Here are 100 books that The Eden Express fans have personally recommended if you like
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I’ve always been drawn to portal stories where a character is magically transported to another world. As a child, I loved Where the Wild Things Are. Now, as a parent, I can see how cleverly Maurice Sendak builds a fantasy around a core emotional truth. This fascination stayed with me through books like The Phantom Tollbooth and Alice in Wonderland. I believe there’s something very powerful about using fantasy worlds to explore the inner lives of characters.
This is utterly unique in the way Norton Juster is able to build a fantasy world out of words, logic, and math.
As a young adult, I loved the idea of receiving a magic tollbooth and driving into a magic world. But, immediately, I found the book challenging because Milo ends up in the doldrums (a word I had never heard before). This is not just a fantasy adventure, but a cautionary tale, a character study, and a world full of puns and puzzles.
Returning to the book as an adult, I was amazed at how seamlessly Juster puts it all together.
With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever.
“Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman
For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
This American classic by Pulitzer Prize-winning novelist, Larry McMurtry, is read by university students worldwide. It’s set in its own time of indulgent decadence where little value is placed on the lives of individuals met by Danny Deck, the sad-sack protagonist, who denigrates his published work to the point of tearing up a copy of the novel he carries with him before drowning his own sorry self in the river of the Rio Grande. Yet, Danny is as much at fault for the sloppy treatment of the company he keeps as his company is for being disingenuous.
What McMurtry calls normal life, or mundane happiness, through the voice of novelist Deck, is seen as obtainable if one wants to pursue the creative arts. His conclusion is that the two simply don’t mix. As he explores this idea in a higgledy-piggledy fashion, Deck sets about self-destructing, which has nothing to do…
Hailed as one of "the best novels ever set in America's fourth largest city" (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's "comic genius, his ability to render a sense of landscape, and interior intellection tension" (Jim Harrison, New York Times Book Review). Desperate to break from the "mundane happiness" of Houston, budding writer Danny Deck hops in his car, "El Chevy," bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable…
The concept of whether a woman can truly be the subject of her own life has always fascinated me. It was an invisible struggle I didn’t know I had. Until I set out to finish the 54 unmet dreams of my late father, whose life had been cut short in a car crash. It wasn’t until I looked at the world through main character lenses, the kind that just seem to come more naturally to men, that I was able to see myself truly. This is just one lesson from my book. If you’ve ever felt different, remember: you’re not. You just haven’t seen yourself as the main character yet. These books will guide you.
Before I was an author, I was primarily a national magazine copy editor, a job I finally scored after eight years of climbing up the magazine journalism ladder.
I wrote once in a while, but this mostly meant TV recaps by the time I was entrenched in magazines. But one day, an article about a safe-driving activist crossed my desk, and soon I was speaking with him in high schools.
Around the time I checked off “swim the width of a river” from my father’s bucket list, I also read Huckleberry Finn, as the setting seemed only right. I wrote a tribute to it in the second chapter of my book. My dad’s favorite author was Twain, but what I appreciated about him was that he wrote the novel as veiled propaganda. It’s a book that professes Twain’s anti-racism perspective. He just put his cause into a novel.
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
I have studied, worked, and lived in Taiwan, China, and Japan and am now a history professor at the University of South Alabama. I have skinny-dipped on Mount Tai, where Confucius said, "Climb Mount Tai and the world seems small," and at the Peach Blossom Spring, where the poet Tao Yuanming wrote of a lost society, untouched by the corruption and power-lust of his own day.
The “Knight Prisoner” Malory must have found the world a tough place to get along, and his collected work, which publisher William Caxton didn’t know what to make of, is a veritable bible of striving amidst chaos. From the early tale of “Balin or the Knight with Two Swords,” in which the hapless hero, involved in a fast-moving pursuit through a castle, unwittingly delivers the Dolorous Stroke, blighting the world, to the piteous tale of the “Morte d’Arthur,” in which the knights of the round table turn against each other, all is confusion. In between can be read “The Tale of Sir Gareth” and the story of La Cote Male Tayle, which seem identical – but are they? Why is everything so easy for Sir Gareth and so difficult for LCMT? The answer may very well provide the key to life itself. Be sure to read these stories in the…
This single-volume edition of the complete works of Sirhe Thomas Malory retains his 15th-century English while providing an introduction, glossary, and fifty pages of explanatory notes on each romance.
