Here are 100 books that The Body Papers fans have personally recommended if you like
The Body Papers.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Throughout my childhood and young adulthood, I escaped an abusive real life by reading stories that transported me away. They were written by female authors who seemed to speak directly to me. By their example, they told me to be brave and strong. To keep learning. They taught that if I rose to the challenges that presented themselves, I too would end up triumphant like them.
Walls’ recounts her unconventional childhood marked by poverty, instability, and the eccentric choices of her parents.
The memoir offers an unflinching but often tender portrait of a deeply flawed family and the complicated bonds of love and loyalty. Walls’s voice is both clear-eyed and compassionate as she revisits her past.
Wanting to make sense of my own dysfunctional family, I reread this book several times.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I was born into a third-generation white South African family. I came to Europe at the age of 18 to pursue a career as a ballet dancer and became interested in liberation politics in the 1960s, working for some years for the Anti-Apartheid Movement in London. It almost goes without saying that Black Africans should be at the centre of books about Africa. In an era in which the slogan ‘Black Lives Matter’ has gained so much acceptance, it seems almost quixotic to focus on white Africans. However, this is a fascinating group of people who have made a notable contribution to the continent, winning thirteen of the twenty-eight Nobel Prizes awarded to Africans.
This memoir of Alexandra Fuller’s childhood is a hilarious take on her family’s experience of farming in Zimbabwe, Malawi, and Zambia in the 1970s and 1980s. It is a refreshing reminder of what it was like to live and grow up as a member of the white minority intent on remaining in power during a fast-changing, violent, and deeply unstable period in the history of southern Africa. It is a wonderful portrayal of some of the traumas of growing up with a witty, mad, and heavy-drinking mother who had to endure the unspeakable tragedy of losing a child, a chain-smoking father who farmed by day and fought terrorists by night, and a glamorous older sister. It is a book that keeps you laughing or crying the whole way through.
Shortlisted for the Guardian First Book award, a story of civil war and a family's unbreakable bond.
How you see a country depends on whether you are driving through it, or live in it. How you see a country depends on whether or not you can leave it, if you have to.
As the daughter of white settlers in war-torn 1970s Rhodesia, Alexandra Fuller remembers a time when a schoolgirl was as likely to carry a shotgun as a satchel. This is her story - of a civil war, of a quixotic battle…
When writing my memoir about serving in the Peace Corps, I knew with every keystroke I was opening myself up for public censure. The things that I needed to get down on paper were not pretty things; they did not show me in a favorable light. I also knew it was the only way to tell my tale. Honesty is compelling even (perhaps especially)when the truth is ugly. Female voices in contemporary literature are raw, messy, and unapologetic. The appeal of candid “femoir” is undeniable, as evidenced by runaway bestsellers in recent years (I’m looking at you, Eat, Pray, Love and Wild). Discover more hidden gems below.
An uproarious tell-all about blooming late, taking chances, and being vulnerable. In an effort to cope with the loss of a defining career and face down a lifetime of insecurities about her body, the author decides to tackle anything (self-exploratory-wise) that would normally send her screaming for the hills. Reluctantly but determinately, she takes the plunge into internet dating, professional cuddling, sensory deprivation, polyamory, Brazilian waxing, and more—all the while getting throat-punched by anxiety. Self-deprecating and ribald, Hameister’s anecdotes illustrate that sometimes pulling up one’s big girl panties can actually mean taking them off.
During the nine years Courtenay Hameister hosted NPR's Live Wire, she lived in a state of near-constant dread and anxiety and she didn't just fret about and fear her next radio show; she fretted about and feared everything.
Until about a year ago, when she decided to take arms against a sea of anxieties and by opposing... maybe not end them but at least become a little more adventurous, spontaneous and comfortable in her own skin. OKAY FINE WHATEVER tells the story of Courtenay's year-long fight against her own nature, which took the form of pushing herself to try new…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
When writing my memoir about serving in the Peace Corps, I knew with every keystroke I was opening myself up for public censure. The things that I needed to get down on paper were not pretty things; they did not show me in a favorable light. I also knew it was the only way to tell my tale. Honesty is compelling even (perhaps especially)when the truth is ugly. Female voices in contemporary literature are raw, messy, and unapologetic. The appeal of candid “femoir” is undeniable, as evidenced by runaway bestsellers in recent years (I’m looking at you, Eat, Pray, Love and Wild). Discover more hidden gems below.
