Here are 100 books that The Doll's Alphabet fans have personally recommended if you like
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I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
Rose grows up in a working-class family in a town in Southern Ontario between the wars. She is good in school, makes it to university, marries the son of a department store owner, moves to Vancouver, divorces, becomes an actor, teaches acting, grows older, and returns to the town to take care of her stepmother.
These connected stories give us a picture of Rose’s life, but each is a masterpiece by itself. The Beggar Maid, about her marriage, has the most devastating yet subtle ending I have ever read: a precise flick with a small, very sharp knife. I read this first when I was fourteen and too young to comprehend it. Now, I reread it every few years and probably will for the rest of my life.
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
Previously published as 'The Beggar Maid', Alice Munro's wonderful collection of stories reads like a novel, following Rose's life as she moves away from her impoverished roots and forges her own path in the world.
Born into the back streets of a small Canadian town, Rose battled incessantly with her practical and shrewd stepmother, Flo, who cowed her with tales of her own past and warnings of the dangerous world outside. But Rose was ambitious - she won a scholarship and left for Toronto…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
A lower-middle-class girl grows up in provincial England, and we follow her from early childhood through middle age. That’s it. She has a few relationships, a few kids, and some friendships. She fights with her mother, she works, and she thinks about her life, but only in passing because she’s busy living.
The kind of book that’s not supposed to work, except it does. It was technically marketed as a novel but exists on the disputed border between connected short story collections and novels. Each section can be read by itself and is a world unto itself. This book is full of moments that express how strange it is to have consciousness, how we are caught, suddenly, in the midst of ourselves, unable to believe we are here.
An indelible story of one woman’s life, revealed in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britain’s leading literary lights—Tessa Hadley.
“Clever Girl is…what could be called a ‘sensibility’ novel—a story that doesn’t overreach, about a character who feels real, told in prose that isn’t ornate yet is startlingly exact. The effect is a fine and well-chosen pileup of experiences that gather meaning and power.”—Meg Wolitzer, New York Times Book Review
Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
This is Li’s first collection, a series of stories mostly exploring the lives of Chinese immigrants to the US, though some of the stories are set in China, where Li was born. Li is one of the greatest short story writers alive today, period. Part of her greatness is her profound understatement: the prose is disarmingly simple, hiding how brilliant it is.
Reading this collection is like a conjuring trick in which a familiar room becomes unfamiliar, but you aren’t sure how; you only know that the interior has altered. A standout: The Princess of Nebraska, in which a Chinese woman studying in the US goes for abortion care, supported by an older man. I use the opening paragraph of this story when I teach as a demonstration of how to convey, apparently without effort, every significant detail within the first page, except one crucial detail, which you could never…
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the…
Coyote weather is the feral, hungry season, drought-stricken, and ready to catch fire. It’s 1967, and the American culture is violently remaking itself while the country is forcibly sending its young men to fight in a deeply unpopular war.
Jerry has stubbornly made no plans for the future because he…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
She’s best known for her novel The Namesake, which was made into a film, and her first collection, The Interpreter of Maladies. They’re good. Read this one. As a side note, she also moved from the US to Italy, learned Italian, and began publishing in Italian. Her work has now been translated from Italian and back to English. This is, itself, astonishing. As is this book.
Again, this is technically a novel but reads, daringly, as short fiction. A woman, middle-aged, single, and childless, goes about her days in a large Italian city. She shops for groceries, chats with friends, thinks about her childhood, and thinks about aging. Each section is short, unadorned, perfect. You won’t believe how perfect. I love this book also because it’s so obviously “domestic fiction,” concerned with private life, with tiny moments of transition, but puts a solitary woman at the center. It is…
Exuberance and dread, attachment and estrangement: in this novel, Jhumpa Lahiri stretches her themes to the limit. The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues…
I’m an American-born cartoonist who’s been living and working in Montreal since 2015. My mother is from Quebec, and when I immigrated here I was looking to reconnect with my cultural roots. Reading graphic novels from here was a huge part of how I got to know my adopted community. I might be a bit biased, but I have to say Quebec has one of the world’s most vibrant comic arts scenes; a blend of American comic books mixed with Franco-Belgian bande dessinée. With more and more graphic novels from Quebec getting translated into English you’re sure to find something you’ll dig, whether you’re looking for slice-of-life or science fiction.