I have studied, worked, and lived in Taiwan, China, and Japan and am now a history professor at the University of South Alabama. I have skinny-dipped on Mount Tai, where Confucius said, "Climb Mount Tai and the world seems small," and at the Peach Blossom Spring, where the poet Tao Yuanming wrote of a lost society, untouched by the corruption and power-lust of his own day.
This is the funniest book I’ve ever read. The hero, Ebenezer Cooke, seeks to earn his estate in colonial Maryland, in spite of losing it by a misplaced act of justice (the Dolorous Stroke of the story). Nearly every important man he meets turns out to be his childhood tutor in disguise. Nearly all the women in the book are prostitutes. Pure mayhem.
This is Barth's most distinguished masterpiece. This modern classic is a hilarious tribute to all the most insidious human vices, with a hero who is "one of the most diverting . . . to roam the world since Candide."
"A feast. Dense, funny, endlessly inventive (and, OK, yes, long-winded) this satire of the eighteenth-century picaresque novel-think Fielding's Tom Jones or Sterne's Tristram Shandy-is also an earnest picture of the pitfalls awaiting innocence as it makes its unsteady way in the world. It's the late seventeenth century and Ebenezer Cooke is a poet, dutiful son and determined virgin who travels from…
In the 1960s, inspired by the civil rights and antiwar movements, the women's and environmental movements, and the counterculture, I became an activist and political organizer. Eventually, I called myself a revolutionary and helped found a militant underground organization. Out of anger and youthful naiveté, and being in too much of a hurry to think clearly, I made some superficial choices and did some things I now regret. Ever since, I have been hypersensitive to the nuances and contradictions in what motivates people to become radicals and to flirt with—or embrace—violence as a legitimate action.
Didion's inability to make sense of America in the fracturing, turbulent mid-century years struck me as spookily familiar.
Many of the essays in this collection are personal, about herself; she was a cool and incisive observer, not a participant. But the pervasive atmosphere of disaffection and alarm she depicts drove many, including me, to take enormous risks for ill-conceived reasons.
She profiles one dreamer who found it shockingly easy to abdicate responsibility for making delusional choices: Linda Kasabian, who joined the murderous Manson Family, conned by its leader's charisma, and his promises of love and some vague idyllic future, into forgetting that actions can have fatal consequences.
Joan Didion's hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties.
We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea.
In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson's girls. She and her reader emerge,…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I’ve always been drawn to family stories, from King Lear to Anna Karenina. The ties that bind us to family—however strained or frayed those ties might be—contain within their fibers the entire spectrum of human emotion. For a writer, this is fertile territory. I could contemplate endlessly the rivalry that exists between a pair of siblings, or the expectations a child has for their parent. Family dynamics are often kept private, which makes encountering them on the page even more thrilling. To be let in on the life of another, granted permission to bear witness to their secrets and innermost longings, is the rare gift that literature brings us.
Here we see Jonathan Franzen, the master of the family novel, at it again. Like all of Franzen’s books, this one is both hilarious and poignant. Though it tips the scale at nearly 600 pages, I blew through it in a day or two, amazed by Franzen’s plot-making abilities and his keen insights into the human condition.
Bonus points for The Corrections and Freedom, either of which could easily have made this list, too.
Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads.
It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Popularised as a 1960s counterculture book, its author, Brautigan, playfully breaks all the rules in a modern Dadaistic style of commentary which is a sort of stream of consciousness that verges on playful and purposeful madness. Thoughts of Lewis Carroll’s Through the Looking Glass come to mind when trying to make any sense of this author’s zany work here. In a word: trout? No trout. This is no commentary about fishing. It’s a mishmash of essay-like commentaries on an ‘on the road’ lifestyle which does occasionally mention fishing.