This debut memoir is an absolute triumph. From teenage runaway, to bohemian hippie, to cross-continental cyclist, to lost soul, the author candidly invites us to journey with her through ebullient highs and devastating lows. In a surprising twist—while navigating the nadir of her odyssey—the author finds solace for her wandering soul in a harbor she least expects. This is, in essence, a story of finding salvation in arms everlasting.
A restless child of the 1960s, Marilyn yearns for love, hippiedom, and escape from her mother’s control. At 14, she runs nearly a thousand miles away to Vancouver, British Columbia, eventually landing herself in a Catholic home for troubled girls. At 16, she’s emancipated, navigating adulthood without a high school diploma, and craving a soulmate. When she falls in love with Jack, the grad student living next door, life finally seems perfect. The two embark on a cross-continental bicycle trip, headed for South America, but before they reach Mexico, Jack dies. Utterly shattered, Marilyn does the hardest thing she can…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
I love the complex, nuanced way in which this novel explores the long-range consequences of a single tragedy: in the case of this book, the death of a young man who was on the edge of becoming a father. As we enter the perspectives of his sister, the mother of his child, and (in later years) his child, we learn how lives can be rebuilt in the aftermath of a loss, a time when survivors can feel hopelessly broken. We also learn how new—and sometimes unexpected—bonds can be formed. In other words, we see that tragedies can leave more than darkness in their wake. I took hope from this book, and it provided a refreshing perspective, especially in these troubling times.
Melanie Henderson's life is a lie. The scandal of her birth and the identity of her true parents is kept from her family's small, conservative Colorado town. Not even she knows the truth: that her birth mother was just 14 and unmarried to her father, a local boy who drowned when he tried to take a shortcut across an icy river. Thirty-five years later, in Denver, Melanie dabbles in affairs with married men while clinging to a corporate job that gives her life order even as her tenuous relationships fall apart. She still hasn't learned that the woman who raised…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
Although the Yugoslav Wars (1991-2001) aren’t always addressed head-on in this sweeping and revelatory story collection, they haunt nearly every tale in the book. Collectively, the stories shed light on the varied human costs of war, and on how they can reverberate across time. The book has inspired me to learn more about the Yugoslav Wars, and it feels especially relevant in light of the Russia-Ukraine war, which also seems destined to have deep and lasting repercussions. As I read the stories, I considered how immersing us in the lives of those affected by wars can bring home these repercussions so much more effectively than, say, news accounts. I admire the breadth of this collection, which also includes thought-provoking stories about challenged romantic relationships, making art, and more.
In The Distortions we glimpse a pageant of characters struggling to understand their lives after the dissolution of Yugoslavia. Scarred by the last major war fought on European soil, the women and men of these stories question what such a violent past can mean in comfortable, capitalistic modern Europe. From London and Brooklyn and Norway, to the Blue Grotto of Biševo and the war-torn fields of Slavonia, this collection blends Yugoslavian and American stories of great emotional and geographical amplitude.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
This novel achieves something that, as a writer, I think is one of the hardest things to pull off: tackling troubling, emotionally fraught material yet finding moments to make readers laugh out loud. The novel’s protagonist, Alex, has plenty of challenges to deal with: the loss of her mother to an apparent drug overdose, a difficult relationship with her can’t-seem-to-grow-up brother, and an uncertain reconnection with an old flame. Through Alex, Michalski manages to both confront these challenges and find humor in them. As I read the book and thought of the difficulties in my own life, I considered how I needed to take a page from this character’s playbook. Another element that leavens the novel’s heavier material is a plot thread that will delight rom-com enthusiasts.
After her mother dies of an accidental overdose, Alex takes leave from her job as a writer for a Washington, DC, lifestyle magazine to return home to Maryland’s Eastern Shore. There, she joins her brother Owen, a study in failure-to-launch, in sorting out their mother’s whimsical and often self-destructive life.
Alex has proposed to her editor that while she is home she profile Juliette Sprigg, her former high school fling, owner of a wildly popular local restaurant, and celebrity chef in the making.
