Books like Author Unknown

I was blown away by this book because it spoke to my own efforts to find voices from the past that had been silenced, sometimes for centuries, by those who did not want certain stories to be told. Sometimes, the silencing was by legal suppression or even outright murder.

We’ve all heard that history is written by the winners, but how often do we think about the libraries and archives that are created by the winners, and how often the losers’ stories are kept out of these repositories? Even when scattered evidence is found, it is usually ignored, not only by the historians who write the approved versions of the past but also by the readers who fail to recognize inconvenient truths when they are confronted by them.

This book told me a lot about both its heroine, Henrietta Wood, and its author, Caleb McDaniel. From an obscure 19th-century newspaper article mentioning a court case in Ohio, McDaniel learned of a female slave from Kentucky who had been freed in Cincinnati, kidnapped, and illegally sold back into slavery, and who, after the Civil War, returned to successfully sue for damages the men who had kidnapped and re-enslaved her.

Both the heroine and the author are untiring in their efforts to get to the truth and to convey that truth to a wider audience. I was impressed with McDaniel’s willingness to share with his readers his doubts and fears about recovering this story, and equally impressed by his efforts, successful in the end, to match the determination of Henrietta Wood.

I’ve been hearing about Cynthia Ann Parker since I was a child growing up in the part of northern Texas once ruled by her Comanche captors–and her Comanche compatriots! Captured as a child by Comanche raiders at the Parker family’s frontier compound at the time of the Texas Revolution, Cynthia Ann fully became a Comanche. She married a warrior, Peta Nocona, and together they had a son, “Quanah Parker,” who eventually became the most famous “Indian” in America.

I was amazed by the authors’ ability to penetrate the myths surrounding Cynthia’s recapture by Texas Rangers. Speaking virtually no English, she was desperate to return with her infant daughter to her Comanche family, but both of them died in captivity, being held now as sad, unwilling captives of the Texans.

When I recommended this book to a petroleum geologist, he later told me that it was probably the best book he had ever read–and he understood for the first time what historians actually do (and parenthetically, why the closest field to history in methodology is, in fact, geology).

I’ve also seen undergraduate students come alive intellectually by reading these lectures, given at Oxford by Gaddis as a visiting professor. They are full of remarkable insights into everything from human psychology to fractal geometry. Every chapter is an intellectual feast, showing the vast variety of the historian’s sources and methods.

This clever and funny book explains that there are specific techniques that make good writing sound good, or a pithy phrase stick in the mind, and tells you the long and difficult Greek (or slightly easier Latin) names for all these rules you kind of knew without actually knowing.

I can hardly retain any of the Greek labels, but I do remember the fun little examples, like why Oscar Wilde’s epigrams are so striking (antithesis) and how Shakespeare totally lifted part of Julius Caesar from a historian, but polished it up (alliteration). And whenever you hear a memorable three-part phrase, it was probably longer but everyone forgot the other bits (tricolon). 

This is not one for fans of utilitarian writing, but as Forsyth says, “To write for mere utility is as foolish as to dress for mere utility.”

I really liked Williams’ writing style. He is very clear, provides good examples, and is very careful in his argumentation.

I very much liked – and indeed borrowed – his strategy of summarizing the main arguments of each chapter. This is especially important since his book addresses a wide range of challenges in social science. I especially liked his discussion of how the variables we measure are never perfect proxies for the phenomena that we hope to understand.

I also liked his careful discussion of how social scientists need to be more reflective in their work. And I found his discussion of the nature of causation in social science deeply insightful.

I don’t remember how this book made it into my hands, but I am so glad it did! This book has made me a better scientist because it taught me scientific humility. Popper rips apart the very fabric of experimental science’s unique and most powerful tool, the scientific method.

When I taught students at MIT how to apply experimental analysis with the scientific method to establish that an observed effect was, in fact, caused by an identified factor, always in my head, I would hear the words of Popper. Past relationships between factors and effects are not necessarily maintained in the future. This understanding of the nature of the universe reveals the imperfections of science, which rarely proves the world’s truths but often does elucidate them.

Yes, this is a textbook, but if you are seeking a research design and methods text for psychology or a related discipline, this is easily my top choice.

There are lots of references to topical stories to keep everything relevant for students. There’s a truckload of valuable stuff online to support both teachers and learners. This fourth edition is right up-to-the-moment, Chapter 3 especially so, as it explains three types of scientific claims, and four types of validity that researchers should aim to achieve. That may sound forbidding, but Morling’s examples and explanations are pleasingly accessible.  

When I first read this book as a history student, it just blew my mind.

Keith Jenkins is an expert at criticizing the roots of historiography in the clearest but also most hilarious way. I learned so much about understanding historical texts and was excited by Jenkin’s urge to move historical thinking beyond narratives of good and evil.

Main lesson learned: Don’t take things too seriously, especially if they already happened!

The proverbial scientist at work conjures the image of a solitary investigator bent over a workbench cluttered with arcane instruments nestled among reams of scribbled notes just waiting to be transformed into creative answers to pressing questions about the natural world. The image's simplicity belies the complexity of the process it purports to represent. Adding descriptions of the what, how, and why of scientific inquiry, observation, and analysis still misses a crucial element that makes the improvement, dissemination, and acceptance of new knowledge possible, namely the active behind-the-scenes collaboration between scientists and the illustrators, photographers, printers, and other artisans who use visual representation to shape and successfully communicate that knowledge. 

Mapping the Spectrum is not just an exhaustive and illuminating history of spectrum analysis. In it, author Klaus Hentschel brilliantly exposes the essential role of visual culture in bringing this all-important tool of modern science to useful life. He has… show more.