Books like The Dragon Warrior — picked by fans

Another middle grade fantasy, Eva Evergreen: Semi-Magical Witch, follows a young girl trying to prove herself even with a lack of magical ability.

Though away from her parents, Eva’s not alone. Her trusty companion throughout her journey to help the residents of Auteri and earn her title never leaves her side. And, what’s more, is her animal companion is one I hadn’t seen before reading this book—it's a flamefox.

The flamefox, better known as Ember, loves food but loves her person, Eva, more—something that will resonate with people who love pets (and people who just love, well, love)!  

The Keeper of Night’s protagonist Ren Scarborough is the epitome of a character trapped between two worlds. Half-British Reaper, half-Japanese Shinigami, Ren starts off the book living in London but never quite feels like she belongs there. When she travels to Japan for the first time, she finds out that Japan isn’t quite as she expected it and ends up getting tangled in the affairs of Yomi, the Japanese underworld. Although a bit on the darker side, this is a fantastic book for anyone interested in Japanese mythology, anyone who likes their fantasy a little on the dark side, and anyone who’s felt the frustration of never quite fitting in anywhere. 

Kiki manages her anxiety by drawing stories featuring her family ancestors, but when her sketchbook becomes a doorway into the world of Indian mythology, she’s dropped into a fight between a Hindu Goddess and a Demon King trying to escape into the real world. 

I love stories featuring kids who doubt themselves, but who learn they are strong and capable. Any kid struggling with anxiety will surely see themselves in Kiki. The adventure is fantastic, Mandanna’s writing is lovely, and Kiki and her friends are all easy to care about. Whether readers are new to Indian mythology, or they’ve already burned through the Aru Shah and Kiranmala stories—this is an exciting and expansive tale promising much more to come.

Everything about this book feels exquisite for me, from the rich worldbuilding, the slow burn romance, to the intricate magic system.

I rooted for the main characters from the beginning–a village girl in possession of forbidden magic, trying to protect her grandmother, and an exiled prince looking for vengeance. They start off as reluctant allies, but as they go through hardship and danger together, their relationship develops into something beautiful and meaningful.

I love how the story focuses on their personal growth, dealing with their past and coming to terms with what the future may hold for them.

We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.

But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.

In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today. 

RM is famous for steamy romance, but this book was a shift in a more literary direction.

I love the challenges Zale Rowen faces in his dogged attempts to find deadbeat dads in Chicago. His personal struggle is not so much biracial as it is emotional since his own father left him. 

The book is excellently written and is a definite page-turner for those who love suspense and want to discover who they are genetically and emotionally. RM is also a personal friend; his inspiration kick-started my fiction writing journey. 

Barack Obama’s father was part of the story of Kenya’s road to freedom, and yet his son, Barrack, hardly knew him. His father met Barack’s mother while on a scholarship to the USA but abandoned her and his son when he returned to Kenya in 1964 and became a senior economist in the Kenyan Ministry of Finance.

We researched his life when writing our book. My co-author, Nancy Mudenyo Hunt, is also of Luo ancestry. Her father attended Obama’s funeral. This memoir is a testimony to the struggle of children of mixed heritage to decide on their identity. I find it sad that the young Obama is identified by the father who left him and not by his mother who cherished him.

This book, justly honored with the Pulitzer Prize, surprised me with its formal range and intensity of experience.

Trethewey is celebrated as a chronicler of our collective history, but I was far more taken with the poems of personal history—and, more specifically, personal loss. The poems that examine the absence left by her mother’s untimely death are, to me, the defining poems of the book. These often exemplify her gift for presenting the most telling detail or selecting the word that will resonate on the broadest level.

Let me hone in on one poem, “Myth,” a recasting of the Orpheus story. What astonished me about this poem was the formal structure. It consists of two sections of nine lines, each arranged in terza rima stanzas. The second section rewrites the first half—in reverse! The effect is to convey the experience of descending into the darkness of the underworld and then… show more.

This book is a poignant portrayal of trauma, resilience, and the enduring quest for healing. Trethewey's memoir delves into the deeply personal aftermath of a crime, exploring themes of loss, memory, and the complexities of identity.

Her lyrical prose, emotional depth, and narrative richness resonated with me as I wrote my own true crime memoir, offering readers a profound exploration of the human spirit's capacity to confront tragedy and find moments of grace amidst adversity.

Oreo (originally published in 1974, then out of print, and finally repopularized by Harriette Mullen and republished in 2000), a satirical novel by Fran Ross, a journalist and, briefly, a comedy writer for Richard Pryor, is widely considered to be “before its time.” This aching and hilarious, experimentally structured story is about a girl, Oreo, with a Jewish father and a Black mother, who ventures to New York City to find her father only to discover there are hundreds of Sam Schwartzes in the phonebook, and then goes on a quest to find him.