100 Books Like Beauvoir in Time

This is the Granddaddy of earthshattering, perspective-changing books: philosopher Michel Foucault’s nimble dissection of the rise and the role of sexuality in the Western world. Written, and surely meant to be read, more like a Homeric epic poem than an academic treatise, every single sentence in this book quivers with energy and perception. From pithy aphorisms like “The sodomite had been a temporary aberration; the homosexual was now a species”, to heady pronouncements such as ‘”Power relations are both intentional and nonsubjective”, this book is a gift that perpetually keeps on giving. Guaranteed to blow your mind.

Sigmund Freud tends to be lampooned these days as a cartoonish patriarch, but psychoanalysis is one of the few genuinely insightful theories that tries to understand why people frequently do things they can’t explain, don’t understand, or don’t even want to do. Social psychologist Michael Billig’s book starts out by noting that Freud considered his greatest discovery to be not the unconscious (as most people think), but repression – the series of activities that produce the unconscious. The book is a clearly-written, practical exploration of how repression is accomplished in day-to-day life. An example: “Each time adults tell a child how to speak politely, they are indicating how to speak rudely”. Think about that.

This slim volume by Toni Morrison is a spare, elegant meditation on how what is absent – from view, from awareness, from narrative (in this case, what she calls the “Africanist presence” in the literary imagination) – exerts a structuring influence on what is present. The prose is characteristically beautiful, but what keeps me coming back to this book is the luminous tenor of Morrison’s engagement with literature that many people find objectionable and even racist. Rather than dismiss, condemn, and cancel, Morrison wants to understand, engage, and gain insight. “My project arises from delight, not disappointment”, she says, and that truly shows.

As befitting the cheeky title, this book – about what it means to be, and to become, a gay man – is incisive, erudite, and a lot of fun to read. A pioneer of queer theory (and with this intervention, I suspect, a renegade from it), David Halperin is an unapologetic camp. He challenges received wisdom about how gay sensibility supposedly is misogynist, passé, irrelevant or dead, and his reflections on everything from Joan Crawford’s pizazz, to the current state of gay marriage, vacillate between being capacious and withering. “Sometimes I think homosexuality is wasted on gay people” he sniffs at one point, dispensing a delightful, and typically barbed, aperçu.

Don’t say you’re not a feminist until you’ve read this brilliant book. 

70 years ago, Simone de Beauvoir kick-started the gender revolution with her iconic, insightful analysis of how men perceive and relate to women and vice versa.

The book is, however, not written in a strident or angry style but hopeful–mostly. Indeed, not until 30 years after publication did de Beauvoir personally adopt the feminist label, even though she managed to write what is arguably the greatest feminist text ever. De Beauvoir aimed to empower women by waking them up to the realities of being the (inferior) ‘Other’ to men.

As de Beauvoir shows, gender identities are laden with myths but also the power to persuade, oppress, and enslave. Only by removing these myths from the mind and imagination can women achieve true freedom. An inspirational book for every thinking person–and as important today as it was… show more.

I love this memoir because Leslie Morgan is a wise, funny, articulate, sex-positive, feminist BFF, who shares her emotional and sexual journey in the year after divorce and before turning 50 with pride rather than shame as she renounces the drab ex-wife role, dresses alluringly, and dates wildly.

Writing about sex and dating can be a cliché-ridden minefield, but Morgan enlivens the highs, lows, and middles with metaphors that resonate and invite you into the scene. And it’s not just about sex – it’s about the emotional truths that she learns along the way as she demonstrates an enjoyable way for older women to reclaim their sexual mojo and feel valued as an older woman. 

Yuknavitch's prose is less a narrative and more a visceral experience. Reading it is like being caught in a riptide—disorienting, intense, and ultimately exhilarating. Her exploration of grief, sexuality, and survival doesn’t just skim the surface; it dives deep into the murky waters of human existence.

The raw honesty of her writing is both brutal and beautiful, making you feel like you’ve been handed the author’s very soul—scuffed, scarred, and utterly captivating.

I had been designing and delivering gender training for many years and was researching it for my Phd when this book came out. Its publication was akin to finding an oasis in a desert. Even though gender training has become, as the editors Maria Bustelo, Lucy Ferguson, and Maxime Forest point out in their introduction to this collection of essays, the most widely used tool for gender mainstreaming worldwide, remarkably little has been written about it.

This smart and expertly curated book is one of the first to fill this gap. Featuring writing by both professionals involved in gender training and academics researching it, it shows that the concerns of feminist pedagogy reach beyond formal education, into spheres of public policy through adult learning and training practices.

A grimdark fantasy in the tone of Abercrombie, Moss’s The Worthy is a brilliant debut that explores a fractious sibling relationship between brother and sister Prince Barsten and Princess Ailith, both of whom are battling to become heir to the kingdom of Crell. Ailith herself is hiding her lover, Lady Avalon, at the same time as trying to protect the kingdom when it quite literally begins to tear itself apart due to a mysterious magical entity. The book explores issues of patriarchal oppression, historic abuse and trauma, sexuality and homophobia. Despite the grim world and morally grey characters, I found myself drawn into this story because of the important themes it considered. 

This book not only inspired me to explore the world of memoirs but also pushed me to confront my own fear of honesty on the page.

It is easy to hide behind fiction, yet confronting the culture tied to your own trauma is another challenge entirely. This book left me shocked, tearful, joyous, and empowered, and I returned to it often during my writing process for its sheer bravery.