Books like Who Do You Think You Are? — picked by fans

This book is an outlier in the sense that most of the stories dwell in the fantastic. Women shed their skins. A girl becomes hypnotized by a circle of light. An apparently ordinary vintage shop in Toronto’s Kensington Market has something unnerving in the back room.

But I love this book so much that I take every opportunity to recommend it. It’s still (in a heightened mode) expressing the deep strangeness of domestic life—what happens in the spaces we live in, what tensions or tragedies or irreconcilable conflicts result from small clashes between closely related people—in a way that seems to me like one of the things that fiction is for. This book is a hidden gem, like finding a secret compartment in an old desk. 

A lower-middle-class girl grows up in provincial England, and we follow her from early childhood through middle age. That’s it. She has a few relationships, a few kids, and some friendships. She fights with her mother, she works, and she thinks about her life, but only in passing because she’s busy living.

The kind of book that’s not supposed to work, except it does. It was technically marketed as a novel but exists on the disputed border between connected short story collections and novels. Each section can be read by itself and is a world unto itself. This book is full of moments that express how strange it is to have consciousness, how we are caught, suddenly, in the midst of ourselves, unable to believe we are here. 

This is Li’s first collection, a series of stories mostly exploring the lives of Chinese immigrants to the US, though some of the stories are set in China, where Li was born. Li is one of the greatest short story writers alive today, period. Part of her greatness is her profound understatement: the prose is disarmingly simple, hiding how brilliant it is.

Reading this collection is like a conjuring trick in which a familiar room becomes unfamiliar, but you aren’t sure how; you only know that the interior has altered. A standout: The Princess of Nebraska, in which a Chinese woman studying in the US goes for abortion care, supported by an older man. I use the opening paragraph of this story when I teach as a demonstration of how to convey, apparently without effort, every significant detail within the first page, except one crucial detail, which you could never… show more.

She’s best known for her novel The Namesake, which was made into a film, and her first collection, The Interpreter of Maladies. They’re good. Read this one. As a side note, she also moved from the US to Italy, learned Italian, and began publishing in Italian. Her work has now been translated from Italian and back to English. This is, itself, astonishing. As is this book.

Again, this is technically a novel but reads, daringly, as short fiction. A woman, middle-aged, single, and childless, goes about her days in a large Italian city. She shops for groceries, chats with friends, thinks about her childhood, and thinks about aging. Each section is short, unadorned, perfect. You won’t believe how perfect. I love this book also because it’s so obviously “domestic fiction,” concerned with private life, with tiny moments of transition, but puts a solitary woman at the center. It is… show more.

What comfort library would be complete without Emily Henry?

I’ll read anything she writes, but Poppy and Alex’s love story is the stuff of my dreams. Friends to lovers, split timelines, and more yearning than I know what to do with Seamlessly blending humour and heart and set between Palm Springs, New York, Italy, and somewhere in the sedate American midwest, You and Me on Vacation was the antidote to my mid-lockdown claustrophobia.

I like to read my fluff on the treadmill – it keeps my brain more occupied than music or podcasts, so I’m less likely to remember how much I hate working out – and it was so delicious I found myself looking forward to time at the gym. A true feat.

A road trip provides a reliable narrative structure. But what makes each journey distinct is what the travellers see, do and learn along the way. This charming, funny book follows Ruthie, a recently single, down-on-her-luck 38-year-old as she accompanies Kay (70s) across Canada from Prince Edward Island to Vancouver, where Kay’s son wishes her to relocate. Kay doesn’t want to move, but if she is going to Vancouver, she has a list of ‘last chances’ for her and Ruthie to experience along the way. And thus an improbable friendship begins. Told from Ruthie’s perspective, this book reminded me of how much there is to discover on a road trip—the places we see, the people we meet along the way, and the person the journey inspires us to become. 

Announced as an "urban encyclopedia," the late Chuck Davis's almost 900-page work covers history, culture, recreation, buildings, and events through the pens of myriad writers. Davis had a reputation for interesting anecdotes and for tying dates to places and events that make history fun and memorable, and he encouraged the writers (including myself) to do the same.

If you want to know about your neighbourhood's past, the background on Hollywood North, or the shipping industry, this book has all sorts of rabbit holes to explore.

The first chronological and comprehensive history of the city in about 50 years, this book covers the battles of the 1960s and 1970s to keep freeways out of the city and save Chinatown and nearby areas from urban renewal, saving a little of Vancouver's rich and diverse past as it awaited the onslaught of international development money that came with Expo '86. 

A unique work of visual storytelling using maps created by the author that trace the evolution of this place defined by a major river, a natural harbour, and a backdrop of snowcapped mountains, decade by decade from Indigenous times through the 1980s.

Each map has detailed notes focusing on changes and developments and a two-page spread of the key players of each period.

Purvey and Belshaw are a husband-and-wife team of academics who know how to spin a great story for a general audience. Their book is an account of the “noir era” in the city, roughly 1930 to 1960. It is inspired by the black and white photographs of crime scenes and shadowy streetscapes that appeared in the daily press of the period. Reading it is like revelling in an old gangster movie. Amply illustrated.