalist and former New York University Professor of Journalism who has written 10 books of non-fiction, several addressing issues of trauma. I was born in Prague, Czechoslovakia to two survivors of the Holocaust and was a baby immigrant to the U.S. after the Communist take-over of 1948. Although I have written a lot about the arts (music, books, and theater), I have also had a long-term interest in the psychological effects of psychic trauma in survivors of racism, antisemitism, sexism, genocide, war, illness, and natural disaster. My upcoming book is The Year of Getting Through It about being diagnosed with and undergoing treatment for endometrial cancer during COVID.
Filmmaker Rithy Panh does not like the word trauma. He prefers to describe the after-effects of what happened to his Cambodian family as “an unending desolation.” Ever since the Khmer Rouge were driven from power in 1979 and he survived as a teenager, he has not stopped thinking about his family and trying to understand Comrade Duch, a man Rithy regards as “The Commandant of the Killing Fields." Mao and Stalin, Nazism and the Nurenberg Trials, and The Hague all hover at the edges of Rithy’s consciousness. He describes dispossession; dehumanization beginning with the annulment of names; demonization of education and traditional notions of culture; deportation; slow starvation; corruption; terror; torture and language itself. Rithy Panh is a documentary filmmaker and reading The Elimination is an act of witness by both writer and reader.
From the internationally acclaimed director of S-21: The Khmer Rouge Killing Machine, a survivor’s autobiography that confronts the evils of the Khmer Rouge dictatorship
Rithy Panh was only thirteen years old when the Khmer Rouge expelled his family from Phnom Penh in 1975. In the months and years that followed, his entire family was executed, starved, or worked to death. Thirty years later, after having become a respected filmmaker, Rithy Panh decides to question one of the men principally responsible for the genocide, Comrade Duch, who’s neither an ordinary person nor a demon—he’s an educated organizer, a slaughterer who talks,…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
My family and I were among those prioritized for admission to the United States during the Cold War—a migration I discussed in my first book, Havana, USA. Not all who seek refuge are as fortunate, however. Less than one percent of refugees worldwide are ever resettled in the top resettlement nations like the United States. My scholarship examines how US refugee policy has evolved in response to humanitarian, domestic, and foreign policy concerns and agendas.
Espiritu’s book is a foundational text in critical refugee studies, an interdisciplinary field of academic inquiry that underscores the agency and resilience of refugees rather than their status as objects of rescue.
Histories of refugee policy often downplay the role resettlement nations have played in the displacement of the populations they resettle. Espiritu reminds us that US militarism in southeast Asia contributed to the forced migration of hundreds of thousands of people, many of whom were then forced to seek refuge in the United States and its territories. Their “rescue” cannot ever legitimize or justify the militarism that produced their displacement.
Espiritu’s examination of Vietnamese displacement is especially important for its discussion of the politics of memory and the commemoration of the Vietnam War.
Body Counts: The Vietnam War and Militarized Refuge(es) examines how the Vietnam War has continued to serve as a stage for the shoring up of American imperialist adventure and for the (re)production of American and Vietnamese American identities. Focusing on the politics of war memory and commemoration, this book retheorizes the connections among history, memory, and power and refashions the fields of American studies, Asian American studies, and refugee studies not around the narratives of American exceptionalism, immigration, and transnationalism but around the crucial issues of war, race, and violence - and the history and memories that are forged in…