This raw, experimental, poetic, and challenging graphic memoir began as an exploration of the work of artist/writer Tove Jannson (the creator of the Moomin novels and comics), but Julie Delporte goes well beyond the confines of criticism or biography to examine deep and difficult questions of gender and the challenge of creating a space to exist as a woman in a world haunted by the legacy of traumas past and present. Delporte’s colored pencil artwork is disarming in its beauty and simplicity, and her spare, intimate insights will stay with you for years to come. An essential read for our times.
This Woman s Work is a powerfully raw autobiographical work that asks vital questions about femininity and the assumptions we make about gender. Julie Delporte examines cultural artefacts and sometimes traumatic memories through the lens of the woman she is today a feminist who understands the reality of the women around her, how experiencing rape culture and sexual abuse is almost synonymous with being a woman, and the struggle of reconciling one s feminist beliefs with the desire to be loved. She sometimes resents being a woman and would rather be anything but. Told through beautifully evocative coloured pencil drawings…
I’ve been obsessed with politics and social justice since I was a kid, have been writing professionally for over a decade, and have twice interviewed Alexandria Ocasio-Cortez. I wroteThe Rise of a New Left because I was covering a new generation of political candidates who were challenging old orthodoxies, and I was curious about the leftward shift in U.S. politics: where it came from, who was driving it, how deep it went, and how durable it might be. I try to convey a broader and more nuanced view of the American left and give young women and people of color the credit they deserve for reinvigorating it.
Crispin is funny, acerbic, trenchant, and a little bit mean. Her 2017 polemic takes contemporary feminism to task for what she sees as its feckless devolution from fervent, world-changing force to toothless irrelevancy. It’s a challenging read, especially for anyone who is, like me, a longtime feminist. But Crispin’s voice is fresh and compelling, and whether or not you agree with her entirely, her critique is impossible to ignore.
Outspoken critic Jessa Crispin delivers a searing rejection of contemporary feminism . . . and a bracing manifesto for revolution.
Are you a feminist? Do you believe women are human beings and that they deserve to be treated as such? That women deserve all the same rights and liberties bestowed upon men? If so, then you are a feminist . . . or so the feminists keep insisting. But somewhere along the way, the movement for female liberation sacrificed meaning for acceptance, and left us with a banal, polite, ineffectual pose that barely challenges the status quo. In this bracing,…
Homeless following the death of his adoptive parents in a car crash and the subsequent loss of their farm tenancy, Seb decides to enrol as a residential student at the Asklepios Foundation, a College of Natural Medicine, boasting a sanctuary modelled on an ancient Greek healing temple. Spending a night…
I am a historian who just spent over a decade writing the biography of the civil rights activist and feminist activist, Mary Church Terrell. I wrote two other history books before I wrote Unceasing Militant, my first biography. I so enjoyed writing it that I plan on writing another, this time on a black woman named Mary Hamilton who was a leader in the Congress of Racial Equality (CORE) in the 1960s. The authors I selected approached their biographies of black women with respect and critical compassion.
Benjamin’s Half in Shadowis an excellent exploration of the life of Nellie Y. McKay (1930-2006), a pioneering scholar of black women’s literature. Fearing it could damage her career in the academy, McKay declined to be caricatured as an older, divorced, black single mother of two children. So, she hid this from all her academic colleagues and friends, including her closest ones. The driving force of Benjamin’s book is trying to make sense of the private life and professional motivations of McKay’s choice to live her life “half in shadow.” Benjamin suggests that black women in the academy face similar pressures to achieve in and conform to predominantly white spaces in ways that do not easily allow them to bring their entire selves into the light.
