100 Books like The Ecology of Imagination in Childhood

Joseph Pearce picked me up while I was hitchhiking when I was about 20 years old, and the intense conversation we had that day changed my life. Magical Child is a landmark book that questioned our conventional thinking about parenting, childbirth practices, and the value of bonding our children with the natural world. Pearce provides an alternative model of child development with an emphasis on the child bonding with the earth matrix between about six and twelve years old. This bonding allows children to feel at home, independent, and secure in the natural world. This book inspired a lot of what I describe of my parenting in my own book. 

The course I took from Paul Shepard in college was one of the most thought-provoking courses I ever experienced. Find an image of the original cover of the book and you'll see what I mean—it's a strange synthesis of a post-modern bow hunter emerging from his paleo ancestor. Shepard contends that the key to understanding human happiness is recognizing that we are genetically hunters and gatherers living in a post-modern age. Reclaiming our hunting and gathering impulses will help us lead fuller lives. He does a fascinating job, in this book, of describing what hunting and gathering culture childhoods looked like and then suggesting how we should parent our children with these old genetic impulses in mind. 

Charles Eastman was born and raised as a Sioux native and wound up going to Boston University and becoming a physician, summer camp founder, national lecturer, and reformer. In the early 20th century, he was a prolific author and speaker on Sioux history. His description of Sioux childhoods illustrates both Shepard's portrait of traditional hunting and gathering childhoods and Pearce's portrait of bonding with the earth in middle childhood. His book provides guidance for parents who want their children to have more "wild" childhoods. 

The Lord's Woods is a portrait of growing up on Long Island in the 1930s and 40s before suburbanization. It is a beautiful, compelling account of a boy's freewheeling exploration of the landscape without helicopter parents. Beyond the end of the road, he discovers an untrammeled world of fields, bird-filled forests, marshes, and abandoned buildings. He leaves in the morning and comes back at dusk. It's what natural childhoods used to be like. We should aspire to allow our own children to have "free range" childhoods as he had. 

Richly illustrated, this tender book depicts a conversation between a father and daughter; the promises he makes to her, the worries and reassurances, and the hopes and dreams. Oliver Jeffers books are always wonderfully unique and beautifully lyrical.

A father and daughter set about laying the foundations for their life together. Using their own special tools, they get to work; building memories to cherish, a home to keep them safe, and love to keep them warm. A heartfelt poignant story.

What shall we build, you and I? 

I’ll build your future and you’ll build mine. 

We’ll build a watch to keep our time. 

A child and his crayon bring a world to life. I can’t think of a better example of the power of the imagination. I was a slow reader throughout elementary school. I preferred books with lots of pictures instead of a lot of words. So, it’s no surprise that I fell in love with Harold and his purple crayon. This book inspired me to create drawings of my own… and eventually just as Johnson does in this classic picture book, I began to combine my drawings with words. I began telling stories. 

An unnamed imaginary friend waits and waits for a child to choose him; but when he has waited long enough, he sets out on an adventure into the real world to find his Alice. The sweetness of Alice and Beekle’s new friendship is heartwarming, made all the sweeter by the wait. Beekle won the Caldecott Medal, so it won’t surprise you that the illustrations are brilliant. Santat’s use of shadow and color is just mesmerizing.

This was one of my favorite books of 2021. First published in South Korea (where it was a bestseller), I Am the Subway takes readers on a subway ride through Seoul, narrated by the subway itself. “I rattle and clatter over the tracks. Same time, same route every day. Carrying people from one place to another….” We see the passengers get on and off the subway. We hear the subway sounds–ba-dum, ba-dum– and we catch an intimate glimpse into the lives of the people who step on board. I Am a Subway is an unexpectedly beautiful meditation on the many people we cross paths with each day as we make our way through the city. 

It’s Poland 1941, and Roza and her 5-year-old daughter Shira are hiding in a neighbor’s barn, and hoping beyond hope that they will remain safe, because the rest of their family has all been taken away. This is a lyrical read which many musical analogies since Shira is a musical prodigy. I loved this book because you are right there, staying silent, while trying to create a life with your daughter.  This was inspired by the true stories of hidden children during WWII and stayed with me long after. 

Nico is a nature lover. At recess, he doesn’t always want to swing on the swings. Sometimes he wants to sit and watch ants carrying seeds to their anthills.

One day birds come up to him. He enjoys the birds. The other kids call him “bird boy.”  He knows they are teasing him. He knows they are being mean. But he thinks about what the words mean. And he surprises himself by smiling.

After that, he not only watches birds, he pretends to be different birds. A few other children become fascinated by his imagination. They like him for who he is. Birds and all.