28 Books Like The Distortions

This memoir is one of the most compelling accounts of confronting trauma that I’ve ever read. In the case of the author, the traumas are multiple: fear of deportation due to her “illegal” status; years of sexual abuse by her paternal grandfather; and later in life, the discovery that she carries a gene that leaves her susceptible to breast and ovarian cancer. I was moved as I learned how Talusan found the words—both as a writer and as a daughter, a sister, an aunt, a romantic partner, and a citizen—to speak of these difficulties. Her writing about this journey is both spare and powerful, and it bears re-reading and deep reflection. Whenever I return to this book, I find inspiration.

I love the complex, nuanced way in which this novel explores the long-range consequences of a single tragedy: in the case of this book, the death of a young man who was on the edge of becoming a father. As we enter the perspectives of his sister, the mother of his child, and (in later years) his child, we learn how lives can be rebuilt in the aftermath of a loss, a time when survivors can feel hopelessly broken. We also learn how new—and sometimes unexpected—bonds can be formed. In other words, we see that tragedies can leave more than darkness in their wake. I took hope from this book, and it provided a refreshing perspective, especially in these troubling times.

This novel achieves something that, as a writer, I think is one of the hardest things to pull off: tackling troubling, emotionally fraught material yet finding moments to make readers laugh out loud. The novel’s protagonist, Alex, has plenty of challenges to deal with: the loss of her mother to an apparent drug overdose, a difficult relationship with her can’t-seem-to-grow-up brother, and an uncertain reconnection with an old flame. Through Alex, Michalski manages to both confront these challenges and find humor in them. As I read the book and thought of the difficulties in my own life, I considered how I needed to take a page from this character’s playbook. Another element that leavens the novel’s heavier material is a plot thread that will delight rom-com enthusiasts.

In every story in this heart-rending collection, the protagonists—all of them Indigenous people—are dealing with some of the most challenging circumstances that can be imagined: the tragic deaths of loved ones, the trials of trying to rebuild one’s life post-incarceration, and the fallout from substance abuse, to name just some of the difficulties the stories address. At the same time, most of the protagonists exhibit some form of resilience in response to these challenges, and I was deeply moved by the variety of this resilience, by the characters’ determination, and by Johnston’s insights into their experiences. I also love the ways in which the stories are connected by place: All of them unfold in Oklahoma, and Johnston brings their settings to life.

As I am of Bosnian heritage, I always love reading books about my culture.

The name Amra is very common in Bosnia and yet is very uncommon everywhere else, so it was a particular thrill for me to read a book by another Amra. This memoir is about Amra's experiences living under siege in Bihac during the Balkan War of 1992-1995 which gives an amazing insight into the hardship and heartbreak of war.

Maci, the cat that Amra and her family adopted who arrived at their town as a refugee, was such a beautiful soul and helped give Amra hope and fight for life, when it seemed that none was to be found.

The writing was beautiful and evocative. I keep seeing Maci in my mind's eye. I also have to say that the cover was absolutely stunning, and I loved the use of the image in the novel to… show more.

The book challenges the well-established and dominant narratives about the break-up of Yugoslavia and the Yugoslav wars of the 1990s that have been promoted both in the mainstream media and in academic publications over the past decades. Written by a pre-eminent contemporary American political philosopher, Michael Parenti, the book in many ways compliments Noam Chomsky’s perspectives on the region and the broader imperial policies toward it.  

In the summer of 1996, Ms. Brkic joined a Physicians for Human Rights forensic team in Eastern Bosnia to excavate the mass graves of the Srebrenica massacre. Ms. Brkic, who grew up in Northern Virginia, had family connections in the Balkans. Her grandmother, Andelka, was from Herzegovina, in a small village among limestone hills. The family survived the Second World War and the Communist takeover of their country. Her father escaped from Yugoslavia in 1959 and settled in America. 

Stone Fields juxtaposes the family story with the story of the summer Ms. Brkic spent on the forensic team in Tuzla and with her friends and relatives in Zagreb. The author portrays the many ways that people can lose their homes—through war, genocide, political oppression, emigration, family discord—with heartbreaking clarity, always aware of the dignity, as well as the tragedy, of the survivors’ lives.

An easily accessible overview of development and internal workings of the International Criminal Tribunal for the former Yugoslavia (ICTY) up to the first stages of the Milosevic trial. Hagan satisfied my interest in what happens behind the scenes: the struggles, losses, and triumphs of creating the first international war crimes court since Nuremberg and Tokyo. I found particularly illuminating his discussion of how an ICTY prosecution team developed the legal theory, supported by substantial evidence, of rape as an intentional strategy to further the goal of ethnic cleansing, for the first time making it a war crime in its own right. His explication of the tension between diplomacy (which often utilizes amnesty in seeking an end to conflict) and accountability (which seeks justice for victims and humanity) was thought-provoking.

Turning to a novel, here’s a story of a man who visits this fictional museum and sees the mementos and reads the letters of lost love. Far too many are to or by men who have caused others harm. This is not a grim story. It’s about the space that opens up for men to find a truer path to their hearts.

Ethnic and religious conflicts pitted Orthodox Serbians, Catholic Croatians, and Muslim Bosnians against each other and sparked the siege of Sarajevo. Set in the 1990s during the war, The Cellist of Sarajevo plunges the reader into the perspectives of three characters trying to survive ineffable violence in a city crippled by fear. A shell kills twenty-two civilians standing in a bread line. A cellist risks his life to sit in the crater forged by the mortar and play Albinoni’s Adagio once a day for twenty-two days. This novel demonstrates how dehumanization is used as a means to justify killing those on opposing sides. I visited the region a few years ago, and during a drive across Bosnia to visit Međugorje, a sense of deep sadness struck. The fallout of the war remains visible—weariness etched in people’s faces, bullet-riddled apartment blocks. But the sadness did make some room for hope. During… show more.