Here are 100 books that The Ecology of Imagination in Childhood fans have personally recommended if you like
The Ecology of Imagination in Childhood.
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In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
Joseph Pearce picked me up while I was hitchhiking when I was about 20 years old, and the intense conversation we had that day changed my life. Magical Childis a landmark book that questioned our conventional thinking about parenting, childbirth practices, and the value of bonding our children with the natural world. Pearce provides an alternative model of child development with an emphasis on the child bonding with the earth matrix between about six and twelve years old. This bonding allows children to feel at home, independent, and secure in the natural world. This book inspired a lot of what I describe of my parenting in my own book.
Magical Child, a classic work, profoundly questioned the current thinking on childbirth pratices, parenting, and educating our children. Now its daring ideas about how Western society is damaging our children, and how we can better nurture them and ourselves, ring truer than ever. From the very instant of birth, says Joseph Chilton Pearce, the human child has only one concern: to learn all that there is to learn about the world. This planet is the child's playground, and nothing should interfere with a child's play. Raised this way, the Magical Child is a happy genius, capable of anything, equipped to…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
The course I took from Paul Shepard in college was one of the most thought-provoking courses I ever experienced. Find an image of the original cover of the book and you'll see what I mean—it's a strange synthesis of a post-modern bow hunter emerging from his paleo ancestor. Shepard contends that the key to understanding human happiness is recognizing that we are genetically hunters and gatherers living in a post-modern age. Reclaiming our hunting and gathering impulses will help us lead fuller lives. He does a fascinating job, in this book, of describing what hunting and gathering culture childhoods looked like and then suggesting how we should parent our children with these old genetic impulses in mind.
In what may be his boldest and most controversial book, Paul Shepard presents an account of human behavior and ecology in light of our past. In it, he contends that agriculture is responsible for our ecological decline and looks to the hunting and gathering lifestyle as a model more closely in tune with our essential nature. Shepard advocates affirming the profound and beautiful nature of the hunter and gatherer, redefining agriculture and combining technology with hunting and gathering to recover a livable environment and peaceful society.
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
Charles Eastman was born and raised as a Sioux native and wound up going to Boston University and becoming a physician, summer camp founder, national lecturer, and reformer. In the early 20th century, he was a prolific author and speaker on Sioux history. His description of Sioux childhoods illustrates both Shepard's portrait of traditional hunting and gathering childhoods and Pearce's portrait of bonding with the earth in middle childhood. His book provides guidance for parents who want their children to have more "wild" childhoods.
Charles Alexander Eastman (born Hakadah and later named Ohíye S'a) was a physician educated at Boston University, writer, national lecturer, and reformer. In the early 20th century, he was a prolific author and speaker on Sioux history and American Indian events. Any profits generated from the sale of this book will go towards the Freeriver Community project, a project designed to promote harmonious community living and well-being in the world. To learn more about the Freeriver project please visit the website - www.freerivercommunity.com
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
The Lord's Woods is a portrait of growing up on Long Island in the 1930s and 40s before suburbanization. It is a beautiful, compelling account of a boy's freewheeling exploration of the landscape without helicopter parents. Beyond the end of the road, he discovers an untrammeled world of fields, bird-filled forests, marshes, and abandoned buildings. He leaves in the morning and comes back at dusk. It's what natural childhoods used to be like. We should aspire to allow our own children to have "free range" childhoods as he had.
I was bullied as a child, both at home and in school. My parents always took my little sister’s side, and punished me. When I got bullied at school, my parents and teachers just told me to work harder on throwing a ball. My escape was books. I found it reassuring that kids in books who got bullied survived and learned and had fun in their lives even if they also had to deal with bullying.
Nico is a nature lover. At recess, he doesn’t always want to swing on the swings. Sometimes he wants to sit and watch ants carrying seeds to their anthills.
One day birds come up to him. He enjoys the birds. The other kids call him “bird boy.” He knows they are teasing him. He knows they are being mean. But he thinks about what the words mean. And he surprises himself by smiling.
After that, he not only watches birds, he pretends to be different birds. A few other children become fascinated by his imagination. They like him for who he is. Birds and all.
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Bird Boy
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4,
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What is this book about?
Take flight in this heartwarming story about a boy who learns to be true to himself at school while following his love of nature.
Nico was new, and nervous about going to school. Everyone knew what to do and where to go, but Nico felt a little lost.
So, he did what he loved to do: Watched the insects Sat in the grass And most importantly... befriended the birds.
Before he knew it, Nico was known as BIRD BOY. But Nico didn't mind. Soon, he made one friend, then two, as the other kids learned to appreciate Nico for who…
I never thought much about what makes our cities habitable until I started doing research for The Great Stink. But learning about sewers and wastewater treatment (They’re surprisingly interesting!) turned out to be the beginning of a fascination with other types of city infrastructure that I had previously ignored. Kids have a natural fascination for infrastructure of all kinds, but I was surprised when I couldn’t find any lists of picture books that group different types of city infrastructure together. So, I made one. I hope you and your little ones like these books as much as I did, and I hope you find many similar books to enjoy!
This was one of my favorite books of 2021. First published in South Korea (where it was a bestseller), I Am the Subway takes readers on a subway ride through Seoul, narrated by the subway itself. “I rattle and clatter over the tracks. Same time, same route every day. Carrying people from one place to another….” We see the passengers get on and off the subway. We hear the subway sounds–ba-dum, ba-dum– and we catch an intimate glimpse into the lives of the people who step on board. I Am a Subway is an unexpectedly beautiful meditation on the many people we cross paths with each day as we make our way through the city.
