Here are 100 books that The Doll's Alphabet fans have personally recommended if you like
The Doll's Alphabet.
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I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
Rose grows up in a working-class family in a town in Southern Ontario between the wars. She is good in school, makes it to university, marries the son of a department store owner, moves to Vancouver, divorces, becomes an actor, teaches acting, grows older, and returns to the town to take care of her stepmother.
These connected stories give us a picture of Rose’s life, but each is a masterpiece by itself. The Beggar Maid, about her marriage, has the most devastating yet subtle ending I have ever read: a precise flick with a small, very sharp knife. I read this first when I was fourteen and too young to comprehend it. Now, I reread it every few years and probably will for the rest of my life.
**A BBC BETWEEN THE COVERS BIG JUBILEE READ PICK**
Previously published as 'The Beggar Maid', Alice Munro's wonderful collection of stories reads like a novel, following Rose's life as she moves away from her impoverished roots and forges her own path in the world.
Born into the back streets of a small Canadian town, Rose battled incessantly with her practical and shrewd stepmother, Flo, who cowed her with tales of her own past and warnings of the dangerous world outside. But Rose was ambitious - she won a scholarship and left for Toronto…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
A lower-middle-class girl grows up in provincial England, and we follow her from early childhood through middle age. That’s it. She has a few relationships, a few kids, and some friendships. She fights with her mother, she works, and she thinks about her life, but only in passing because she’s busy living.
The kind of book that’s not supposed to work, except it does. It was technically marketed as a novel but exists on the disputed border between connected short story collections and novels. Each section can be read by itself and is a world unto itself. This book is full of moments that express how strange it is to have consciousness, how we are caught, suddenly, in the midst of ourselves, unable to believe we are here.
An indelible story of one woman’s life, revealed in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britain’s leading literary lights—Tessa Hadley.
“Clever Girl is…what could be called a ‘sensibility’ novel—a story that doesn’t overreach, about a character who feels real, told in prose that isn’t ornate yet is startlingly exact. The effect is a fine and well-chosen pileup of experiences that gather meaning and power.”—Meg Wolitzer, New York Times Book Review
Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
This is Li’s first collection, a series of stories mostly exploring the lives of Chinese immigrants to the US, though some of the stories are set in China, where Li was born. Li is one of the greatest short story writers alive today, period. Part of her greatness is her profound understatement: the prose is disarmingly simple, hiding how brilliant it is.
Reading this collection is like a conjuring trick in which a familiar room becomes unfamiliar, but you aren’t sure how; you only know that the interior has altered. A standout: The Princess of Nebraska, in which a Chinese woman studying in the US goes for abortion care, supported by an older man. I use the opening paragraph of this story when I teach as a demonstration of how to convey, apparently without effort, every significant detail within the first page, except one crucial detail, which you could never…
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
She’s best known for her novel The Namesake, which was made into a film, and her first collection, The Interpreter of Maladies. They’re good. Read this one. As a side note, she also moved from the US to Italy, learned Italian, and began publishing in Italian. Her work has now been translated from Italian and back to English. This is, itself, astonishing. As is this book.
Again, this is technically a novel but reads, daringly, as short fiction. A woman, middle-aged, single, and childless, goes about her days in a large Italian city. She shops for groceries, chats with friends, thinks about her childhood, and thinks about aging. Each section is short, unadorned, perfect. You won’t believe how perfect. I love this book also because it’s so obviously “domestic fiction,” concerned with private life, with tiny moments of transition, but puts a solitary woman at the center. It is…
Exuberance and dread, attachment and estrangement: in this novel, Jhumpa Lahiri stretches her themes to the limit. The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues…
I’m an American-born cartoonist who’s been living and working in Montreal since 2015. My mother is from Quebec, and when I immigrated here I was looking to reconnect with my cultural roots. Reading graphic novels from here was a huge part of how I got to know my adopted community. I might be a bit biased, but I have to say Quebec has one of the world’s most vibrant comic arts scenes; a blend of American comic books mixed with Franco-Belgian bande dessinée. With more and more graphic novels from Quebec getting translated into English you’re sure to find something you’ll dig, whether you’re looking for slice-of-life or science fiction.
