Here are 100 books that Who Do You Think You Are? fans have personally recommended if you like
Who Do You Think You Are?.
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I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
This book is an outlier in the sense that most of the stories dwell in the fantastic. Women shed their skins. A girl becomes hypnotized by a circle of light. An apparently ordinary vintage shop in Toronto’s Kensington Market has something unnerving in the back room.
But I love this book so much that I take every opportunity to recommend it. It’s still (in a heightened mode) expressing the deep strangeness of domestic life—what happens in the spaces we live in, what tensions or tragedies or irreconcilable conflicts result from small clashes between closely related people—in a way that seems to me like one of the things that fiction is for. This book is a hidden gem, like finding a secret compartment in an old desk.
Surreal, ambitious and exquisitely conceived, The Doll's Alphabet is a collection of stories in the tradition of Angela Carter and Margaret Atwood. Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark. In 'Unstitching', a feminist revolution takes place. In 'Waxy', a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In 'Agata's Machine', two schoolgirls conjure a Pierrot and an angel in a dank attic room. In 'Notes from a Spider', a half-man,…
Memory's Eyes: A New York Oedipus Novel
by
Cordelia Schmidt-Hellerau,
Memory's Eyes is a contemporary New York Oedipus novel. It is written for readers who enjoy playing with concepts and storylines, here namely the classical Oedipus myth, Sophocles' three Theban plays, the psychoanalytic concept of the Oedipus complex, and its pop-cultural adaptations in movies, cartoons, and jokes.
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
A lower-middle-class girl grows up in provincial England, and we follow her from early childhood through middle age. That’s it. She has a few relationships, a few kids, and some friendships. She fights with her mother, she works, and she thinks about her life, but only in passing because she’s busy living.
The kind of book that’s not supposed to work, except it does. It was technically marketed as a novel but exists on the disputed border between connected short story collections and novels. Each section can be read by itself and is a world unto itself. This book is full of moments that express how strange it is to have consciousness, how we are caught, suddenly, in the midst of ourselves, unable to believe we are here.
An indelible story of one woman’s life, revealed in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britain’s leading literary lights—Tessa Hadley.
“Clever Girl is…what could be called a ‘sensibility’ novel—a story that doesn’t overreach, about a character who feels real, told in prose that isn’t ornate yet is startlingly exact. The effect is a fine and well-chosen pileup of experiences that gather meaning and power.”—Meg Wolitzer, New York Times Book Review
Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through the…
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
This is Li’s first collection, a series of stories mostly exploring the lives of Chinese immigrants to the US, though some of the stories are set in China, where Li was born. Li is one of the greatest short story writers alive today, period. Part of her greatness is her profound understatement: the prose is disarmingly simple, hiding how brilliant it is.
Reading this collection is like a conjuring trick in which a familiar room becomes unfamiliar, but you aren’t sure how; you only know that the interior has altered. A standout: The Princess of Nebraska, in which a Chinese woman studying in the US goes for abortion care, supported by an older man. I use the opening paragraph of this story when I teach as a demonstration of how to convey, apparently without effort, every significant detail within the first page, except one crucial detail, which you could never…
Brilliant and original, A Thousand Years of Good Prayers introduces a remarkable new writer whose breathtaking stories are set in China and among Chinese Americans in the United States. In this rich, astonishing collection, Yiyun Li illuminates how mythology, politics, history, and culture intersect with personality to create fate. From the bustling heart of Beijing, to a fast-food restaurant in Chicago, to the barren expanse of Inner Mongolia, A Thousand Years of Good Prayers reveals worlds both foreign and familiar, with heartbreaking honesty and in beautiful prose.
“Immortality,” winner of The Paris Review’s Plimpton Prize for new writers, tells the…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
She’s best known for her novel The Namesake, which was made into a film, and her first collection, The Interpreter of Maladies. They’re good. Read this one. As a side note, she also moved from the US to Italy, learned Italian, and began publishing in Italian. Her work has now been translated from Italian and back to English. This is, itself, astonishing. As is this book.
Again, this is technically a novel but reads, daringly, as short fiction. A woman, middle-aged, single, and childless, goes about her days in a large Italian city. She shops for groceries, chats with friends, thinks about her childhood, and thinks about aging. Each section is short, unadorned, perfect. You won’t believe how perfect. I love this book also because it’s so obviously “domestic fiction,” concerned with private life, with tiny moments of transition, but puts a solitary woman at the center. It is…
Exuberance and dread, attachment and estrangement: in this novel, Jhumpa Lahiri stretches her themes to the limit. The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues…
I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.
What comfort library would be complete without Emily Henry?
I’ll read anything she writes, but Poppy and Alex’s love story is the stuff of my dreams. Friends to lovers, split timelines, and more yearning than I know what to do with Seamlessly blending humour and heart and set between Palm Springs, New York, Italy, and somewhere in the sedate American midwest, You and Me on Vacation was the antidote to my mid-lockdown claustrophobia.
I like to read my fluff on the treadmill – it keeps my brain more occupied than music or podcasts, so I’m less likely to remember how much I hate working out – and it was so delicious I found myself looking forward to time at the gym. A true feat.
Two friends. Ten trips. Their last chance to fall in love...
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'One of my favourite authors' Colleen Hoover, It Ends With Us 'A gorgeous romance' Beth O'Leary, The No-Show 'Loveable characters, hilarious wit and steamy sexual chemistry' Laura Jane Williams, Our Stop
*Also known as People We Meet On Vacation*
12 YEARS AGO: Poppy and Alex meet. They hate each other, and are pretty confident they'll never speak again.
11 YEARS AGO: They're forced to share a ride home from college and by the end of it a friendship is formed. And a pact: every year, one vacation together.…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Janet Smith was a young Scottish housemaid who was murdered in the home of her well-to-do employer in 1924. Never solved, the murder is one of the most celebrated crimes in Vancouver history, featuring political corruption, racial animosity, sex, drugs, and jazz. The book is a wonderful evocation of life in the city in the 1920s when it was emerging from world war and recession and finding its feet as a cosmopolitan community with pretensions to economic leadership. This is one of the first books I ever read about Vancouver history and it remains a favourite.