A cinematic journey through the Seoul subway that masterfully portrays the many unique lives we travel alongside whenever we take the train. A poetic translation of the bestselling Korean picture book.
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I was born into a large, unique family. Our house was nestled in the Colorado foothill mountains. Our small tv with the rabbit ear antenna had one fuzzy station, so we depended upon our imaginations for entertainment. We read fairy tales, performed puppet shows, fed fairies on the full moon, painted, drew, wrote stories, explored the canyon. I once observed a small pebbled cylinder inch its way across a puddle. I thought it was magic! It was a caddis fly larvae. That spark of excitement from nature, imagination, and whimsy are what inspire me today when I create. I hope these books will inspire you–or at least make you laugh.
The cover illustrations for The Green Umbrella captivated my attention. It shows a playful elephant holding a green umbrella floating in the rain, jumping through puddles. The world that elephant lives in feels both foreign and familiar. On his rainy day walk, he encounters a hedgehog, cat, bear, rabbit, who all claim the green umbrella as their own. Each of them using it for a delightfully inventive purpose. As in all great kids' books, the message of sharing is tenderly disguised. The painted collage illustrations are textured with gorgeous details.
A 2017 Bank Street Best Children's Book of the Year.
Mom's Choice Award - Gold
A 2017 Parents' Choice Silver Honor
Things aren’t always what they seem in this charming tale of imagination, sharing and friendship.
When Elephant takes a peaceful walk with his green umbrella, he’s interrupted by Hedgehog, Cat, Bear, and Rabbit—all claiming that they’ve had exciting adventures with his umbrella. After all, it is an umbrella, and it certainly hasn’t been on any adventures more exciting than a walk in the rain. Or has it?
Jackie Azúa Kramer and illustrator Maral Sassouni both…
I’ve always been an animal lover who's also interested in what makes different creatures tick: how they’ve evolved as living beings, where and how they exist, and what role any given one plays in our world at large. I also find bodies of water calming to gaze at, fun to splash in and sail on, and it’s intriguing to study them as ecosystems. Each type—from small transient sidewalk puddles to vast enduring seas—can support some form of animal life under the right circumstances. And, for me, the fact that we humans spend most of our time experiencing life on land makes marine life that much more mysterious and magical to learn and write about.
This adorable story revolves around Shawn, whose love for the majestic shark is so strong that he revels in learning all the things about its life and function in the sea.
When it’s time for his class to draw predator names for a project assignment, Shawn is devastated to wind up with the Leopard Seal instead of the Great White Shark that Stacy drew. Tensions flare between the two when Stacy refuses to trade predators.
The rest of the story unfolds as Shawn slowly realizes he can love sharks andseals, and that a really great thing about humans—like Stacy and him—is that they can figure out how to become friends with each other.
Shawn loves everything about sharks. He loves their dark, blank eyes and the way they can grab something tasty like a seal in just one bite. He loves sharks so much it's really all he thinks about, until Monday.
On Monday, Ms. Mitchell tells the class they may each pick one predator's name out of a bowl, and that is the animal they will learn about. Shawn wants to pick sharks so badly he almost falls out of his chair. But Shawn does not pick sharks.
When I first started in the field of strategy, all the cool kids were doing industry-level analysis. Order of entry, strategic groups, R&D intensity…anything you could get sufficient data about to run complex models was the order of the day. Those of us studying the ‘insides’ of corporations, particularly the process of innovation, were kind of huddled together for warmth! Today, strategy and innovation have come together in a remarkable way, but I find that most people still don’t understand the processes. One of my goals is to de-mystify the innovation process – these books will give you a great start in understanding the practices that are too bewildering for too many people.
This unusually formatted and provocative book delivers on its promise, which is that harnessing human imagination is a predictable, replicable process. Beginning with the first seeds of what gets our imaginations going (hint: when things aren’t chugging along as expected) to a recipe for how not to let those sparks die out as an idea becomes more mainstream, the book is chock full of examples, anecdotes, how to’s and more. And one of my favorite aspects of it is that it also has a multimedia guide to what BCG calls the “napkin gallery,” a virtual museum devoted to the earliest instances of some of the most important inventions ever commercialized.
A guide for mining the imagination to find powerful new ways to succeed.
We need imagination now more than ever-to find new opportunities, rethink our businesses, and discover paths to growth. Yet too many companies have lost their ability to imagine. What is this mysterious capacity? How does imagination work? And how can organizations keep it alive and harness it in a systematic way?
The Imagination Machine answers these questions and more. Drawing on the experience and insights of CEOs across several industries, as well as lessons from neuroscience, computer science, psychology, and philosophy, Martin Reeves of Boston Consulting Group's…
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.
I love the first-person narration in this book. It is believable and beautifully expressed. I also love the main character, Zoe’s, wonderful view of the world. I saw my younger self mirrored in her.
Like Zoe, I used my imagination to experience adventure. While alone, I found peace and security beneath the thick branches of trees. As a preteen, I felt ugly and weird and misunderstood more times than not. And like her, when someone came along who did understand and who also saw the world through a similar lens, how I rejoiced, but oh, how I grieved when that person moved on.
I rooted for Zoe throughout this fast-paced story, hoping that all in her wonderful world would remain intact.
Zoe Reindeer has a very big imagination, but in real life she considers herself 'just Zoe1 - not measuring up to her too perfect older sister and her smarty pants little brother. Truthfully, though, she'd rather just blend in with the plants at the family business, Doc Reindeer's Exotic Plant Wonderland. That is until a tall astronomer from Madagascar comes into the nursery looking for a Baobab tree, and starts a ball rolling that makes Zoe long for real adventures, not just imaginary ones. When her family is suddenly forced to relocate, they find themselves heading to a place reindeer…