This raw, experimental, poetic, and challenging graphic memoir began as an exploration of the work of artist/writer Tove Jannson (the creator of the Moomin novels and comics), but Julie Delporte goes well beyond the confines of criticism or biography to examine deep and difficult questions of gender and the challenge of creating a space to exist as a woman in a world haunted by the legacy of traumas past and present. Delporte’s colored pencil artwork is disarming in its beauty and simplicity, and her spare, intimate insights will stay with you for years to come. An essential read for our times.
This Woman s Work is a powerfully raw autobiographical work that asks vital questions about femininity and the assumptions we make about gender. Julie Delporte examines cultural artefacts and sometimes traumatic memories through the lens of the woman she is today a feminist who understands the reality of the women around her, how experiencing rape culture and sexual abuse is almost synonymous with being a woman, and the struggle of reconciling one s feminist beliefs with the desire to be loved. She sometimes resents being a woman and would rather be anything but. Told through beautifully evocative coloured pencil drawings…
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Jo Carney’s book is a wonderful way of appreciating both Shakespeare and contemporary literature that responds to the themes he developed all those centuries ago. This study explores more recent adaptations published in the last decade whereby women—either authors or their characters—talk back to Shakespeare in a variety of new ways. Carney puts modern works such as Prospero’s Daughter, Desdemona, Hag-Seed, The Gap of Time, The Porpoise, Station Eleven, and Hamnetinto dialogue with the playsOthello, The Tempest, The Winter’s Tale, Pericles, andKing Lear. This beautifully written and very accessible book allows us to think about contemporary issues of sexual assault, gender expectations, and differences in new and very exciting ways as well as allowing readers to develop a new appreciation of Shakespeare.
This study explores more recent adaptations published in the last decade whereby women-either authors or their characters-talk back to Shakespeare in a variety of new ways.
"Talking back to Shakespeare", a term common in intertextual discourse, is not a new phenomenon, particularly in literature. For centuries, women writers-novelists, playwrights, and poets-have responded to Shakespeare with inventive and often transgressive retellings of his work. Thus far, feminist scholarship has examined creative responses to Shakespeare by women writers through the late twentieth century. This book brings together the "then" of Shakespeare with the "now" of contemporary literature by examining how many of…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I am a feminist political philosopher (yes, this is a job!). My superpower—and my training—is being able to see “through” public life to the values and arguments that animate it. I have been writing about the ideas behind feminist movements, especially movements in the global South, for almost 15 years. I am also a mom of color who thinks a lot about women’s labor.
Speaking of women’s labor, Verges, a French feminist theorist from the island of Reunion, opens this manifesto with a question that I think really gets to the heart of global feminist politics: “Who cleans the world?” This simple question, she argues, explains the fundamental connection between feminism and the other key struggles of our time—the fact that capitalism creates “invisible work and disposable lives.”
Starting from the lives of women in the global South, who are literally found cleaning up the waste of the global North, she reveals that feminism cannot be a fight for the women of the global majority unless it fights racial and economic inequality on a planetary scale. Verges also offers a compelling analysis of #metoo: opposition to gender-based violence cannot begin and end with a focus on individual perpetrators, nor can we allow it to become part of an agenda that criminalizes Black and brown…
'A vibrant and compelling framework for feminism in our times' - Judith Butler
For too long feminism has been co-opted by the forces they seek to dismantle. In this powerful manifesto, Francoise Verges argues that feminists should no longer be accomplices of capitalism, racism, colonialism and imperialism: it is time to fight the system that created the boss, built the prisons and polices women's bodies.