While working on the story and trying for a second chance with Juliette, Alex meets Carolyn Massey,…
All of my novels explore, in some way, how the characters are affected by trauma or loss, and how they respond to these difficulties over time. This comes partly from my impatience with the notion of “closure” and with the idea that we can ever truly find it after a traumatic event or a significant loss. I’m drawn to fiction and nonfiction that doesn’t shy away from the messiness of finding a way to live with these difficulties, or trying to. In addition to writing fiction, I’ve spent nearly ten years recommending novels and story collections through my Small Press Picks website.
In every story in this heart-rending collection, the protagonists—all of them Indigenous people—are dealing with some of the most challenging circumstances that can be imagined: the tragic deaths of loved ones, the trials of trying to rebuild one’s life post-incarceration, and the fallout from substance abuse, to name just some of the difficulties the stories address. At the same time, most of the protagonists exhibit some form of resilience in response to these challenges, and I was deeply moved by the variety of this resilience, by the characters’ determination, and by Johnston’s insights into their experiences. I also love the ways in which the stories are connected by place: All of them unfold in Oklahoma, and Johnston brings their settings to life.
In this collection of short stories that focuses on the modern-day experiences of Indigenous people living in Oklahoma, Johnston documents the quiet sorrow of everyday life as her characters traverse the normalized, heartbreaking rites of passage such as burying your grandfather, mother, or husband, becoming a sex worker, or reconnecting with your family after prison; the effects are subtle, yet loud, and always enduring. Whether Johnston's characters are coming of age and/or grappling with complex family dynamics, Johnston delivers the economy of loss and resilience that marks this post-colonial collection with biting, captivating prose that demands to be read from…
I’ve long been fascinated by how life unfolds from a single fertilized egg cell containing just one set of DNA, whether it’s a human, mouse, frog, worm, or anything else. While studying for my PhD in the Gurdon Institute in Cambridge, which combines brings together researchers working on development and cancer, and spending twelve years in science communication at Cancer Research UK, the world’s largest cancer research charity, I came to see cancer and development as two sides of the same coin: one process unfolding healthy life as egg becomes embryo, and the other ultimately bringing disease and death as a single cell grows into a deadly tumor.
I worked alongside Henry at Cancer Research UK for many years and was devastated by the news that his partner Zarah had developed bladder cancer. Part memoir, part scientific odyssey, Cross Everything captures the story behind her treatment and why it ultimately failed to save her life, and what lessons can be learned to help others in the future.
An extraordinary memoir that explores the further reaches of today's cancer science - alongside a deeply tender story of loss, grief and love.
'A moving, compelling and vital book, that sheds much needed light on the very latest understanding of cancer.' Siddhartha Mukherjee, author of The Emperor of All Maladies
'A gripping, heartbreaking, accessible personal journey through love and cancer' Charles Graeber, New York Times bestselling author of The Breakthrough
'Sensitive and informed. Essential reading for anyone supporting a loved one through cancer. Heartbreaking, emotional - and totally and utterly uplifting and hopeful.' Deborah James (@bowelbabe), writer and broadcaster
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I'm a death professional who lives in a world where nobody wants to talk about my specialist subject, so I hoover up any books that discuss mortality and our relationship to it. To do my job well, I need to face death on a daily basis in a matter-of-fact way, without losing that reverence, but equally not getting lost in the reverence because there is plenty to smile at, laugh at and be brutally honest about. These things make me the rounded human that is needed to perform the task well and the kind of people who write these books typically embody those qualities and inspire me. I hope they can inspire you too.
This will look like nepotism because Richard is a dear friend who provided a quote for my book cover, however I am mainly friends with him because we are of the same mind about most things, including death.
We both deal with it using a good dose of sarcasm and humour whilst also being big old existential softies who have our moments.
His book about his cancer diagnosis sees his coping mechanism of humour balanced with the honest sadnesses of potentially leaving behind young children who might forget him, before returning to humourous disapproval at his wife's imagined new man.
My own firmly held belief that you can't live well without the shadow of death also comes through as he starts to live better and healthier in recovery, thanks to his brush with the reaper.
'Very funny, moving and heartwarming' BOB MORTIMER
'A bollockbuster!' ADAM BUXTON
If we are cowardly, we are told to grow some If we're brave, we're said to have huge ones If it's cold, they are liable to fall off - even if you're a brass monkey If we're in trouble, someone will threaten to break them If we have to work hard, we might very well bust them If we're in somebody's thrall, then they've got us by them
About fifteen years ago, Richard Herring first took part in a campaign to encourage men to have a little (non-sexual) feel…