Nellie Y. McKay (1930-2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making Norton Anthology of African American Literature with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay's life and legacy than her literary scholarship. After her passing, new details about McKay's life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay's path…
After bumping around newspaper journalism in my 20s, I wandered into a Ph.D. and then landed a great job at the University of Texas at Austin. Being a professor allowed me to explore any subject that seemed interesting, which resulted in books on environmental collapse, sexism and pornography, racism, foreign policy and militarism, religion, journalism and mass media, and critical thinking. Throughout this work, radical feminism has remained at the core of my philosophy. Andrea Dworkin captures this politics in a line from her novel Ice and Fire, “'I am a feminist, not the fun kind.” Such feminism may not always be fun, but it’s always important.
It’s a cliché, but the writing of Andrea Dworkin changed my life (often through painful internal struggle, but always for the better).
This is not her most well-known book, but this collection of essays and speeches was, for me, the most influential. Her speech “I Want a Twenty-Four-Hour Truce During Which There Is No Rape,” delivered to a men’s group in 1983, helped me understand that radical feminism was not a threat to men but a gift.
A few years before she died (far too young, at age 58, in 2005), I had a chance to meet her, and in the few hours of a shared car trip, I felt the loving spirit that motivated her work.
The nonconformist and social commentator discusses her experiences as a woman and a battered wife, her life of demonstrating, organizing, and addressing other women and the government, and the current state of the women's movement
As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
Unrecognised female labor is also the subject of this captivating non-fiction book by Hochschild, a sociologist drawing upon decades of research with fifty heterosexual couples in the Bay area. Hochschild is well-known for identifying ‘the second shift’ of childcare and domestic chores that working women often perform at home, on top of their professional commitment. This results in a rampant inequality of leisure time, and compounded with unequal pay in the workplace, exacerbates gender injustice in contemporary American society. But Hochschild also provides powerful examples of couples who counter-act this norm, while showing how individual attitudes towards gender and domestic responsibilities are influenced by class, ethnicity, and upbringing. Fascinating and illuminating.
An updated edition of a standard in its field that remains relevant more than thirty years after its original publication.
Over thirty years ago, sociologist and University of California, Berkeley professor Arlie Hochschild set off a tidal wave of conversation and controversy with her bestselling book, The Second Shift. Hochschild's examination of life in dual-career housholds finds that, factoring in paid work, child care, and housework, working mothers put in one month of labor more than their spouses do every year. Updated for a workforce that is now half female, this edition cites a range of updated studies and statistics,…
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I have loved animals since I was a child, and when I was in college, someone introduced me to the work of Cleveland Amory, who was a prominent arts critic for much of his life. But Amory also became one of this nation’s first full-time animal activists and, as I learned later, someone who abandoned a lucrative and high-profile writing career to focus on his work for animal rights and anti-cruelty causes. I wrote a biography of Amory and began to read about the passion, mindset, and single-minded determination of activists of all stripes and how many made great sacrifices to join movements that have changed our lives and mindsets.
This collection of essays by pioneering feminist Gloria Steinem introduces the reader to the roots of modern-day feminism and the specific challenges Steinem and others faced to obtain what we consider today to be simple rights.
This book combines history, biography, and sociology, and Steinem captivated me with her clear and concise writing style, wit, and dry sense of humor. In addition to recounting her own experiences (such as her assignment as a reporter to pose as a Playboy bunny), she tells the stories of such varied subjects as First Lady Pat Nixon, Marilyn Monroe, author Alice Walker, and others.
I read this book shortly after it was published in 1983, and I read it again in 2020; both times I was shocked at the every-day indignities women faced routinely, and I was repeatedly encouraged by the bravery of Steneim and others to take on the mostly-male “establishment.”