A Decolonial Feminism grapples with the central issues in feminist debates today: from Eurocentrism and whiteness, to power, inclusion and exclusion. Delving into feminist and…
We had money for a while when I was a kid in the Midwest and then, suddenly, we did not. I watched my world of opportunity change dramatically almost overnight, and my mother struggle to redefine herself as not only a mother but now also a breadwinner. It took time for me to understand that the questions I was asking then about gender and access to money weren’t unique to my life, or the lives of Midwestern white women; they got at some grand-scale problems that people had been writing about for a long time about gender and capitalism. Those are the works that helped me formulate my own memoir.
A hard-hitting work of theory that hinges heavily on Despentes’ personal experience in the worlds of punk and sex work, the French writer and filmmaker goes further than most in her demands for feminist solidarity. Brilliant, fun, and captivating, King Kong Theory sits alongside Paolo Freire, James C. Scott, and Emma Goldman in my personal pantheon of thinkers.
'I write from the realms of the ugly, for the ugly, the frigid, the unfucked and the unfuckables, all those excluded from the great meat market of female flesh, and for all those guys who don't want to be protectors, for those who would like to be but don't know how, for those who are not ambitious, competitive, or well-endowed. Because this ideal of the seductive white woman constantly being waved under our noses - well, I'm pretty sure it doesn't exist.'
Powerful, provocative and personal, King Kong Theory is a candid account of how the author of Baise-moi…
I left my hometown of Wauwatosa, Wisconsin, at age 18 to attend university in Manhattan, where I started my career in journalism and the media. Since then, I’ve lived in Berlin, Germany; Hong Kong; and now Copenhagen, Denmark, generally moving to advance my career and explore new worlds. Whenever you move to a new place and establish yourself in a new culture, there’s always a learning curve. Helping other women (and men!) adapt to their new environment is why I started the “How to Live in Denmark” podcast, which has now been running for more than 10 years.
One of the reasons I like this book is because the author is a man writing about a woman’s inner thoughts and, unusually, doing a very good job.
The time and place: London, the 1890s. Single women are known as “the odd women,” the leftovers. Dr. Rhoda Nunn starts a school to train these women in secretarial skills (back then, most secretaries were men) so that they won’t be dependent on relatives or forced into unhappy marriages. Rhoda herself is proudly unmarried and independent – until she meets an absolutely wonderful man. Will she give up her advocacy for “odd women” and marry the man she loves?
(Warning: this book is out of copyright, so shoddy rip-offs are being sold on Amazon. Make sure you get a legit copy.)
`there are half a million more women than men in this unhappy country of ours . . . So many odd women - no making a pair with them.'
The idea of the superfluity of unmarried women was one the `New Woman' novels of the 1890s sought to challenge. But in The Odd Women (1893) Gissing satirizes the prevailing literary image of the `New Woman' and makes the point that unmarried women were generally viewed less as noble and romantic figures than as `odd' and marginal in relation to the ideal of womanhood itself. Set in grimy, fog-ridden London, these…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I’m a novelist and a professor of black queer and feminist literature at Georgetown University. But the truth is, my connection to these books goes deeper than that. These books give me life. When I was a little girl, I spent more days than I can count scouring my mother’s small black feminist library in the basement of our home in Harlem, poring over the stories of girls like me: fat, black, queer girls who longed to see themselves written in literature and history. Now I get to create stories like these myself, and share them with others. It’s a dream job, and a powerful one. It thrills me every time.
This book is so expansive, Audre Lorde invented a whole new genre for it. She terms it “biomythography,” bringing together autobiography, mythology, fiction, poetry, and other forms of writing to tell her story of queer life.
I fell in love with Zamiin college back in the day and have been re-reading it ever since. From her childhood in 1930s and 40s Harlem to her coming out as the self-proclaimed fat black lesbian “warrior poet,” who would come to shape black feminism in the late 20th century and beyond, Zamicharts the life, loves, and transformative ideas of one of our most important writers.
Zamiis both muse and guide, showing us how the iconic feminist writer came to be, and how pleasure, power, creative expression, and community are indispensable to our own freedom today.
One of the BBC's '100 Novels That Shaped Our World'
If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive
A little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.