Richard Brautigan's wonderfully zany, hilarious episodic novel set amongst the rural waterways of America.
Here's a journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, wanders through the wonders of America's rural waterways and ends, inevitably, with mayonnaise. With pure inventiveness and free-wheeling energy, the counterpoint to all those angry Beatniks, Brautigan tells the story of rural America, and the hunt for a bit of trout fishing. Funny, wild and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration - of a country and a mind.
While volunteering in a psychotic disorder unit at a Montreal psychiatric hospital, I witnessed firsthand the extraordinary lives of people hospitalized for their symptoms. As their stories accumulated, I felt compelled to record them. What emerged was a stark indictment of society’s failure to see the human being behind experiences such as hearing voices, delusions, and hallucinations. Compounding this injustice is the persistent, misguided belief that psychosis and violence are intrinsically linked—they are not. My work became a mission: to reveal the humanity behind the diagnosis and to challenge the stigma, opening minds to the creativity, beauty, and love that exist in every person who has endured the profound exclusion of mental illness.
Robert Kolker's book tells the unforgettable story of the Galvin’s, a Colorado family with twelve children—six of whom were diagnosed with schizophrenia. Through meticulous reporting and sensitive interviews with two of the daughters, Kolker weaves together the family's history with the evolving science of schizophrenia research.
The book reveals the heartbreaking toll mental illness takes on individuals and families while offering hope through scientific advancements. It is both a family saga and a medical mystery, painting a profound portrait of violence, love, loss, and resilience in the face of unimaginable challenges. Kolker’s book underlined that mental illness is a combination of genetic heritability and environment.
#1 NEW YORK TIMES BESTSELLER • OPRAH’S BOOK CLUB PICK • ONE OF GQ's TOP 50 BOOKS OF LITERARY JOURNALISM IN THE 21st CENTURY • The heartrending story of a midcentury American family with twelve children, six of them diagnosed with schizophrenia, that became science's great hope in the quest to understand the disease.
"Reads like a medical detective journey and sheds light on a topic so many of us face: mental illness." —Oprah Winfrey
Don and Mimi Galvin seemed to be living the American dream. After World War II, Don's work with the Air Force brought them to…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
When my older sister died, I felt a pressing need to tell her story. Rachel was a strong, courageous woman, who endured decades in a psychiatric system that failed her. She was a survivor, but the stigma of severe mental illness made her an outcast from most of society. Even so, her enduring passion for poetry inspired me to write about her. I sought out other people’s stories. I enrolled in workshops and therapy. I devoured books and blogs by survivors, advocates, and family members. Everything I read pointed to a troubling rift between the dominant medical model and more humane, less damaging ones. This list represents a slice of my learning.
Before my sister became so ill, people used to say we looked alike. But ours was just a resemblance. In this novel, Dominick looks exactly like his brother, who has schizophrenia. Dominick encounters his identical twin every time he looks in a mirror. And he is terrified.
I first read this book 25 years ago and inhaled every one of the intertwined subplots in its 900 + pages. Recently, I re-read the “story within the story,” a memoir by Dominick’s grandfather. I became fascinated by his story about the Sicilian market where one chicken transforms into two whole ones—a bit of magical realism about twinning, schizophrenia, and hope. I too excavated old family documents to understand why my sibling suffered so much.
#1 New York Times Bestseller and Oprah Book Club selection
"Thoughtful . . . heart-wrenching . . . . An exercise in soul-baring storytelling—with the soul belonging to 20th-century America itself. It's hard to read and to stop reading, and impossible to forget." — USA Today
Dominick Birdsey, a forty-year-old housepainter living in Three Rivers, Connecticut, finds his subdued life greatly disturbed when his identical twin brother Thomas, a paranoid schizophrenic, commits a shocking act of self-mutilation. Dominick is forced to care for his brother as well as confront dark secrets and pain he has buried deep within himself—a journey…