Literary Nonfiction. New Edition as part City of Vancouver's Legacy Book Project, with foreword by historian Daniel Francis. WHO KILLED JANEY SMITH? examines one of the most infamous and still unsolved murder cases in Canadian history: the 1924 murder of twenty-two-year-old Scottish nursemaid Janet Smith. Originally published in 1984, and out of print for over a decade, this tale of intrigue, racism, privilege, and corruption in high places is a true-crime recreation that reads like a complex thriller.
Anvil Press is pleased to be reissuing this title as part of the City of Vancouver's Legacy Book Project. This new edition…
The Oracle of Spring Garden Road
by
Norrin M. Ripsman,
The Oracle of Spring Garden Road explores the life and singular worldview of “Crazy Eddie,” a brilliant, highly-educated homeless man who panhandles in front of a downtown bank in a coastal town.
Eddie is a local enigma. Who is he? Where did he come from? What brought him to a…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
The secret of the title refers to the fact that Vancouver’s most famous landmark, Stanley Park, was home to many Indigenous people before they were dispossessed and removed from the park following the creation of the city. Jean Barman is one of British Columbia’s leading historians and she combines her skill as a researcher with many hours of conversation with descendants of the original families to write a path-breaking book. Reading it was a watershed moment in my own understanding of the city.
Finalist for 2006 BC Book Prize - Roderick Haig-Brown Regional Prize
Shortlisted for George Ryga Award for Social Awareness in B.C. Writing and Publishing
Each year, over eight million people visit Stanley Park, a 400-hectare (1000-acre) haven of beauty that offers a backdrop of majestic cedars and firs and an environment teeming with wildlife just steps from the sidewalks and skyscrapers of Vancouver. But few visitors stop to contemplate the secret past of British Columbia's most popular tourist destination.
Officially opened in 1888, Stanley Park was born alongside the city of Vancouver, so it is easy to assume that the…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A unique work of visual storytelling using maps created by the author that trace the evolution of this place defined by a major river, a natural harbour, and a backdrop of snowcapped mountains, decade by decade from Indigenous times through the 1980s.
Each map has detailed notes focusing on changes and developments and a two-page spread of the key players of each period.
Absolutely unique in its presentational style, Vancouver: A Visual History is a delightful and important book. This stunning, full-colour historical atlas brings to life Vancouver’s first fourteen decades, beginning with a map of the 1850s depicting the land use, economy and settlement patterns of its first peoples, and ending with a map of the 1980s.
Using a repeating grid format, in which each ten-year period of the city’s history is examined through the application of the same criteria, each decade is introduced by a full-colour map that illustrates land use patterns. A column of text to the left of this…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
Historic photos and maps weave a rich tale of the settlement of the
southwest corner of British Columbia, complementing Bruce MacDonald's
work with an extraordinary range of images, including of the
oft-overlooked suburbs and farming communities on Vancouver's doorstep.
Compared with MacDonald's maps, many of the images here are art—birds-eye views by artists from an era before people could fly and others that dream of a great, huge city when, in reality, it was a
collection of little cabins.
Map researcher and collector Derek Hayes here presents the sixth in a series of critically acclaimed, award-winning historical atlases. Gathered together in a single volume for the first time, here are the maps that shaped Vancouver and the surrounding Lower Fraser Valley. More than 370 original maps chart the region’s development beginning with the years of discovery and exploration. They depict its days as a fledgling colonial outpost, its appearance on the world scene after the arrival of the Canadian Pacific Railway, through to its emergence as a postwar Pacific metropolis. These maps evoke such historic events and developments as…
Crime is intrinsically interesting. From an early age, we’re taught behavioral norms. Hearing of transgressions, we ask, “How’d this happen?... Is it true?... What’s the deeper meaning?” Audiobooks also have a unique ability to engage us. With my reporting background plus a historical novel under my belt, I began researching the real-life case behind Takers Mad, aiming to bring it to life with the intimacy, suspense, and power of an audio drama. Then I was gobsmacked to find fresh evidence in this Gilded Age murder. Now, with Khristine Hvam’s ultra-talented narration, I hope our work entertains and also leads listeners to ponder vital questions—just like the best crime audiobooks.
Unspooled as an episodic series, Danielle Elliot traces the true story of one woman’s long-running nightmare in Vancouver. Police received hundreds of complaints about a stalker and then repeatedly arrived at shocking scenes. But authorities began to doubt the victim’s claims—until she was found dead. I’ve long admired the hard-boiled writing of Ross Macdonald and Margaret Millar, and I don’t think it is only the Canadian setting that makes Death by Unknown Event remind me of their work, but rather the psychological intrigue. Except the twisting plot of these 12 episodes is no work of fiction—sometimes life just can be that strange.
For seven years, Vancouver nurse Cindy James reported more than 100 separate incidents of harassment, ranging from threatening phone calls to home invasions to ritualistic assaults, including strangulations and stabbings. Canada’s Royal Mounted Police spent over a million dollars investigating her claims and found zero evidence of foul play, leading them to suspect she was making it all up. Then, in 1989, Cindy was found dead, bound and naked, half a mile from where her car was parked in a shopping mall. What happened to Cindy James remains one of the most bizarre and perplexing true crime stories in recent…
